CAFFYN SPRINGS HIS MINE.
'I should like your opinion about those hangings in the Gold Room,'
Caffyn had said to Mabel, for the benefit of any bystanders, as soon
as he reached her chair: 'they seem to me the very thing for the
boudoir scene in the third act. You promised to help me; would it bore
you very much to come now?'
Tired as she was, Mabel made no demur. She knew, of course, that he
wished to speak to her alone, and she had something to say to him
herself, which could not be said too soon. He led her through the room
in question--a luxurious little nest, at an angle of the house,
entered by separate doors from the music-room and the head of the
principal staircase; but he did not think it necessary to waste any
time upon the hangings, and they passed out through one of the two
windows upon the balcony, which had been covered in with striped
canvas for the season.
He drew forward a seat for her and took one himself, but did not speak
for some time. He was apparently waiting for her to begin. A
_tête-à-tête_ with a man to whom one has just forbidden one's house is
necessarily a delicate matter, and, although Mabel did not falter at
all in her purpose, she did feel a certain nervousness which made her
unwilling to speak at first.
'As you leave me to begin,' he said, 'let me ask you if what your
husband has told me just now is true--that you have closed your own
door to me, and mean to induce Mrs. Langton to do the same?'
'It is true,' she replied in a low voice; 'you left me no other
course.'
'You know what the result of that will be, I suppose?' he continued.
'Mrs. Featherstone will soon find out that two such intimate friends
of hers will have nothing to do with me, and she will naturally want
to know the reason. What shall you tell her?'
'That is what I meant to say to you!' she answered. 'I thought I ought
in fairness to tell you--that you might, perhaps, take it as a
warning. If I am asked, though I hope I shall not be, I shall feel
bound to say what I know.'
'Do you think I can't see what you are aiming at in all this?' he
asked; and under his smooth tones there were indications of coming
rage. 'You have set yourself to drive me out of this house!'
'All I wish,' said Mabel, 'is to prevent you as far as I can from ever
tormenting Dolly again--I am determined to do that!'
'You know as well as I do that you will do much more than that. Mrs.
Featherstone does not love me as it is: your conduct will give her the
excuse she wants to get rid of me!'
'I can't help it,' she said firmly. 'And if Gilda is brought to see,
before it is too late, what things you are capable of, it would be the
best thing that could happen for her.'
'It would be more straightforward, wouldn't it, if you told her at
once?' he suggested with a slight sneer: 'it comes to very much the
same thing in the end.'
Mabel had had some searchings of conscience on this very point. Ought
she, she had asked herself, knowing what she knew of Caffyn's past, to
stand by while a girl whom she liked as she did Gilda deceived herself
so grossly? But of late a coldness had sprung up between Gilda and
herself which made it unlikely that any interference would be taken in
good part; and besides, there was something invidious in such a
course, to which she could not bring herself without feeling more
certain than she did that it was necessary and would be of any avail.
'If I was sure I should do the least good, I should certainly tell
her,' Mabel replied; 'but I hope now that it will not be necessary.'
He bit his lips. 'You are exceedingly amiable, I must say,' he
observed; 'but really now, why all this bitterness? What makes you so
anxious to see an obscure individual like myself jilted--and ruined?'
'Am I bitter?' said Mabel. 'I don't think so. You ought to know that I
do not wish for your ruin, but I can't help wishing that this marriage
should be broken off.'
'Ah!' he said softly, 'and may I ask why?'
'Why!' cried Mabel. 'Can you ask? Because you are utterly unworthy of
any nice and good girl--you will make your wife a very miserable
woman, Harold--and you are marrying Gilda for money and position, not
love--you don't know what love means, that is why!'
Even in the half-light which came from the shaded lamps in the room
within she looked very lovely in her indignation, and he hated her the
more for it--it was maddening to feel that he was absolutely
despicable and repulsive in the eyes of this woman, to whose fairness
even hatred itself could not blind him.
