CHAPTER IV.

MALAKOFF TERRACE.

After parting from Vincent at the end of Rotten Row, Mark Ashburn

continued his walk alone through Kensington High Street and onwards,

until he came to one of those quiet streets which serve as a sort of

backwater to the main stream of traffic, and, turning down this, it

was not long before he reached a row of small three-story houses, with

their lower parts cased in stucco, but the rest allowed to remain in

the original yellow-brown brick, which time had mellowed to a pleasant

warm tone. 'Malakoff Terrace,' as the place had been christened (and

the title was a tolerable index of its date), was rather less

depressing in appearance than many of its more modern neighbours, with

their dismal monotony and pretentiousness. It faced a well-kept

enclosure, with trim lawns and beds, and across the compact laurel

hedges in the little front gardens a curious passer-by might catch

glimpses of various interiors which in nearly every case left him with

an impression of cosy comfort. The outline of the terrace was broken

here and there by little verandahs protecting the shallow balconies

and painted a deep Indian-red or sap-green, which in summer time were

gay with flowers and creepers, and one seldom passed there then on

warm and drowsy afternoons without undergoing a well-sustained fire

from quite a masked battery of pianos, served from behind the

fluttering white curtains at most of the long open windows on the

first floor.

Even in winter and at night the terrace was cheerful, with its variety

of striped and coloured blinds and curtains at the illuminated

windows; and where blinds and curtains were undrawn and the little

front rooms left unlighted, the firelight flickering within on shining

bookcases and picture frames was no less pleasantly suggestive. Still,

in every neighbourhood there will always be some houses whose

exteriors are severely unattractive; without being poverty-stricken,

they seem to belong to people indifferent to all but the absolutely

essential, and incapable of surrounding themselves with any of the

characteristic contrivances that most homes which are more than mere

lodgings amass almost unconsciously. It was before a house of this

latter kind that Mark stopped--a house with nothing in the shape of a

verandah to relieve its formality. Behind its front railings there

were no trim laurel bushes--only an uncomfortable bed of equal parts

of mould and broken red tiles, in which a withered juniper was dying

hard; at the windows were no bright curtain-folds or hanging baskets

of trailing fern to give a touch of colour, but dusty wire blinds and

hangings of a faded drab.

It was not a boarding-house, but the home in which Mark Ashburn lived

with his family, who, if they were not precisely gay, were as

respectable as any in the terrace, which is better in some respects

than mere gaiety.

He found them all sitting down to dinner in the back parlour, a

square little room with a grey paper of a large and hideous design.

His mother, a stout lady with a frosty complexion, a cold grey eye,

and an injured expression about the mouth and brow, was serving out

soup with a touch of the relieving officer in her manner; opposite to

her was her husband, a mild little man in habitually low spirits; and

the rest of the family, Mark's two sisters, Martha and Trixie, and his

younger brother, Cuthbert, were in their respective places.

Mrs. Ashburn looked up severely as he came in. 'You are late again,

Mark,' she said; 'while you are under this roof' (Mrs. Ashburn was

fond of referring to the roof) 'your father and I expect you to

conform to the rules of the house.'

'Well, you see, mother,' explained Mark, sitting down and unfolding

his napkin, 'it was a fine afternoon, so I thought I would walk home

with a friend.'

'There is a time for walking home with a friend, and a time for

dinner,' observed his mother, with the air of quoting something

Scriptural.

'And I've mixed them, mother? So I have; I'm sorry, and I won't do it

again. There, will that do?'

'Make haste and eat your soup, Mark, and don't keep us all waiting for

you.'

Mrs. Ashburn had never quite realised that her family had grown up.

She still talked to Mark as she had done when he was a careless

schoolboy at St. Peter's; she still tried to enforce little moral

lessons and even petty restrictions upon her family generally; and

though she had been long reduced to blank cartridges, it worried them.

The ideal family circle, on re-assembling at the close of the day,

celebrate their reunion with an increasing flow of lively

conversation; those who have been out into the great world describe

their personal experiences, and the scenes, tragic or humorous, which

they have severally witnessed during the day; and when these are

exhausted, the female members take up the tale and relate the humbler

incidents of domestic life, and so the hours pass till bedtime.

