CHAPTER IV

One day Diana came back from a conscientious tour of the stores and

found a thin and middle-aged lady sitting in the drawing-room. She

greeted Diana with a deferential smile. She was such a middle-aged lady

as might have stepped from the pages of a late Victorian novel, and

Diana regarded her steadily, for she wore no hat, had the skimpy

beginnings of a purple wool jumper on her knees, and in her hands two

knitting needles that seemed to be operating of their own volition all

the time she talked.

“Good afternoon! You’re Miss Ford, aren’t you, my dear? I’m Miss

Staffle, and I do hope we are going to be good friends!”

“I hope so,” said Diana. “We’ll be better friends when I understand. Are

you a guest of ours?”

Click-flash-flicker went the needles. Diana looked in awe. She was the

only woman in the world who had never knitted a jumper.

“Well ... yes. Mr. Selsbury thought you would be rather lonely. It

doesn’t do for us girls to be too much alone. We brood.”

“I’m brooding at this minute.” Diana was very incisive in business

hours. “Do I understand that you have been engaged as a chaperone?”

“Companion,” murmured Miss Staffle.

“That makes it easier,” Diana opened her pocket-book. “Your salary

is----?”

Miss Staffle murmured the amount.

“Here is two months’ pay,” said Diana. “I have decided not to engage a

companion.”

She rang the bell; the needles became stationary.

“Eleanor,” to the svelte parlourmaid, “Miss Staffle is leaving before

tea. Will you see that her boxes are brought down, and tell Trenter to

have a nice clean taxi waiting?”

“But, my dear”--Miss Staffle’s voice was slightly acidulated--“Mr.

Selsbury engaged me, and I am afraid....”

“Mr. Selsbury doesn’t want a companion,” said Diana. “Now, my angel, are

you going to give me trouble, or are you going to be a sweet little

cherub and fly?”

Gordon came home prepared to face a storm and ready to present a rocky

face either to the waves of her wrath or the drizzle of her tears. He

found her trying a new record on a brand-new gramophone, her feet moving

lightly to the magical rhythm of “I Ain’t Nobody’s Darling.” He resented

the gramophone, but had other matters of greater moment to discuss.

There was no sign of the excellent Miss Staffle.

“Anybody been?” he asked carelessly.

She stopped whistling.

“Nobody except an elderly lady who made the curious mistake of thinking

I wanted a companion.”

“Where is she?” asked Gordon, his heart sinking.

“I didn’t trouble to take her address,” said Diana. “Why--did you want

her?”

“You sent her away?”

Diana nodded.

“Yes; her industry was appalling.” And then, as a thought occurred: “Was

the jumper for _you_?”

“You sent a--er--um--person I engaged away from my house?” sternly.

“Really, Diana! This is a little too much! Let’s have this out, my

dear.”

Diana changed the record.

“Tea will be served in ten minutes,” she said. “And Gordon, my dear,

your shoes are muddy. Run up and change them.”

Revolt flew red signals on his cheeks.

“I will do nothing of the kind!” he said sharply. “I will not be ordered

about in my own house. Diana, you have gone too far! This intolerable

situation must end here and now.”

He brought his hand slapping down on the back of the easy chair. He was

determined.

“Either you or I leave this house to-night,” he said. “I have had

enough! Already the servants are talking. I saw a particularly sinister

smile on Trenter’s face when you came down to breakfast in your negligee

this morning. I have a position, a reputation, a name in the City of

London--I must guard my interests against the thoughtless, selfish folly

of reckless adolescence!”

“What a name to call a lady!” she said reproachfully.

“I will not temporise; I will not allow a very serious situation to be

turned into a jest. Either you leave Cheynel Gardens or I.”

She thought a moment, then walked out of the room. Gordon heard her at

the telephone in the hall and smiled. A little firmness was all that was

required.

“Is that the _Morning Telegram_? This is Miss Diana Ford speaking. Will

you send a reporter to 61 Cheynel Gardens----”

In two seconds he was in the hall and had covered the transmitter with a

frantic hand.

“What are you going to do?” he asked frenziedly.

She shrugged a shoulder.

“Life without you is insupportable, Gordon,” she said brokenly. “You are

the only relation I have in the world, and if you turn me out what is

there left but the river?”

“You’re mad,” he wailed.

“The coroner will take that charitable view, I hope--don’t interrupt me,

Gordon. They want to speak to me.”

By sheer force he lifted her away from the instrument and took the

receiver in his own hand.

“Don’t bother to send anybody ... she is quite well ... alive. I mean,

there’s no suicide ...”

Out of breath, he strode back to The Study.

“Your conduct is abominable! You are shameless! I can well understand

why your wretched Dempsi ran away, preferring to die in the bush than be

any longer associated with such an infernal little termagant!”

The Selsburys were a courtly people, but there was a limit to their

patience. He was savage, cruel, and knew he was behaving unpardonably

before the words were out of his mouth.

“I’m sorry,” he muttered.

Her face was set, a mask that showed nothing of her thoughts.

“I’m extremely sorry. I shouldn’t have said that--please forgive me.”