'You are unjust,' he said, bending towards her. 'You forget--I loved
_you_! I expected that,' he added, for she had turned impatiently
away; 'it always does rouse some women's contempt to be told of a love
they don't feel in return. But I did love you, as I suppose I never
shall love again. As for Gilda, I don't mind confessing that, on my
side at all events, there is no very passionate emotion. She is
handsome enough in her peculiar style, but then it doesn't happen to
appeal to me. Still, she will bring me money and position, and she
does me the honour (if I may say so without vanity) of caring very
decidedly for _me_--it is fair enough on both sides. What right have
you, what right has any one in the world, to interfere and make
mischief between us?'
'None, perhaps--I don't know,' she said. 'But I have told you that I
shall not interfere. All I am quite sure of is that I am right to
protect Dolly, and, if I am asked, to speak the truth for Gilda's
sake. And I mean to do it.'
'I have told you already what that will end in,' he said. 'Mabel, you
can't really be so relentless! I ask you once more to have some
consideration for me. We were old playmates together once, there was a
time when we were almost lovers, you did not always hate me like this.
You might remember that now. If--if I were to promise not to go near
Dolly----'
'I trusted you once before,' she said, 'you know how you repaid it. I
will make no more terms. Besides, even if I were silent, there are
others who know----'
'None who would not be silent if you wished it,' urged Caffyn,
eagerly. 'Give me one more chance, Mabel!'
'You have had my answer--I shall not change it,' she said: 'now take
me back, please, we have been here long enough.'
Caffyn had been anxious from motives of pure economy to try fair means
first, before resorting to extreme measures: he had tried irony,
argument, flattery, and sentiment, and all in vain. It was time for
his last _coup_. He motioned her to remain as she half rose.
'Not yet,' he said. 'I have something to say to you first, and you
must hear it--you have driven me to it.... Remember that, when I have
finished!'
She sank back again half quelled by the power she felt in the man.
From the streets below came up the constant roll of wheels and
'clip-clop' of hoofs from passing broughams, intermingled now and then
with shouts and shrill whistles telling of early departures from
sundry awning-covered porticoes around.
From the music-room within came the sound of waltz music, only
slightly muffled by doors and hangings: they were playing 'My Queen,'
though she was not conscious of hearing it at the time. In after-time,
however, when that waltz, with the refrain, part dreamy, part
passionate, which even battered brass and iron hammers cannot render
quite commonplace, became popular with street bands and piano-organs,
it was always associated for her with a vague sensation of coming
evil. Caffyn had risen, and stood looking down upon her with a
malignant triumph which made her shudder even then.
'Do you remember,' he said, very clearly and slowly, 'once, when you
had done your best to humiliate me, that I told you I hoped for your
sake I should never have a chance of turning the tables?'
He paused, while she looked up at him with her eyebrows drawn and her
lips slightly parted.
'I think my chance has come,' he continued, seeing that she did not
mean to answer, 'really I do. When I have told you what I am going to
tell you, all that pretty disdain and superiority of yours will vanish
like smoke, and in a minute or two you will be begging my silence at
any price, and you shall accept my terms!'
'I do not think so,' said Mabel, bravely: only her own curiosity and
the suggestion of some hidden power in the other's manner kept her
from refusing to remain there any longer.
'I do,' said Caffyn. 'Ah, Mabel, you are a happy woman, with a husband
who is the ideal of genius and goodness and good looks. What will you
say, I wonder, when I tell you that you owe all this happiness to me?
It's true. I watched the growth of your affection with the deepest
interest, and at the critical moment, when an unexpected obstacle to
your union turned up, it was I who removed it at considerable personal
sacrifice. Aren't you grateful? Well, between ourselves, I could
scarcely expect gratitude.'
'I--I don't understand,' she said.
'I am going to explain,' he rejoined. 'You have been pitying poor
Gilda for throwing herself away on a worthless wretch like me. Keep
your pity, you will want it yourself perhaps! Do you understand now? I
let you marry Mark, because I could think of no revenge so lasting and
so perfect!'
