CHAPTER XIII

RESURGAM

I was in London when my brother wrote telling me that mother was ill.

She was not in any immediate danger, he said, but if a change for the

worse were to take place, and it were necessary for me to come over,

he would send a telegram. A few hours after a telegram was handed to

me. It contained four words: "_Come at once.--Maurice._" "So

mother is dying," I muttered to myself, and I stood at gaze,

foreseeing myself taken into her room by a nurse and given a chair by

the bedside, foreseeing a hand lying outside the bed which I should

have to hold until I heard the death-rattle and saw her face become

quiet for ever.

This was my first vision, but in the midst of my packing, I remembered

that mother might linger for days. The dear friend who lies in the

church-yard under the downs lingered for weeks; every day her husband

and her children saw her dying under their eyes: why should not this

misfortune be mine? I know not to what God, but I prayed all night in

the train, and on board the boat; I got into the train at the

Broadstone praying. It is impossible, at least for me, to find words

to express adequately the agony of mind I endured on that journey.

Words can only hint at it, but I think that any one possessed of any

experience of life, or who has any gift of imagination, will be able

to guess at the terror that haunted me--terror of what?--not so much

that my mother might die, nor hope that she might live, but just that

I might arrive in time to see her die. In this confession I am afraid

I shall seem hard and selfish to some; that will be because many

people lack imagination, or the leisure to try to understand that

there are not only many degrees of sensibility, but many kinds, and it

is doubtful if any reader can say with truth any more than that my

sensibility is not his or hers. It is my privilege to be sympathetic

with ideas I do not share, and in certain moods I approach those who

take a sad pleasure in last words, good-byes, and at looking on the

dead. In my present mood it seems to me that it is not unlikely that

my mother's last good-bye and her death appeared to me more awful in

imagination than it would have ever done in reality. Indeed, there can

be hardly any doubt that this is so, for we are only half-conscious of

what is happening. Reality clouds, our actions mitigate, our

perception; we can see clearly only when we look back or forwards.

There is something very merciful about reality; if there were not, we

should not be able to live at all.

But to the journey. How shall I tell it? The third part must have been

the most painful, so clearly do I remember it: the curious agony of

mind caused by a sudden recognition of objects long forgotten--a tree

or a bit of bog-land. The familiar country, evocative of a great part

of my childhood, carried my thoughts hither and thither. My thoughts

ranged like the swallows; the birds had no doubt just arrived, and in

swift elliptical flights they hunted for gnats along the banks of the

old weedy canal. That weedy canal along which the train travelled took

my thoughts back to the very beginning of my life, when I stood at the

carriage window and plagued my father and mother with questions

regarding the life of the barges passing up and down. And it was the

sudden awakenings from these memories that were so terrible--the

sudden thrust of the thought that I was going westward to see my

mother die, and that nothing could save her from death or me from

seeing her die. Perhaps to find one's self suddenly deprived of all

will is the greatest suffering of all. How many times did I say to

myself, "Nothing can save me unless I get out at the next station,"

and I imagined myself taking a car and driving away through the

country! But if I did such a thing I should be looked upon as a

madman. "One is bound on a wheel," I muttered, and I began to think

how men under sentence of death must often wonder why they were

selected especially for such a fate, and the mystery, the riddle of it

all, must be perhaps the greatest part of their pain.

The morning was one of the most beautiful I had ever seen, and I used

to catch myself thinking out a picturesque expression to describe it.

It seemed to me that the earth might be compared to an egg, it looked

so warm under the white sky, and the sky was as soft as the breast

feathers of a dove. This sudden bow-wowing of the literary skeleton

made me feel that I wanted to kick myself. Nature has forgotten to

provide us with a third leg whereby we may revenge ourselves on

instincts that we cannot control. A moment afterward I found myself

plunged in reflections regarding the impossibility of keeping one's

thoughts fixed on any one subject for any considerable length of time.

At the end of these reflections I fell back, wondering, again asking

if I were really destined to watch by my mother's death-bed. That day

I seemed to become a sheer mentality, a sort of buzz of thought, and I

could think of myself only as of a fly climbing a glass dome. It

seemed to me that I was like a fly climbing and falling back, buzzing,

and climbing again. "Never," I said to myself, "have I been more than

a fly buzzing in a glass dome. And, good Lord, who made the glass

dome?" How often did I ask myself that question, and why it was made,

and if it were going to endure for ever!