Such circles are in all sincerity to be congratulated; but it is to be

feared that in the majority of cases the conversation of a family

whose members meet every day is apt, among themselves, to become

frightfully monosyllabic. It was certainly so with the Ashburns. Mark

and Trixie sometimes felt the silences too oppressive to be borne, and

made desperate attempts at establishing a general discussion on

something or anything; but it was difficult to select a topic that

could not be brought down by an axiom from Mrs. Ashburn, which

disposed of the whole subject in very early infancy. Cuthbert

generally came back from the office tired and somewhat sulky; Martha's

temper was not to be depended upon of an evening; and Mr. Ashburn

himself rarely contributed more than a heavy sigh to the common stock

of conversation.

Under these circumstances it will be readily believed that Mark's

'Evenings at Home' were by no means brilliant. He sometimes wondered

himself why he had borne them so long; and if he had been able to

procure comfortable lodgings at as cheap a rate as it cost him to live

at home, he would probably have taken an early opportunity of bursting

the bonds of the family dulness. But his salary was not large, his

habits were expensive, and he stayed on.

The beginning of this particular evening did not promise any marked

increase in the general liveliness. Mrs. Ashburn announced

lugubriously to all whom it might concern that she had eaten no lunch;

Martha mentioned that a Miss Hornblower had called that

afternoon--which produced no sensation, though Cuthbert seemed for a

moment inclined to ask who Miss Hornblower might happen to be, till he

remembered in time that he really did not care, and saved himself the

trouble. Then Trixie made a well-meant, but rather too obvious, effort

to allure him to talk by an inquiry (which had become something of a

formula) whether he had 'seen any one' that day, to which Cuthbert

replied that he had noticed one or two people hanging about the City;

and Martha observed that she was glad to see he still kept up his

jokes, moving him to confess sardonically that he knew he was a funny

dog, but when he saw them all--and particularly Martha--rollicking

round him, he could not help bubbling over with merriment himself.

Mrs. Ashburn caught the reply, and said severely: 'I do _not_ think,

Cuthbert, that either I or your father have ever set you the example

of "rollicking," as you call it, at this table. Decent mirth and a

cheerful tone of conversation we have always encouraged. I don't know

why you should receive a mother's remarks with laughter. It is not

respectful of you, Cuthbert, I must say!'

Mrs. Ashburn would probably have proceeded to further defend herself

and family from the charge of rollicking, and to draw uncomplimentary

parallels from the Proverbs between the laughter of certain persons

and the crackling of thorns under a pot, when a timely diversion was

effected by a sounding knock at the little front door. The maid put

down the dish she was handing and vanished; after which there were

sounds of a large body entering the passage, and a loud voice

exclaiming, 'All in, hey? and at dinner, are they? Very well, my dear;

tell 'em I'm here. I know my way in.'

'It's Uncle Solomon!' went round the table. They refrained from any

outward expression of joy, because they were naturally a quiet family.

'Well,' said Mrs. Ashburn, who seemed to put her own construction on

this reserve, 'and I'm sure if there is any table at which my only

brother Solomon should be a welcome guest, it's _this_ table.'

'Quite so, my dear; quite so,' said Mr. Ashburn, hastily. 'He was here

last week; but we're all glad to see him at any time, I'm sure.'

'I hope so, indeed! Go in, Trixie, and help your uncle off with his

coat,' for there were snorting and puffing signs from the next room,

as if their relative were in difficulties; but before Trixie could

rise the voice was heard again, 'That's it, Ann, thanky--you're called

Ann, aren't you? I thought so. Ah, how's the baker, Ann--wasn't it

the baker I caught down the airy now? _wasn't_ it, hey?'

And then a large red-faced person came in, with a puffy important

mouth, a fringe of whiskers meeting under his chin, and what Trixie,

in speaking privately of her relative's personal appearance, described

as 'little piggy eyes,' which had, however, a twinkle of a rather

primitive kind of humour in them.