She rose quickly. 'I have heard enough,' she said: 'you must be mad to
dare to talk like this.... Let me go, you hurt me.' He had caught her
arm above her long glove, and held it tight for a moment, while he
bent his face down close to hers, and looked into her eyes with a
cruel light in his own.
'You shall not go till you have heard me out,' he said between his
teeth. 'You have married a common impostor, an impudent swindler--do
you understand? I knew it long ago ... I could have exposed him fifty
times if I had chosen! A few lines from me to the proper quarter, and
the whole story would be public property to-morrow--as fine a scandal
as literary London has had for ages; and, by Heaven, Mabel, if you
don't treat me decently, I'll speak out! I see you can't take my word
for all this. Perhaps you will take your husband's? Ask him if his
past has no secrets (there should be none between you now, you know):
ask him----'
He would have said more, but she freed herself suddenly from his grasp
and turned on him from the window. 'You coward,' she cried scornfully,
'I am not Dolly--you cannot frighten me!'
He was not prepared for this, having counted upon an instant surrender
which would enable him to dictate his own terms. 'I don't want to
frighten you,' he said sulkily: 'I only want you to see that I don't
mean to be trifled with!' He had followed her to the window, meaning
to induce her to return, but all at once he stepped back hastily.
'There's some one coming,' he said in a rapid undertone: 'it's Mrs.
Featherstone. Mabel--you won't be mad enough to tell her!'
'You shall see,' said Mabel, and the next moment she had taken refuge
by the side of her hostess, her eyes bright and her cheeks flushed
with anger. 'Mrs. Featherstone,' she said, almost clinging to her in
her excitement, 'let me go back with you, anywhere where I shall be
safe from that man!'
Caffyn was no longer visible, having retired to the balcony, so that
the elder lady was somewhat bewildered by this appeal, especially as
she did not quite catch it. 'Of course you shall go back with me if
you want to,' she said; 'but are you all alone here? I thought I
should find Mr. Caffyn. Where is he?'
'There, on the balcony,' said Mabel. 'It is no wonder that he is
ashamed to show himself!'
At this Caffyn judged it advisable to appear.
'I don't exactly know _why_ I should be afraid,' he said, with a
rather awkward ease. 'Are you going to publish our little quarrel,
Mrs. Ashburn? Is it worth while, do you think?'
'It was no quarrel,' retorted Mabel. 'Will you tell Mrs. Featherstone
what you dared to say to me, or must I?'
Mrs. Featherstone looked from one to the other with growing
uneasiness. It would be very awkward to have any unpleasantness in her
little company when the play was so far advanced. On the other hand,
she was not disposed to soften matters for a man she disliked so
heartily as Harold Caffyn.
'Mabel, dearest, tell me what it is all about,' she said. 'If he has
insulted you, he shall answer to me for it!'
'He insulted my husband,' said Mabel. 'I _will_ speak, Harold, I am
not afraid, though I know you have every reason to wish your words
forgotten. He said----'
Here Caffyn interrupted her: he had made up his mind the only thing he
could do with his secret now was to use it to spike the enemy's guns.
Mabel was rash enough to insist on an explanation: she should have it.
'One moment,' he said. 'If you still insist on it, I will repeat what
I said presently. I was trying to prepare Mrs. Ashburn for a very
painful disclosure,' he explained to Mrs. Featherstone--'a disclosure
which, considering my position in the family, I felt it would be my
duty to make before long. I could not possibly foresee that she would
take it like this. If you think a little, Mrs. Ashburn, I am sure you
will see that this is not the time or place for a very delicate and
unpleasant business.'
'He pretends that Mark is an impostor--that he knows some secret of
his!' Mabel broke in vehemently. 'He did not speak of it as he tries
to make you believe ... he threatened me!'
'Dear Mr. Ashburn, whom we all know so well, an impostor--with a
secret! You said that to Mabel?' cried Mrs. Featherstone. 'Why, you
must be mad to talk in that dreadful way--quite mad!'