In such sore perplexity of mind questions from anybody would be

intolerable, and I shrank back into the corner of the carriage

whenever a passer-by reminded me, however vaguely, of anybody I had

ever known; the mental strain increased mile after mile, for the names

of the stations grew more familiar. I began to try to remember how

many there were before we arrived at Claremorris, the station at which

I was going to get out. Half an hour afterward the train slackened,

the porter cried out "Ballyhaunis." The next would be Claremorris, and

I watched every field, foreseeing the long road, myself on one side of

the car, the driver on the other; a two hours' drive in silence or in

talk--in talk, for I should have to tell him my errand.... He might be

able to tell me about my mother, if the news of her illness had got as

far as Claremorris. At the public-house where I went to get a car I

made inquiries, but nothing was known. My mother must have fallen ill

suddenly--of what? I had not heard she was ailing; I did not remember

her ever to have been ill. At that moment some trees reminded me that

we were close to Ballyglass, and my thoughts wandered away to the long

road on the other side of the hill, and I saw there (for do we not

often see things in memory as plainly as if they were before us?) the

two cream-coloured ponies, Ivory and Primrose, she used to drive, and

the phaeton, and myself in it, a little child in frocks, anxious,

above all things, to see the mail-coach go by. A great sight it was to

see it go by with mail-bags and luggage, the guard blowing a horn, the

horses trotting splendidly, the lengthy reins swinging, and the

driver, his head leaned a little on one side to save his hat from

being blown away--he used to wear a grey beaver hat. The great event

of that time was the day that we went to Ballyglass, not to see the

coach go by, but to get into it, for in those days the railway stopped

at Athenry. And that was the day I saw the canal, and heard with

astonishment that there was a time long ago, no doubt in my father's

youth, when people used to go to Dublin in a barge. Those memories

were like a stupor, and awaking suddenly I saw that more than two and

a half miles lay between me and my mother. In half an hour more I

should know whether she were alive or dead, and I watched the horse

trotting, interested in his shambling gait, or not at all interested

in it--I do not know which. On occasions of great nervous tension one

observes everything.... Everything I remembered best appeared with

mechanical regularity; now it was a wood, a while afterward somebody's

farmyard, later on a line of cottages, another wood, one of my own

gate lodges. An old sawyer lived in it now--looking after it for me;

and I hoped that the wheels of the car would not bring him out, for it

would distress me to see him. The firs in the low-lying land had grown

a little within the last thirty years, but not much. We came to the

bridge; we left it behind us; the gate lodge and the drive from it;

the plantation that I knew so well, the lilac bushes, the laburnums--good

Heavens! How terrible was all this resurrection! Mists hide the

mountains from us, the present hides the past; but there are times

when the present does not exist at all, when every mist is cleared

away, and the past confronts us in naked outline, and that perhaps is

why it is so painful to me to return home. The little hill at the

beginning of the drive is but a little hill, but to me it is much

more, so intimately is it associated with all the pains and troubles

of childhood. All this park was once a fairyland to me; now it is but

a thin reality, a book which I have read, and the very thought of

which bores me, so well do I know it. There is the lilac bush! I used

to go there with my mother thirty years ago at this time of year, and

we used to come home with our hands full of bloom. Two more turnings

and we should be within sight of the house! This is how men feel when

condemned to death. I am sure of it. At the last hill the driver

allowed his horse to fall into a walk, but I begged of him to drive on

the horse, for I saw some peasants about the steps of the hall door;

they were waiting, no doubt, for news, or perhaps they had news. "We

have bad news for you," they cried in the wailing tones of the West.

"Not altogether bad news," I said to myself; "my mother is dead, but I

have been saved the useless pain, the torture of spirit, I should have

endured if I had arrived in time." China roses used to grow over the

railings; very few blooms were left. I noticed just a few as I ran up

the high steps, asking myself why I could not put the past behind me.

If ever there was a time to live in the present this was one; but

never was the present further from me and the past clearer than when I

opened the hall door and stood in the hall paved with grey stones and

painted grey and blue. Three generations had played there; in that

corner I had learned to spin my first top, and I had kept on trying,

showing a perseverance that amazed my father. He said, "If he will

show as much perseverance in other things as he does in the spinning

of a top, he will not fail." He used to catch me trying and trying to

spin that top when he came downstairs on his way to the stables to see

his beloved racehorses; that is the very chair on which he used to put

his hat and gloves. In those days tall hats were worn in the country,

and it was the business of his valet to keep them well brushed. How

the little old man used to watch me, objecting in a way to my spinning

my top in the hall, fearful lest I should overturn the chair on which

the hat stood: sometimes that did happen, and then, oh dear!

In search of some one I opened the drawing-room door. My sister was

there, and I found her on a sofa weeping for our mother, who had died

that morning. We are so constituted that we demand outward signs of

our emotions, especially of grief; we are doubtful of its genuineness

unless it is accompanied by sighs and tears; and that, I suppose, is

why my sister's tears were welcomed by me, for, truth to tell, I was a

little shocked at my own insensibility. This was stupid of me, for I

knew through experience that we do not begin to suffer immediately

after the accident; everything takes time, grief as well as pain. But

in a moment so awful as the one I am describing one does not reflect;

one falls back on the convention that grief and tears are inseparable

as fire and smoke. If I could not weep it were well that my sister

could, and I accepted her tears as a tribute paid to our mother's

goodness--a goodness which never failed, for it was instinctive. It

even seemed to me a pity that Nina had to dry her eyes so that she

might tell me the sad facts--when mother died, of her illness, and the

specialist that had not arrived in time. I learned that some one had

blundered--not that that mattered much, for mother would not have

submitted to an operation.

While listening to her, I unwittingly remembered how we used to talk

of the dear woman whose funeral I described in the pages entitled "A

Remembrance." We used to talk, her daughters and her son and her

husband and I, of her who was dying upstairs. We were greatly moved--I

at least appreciated my love of her--yet our talk would drift from her

suddenly, and we would speak of indifferent things, or maybe the

butler would arrive to tell us lunch was ready. How these incidents

jar our finer feelings! They seem to degrade life, and to such a point

that we are ashamed of living, and are tempted to regard life itself

as a disgrace.