Solomon Lightowler was a brother of Mrs. Ashburn's, a retired business

man, who had amassed a considerable fortune in the hardware trade.

He was a widower and without children, and it was he who, fired with

the ambition of placing a nephew in the Indian Civil Service as a

rising monument to his uncle's perception, had sent Mark to the

crammer's--for Mr. Ashburn's position in the Inland Revenue Office

would scarcely have warranted such an outlay.

Mark's performances at his first examination, as has been said, had

not been calculated to encourage his uncle's hopes, but the latter had

been slightly mollified by his nephew's spirit in carrying off the

Cambridge scholarship soon afterwards, and with the idea of having one

more attempt to 'see his money back,' Mr. Lightowler had consented to

keep him for the necessary time at the University. When that

experiment also had ended in disaster, Uncle Solomon seemed at one

time to have given him up in disgust, only reserving himself, as the

sole value for his money, the liberty of reproach, and Mark was of

opinion that he had already gone far towards recouping himself in this

respect alone.

'Hah! phew--you're very hot in here!' he remarked, as an agreeable

opening--he felt himself rich enough to be able to remark on other

people's atmospheres; but Cuthbert expressed a _sotto voce_ wish that

his uncle were exposed to an even higher temperature.

'We can't all live in country houses, Solomon,' said his sister, 'and

a small room soon gets warm to any one coming in from the cold air.'

'Warm!' said Mr. Lightowler, with a snort; 'I should think you must

all of you be fired like a set of pots! I don't care where I sit, so

long as I'm well away from the fire. I'll come by you, Trixie,

eh--you'll take care of your uncle, won't you?'

Trixie was a handsome girl of about eighteen, with abundant auburn

hair, which was never quite in good order, and pretty hands of which

most girls would have been more careful; she had developed a limp

taste for art of late, finding drawing outlines at an art school less

irksome than assisting in the housekeeping at home. Uncle Solomon

always alarmed her because she never knew what he would say next; but

as it was a family rule to be civil to him, she made room for him with

great apparent alacrity.

'And how are you all, boys and girls, eh?' asked Uncle Solomon, when

he was comfortably seated; 'Mark, you've got fuller in the waist of

late; you don't take 'alf enough exercise. Cuthbert, lad, you're

looking very sallow under the eyes--smoking and late hours, _that's_

the way with all the young men nowadays! Why don't you talk to him,

eh, Matthew? I should if he was a boy o' mine. Well, Martha, has any

nice young man asked you to name a day yet?--he's a long time coming

forward, Martha, that nice young man; why, let me see, Jane, she must

be getting on now for--she was born in the year fifty-four, was

it?--four it was; it was in the war time, I remember, and you wanted

her christened Alma, but I said an uncommon name is all very well if

she grows up good-looking, but if she's plain it only sounds

ridiklous; so, very fortunately as things turn out, you had her

christened Martha. There's nothing to bite your lips over, my dear; no

one blames you for it, we can't be all born 'andsome. It's Trixie here

who gets all the love-letters, isn't it, Trixie?--ah, I _thought_ I

should see a blush if I looked! Who is it now, Trixie, and where do we

meet him, and when is the wedding? Come, tell your old uncle.'

'Don't put such nonsense into the child's head, Solomon,' said his

sister, in a slightly scandalised tone.

'That would be coals to Newcastle with a vengeance,' he chuckled; 'but

you mustn't mind my going on--that's my way; if people don't like it I

can't help it, but I always speak right out.'

'Which is the reason we love him,' came in a stage aside from

Cuthbert, who took advantage of a slight deafness in one of his

uncle's ears.

'Well, Mr. Schoolmaster,' said the latter, working round to Mark

again, 'and how are _you_ gettin' on? If you'd worked harder at

College and done me credit, you'd 'a' been a feller of your college,

or a judge in an Indian court, by this time, instead of birching

naughty little boys.'

'It's a detail,' said Mark; 'but I don't interfere in that

department.'

'Well, you _are_ young to be trusted with a birch. I'm glad they look

at things that way. If _you're_ satisfied with yourself, I suppose I

ought to be, though I did look forward once to seeing a nephew of mine

famous. You've '_ad_ all your fame at Cambridge, with your papers, and

your poems, and your College skits--a nice snug little fame all to

yourself.'