Still she did not speak. Her eyes were tragic in their steadfast,

unwinking gaze. He stole quietly from the room, and then she spoke her

thoughts aloud.

“How absurd not to have the telephone connected with the study! I’ll

write to the Post Office this very night.”

A very silent dinner. Gordon was going out and was resplendent in his

raiment.

“I am taking a friend to a theatre to-night,” he said.

“I haven’t seen a show for years,” she sighed.

“This would not interest you. It is a Russian play dealing with social

unrest.”

She sighed again.

“I love Russian plays. All the characters die so nicely and you know

where you are. In a musical comedy you can never be sure who anybody

is.”

Gordon shuddered.

“This is not a play for a young girl,” he said gently.

She was unconvinced.

“If you very much wanted me to come, I could dress in five minutes,” she

suggested. “I hardly know what I shall do with myself to-night.”

“Think out to-morrow’s breakfast,” he said bitterly.

Alone, she gave her mind alternately to serious thought and the new

gramophone. She did think of Dempsi sometimes, and a little uneasily.

Not that she had loved that strange progeny of Michael Dempsi and Marie

Stezzaganni. Dempsi came into her life as an earthquake intrudes upon

the domesticity of a Californian farmer. He shifted the angle of things

and had been a great disturbance. She never really remembered Dempsi,

except that he was very slight and very wiry and very voluble. She

remembered that he had thrown himself at her feet, had threatened to

shoot her, had told her he adored her and was ready to forsake his

career in the church. Finally, on a hot February morning (she remembered

that the roses were thick in the big garden) he had flung his worldly

possessions at her feet, taken an intense and tearful farewell, and had

dashed madly into the bush, never to return.

In point of fact, the nearest bush country was a hundred miles away, but

he had said that he was going to the bush “to end a life already

prolonged beyond the limits of human endurance and find forgetfulness in

oblivion,” and he had probably kept his word. So far as the “bush” part

of the contract was concerned. She did not mourn him. If she wondered at

all, it was as to the circumstances in which he would reappear and claim

some eight thousand pounds neatly tied in one package that it might be

the more effectively and dramatically thrown at her feet, and which in

truth missed her feet by a wide margin and struck the station cat, who,

being newly maternal, flew at Dempsi and accelerated his wild flight.

She did not tell her aunt about the eight thousand; Mrs. Tetherby being,

as she had been described, “inert,” had an objection to fuss of any

kind. More than this, she possessed one curious weakness--a horror of

debt. The knowledge that she was under monetary obligation kept her

awake. An overlooked garage account once reduced her to a state of

nervous prostration. Other people’s money she would not touch, and, on

an occasion when, having paid her shearers, she was requested by the men

to keep the money from Saturday to Monday, she paced the verandah for

two nights, a shot gun under her arm.

It was largely due to this weakness that all money affairs were in

Diana’s hands from the age of fifteen. Diana put the eight thousand to

her own account and spent an interesting three months planning and

drawing expensive memorials to the departed Dempsi. In the back pages of

a dictionary, under the heading “Foreign words and phrases,” she

discovered an appropriate epitaph.

SATIS ELOQUENTIÆ SAPIENTIÆ PARUM

“He had great eloquence but little sense.”

As the years passed, and her uneasiness increased, she made half-hearted

attempts to discover his relatives, though she knew that he was without

so much as a known cousin. And then, gradually, Dempsi had receded into

the background. She was beloved of a romantic squatter. This affair

ended abruptly when the romantic squatter’s unromantic wife arrived in a

high-powered car and bore him off to serve the remainder of his

sentence.

Diana gave exactly five minutes of her thoughts to Dempsi. For the

remainder of the evening she practised a new waltz step which had

surprisingly found its way into jazz.

“What I can’t understand,” said Trenter, “is why the boss allows this

sort of thing to go on. It’s downright improper, a young woman living in

a bachelor’s house. It reminds me of a case old Superbus once told me

about--he’s a court bailiff and naturally he sees the seamy side of

life----”

“I wouldn’t have a bailiff for a friend if you paid me a million,” said

Eleanor, who had been brought up in an atmosphere of financial

embarrassment. “I’d sooner have a burglar. Don’t you worry about our

young Di, Arthur. She’s all there! Personally speaking, I’m glad she’s

arrived. What about me--haven’t I any morals? Hasn’t me and cook--cook

and I, that is to say--lived in the same house with a bachelor for a

year?”

“You’re different,” said Trenter.

“Guess again,” said Eleanor.

“The house hasn’t been what it was.” A touch of sadness in Trenter’s

voice had its origin in obscure sources.

Methodical as Gordon was, he never counted his cigars. Diana, on the

other hand, had an eye for quantity. It was she who asked delicately

whether he thought there were mice in the house, and, if so, did he

think that they preferred Coronas to cheese.

“There’s a big change coming--a terrific change. I feel it in my bones,”

he said. “And I know! I’ve always had second sight even as a boy.”

“You should wear glasses,” said Eleanor.

Diana of Kara-Kara · 第 4 / 27 章