I foresaw that the same interruptions, the same devagations, would

happen among ourselves in the square Georgian house standing on a

hill-top overlooking a long winding lake, as had happened among my

friends in the Italian house under the downs amid bunches of evergreen

oaks. Nor had I to wait long for one of these unhappy devagations. My

sister had to tell me who was staying in the house: an aunt was there,

my mother's sister, and an uncle, my mother's brother, was coming over

next day. It is easy to guess how the very mention of these names

beguiled us from what should be the subject of our thought. And the

room itself supplied plenty of distractions: all the old furniture,

the colour of the walls, the very atmosphere of the room took my

thought back to my childhood. The sofa on which my sister was sitting

had been broken years ago, and I unwittingly remembered how it had

been broken. It had been taken away to a lumber-room; somebody had had

it mended. I began to wonder who had done this--mother, most likely;

she looked after every thing. I have said that I had just arrived

after a long journey. I had eaten nothing since the night before. My

sister spoke of lunch and we went into the dining-room, and in the

middle of the meal my brother came in looking so very solemn that I

began to wonder if he had assumed the expression he thought

appropriate to the occasion--I mean if he had involuntarily

exaggerated the expression of grief he would naturally wear. We are so

constituted that the true and the false overlap each other, and so

subtly that no analysis can determine where one ends and the other

begins. I remembered how the relatives and the friends on the day of

the funeral in Sussex arrived, each one with a very grave face,

perchance interrupting us in the middle of some trivial conversation;

if so, we instantly became grave and talked of the dead woman

sympathetically for a few minutes; then on the first opportunity, and

with a feeling of relief, we began to talk of indifferent things; and

with every fresh arrival the comedy was re-acted. Returning from the

past to the present, I listened to my brother, who was speaking of the

blunder that had been made: how a wrong doctor had come down owing

to--the fault was laid upon somebody, no matter upon whom; the subject

was a painful one and might well have been dropped, but he did not

dare to talk of anything but our mother, and we all strove to carry on

the conversation as long as possible. But my brother and I had not

seen each other for years; he had come back from India after a long

absence. Nor, I think, had I seen my sister since she was married, and

that was a long while ago; she had had children; I had not seen her

before in middle age. We were anxious to ask each other questions, to

hear each other's news, and we were anxious to see the landscape that

we had not seen, at least not together, for many years; and I remember

how we were tempted out of the house by the soft sunlight floating on

the lawn. The same gentle day full of mist and sunlight that I had

watched since early morning had been prolonged, and the evening

differed hardly from the morning; the exaltation in the air was a

little more intense. My mother died certainly on the most beautiful

day I had ever seen, the most winsome, the most white, the most

wanton, as full of love as a girl in a lane who stops to gather a

spray of hawthorn. How many times, like many another, did I wonder why

death should have come to any one on such a bridal-like day. That we

should expect Nature to prepare a decoration in accordance with our

moods is part of the old savagery. Through reason we know that Nature

cares for us not at all, that our sufferings concern her not in the

least, but our instincts conform to the time when the sun stood still

and angels were about. It was impossible for us not to wonder why the

black shadow of death should have fallen across the white radiant day.

I say "us," for my brother no doubt pondered the coincidence, though

he did not speak his thoughts to me. No one dares to speak such

thoughts; they are the foolish substance of ourselves which we try to

conceal from others, forgetting that we are all alike. The day moved

slowly from afternoon to evening, like a bride hidden within a white

veil, her hands and her veil filled with white blossom; but a black

bird, tiny like a humming-bird, had perched upon a bunch of blossom,

and I seemed to lose sight of the day in the sinister black speck that

had intruded itself upon it. No doubt I could think of something

better were I to set my mind upon doing so, but that is how I thought

the day I walked on the lawn with my brother, ashamed and yet

compelled to talk of what our lives had been during the years that

separated us. How could one be overpowered with grief amid so many

distracting circumstances? Everything I saw was at once new and old. I

had come among my brother and sister suddenly, not having seen them,

as I have said, for many years; this was our first meeting since

childhood, and we were assembled in the house where we had all been

born. The ivy grown all over one side of the house, the disappearance

of the laburnum, the gap in the woods--these things were new; but the

lake that I had not seen since a little child I did not need to look

at, so well did I know how every shore was bent, and the place of

every island. My first adventures began on that long yellow strand; I

did not need to turn my head to see it, for I knew that trees

intervened and I knew the twisting path through the wood. That yellow

strand speckled with tufts of rushes was my first playground. But when

my brother proposed that we should walk there, I found some excuse;

why go? The reality would destroy the dream. What reality could equal

my memory of the firs where the rabbits burrowed, of the drain where

we fished for minnows, of the long strand with the lake far away in

summertime? How well I remember that yellow sand, hard and level in

some places as the floor of a ball-room. The water there is so shallow

that our governess used to allow us to wander at will, to run on ahead

in pursuit of a sandpiper. The bird used to fly round with little

cries; and we often used to think it was wounded; perhaps it pretended

to be wounded in order to lead us away from its nest. We did not think

it possible to see the lake in any new aspect, yet there it lay as we

had never seen it before, so still, so soft, so grey, like a white

muslin scarf flowing out, winding past island and headland. The

silence was so intense that one thought of the fairy-books of long

ago, of sleeping woods and haunted castles; there were the castles on

islands lying in misted water, faint as dreams. Now and then a bird

uttered a piercing little chatter from the branches of the tall

larches, and ducks talked in the reeds, but their talk was only a soft

murmur, hardly louder than the rustle of the reeds now in full leaf.