'My dear Mrs. Featherstone, I assure you I'm perfectly sane,' he
replied. 'The real truth is that the world has been grossly deceived
all this time--no one more so than yourself; but I do beg you not to
force me to speak here, where we might be interrupted at any moment,
and besides, in ordinary consideration to Mrs. Ashburn----'
'You did not consider me very much just now,' she broke in. 'I have
told you that I am not afraid to hear--you cannot get out of it in
that way!'
Mabel was well enough aware that Mark was not flawless, but the idea
that he could be capable of a dishonourable action was grotesque and
monstrous to her, and the only way she could find to punish the man
who could conceive such a charge was to force him to declare it
openly.
Mrs. Featherstone's curiosity and alarm had been strongly roused. She
had taken up this young novelist, her name was publicly connected with
his--if there was anything wrong about him, ought she not to know it?
'My love,' she said to Mabel, taking her hands, 'you know I don't
believe a word of all this--it is some strange mistake, I am sure of
it, but it ought, perhaps, to be cleared up. If I were to speak to Mr.
Caffyn alone now!'
'I shall be very willing,' said Caffyn.
'No!' said Mabel, eagerly, 'if he has anything to say, let him say it
here--Mark must not be stabbed in the dark!'
'It's simply impossible to speak here,' said Caffyn. 'People may come
in at any moment through those doors as soon as this waltz is over.
Mrs. Featherstone will not thank either of us for making a scene.'
'The doors can be locked,' cried Mabel. 'There need be no scene. _May_
they be locked, dear Mrs. Featherstone? He has said too much to be
silent any longer: he _must_ speak now!'
Caffyn stepped lightly to the doors which opened into the music-room;
the key was on his side, and he turned it. The last notes of 'My
Queen' were sounding as he did so, they could hear the sweep and
rustle of dresses as the couples passed.
'We shall not be disturbed now,' he said, unable to quite conceal his
own inclinations: 'they are not likely to come in from the staircase.
If Mrs. Featherstone really insists on my speaking, I can't refuse.'
'Must I, Mabel?' asked the elderly lady, nervously; but Mabel had
turned towards the door leading to the staircase, which had just
opened.
'Here is Mark to answer for himself!' she cried, as she went to meet
him. 'Now, Harold, whatever you have to say against Mark, say it to
his face!'
Mark's entrance was not so opportune as it seemed; he had been
standing unnoticed at the door for some time, waiting until he could
wait no longer. He faced Caffyn now, unflinchingly enough to outward
appearance; but the hand Mabel held in a soft close clasp was
strangely cold and unresponsive.
Caffyn could not have wished for a better opportunity. 'I assure you
this is very painful to me,' he said, 'but you see I cannot help
myself. I must ask Mr. Ashburn first if it is not true that this book
"Illusion," which has rendered him so famous, is not his book at
all--that from beginning to end it was written by another. Is he bold
enough to deny it?'
Mark made no answer. Mabel had almost laughed to hear so preposterous
a question--it was not wonderful that he should scorn to reply.
Suddenly she looked at his face, and her heart sickened. Many
incidents that she had attached no importance to at the time came back
to her now laden with vague but terrible significance ... she would
not doubt him, only--why did he look as if it was true?
'Dear Mr. Ashburn,' said Mrs. Featherstone, 'we know what your answer
will be, but I think--I'm afraid--you ought to say something.'
He turned his ghastly face and haggard eyes to her and at the same
instant withdrew his hand from Mabel's. 'What would you have me say?'
he asked hoarsely. 'I can't deny it ... it is not my book ... from
beginning to end it was written by another.'
And, as he spoke the words, Vincent Holroyd entered the room.
His recent attack of faintness had left him so weak that for some time
he was obliged to remain in a little alcove on the staircase and rest
himself on one of the divans there.
His head was perfectly clear, however, and he had already perfected a
plan by which Mabel would be spared the worst of that which threatened
her. It was simple, and, as far as he could see, quite impossible to
disprove--he would let it be understood that Mark and he had written
the book in collaboration, and that he had desired his own share of
the work to be kept secret.