Martha tittered acidly at this light badinage, but it brought a pained

look into Trixie's large brown eyes, who thought it was a shame that

poor Mark should never be allowed to hear the last of his Cambridge

_fiasco_.

Even Mrs. Ashburn seemed anxious to shield Mark. 'Ah, Solomon,' she

said, 'Mark sees his folly now; he knows how wrong he was to spend his

time in idle scribbling to amuse thoughtless young men, when he ought

to have studied hard and shown his gratitude to you for all you have

done for him.'

'Well, I've been a good friend to him, Jane, and I could have been a

better if he'd proved deserving. I'm not one to grudge any expense.

And if I thought, even now, that he'd really given up his

scribbling----'

Mark thought it prudent to equivocate: 'Even if I wished to write,

uncle,' he said, 'what with my school-work, and what with reading for

the Bar, I should not have much time for it; but mother is right, I

_do_ see my folly now.'

This pleased Uncle Solomon, who still clung to the fragments of his

belief in Mark's ability, and had been gratified upon his joining one

of the Inns of Court by the prospect of having a nephew who at least

would have the title of barrister; he relaxed at once: 'Well, well,

let bygones be bygones, you may be a credit to me yet. And now I think

of it, come down and stay Sunday at "The Woodbines" soon, will you?

it'll be a rest for you, and I want you to see some of that 'Umpage's

goings on at the church.' (Uncle Solomon not unfrequently dropped an

'h,' but with a deliberation that seemed to say that he was quite

aware it was there, but did not consider it advisable to recognise it

just then.) 'He's quite got round the Vicar; made him have flowers and

a great brass cross and candles on the Communion table, and 'Umpage

all the time a feller with no more religion inside him than'--here he

looked round the table for a comparison--'ah, than that jug has! He's

talked the Vicar into getting them little bags for collections now,

all because he was jealous at the clerk's putting the plate inside my

pew reg'lar for _me_ to hold. It isn't that I care about 'olding a

plate, but to see 'Umpage smirking round with one of them red velvet

bags makes me downright sick--they'll drive me to go over and be a

Baptist one of these fine days.'

'You don't like Mr. Humpage, do you, uncle?' said Trixie.

''Umpage and me are not friendly--though contiguous,' said he; 'but as

for liking, I neither like nor dislike the man; we 'old no

intercourse, beyond looking the other way in church and 'aving words

across the fence when his fowls break through into my garden--he won't

have the hole seen to, so I shall get it done myself and send the bill

in to him--that's what _I_ shall do.--A letter for you, Matthew? read

away, don't mind me,' for the maid had come in meanwhile with a

letter, which Matthew Ashburn opened and began to read at this

permission.

Presently he rubbed his forehead perplexedly: 'I can't make head or

tail of it,' he said feebly; 'I don't know who they are, or what they

write all this to _me_ for!'

''And it over to me, Matthew; let's see if _I_ can make it any plainer

for you,' said his brother-in-law, persuaded that to his powerful mind

few things could long remain a mystery.

He took the letter, solemnly settled his double eyeglasses well down

on his broad nose, coughed importantly, and began to read: 'Dear Sir,'

he began in a tone of expounding wisdom--'well, that's straightforward

enough--Dear Sir, we have given our best consideration to the--hey!'

(here his face began to grow less confident) 'the sweet--what?--ah,

sweet bells, sweet bells jangled. What have you been jangling _your_

bells about, eh, Matthew?'

'I think they're mad,' said poor Mr. Ashburn; 'the bells in this house

are all right, I think, my dear?'

'I'm not aware that any of them are out of order; they rehung the bell

in the area the other day--it's some mistake,' said Mrs. Ashburn.

'Which,' continued Uncle Solomon, 'you 'ave been good enough to submit

to us (pretty good that for a bell-'anger, hey?) We regret, however,

to say that we do not find ourselves in a position to make any

overtures to you in the matter. Well,' he said, though not very

confidently, 'you've been writing to your landlord about the fixtures,

and these are his lawyers writing back--isn't _that_ it now?'