Everything was spellbound that day; the shadows of reed and island

seemed fixed for ever as in a magic mirror--a mirror that somebody had

breathed upon, and, listening to the little gurgle of the water about

the limestone shingle, one seemed to hear eternity murmuring its sad

monotony.

The lake curves inland, forming a pleasant bay among the woods; there

is a sandy spit where some pines have found roothold, and they live on

somehow despite the harsh sallies of the wind in winter. Along the

shore dead reeds lie in rows three feet deep among the rushes; had

they been placed there by hand they could not have been placed with

more regularity; and there is an old cart-track, with hawthorns

growing out of a tumbled wall. The hillside is planted--beautiful

beeches and hollies at one end, and at the other some lawny

interspaces with tall larches swaying tasselled branches shedding

faint shadows. These were the wonder of my childhood. A path leads

through the wood, and under the rugged pine somebody has placed a

seat, a roughly hewn stone supported by two upright stones. For some

reason unknown to me this seat always suggested, even when I was a

child, a pilgrim's seat. I suppose the suggestion came from the

knowledge that my grandmother used to go every day to the tomb at the

end of the wood where her husband and sons lay, and whither she was

taken herself long ago when I was in frocks; and twenty years after my

father was taken there.

What a ceaseless recurrence of the same things! A hearse will appear

again in a few days, perhaps the same hearse, the horses covered up

with black made to look ridiculous with voluminous weed, the coachman

no better than a zany, the ominous superior mute directing the others

with a wand; there will be a procession of relatives and friends, all

wearing crepe and black gloves, and most of them thinking how soon

they can get back to their business: that masquerade which we call a

funeral!

Fearing premature burial (a very common fear), my mother had asked

that her burial should be postponed until a natural change in the

elements of her body should leave no doubt that life no longer

lingered there. And the interval between her death and her burial I

spent along the lake's shore. The same weather continued day after

day, and it is almost impossible to find words to express the beauty

of the grey reflection of the islands and the reeds, and the faint

evanescent shores floating away, disappearing in the sun-haze, and the

silence about the shores, a kind of enchanted silence, interrupted, as

I have said, only by the low gurgle of the water about the limestone

shingle. Now and then the song of a bird would break out, and all was

silence again.... "A silence that seems to come out of the very heart

of things!" I said, and I stopped to listen, like one at the world's

end; I walked on, wondering, through the rushes and tussocked grass

and juniper bushes which grew along the wilding shore, along the edge

of the wood. Coming from the town, I could not but admire the

emptiness of the country; hardly ever did I hear the sound of a human

voice or a footstep; only once did I meet some wood-gatherers, poor

women carrying bundles of faggots, bent under their loads. And

thinking that perchance I knew them--they were evidently from the

village; if so, I must have known them when I was a boy--I was

suddenly seized by an unaccountable dread or a shyness, occasioned no

doubt by the sense of the immense difference that time had effected in

us: they were the same, but I was different. The books I had pondered

and the pictures I had seen had estranged me from them, simple souls

that they were; and the consciousness of the injustice of the human

lot made it a pain to me to look into their eyes. So I was glad to be

able to pass behind some bushes, and to escape into the wood without

their perceiving me.

And coming upon pleasant interspaces, pleasanter even than those that

lingered in my memory, I lay down, for, though the days were the first

days of May, the grass was long and warm and ready for the scythe, the

tasselled branches of the tall larches swung faintly in a delicious

breeze, and the words of the old Irish poet came into my mind, "The

wood was like a harp in the hands of a harper." To see the boughs, to

listen to them, seemed a sufficient delight, and I began to admire the

low sky full of cotton-like clouds, and the white flower that was

beginning to light up the little leaves of the hedgerow, and I suppose

it was the May-flower that drew down upon me a sudden thought of the

beloved girl lost to me for ever. My mother's death had closed that

wound a little, but in a moment all my grief reappeared, the wound

gaped again, and it was impossible to stanch the bleeding.

A man cannot lament two women at the same time, and only a month ago

the most beautiful thing that had ever appeared in my life, an idea

which I knew from the first I was destined to follow, had appeared to

me, had stayed with me for a while, and had passed from me. All the

partial loves of my youth seemed to find expression at last in a

passion that would know no change. Who shall explain the mystery of

love that time cannot change? Fate is the only word that conveys any

idea of it, for of what use to say that her hair was blond and thick,

that her eyes were grey and blue? I had known many women before her,

and many had hair and eyes as fine and as deep as hers. But never one

but she had had the indispensable quality of making me feel I was more

intensely alive when she was by me than I was when she was away. It

is that tingle of life that we are always seeking, and that perhaps we

must lose in order to retain. On such a day, under the swaying

branches of the larches, the whiteness of the lake curving so

beautifully amid low shores could not fail to remind me of her body,

and its mystery reminded me of her mystery; but the melancholy line of

mountains rippling down the southern sky was not like her at all. One

forgets what is unlike, caring only to dwell upon what is like....

Thinking of her my senses grow dizzy, a sort of madness creeps up

behind the eyes. What an exquisite despair is this--that one shall

never possess that beautiful personality again, sweet-scented as the

May-time, that I shall never hold that dainty oval face in my hands

again, shall look into those beautiful eyes no more, that all the

intimacy of her person is now but a memory never to be renewed by

actual presence--in these moments of passionate memory one experiences

real grief, a pang that never has found expression perchance except in

Niobe; even that concentration of features is more an expression of

despair than grief. And it was the grief that this girl inspired that

prevented me from mourning my mother as I should like to have mourned

her, as she was worthy of being mourned, for she was a good woman, her

virtues shone with more admirable light year after year; and had I

lived with her, had I been with her during the last years of her life,

her death would have come upon me with a sense of personal loss; I

should have mourned her the day she died as I mourn her now,

intimately; when I am alone in the evening, when the fire is sinking,

the sweetness of her presence steals by me, and I realise what I lost

in losing her.