Mark could not refuse, for Mabel's sake, to second him in this
statement--it was actually true even, for--as Vincent thought with a
grim kind of humour--there was a good deal of Mark's work in the book
as it stood now. He grew feverishly impatient to see Mark and put his
plan into action--there must be time yet, Caffyn could not have been
such a villain as to open Mabel's eyes to the real case! He felt
strong again now; he would go and assure himself this was so. He rose
and, following the direction he had seen Mark take, entered the Gold
Room--only to hear an admission after which no defence seemed
possible.
He stood there just behind Mark, trying to take in what had happened.
There was Mrs. Featherstone struggling to conceal her chagrin and
dismay at the sudden downfall of her dramatic ambition; Mark standing
apart with bent head and hands behind him like a man facing a firing
party; Mabel struck speechless and motionless by the shock; and Caffyn
with the air of one who has fulfilled an unpalatable duty. Vincent
knew it all now--he had come too late!
Mrs. Featherstone made a movement towards him. 'Oh, Mr. Holroyd,' she
said, with a very strained smile, 'you mustn't come in, please:
we're--we're talking over our little play--state secrets, you know!'
Caffyn's smile meant mischief as he said: 'Mr. Holroyd has every right
to be here, my dear Mrs. Featherstone, as you'll allow when I tell you
who he is. He has too much diffidence to assert himself. Mr. Ashburn
has admitted that he did not write "Illusion:" he might have added
that he stole the book in a very treacherous and disgraceful way. I am
sorry to use words of this sort, but when you know all, you will
understand that I have some excuse. Mr. Holroyd can tell you the story
better than I can: he is the man who has been wronged, the real author
of "Illusion"!'
'I've done him a good turn there,' he thought; 'he can't very well
turn against me after that!'
A terrible silence followed his words; Vincent's brain whirled, he
could think of nothing. Mabel was the first to move or speak: she went
to Mark's side as he stood silent and alone before his accuser, and
touched his arm. 'Mark,' she said in an agonised whisper, 'do you
hear? ... tell them ... it is not true--oh, I can't believe it--I
won't--only speak!'
Vincent's heart swelled with a passionate devotion for her as she
raised her fair face, blanched and stricken with an agony of doubt and
hope, to her husband's averted eyes. How she loved him. What would
_he_ not have given for love like that? His own feelings were too true
and loyal, however, to wish even for a moment to see the love and
faith die out of her face, slain for ever by some shameful confession.
Was it too late to save her even now? His brain cleared suddenly--a
way of escape had opened to him.
In the meantime two newcomers had entered. Mr. Featherstone, hearing
voices, had brought up Mr. Langton, who had 'looked in' on his way
from the House, and for some time remained under the impression that
they had interrupted some kind of informal rehearsal. 'Still at the
theatricals, eh?' he observed, as he came in. 'Go on, don't let us
disturb you. Capital, capital!' 'Langton,' whispered the other,
pulling him back, 'they're--they're _not acting_--I'm afraid
something's the matter!' and the two waited to gather some idea of
what was happening.
Before Mark could reply, if he meant to reply, to Mabel's appeal,
Vincent had anticipated him. 'Mrs. Ashburn--Mabel,' he said, 'you are
right to trust in his honour--it is _not_ true. I can explain
everything.'
The instant joy and relief in her face as she clung fondly to Mark's
arm repaid him and gave him strength and courage to go on. Mark looked
round with a stunned wonder. What could be said or done to save him
_now_? he thought. Vincent was mad to try. But the latter put his
hand, as if affectionately, on his shoulder with a warning pressure,
and he said nothing.
'Do you mean,' said Caffyn to Holroyd, with an angry sneer, 'that I
told a lie--that you did _not_ write "Illusion"?'
'That was not the lie,' returned Vincent. 'I did write "Illusion." It
is untrue that Mr. Ashburn's conduct in the matter does him anything
but credit. May I tell my story here, Mrs. Featherstone?'