'What should I write to _him_ for?' said Mr. Ashburn; 'that's not it,

Solomon--go on, it gets worse by-and-by!'

'Your one fair daughter also (hullo, Trixie!) we find ourselves

compelled to decline, although with more reluctance; but, in spite of

some considerable merits, there is a slight roughness (why, her

complexion's clear enough!), together with a certain immaturity and

total lack of form and motive (you _are_ giddy, you know, Trixie, I

always told you so), which are in our opinion sufficient to prevent us

from making any proposals to you in the matter.'

Uncle Solomon laid down the letter at this point, and looked around

open-mouthed: 'I thought I could make out most things,' he said; 'but

this is rather beyond me, I must say.'

''Ere are these people--what's their names? Leadbitter and Gandy (who

I take it are in the gas-fitting and decorating line)--writing to say

in the same breath that they can't come and see to your bells, and

they don't want to marry your daughter. Who asked them?--you ain't

come down so low in the world to go and offer Trixie to a gas-fitter,

I should 'ope, Matthew!--and yet what else _does_ it mean--tell me

that, and I'll thank you.'

'Don't ask _me_,' said the unhappy father; 'they're perfect

strangers.'

'Trixie, you know nothing about it, I hope?' said Mrs. Ashburn, rather

suspiciously.

'No, ma dear,' said Trixie; 'but I don't want to marry either Mr.

Leadbitter or Mr. Gandy.'

The situation had become too much for Mark; at first he had hoped that

by holding his tongue he might escape being detected, while the

rejection of both the novels from which he had hoped so much was a

heavy blow which he felt he could scarcely bear in public; but they

seemed so determined to sift the matter to the end that he decided to

enlighten them at once, since it must be only a question of time.

But his voice was choked and his face crimson as he said, 'I think

perhaps I can explain it.'

'You!' they all cried, while Uncle Solomon added something about

'young men having grown cleverer since his young days.'

'Yes, that letter is addressed to me--M. Ashburn, you see, stands for

Mark, not Matthew. It's from--from a firm of publishers,' said the

unlucky Mark, speaking very hoarsely; 'I sent them two novels of

mine--one was called "One Fair Daughter," and the other "Sweet Bells

Jangled"--and they, they won't take them--that's all.'

There was a 'sensation,' as reporters say, at this announcement:

Martha gave a sour little laugh of disgust; Cuthbert looked as if he

thought a good deal which brotherly feeling forbade him to put in

words; but Trixie tried to take Mark's hand under the table--he

shrank from all sympathy, however, at such a moment, and shook her off

impatiently, and all she could do was to keep her eyes in pity from

his face.

Mrs. Ashburn gave a tragic groan and shook her head: to her a young

man who was capable of writing novels was lost; she had a wholesome

horror of all fiction, having come from a race of Dissenters of the

strict old-fashioned class, whose prejudices her hard dull nature had

retained in all their strength. Her husband, without any very clear

views of his own, thought as she did as soon as he knew her opinions,

and they all left it to Mr. Lightowler to interpret the 'evident sense

of the house.'

He expanded himself imposingly, calling up his bitterest powers of

satire to do justice to the occasion: 'So _that's_ all, is it?' he

said; 'ah, and quite enough, too, _I_ should think; so it was the

bells on _your_ cap that were jingling all the time?'

'Since you put it in that pleasant way,' said Mark, 'I suppose it

was.'

'And that's how you've been studying for the Bar of evenings, this is

the way you've overcome your fondness for scribbling nonsense? I've

spent all the money I've laid out on you' (it was a way of his to talk

as if Mark had been a building estate), 'I've given you a good

education, all to 'ave you writing novels and get 'em "returned with

thanks!"--you might have done that much without going to College!'

'Every writer of any note has had novels declined at some time,' said

Mark.

'Well,' said Uncle Solomon, ponderously, 'if that's all, you've made a

capital start. You can set up as a big littery pot at once, _you_ can,

with a brace of 'em. I 'ope you're satisfied with all this, Jane, I'm

sure?'