We do not grieve for the dead because they have been deprived of the

pleasures of this life (if this life be a pleasure), but because of

our own loss. But who would impugn such selfishness? It is the best

thing we have, it is our very selves. Think of a mistress's shame if

her lover were to tell her that he loved her because she wished to be

beloved, because he thought it would give her pleasure to be

loved--she would hate him for such altruism, and deem him unworthy of

her. She would certainly think like this, and turn her face from him

for a while until some desire of possession would send her back to

him. We are always thinking of ourselves directly or indirectly. I was

thinking of myself when shame prevented me from going to meet the poor

wood-gatherers; they would not have thought at all of the injustice of

having been left to the labour of the fields while I had gone forth to

enjoy the world; they would have been interested to see me again, and

a few kind words would have made their load seem easier on their

backs. Called back by a sudden association of ideas, I began to

consider that shameful injustice is undoubtedly a part of our human

lot, for we may only grieve passionately for the casual, or what seems

the merely casual; perhaps because the ultimate law is hidden from us;

I am thinking now of her who comes suddenly into our lives tempting us

with colour, fugitive as that of a flower, luring us with light as

rapid as the light shed from the wings of a dove. Why, I asked myself,

as I lay under the larches, are we to mourn transitory delight so

intensely, why should it possess us more entirely than the sorrow that

we experience for her who endured the labour of child-bearing, who

nourished us perchance at her breast, whose devotion to us was

unceasing, and who grew kindlier and more divorced from every thought

of self as the years went by? From injustice there can be no escape,

not a particle. At best we can, indeed we must, acquiesce in the fact

that the only sorrow to be found in our hearts for aged persons is a

sort of gentle sorrow, such as the year itself administers to our

senses in autumn, when we come home with our hands full of the

beautiful single dahlias that the Dutchmen loved and painted, bound up

with sprays of reddening creepers; we come home along the sunny roads

over which the yellow beeches lean so pathetically, and we are sad for

the year, but we do not grieve passionately; our hearts do not break.

Then again we cannot grieve as the conventions would have us

grieve--in strange dress; the very fact of wearing crepe and black

gloves alienates us from our real selves; we are no longer ourselves,

we are mummers engaged in the performance of a masque. I could have

mourned my mother better without crêpe. "There never has been invented

anything so horrible as the modern funeral," I cried out. A picture of

the hearse and the mutes rose up in my mind, and it was at that very

moment that the song of the bird broke out again, and just above my

head in the larches an ugly, shrilling song of about a dozen notes

with an accent on the two last, a stupid, tiresome stave that never

varied. "What bird can it be," I cried out, "that comes to interrupt

my meditations?" and getting up I tried to discover it amid the

branches of the tree under which I had been lying. It broke out again

in another tree a little farther away, and again in another. I

followed it, and it led me round the wood towards the hilltop to the

foot of the steps, two short flights; the second flight, or part of it

at least, has to be removed when the vault is opened. It consists, no

doubt, of a single chamber with shelves along either side; curiosity

leads few into vaults not more than a hundred years old; above the

vault is the monument, a very simple one, a sort of table built in,

and when my father was buried, a priest scrambled up or was lifted up

by the crowd, and he delivered a funeral oration from the top of it.

That day the box edgings were trampled under foot, and all the flowers

in the beds. My mother, perhaps, cared little for flowers, or she did

not live here sufficiently long to see that this garden was carefully

tended; for years there were no children to come here for a walk, and

it was thought sufficient to keep in repair the boundary wall so that

cattle should not get in. No trees were cut here when the Woods were

thinned, and the pines and the yews have grown so thickly that the

place is overshadowed; and the sepulchral dark is never lifted even at

midday. At the back of the tomb, in the wood behind it, the headstones

of old graves show above the ground, though the earth has nearly

claimed them; only a few inches show above the dead leaves; all this

hillside must have been a graveyard once, hundreds of years ago, and

this ancient graveyard has never been forgotten by me, principally on

account of something that happened long ago when I was a little child.

The mystery of the wood used to appeal to my curiosity, but I never

dared to scramble over the low wall until one day, leaving my

governess, who was praying by the tomb, I discovered a gap through

which I could climb. My wanderings were suddenly brought to an end by

the appearance, or the fancied appearance, of somebody in a brown

dress--a woman I thought it must be; she seemed to float along the

ground, and I hurried back, falling and hurting myself severely in my

hurry to escape through the gap. So great was my fear that I spoke not

of my hurt to my governess, but of the being I had seen, beseeching of

her to come back; but she would not come back, and this fact impressed

me greatly. I said to myself, "If she didn't believe somebody was

there she'd come back." The fear endured for long afterwards; and I

used to beg of her not to cross the open space between the last shift

of the wood and the tomb itself. We can re-live in imagination an

emotion already experienced. Everything I had felt when I was a child

about the mysterious hollows in the beech wood behind the tomb and the

old stone there, and the being I had seen clothed in a brown cloak, I

could re-live again, but the wood enkindled no new emotion in me.