'Oh, by all means,' said that lady, not too graciously: 'we can't know
the facts too soon.'
'I wrote the book,' said Vincent, 'before I went out to Ceylon. I was
at the Bar then, and had thoughts of practising again at some future
time. I had a fancy (which was foolish, I dare say) to keep the fact
that I had written a novel a close secret. So I entrusted the
manuscript to my good friend, Mr. Ashburn, leaving him to arrange, if
he could, for its publication, and I charged him to keep my secret by
every means in his power. In fact, I was so much in earnest about it
that I made him give me his solemn promise that, if he could not
shield me in any other way, he would do so with his own name. I did
not really believe then that that would be necessary, or even that the
book would be accepted, but I knew Mr. Ashburn wrote novels himself,
and I hoped the arrangement would not do him any actual harm.'
Till then he had gone on fluently enough; it was merely a modification
of his original idea, with a considerable blending of the actual
facts, but he felt that there were difficulties to come which it
would require all his skill to avoid.
'I was detained, as you know, for more than a year in Ceylon, and
unable most of the time to write to England,' he continued. 'When I
came home, I found--I was told that the book had obtained a success
neither of us ever dreamed of: curiosity had been aroused, and Mr.
Ashburn had found himself driven to keep his promise. He--he was
anxious that I should release him and clear the matter up. I--I--it
was not convenient for me to do so just then, and I induced him--he
could hardly refuse, perhaps--to keep up the disguise a little longer.
We had just arranged to make everything known shortly, when Mr. Caffyn
anticipated us. And that is really all there is to tell about that.'
Throughout Vincent's explanation Caffyn had been inwardly raging at
the thought that his victims might actually succeed in escaping after
all. Forcing an indulgent laugh, he said, 'My dear fellow, it's very
kind and generous of you to say all that, and it sounds very pretty
and almost probable, but you can't expect us seriously to believe it,
you know!'
For an instant this remark appeared to produce a reaction; but it
vanished at Vincent's reply. His pale worn face flushed angrily as he
faced him.
'No one seriously expects _you_ to believe in such things as honour
and friendship!' he said contemptuously. 'I am going to deal with your
share in this now. Mrs. Featherstone,' he added, 'will you forgive me
if I am obliged to pain you by anything I may have to say? That man
has thought fit to bring a disgraceful charge against my friend
here--it is only right that you should know how little he deserves
credit!'
Secretly Mrs. Featherstone was only too glad to see Caffyn
discomfited, but all she did was to say stiffly, 'Oh, pray don't
consider my feelings, Mr. Holroyd!'
Vincent's indignation was enough in itself to make him merciless, and
then, as a matter of policy, he was determined to disable the enemy
to the utmost. Everything that had come to his knowledge of Caffyn's
proceedings he now exposed with biting irony. He told the story of the
letter, suppressed to all appearances out of gratuitous malice, and of
the cruel terrorism exercised over little Dolly; he showed how Caffyn
had tried to profit by his supposed discovery of the fraud, and how
Mark had studiously refrained from undeceiving him, and gave a
damaging description of the sordid threats and proposals he had
himself received that evening. 'This is the high-minded gentleman who,
acting under a keen sense of duty, has chosen to denounce Mr. Ashburn
just now,' he concluded.
The victory was won. Caffyn's face was livid as he heard him--he had
never foreseen such black ingratitude as this, and it upset all his
calculations. He still had his doubts, after so many careful
experiments, that the story of Vincent's was a fabrication, even
though it was not absolutely inconsistent with what he had observed,
and he could see no motive for shielding the culprit. But it was plain
that every one there believed it--Vincent's word would be taken before
his--he was thoroughly beaten.
No one had seen Gilda come in, but she had been standing for some time
with red eyes and flushed face by one of the windows, and in the
general stir which followed Vincent's explanation Mr. Featherstone
came up to her.
'Well,' he said, 'we've been treated to a very pretty story this
evening. This is the young gentleman you're going to give me for a
son-in-law, is it, Gilda? But of course you don't believe a word
against him!'