'It's no use saying anything,' she said; 'but it's a bad return after

all your kindness to him.'

'A return with thanks,' put in Cuthbert, who was not without some

enjoyment of Mark's discomfiture; he had long had a certain contempt

for his elder brother as a much overrated man, and he felt, with

perfect justice, that had Fortune made him his uncle's favourite, he

had brains which would have enabled him to succeed where Mark had

failed; but he had been obliged to leave school early for a City

office, which had gone some way towards souring him.

'There's an old Latin proverb,' said Mr. Ashburn, with a feeling that

it was his turn--'an old Latin proverb, "_Nec suetonius ultra

crepitam_."'

'No, excuse me, you 'aven't _quite_ got it, Matthew,' said his

brother-in-law, patronisingly; 'you're very near it, though. It runs,

if I don't make a mistake, "Ne plus ultra sutorius (not

_suetonius_--_he_ was a Roman emperor)--crepitam," a favourite remark

of the poet Cicero--"Cobbler stick to your last," as _we_ have it more

neatly. But your father's right on the main point, Mark. I don't say

you need stick to the schoolmastering, unless you choose. I'll see you

started at the Bar; I came this very evening to 'ave a talk with you

on that. But what do you want to go and lower yourself by literature

for? There's a littery man down at our place, a poor feller that

writes for the "Chigbourne and Lamford Gazette," and gets my gardener

to let him take the measure of my gooseberries; he's got a hat on him

my scarecrow wouldn't be seen in. That's what you'll come to!'

'There's some difference,' said Mark, getting roused, 'between the

reporter of a country paper and a novelist.'

'There's a difference between you and him,' retorted his uncle; 'he

gets what he writes put in and paid so much a line for--_you_ don't.

That's all the difference _I_ can see.'

'But when the books are accepted, they will be paid for,' said Mark,

'and well paid for too.'

'I always thought that dog and the shadow must ha' been a puppy, and

now I know it,' said his uncle, irritably. 'Now look here, Mark, let's

have no more nonsense about it. I said I came here to have a little

talk with you, and though things are not what I expected, 'ave it I

will. When I saw you last, I thought you were trying to raise yourself

by your own efforts and studying law, and I said to myself, "I'll

give him another chance." It seems now that was all talk; but I'll

give you the chance for all that. If you like to take it, well and

good; if not, I've done with you this time once for all. You go on and

work 'ard at this Law till you've served your time out, or kept your

terms, or whatever they call it, and when you get called you can give

'em notice to quit at your school. _I'll_ pay your fees and see you

started in chambers till you're able to run alone. Only, and mind

this, no more of your scribbling--drop that littery rubbish once for

all, and I stand by you; go on at it, and I leave you to go to the

dogs your own way. That's my offer, and I mean it.'

There are few things so unpleasantly corrective to one's self-esteem

as a letter of rejection such as had come to Mark--the refusal of the

school committee was insignificant in comparison; only those who have

yielded to the subtle temptation to submit manuscript to an editor or

a publisher's reader, and have seen it return in dishonour, can quite

realise the dull anguish of it, the wild, impotent rebellion that

follows, and the stunned sense that all one's ideas will have somehow

to be readjusted; perhaps an artist whose pictures are not hung feels

something of it, but there one's wounded vanity can more easily find

salves.

Mark felt the blow very keenly; for weeks he had been building hopes

on these unfortunate manuscripts of his; he had sent both to a firm

under whose auspices he was particularly anxious to come before the

world, in the hope that one at least would find favour with them, and

now the two had been unequivocally declined; for a moment his

confidence in himself was shaken, and he almost accepted the verdict.

And yet he hesitated still: the publisher might be wrong; he had heard

of books riding out several such storms and sailing in triumphantly at

last. There was Carlyle, there was Charlotte Brontë, and other

instances occurred to him. And he longed for speedy fame, and the law

was a long avenue to it.

'You hear what your uncle says?' said his mother. 'Surely you won't

refuse a chance like this.'

'Yes, he will,' said Martha. 'Mark would rather write novels than

work, wouldn't you, Mark? It must be so amusing to write things which

will never be read, I'm sure.'