Everything seemed very trivial. The steps leading to the tomb, the

tomb itself, the boundary wall, and the enchanted wood was now no more

than a mere ordinary plantation. There were a few old stones showing

through the leaves, that is all. Marvels never cease; in youth one

finds the exterior world marvellous, later on one finds one's inner

life extraordinary, and what seemed marvellous to me now was that I

should have changed so much. The seeing of the ghost might be put down

to my fancy, but how explain the change in the wood--was its mystery

also a dream, an imagination? Which is the truth--that experience robs

the earth of its mystery, or that we have changed so that the

evanescent emanations which we used suddenly to grow aware of, and

which sometimes used to take shape, are still there, only our eyes are

no longer capable of perceiving them? May not this be so?--for as one

sense develops, another declines. The mystic who lives on the hillside

in the edge of a cave, pondering eternal rather than ephemeral things,

obtains glimpses, just as the child does, of a life outside this life

of ours. Or do we think these things because man will not consent to

die like a plant? Wondering if a glimpse of another life had once been

vouchsafed to me when my senses were more finely wrought, I descended

the hillside; the bird, probably a chaffinch, repeated its cry without

any variation. I went down the hillside and lay in the shadow of the

tasselled larches, trying to convince myself that I had not hoped to

see the brown lady, if it were a lady I had seen, bending over the

stones of the old burial-ground.

One day the silence of the woods was broken by the sound of a mason's

hammer, and on making inquiry from a passing workman--his hodman

probably--I learned that on opening the vault it had been discovered

that there was not room for another coffin. But no enlargement of the

vault was necessary; a couple of more shelves was all that would be

wanted for many a year to come. His meaning was not to be

mistaken--when two more shelves had been added there would be room for

my brothers, myself, and my sister, but the next generation would have

to order that a further excavation be made in the hill or look out for

a new burial-ground. He stood looking at me, and I watched for a

moment a fine young man whose eyes were pale as the landscape, and I

wondered if he expected me to say that I was glad that things had

turned out very well.... The sound of the mason's hammer got upon my

nerves, and feeling the wood to be no longer a place for meditation, I

wandered round the shore as far as the old boat-house, wondering how

it was that the words of a simple peasant could have succeeded in

producing such a strange revulsion of feeling in me. No doubt it was

the intensity with which I realised the fact that we are never far

from death, none of us, that made it seem as if I were thinking on

this subject for the first time. As soon as we reach the age of

reflection the thought of death is never long out of our minds. It is

a subject on which we are always thinking. We go to bed thinking that

another day has gone, that we are another day nearer our graves. Any

incident suffices to remind us of death. That very morning I had seen

two old blue-bottles huddled together in the corner of a pane, and at

once remembered that a term of life is set out for all things--a few

months for the blue-bottle, a few years for me. One forgets how one

thought twenty years ago, but I am prone to think that even the young

meditate very often upon death; it must be so, for all their books

contain verses on the mutability of things, and as we advance in years

it would seem that we think more and more on this one subject, for

what is all modern literature but a reek of regret that we are but

bubbles on a stream? I thought that nothing that could be said on this

old subject could move me, but that boy from Derryanny had brought

home to me the thought that follows us from youth to age better than

literature could have done; he had exceeded all the poets, not by any

single phrase--it was more his attitude of mind towards death (towards

my death) that had startled me--and as I walked along the shore I

tried to remember his words. They were simple enough, no doubt, so

simple that I could not remember them, only that he had reminded me

that Michael Malia, that was the mason's name, had known me since I

was a little boy; I do not know how he got it out; I should not have

been able to express the idea myself, but without choosing his words,

without being aware of them, speaking unconsciously, just as he

breathed, he had told me that if my heart were set on any particular

place I had only to tell Michael Malia and he would keep it for me;

there would be a convenient place for me just above my grandfather

when they had got the new shelf up; he had heard we were both writers.

That country boy took it out of me as perhaps no poet had ever done! I

shall never forget him as I saw him going away stolidly through the

green wood, his bag of lime on his back.

And sitting down in front of the tranquil lake I said, "In twenty or

thirty years I shall certainly join the others in that horrible vault;

nothing can save me," and again the present slipped away from me and

my mind became again clear as glass; the present is only subconscious;

were it not so we could not live. I have said all this before; again I

seemed to myself like a fly crawling up a pane of glass, falling back,

buzzing, and crawling again. Every expedient that I explored proved

illusory, every one led to the same conclusion that the dead are

powerless. "The living do with us what they like," I muttered, and I

thought of all my Catholic relations, every one of whom believes in

the intervention of priests and holy water, the Immaculate Conception,

the Pope's Indulgences, and a host of other things which I could not

remember, so great was my anguish of mind at the thought that my poor

pagan body should be delivered helpless into their pious hands. I

remembered their faces, I could hear their voices--that of my dear

brother, whom I shall always think of as a strayed cardinal rather

than as a colonel; I could see his pale eyes moist with faith in the

intercession of the Virgin--one can always tell a Catholic at sight,

just as one can tell a consumptive. The curving lake, the pale

mountains, the low shores, the sunlight, and the haze contributed not

a little to frighten me; the country looked intensely Catholic at that

moment. My thoughts swerved, and I began to wonder if the face of a

country takes its character from the ideas of those living in it. "How

shall I escape from that vault?" I cried out suddenly. Michael Malia's

hodman had said that they might place me just above my grandfather,

and my grandfather was a man of letters, a historian whose histories I

had not read; and in the midst of the horror my probable burial

inspired in me, I found some amusement in the admission that I should

like the old gentleman whose portrait hung in the dining-room to have

read my novels. This being so, it was not improbable that he would

like me to read his histories, and I began to speculate on what the

author of a history of the French Revolution[1] would think of "Esther

Waters." The colour of the chocolate coat he wears in his picture

fixed itself in my mind's eye, and I began to compare it with the

colour of the brown garment worn by the ghost I had seen in the wood.