'I believe it all--and more!' she said with a passionate sob.
Caffyn turned to her. 'You too, Gilda!' he cried pathetically.
'You might have deceived me even after this,' she said, 'only--mamma
sent me to go and fetch you--I heard you out there on the balcony,
talking to Mabel, and--and I went out by the other window, this one,
and along the balcony to the corner----'
'And, in point of fact, you listened!' he said.
'Yes, I did,' she retorted, 'and I shall be glad of it all my life. I
heard enough to save me from you!'
She left him there and flew to Mabel, whom she embraced with a
remorseful hug.
'You darling!' she whispered, 'what a wicked fool I was ever to be
jealous of you--and about _him_. You will forgive me, won't you? And I
am so glad about poor dear Mr. Ashburn.'
Mr. Featherstone tapped Caffyn lightly on the shoulder.
'Well, Master Harold,' he said, 'have you got anything to say? With
all this suppressing, and plotting, and bullying, and threatening, and
the rest of it--it strikes me you have made a d----d fool of
yourself!'
The same idea had already occurred to Caffyn. He had been admirably
cool and cautious; he had devoted all his energies to securing Mabel's
marriage to Mark; he had watched and waited and sprung his mine with
every precaution--and he was the only person it had blown up! His
schemes had failed exactly like a common fool's--which was painful to
reflect upon.
'If I haven't,' he said with a slight grimace, 'I've been made to look
very like one.'
'You're more rogue than fool, after all,' observed the merchant, with
distressing candour; 'and, by the way, I'm rather particular about
getting all my correspondence, and I invariably prefer to burn my own
letters. I don't think my offices are quite the place for such a
gifted young fellow as you seem to be.'
'You mean I'm to go?' said Caffyn.
'I do,' was the reply. 'I never will have any one about me I can't
trust. I did think once--but that's over--you heard what my girl said
to you!--we'd better part now. I won't deny I'm sorry!'
'Not sorrier than I am, I'll swear!' said Caffyn, with a short laugh.
'Good-bye, Mrs. Featherstone,' he added to that lady, who stood by.
'_You're_ not sorry, are you? Gilda will be a duchess after all--now!'
And he left the house, feeling as he passed out that the very footmen
by the entrance knew of his discomfiture, and carrying away with him
for a lasting recollection Mabel's look of radiant happiness as she
heard Mark so completely vindicated.
'Revenge is sweet,' he thought bitterly, 'but I kept mine too long,
and it's turned devilish sour!'
'Well, my dear,' said Mr. Featherstone to his wife, 'you've been
leaving your other young people to their own devices all this time.
Wouldn't it be as well to go and look after them?'
The dancing had been going on in the adjoining room while all this was
taking place, now and then the doors had been tried by couples in
search of a cool retreat between the waltzes, but no one suspected
what important revelations were being made within.
Mrs. Featherstone was deeply mortified. It was true she had got rid of
a hated presence, but her play--which she had meant to make the
closing event of the season, and by which she had hoped to conquer one
or two of the remaining rungs of the social ladder--her play was
rendered impossible; this affair would get into the society papers,
with every perversion which wit or malice could supply--she would be
made thoroughly ridiculous!
'I'll go,' she said. 'I must get rid of everybody as soon as I
decently can--this shocking business has completely upset me.'
Mark and Vincent were standing together at the door, and as she passed
out she visited some of her pent-up displeasure upon them.
'Well, Mr. Ashburn and Mr. Holroyd,' she said, in tones that were
intended to sound playful, 'I hope you are quite contented with your
little mystification? Such a very original idea on both your parts,
really. How it must have amused you both to see me making such an
absurd exhibition of myself all this time. Seriously, though, I do
consider I have been very, _very_ shabbily treated--you might have
warned me as a friend, Mr. Ashburn, without betraying any one's
confidence! No, don't explain, either of you: I could not bear any
more explanations just now!'
Mr. Langton, as he followed her, took Mark out with him, and as soon
as they were alone gave full vent to his own indignation.