'Leave Mark alone, Martha,' said Trixie. 'It's a shame--it is.'

'I don't know why you should all be down on me like this,' said Mark;

'there's nothing positively immoral in writing books--at least when it

never goes any further. But I daresay you're right, and I believe

_you_ mean to be kind at any rate, uncle. I'll take your offer. I'll

read steadily, and get called, and see if I'm good for anything at the

Bar, since it seems I'm good for nothing else.'

'And you'll give up the writing, hey?' said his uncle.

'Oh, yes,' said Mark, irritably, 'anything you please. I'm a reformed

character; I'll take the pledge to abstain from ink in all forms if

you like.' It was not a very gracious way of accepting what was by no

means an unhandsome offer; but he was jarred and worried, and scarcely

knew what he said.

Mr. Lightowler was not sensitive, and was too satisfied at having

gained his object to cavil at Mark's manner of yielding. 'Very well;

that's settled,' he said. 'I'm glad you've come to your senses, I'm

sure. We'll have you on the Woolsack yet, and we'll say no more about

the other business.'

'And now,' said Mark, with a forced smile, 'I think I'll say good

night. I'll go and attack the law-books while I'm in the humour for

them.'

Upstairs in his room he got out his few elementary text-books, and

began to read with a sort of sullen determination; but he had not gone

very far in the 'descent of an estate-tail,' before he shut the book

up in a passion: 'I can't read to-night,' he said savagely; 'it isn't

easy to hug my chains all at once; it will be a long time before I

come out strong on estates-tail. If Holroyd (who says he _likes_ the

jargon) can't get a living by it, there's not much hope for me. I

loathe it! I'm sure I had a chance with those books of mine, too; but

that's all over. I must burn them, I suppose---- Who's there?' for

there was a tap at the door.

'It's me, Mark--Trixie--let me in.' Mark rose and opened the door to

Trixie, in a loose morning wrapper. 'Mark, I'm so sorry, dear,' she

said softly.

'Sorry! you ought to rejoice, Trixie,' said Mark, with a bitter laugh.

'I'm a brand from the burning--a repentant novelist, I've seen my

errors and am going to turn Lord Chancellor.'

'You mustn't be angry with them,' said Trixie. 'Dear ma is very

strict; but then she is so anxious to see you making a living, Mark,

and you know they don't give you very much at St. Peter's. And Martha

and Cuthbert can't help saying disagreeable things. Don't you think,

perhaps,' she added timidly, 'that it's better for you to give up

thinking about writing any more?'

'Well, I've done it, Trixie, at any rate. I'm not so bad as that

fellow Delobelle, in "Fromont Jeune," with his "Je n'ai pas le droit

de renoncer au théâtre!" am I? I've renounced _my_ stage. I'm a good

little boy, and won't make a mess with nasty ink and pens any more.

When I get those confounded books back they shall go into the fire--by

Jove they shall!'

'No, Mark, don't, it would be such a pity,' cried Trixie. 'I'm sure

they were beautifully written; quite as well as some that get printed.

I wish you could write novels and be Lord Chancellor too, Mark.'

'Bring out Acts in three volumes, and edit Judicature Rules in fancy

covers for railway reading? It would be very nice, Trixie, wouldn't

it? But I'm afraid it wouldn't do, even if I wrote them in secret,

under the Woolsack. If I write anything now, it must be a smart spicy

quarto on Bankruptcy, or a rattling digest on the Law of Settlement

and Highways. My fictions will be all legal ones.'

'I know you will do your best,' said Trixie, simply.

Mark dreamed that night--much as other disappointed literary aspirants

have dreamed before him--that a second letter had come from the

publishers, stating that they had reconsidered their decision, and

offering repentantly to publish both novels on fabulous terms. He was

just rushing to call Trixie, and tell her the good news, when the

dream faded, and he awoke to the consciousness of his very different

circumstances.

Literature had jilted him. The Law was to be his mistress henceforth:

a bony and parchment-faced _innamorata_, with a horsehair wig; and he

thought of the task of wooing her with a shudder.

The Giant's Robe · 第 4 / 42 章