Good Heavens, if it were his ghost I had seen!

[Footnote 1: Still unpublished.]

And listening to the lapping of the lake water I imagined a horrible

colloquy in that vault. It all came into my mind, his dialogue and my

dialogue. "Great God," I cried out, "something must be done to

escape!" and my eyes were strained out on the lake, upon the island on

which a Welshman had built a castle. I saw all the woods reaching down

to the water's edge, and the woods I did not see I remembered; all the

larch trees that grew on the hillsides came into my mind suddenly, and

I thought what a splendid pyre might be built out of them. No trees

had been cut for the last thirty years; I might live for another

thirty. What splendid timber there would then be to build a pyre for

me!--a pyre fifty feet high, saturated with scented oils, and me lying

on the top of it with all my books (they would make a nice pillow for

my head). The ancient heroes used to be laid with their arms beside

them; their horses were slaughtered so that their spirits might be

free to serve them in the aerial kingdoms they had gone to inhabit. My

pyre should be built on the island facing me; its flames would be seen

for miles and miles; the lake would be lighted up by it, and my body

would become a sort of beacon-fire--the beacon of the pagan future

awaiting old Ireland! Nor would the price of such a funeral be

anything too excessive--a few hundred pounds perhaps, the price of a

thousand larches and a few barrels of scented oil and the great feast:

for while I was roasting, my mourners should eat roast meat and drink

wine and wear gay dresses--the men as well as the women; and the

gayest music would be played. The "Marriage of Figaro" and some

Offenbach would be pleasing to my spirit, the ride of the Valkyrie

would be an appropriate piece; but I am improvising a selection, and

that is a thing that requires careful consideration. It would be a

fine thing indeed if such a funeral--I hate the word--such a burning

as this could be undertaken, and there is no reason why it should not

be, unless the law interdicts public burnings of human bodies. And

then my face clouded, and my soul too; I grew melancholy as the lake,

as the southern mountains that rippled down the sky plaintive as an

Irish melody, for the burning I had dreamed of so splendidly might

never take place. I might have to fall back on the Public Crematorium

in England--in Ireland there is no Crematorium; Ireland lingers in the

belief in the resurrection of the body. "Before I decide," I said to

myself, "what my own funeral shall be, I must find out what funeral

liberties the modern law and Christian morality permit the citizen,"

and this I should not be able to discover until I returned to Dublin.