'I don't understand your conceptions of honour,' he said. 'Whatever
your duty might be to Vincent, you clearly had duties towards my
daughter and myself. Do you suppose I should have given her to you if
I had known? It just comes to this, and no sophistry can get over
it--you obtained my consent under false pretences?'
For he was naturally intensely humiliated by the difference these
disclosures must make in his daughter's position, and did not spare
his son-in-law. He said much more to the same effect, and Mark bore it
all without attempting a defence: he still felt a little stunned by
the danger he had passed through, and, after all, he thought, what he
had heard now was nothing to what might have been said to him!
Obeying a glance from Mabel, as the others followed Mrs. Featherstone
back to the music-room, Vincent had remained behind.
'When will you allow this to be generally known?' she asked, and her
voice had a strange new coldness which struck him with terror. Had she
seen through his device? Was it all useless?
'As soon as possible,' he answered gently. 'We shall see the
publishers to-morrow, and then all the details will be arranged.'
'And your triumph will come,' she said bitterly. 'I hope you will be
able to enjoy it!'
'Mabel,' he said earnestly, 'Harold Caffyn forced me to speak
to-night--surely you saw that? I--I did not intend to claim the book
yet.'
'Why didn't you claim it long ago?' she demanded. 'Why must you put
this burden on Mark at all? Surely your secret could have been kept
without that! But you came home and knew what a success Mark's (_your_
book, I beg your pardon--it is strange at first, you know)--what a
success your book had been, and how hard it was making his life for
him--he begged you then, you said, to take back his promise, and
you--you would not. Oh, it was selfish, Vincent, cruelly selfish of
you!'
His sole concern in making that hasty explanation had been to give it
an air of reasonable probability: he had never given a thought till
that moment of the light in which he was presenting his own conduct.
Now, in one terrible instant, it rushed upon him with an overwhelming
force.
'I--I acted for the best,' he said; and even to himself the words
sounded like a sullen apology.
'For _your_ best!' she said. 'The book will be talked of more than
ever now. But did you never think of the false position in which you
were placing Mark? What will become of him after this? People might
have read his books once--they will never read them now--they may even
say that--that Harold Caffyn may have been right. And all that is your
work, Vincent!'
He groaned within him at his helplessness; he stood before her with
bowed head, not daring to raise his eyes, lest he should be tempted to
undo all his work.
'I was proud of Mark,' she continued, 'because I thought he had
written "Illusion." I am prouder now--it is better to be loyal and
true, as Mark has been, than to write the noblest book and sacrifice a
friend to it. There are better things than fame, Vincent!'
Even his devotion was not proof against this last injustice; he raised
his head, and anger burnt in his eyes.
'You tell me that!' he cried passionately. 'As if I had ever cared for
Fame in itself! Mabel, you have no right to say these things to me--do
you hear?--no right! Have some charity, try and believe that there may
be excuses even for me--that if you could know my motives you might
feel you had been unjust!'
'Is there anything I don't know?' she asked, somewhat moved by this
outburst, 'anything you have kept from me?'
'No. You have heard all I have to say--all there is to tell,' he
admitted.
'Then I am not unjust!' she said; 'but if you feel justified in acting
as you have done, so much the better for you, and we shall do no good
by talking any more about it.'
'None whatever,' he agreed.
When he was alone that night he laughed fiercely to himself at the
manner in which his act of devotion had been accepted. All his
sacrifices had ended in making Mabel despise him for calculating
selfishness; he had lost her esteem for ever.
If he had foreseen this, he might have hesitated, deep and unselfish
as his love was; but it was done, and he had saved her. Better, he
tried to think, that she should despise him, than lose her belief in
her husband, and, with it, all that made life fair to her.
But altruism of this kind is a cold and barren consolation. Men do
good by stealth now and then, men submit to misconstruction, but then
it is always permitted to them to dream that, some day, an accident
may bring the good or the truth to light. This was a hope which, by
the nature of the case, Vincent could never entertain, and life was
greyer to him even than before.