It was by the side of dulcet Lough Cara that I began to imagine my

interview with the old family solicitor, prejudiced and white-headed

as the king in a certain kind of romantic play, a devout Catholic who

would certainly understand very little of my paganism; but I should

catch him on two well-sharpened horns--whether he should be guilty of

so unbusiness-like an act as to refuse to make a will for theological

reasons, or to do a violence to his conscience by assisting a

fellow-creature to dispose of his body in a way that would give the

Almighty much trouble to bring about the resurrection of the body in

the valley of Jehoshaphat. The embarrassment of the family solicitor

would be amusing, and if he declined to draw up my will for me there

would be plenty of other solicitors who would not hesitate to draw up

whatever will I was minded to make. In order to secure the burial of

my body, my notion was to leave all my property, lands, money,

pictures, and furniture to my brother, Colonel Maurice Moore on the

condition that I should be burnt and the ashes disposed of without the

humiliation of Christian rites; that if the conditions that the

inheritance carried with it were so disagreeable to Colonel Maurice

Moore that he could not bring himself to see that the disposal of my

remains was carried out according to my wishes, my property, lands,

money, pictures, and furniture, should go to my brother Augustus

Moore; that in the event of his declining to carry out my wishes

regarding the disposal of my remains, all my property should go to my

brother Julian Moore; that if he should refuse to carry out my wishes

regarding the disposal of my remains, all the said property should go

to my friend Sir William Eden, who would, I felt sure, take a sad

pleasure in giving effect to the wishes of his old friend. A will

drawn up on these lines would secure me against all chance of being

buried with my ancestors in Kiltoon, and during the next two days I

pondered my own burning. My brother might think that he was put to a

good deal of expense, but he would not fail me. He had taken off my

hands the disagreeable task of seeing the undertakers and making

arrangements for the saying of Masses, etc., arrangements which would

be intensely disagreeable to me to make so. I had plenty of time to

think out the details of my burning; and I grew happy in the thought

that I had escaped from the disgrace of Christian burial--a disgrace

which was never, until the last two days, wholly realised by me, but

which was nevertheless always suspected. No doubt it was the dread of

Kiltoon that had inspired that thought of death from which in late

years I had never seemed able to escape. I am of the romantic

temperament, and it would be a pity to forgo the burning I had

imagined. I delighted in the vision that had come upon me of the

felling of the larch trees on the hillside and the building of the

pyre about the old castle. It would reach much higher; I imagined it

at least fifty feet high. I saw it flaming in imagination, and when

half of it was burnt, the mourners would have to take to the boats, so

intense would be the heat. What a splendid spectacle! Never did any

man imagine a more splendid funeral! It would be a pity if the law

obliged me to forgo it. But there was no use hoping that the law would

not; there was a law against the burning of human remains, and I might

have to fall back on the Public Crematorium: it only remained for me

to decide what I would wish to be done with the ashes. In a moment of

happy inspiration I conceived the idea of a Greek vase as the only

suitable repository for my ashes, and I began to remember all the

Greek vases I had seen: all are beautiful, even the Roman Greek; these

are sometimes clumsy and heavy, but the sculpture is finely designed

and executed. Any Greek vase I decided would satisfy me, provided, of

course, that the relief represented Bacchanals dancing, and nearly

every Greek vase is decorated in this way. The purchase of the vase

would be an additional expense; no doubt I was running my brother in

for a good deal of money; it is becoming more and more difficult to

buy original Greek sculpture! and in a moment of posthumous parsimony

my thoughts turned to a copy of a Greek vase in granite, granite being

more durable than marble, and I wanted the vase to last for a long

time. It was delightful to take a sheet of paper and a pencil and to

draw all that I remembered of the different vases I had seen,

different riots of lusty men carrying horns of wine, intermingled with

graceful girls dancing gracefully, youths playing on pipes, and amidst

them fauns, the lovely animality of the woods, of the landscape ages,

when men first began to milk their goats, and when one man out of the

tribe, more pensive, more meditative than the others, went down to the

river's bank and cut a reed and found music within it. The vase I

remembered best has upright handles springing from the necks of swans.

It stands about two feet high, perhaps a little more, and its cavity

should be capable of containing all that remains of me after my

burning. None would have thought, from the happy smile upon my lips,

that I was thinking of a Grecian urn and a little pile of white ashes.

"O death, where is thy sting?" I murmured, and the pencil dropped from

my hand, for my memory was more beautiful than anything I could

realise upon paper. I could only remember one side of a youth, that

side of him next to an impulsive maiden; her delight gives her wings;

his left arm is about her shoulder. She is more impulsive than he, and

I wondered at his wistfulness--whether he was thinking of another love

or a volume of poems that he loved better. Little by little many of

the figures in the dance were remembered, for the sculpture was so

well done that the years had only clouded my memory. The clouds

dispersed, and I saw this time one whole figure, that of a

dancing-girl; her right arm is extended, her left arm is bent, she

holds a scarf as she dances, and the muscles of the arms are placed so

well, and the breasts too, that one thinks that the girl must have

been before the sculptor as he worked. Ingres and Antiquity alone knew

how to simplify. There is little, but that little is so correct that

detail is unnecessary, and I exulted in remembrance of the dainty

design of the belly, half hidden, half revealed by little liquid

folds. "How exquisite," I said, "is that thigh! how well it advances!

And we poor moderns have lived upon that beauty now well-nigh two

thousand years? But how vainly we have attempted to imitate that

drapery flowing about the ankles, like foam breaking on the crest of a

wave." A slender youth stands next; his shoulders are raised, for the

pipes are to his lips, his feet are drawn close together, and by him a

satyr dances wildly, clashing cymbals as he dances. He is followed, I

think--it is difficult to say whether this be a recollection of

another vase or whether the figure is included in the same group--by a

faun tempting the teeth and claws of a panther with a bunch of grapes.

And it was this winsome faun that decided me to select this vase as

the repository of my ashes. And I determined to stipulate in my will

that this vase be chosen. But my will must not be too complicated,

otherwise it might be contested. All that is not common can easily be

argued to be madness by a loquacious lawyer before a stupid jury. Who

except a madman, asks the lawyer, would trouble to this extent as to

what shall be done with his remains? Everybody in the court agrees

with him, for every one in court is anxious to prove to his neighbour

that he is a good Christian. Everything is convention, and lead

coffins and oak coffins cannot be held as proof of insanity, because

men believe still in the resurrection of the body. Were the Pharaohs

insane? Was the building of the Great Pyramid an act of madness? The

common assurance is that it matters nothing at all what becomes of our

remains, yet the world has always been engaged in setting up tombs. It

is only those pretty satyrs who do not think of tombs. Satyrs wander

away into some hidden place when they feel death upon them. But poor

humanity desires to be remembered. The desire to be remembered for at

least some little while after death is as deep an instinct as any that

might be readily named, and our lives are applied to securing some

little immortality for ourselves. What more natural than that every

one should desire his death and burial to be, as it were, typical of

the ideas which he agreed to accept during life: what other purpose is

served by the consecration of plots of ground and the erection of

crosses? In this at least I am not different from other people; if I

am anxious about my burning, it is because I would to the last

manifest and express my ideas, and neither in my prose nor verse have

I ever traced out my thoughts as completely or as perfectly as I have

done in this order for my tomb. One trouble, however, still remained

upon my mind. Where should the vase be placed? Not in Westminster

Abbey. Fie upon all places of Christian burial! A museum inspires

lofty thoughts in a few; Gouncourt speaks of the icy admiration of

crowds. The vase might stand in the stone wall, and in the very corner

where I learned to spin my top? But sooner or later a housemaid would

break it. The house itself will become the property of another family,

and the stranger will look upon the vase with idle curiosity, or

perhaps think it depressing to have me in the hall. An order for my

removal to a garret might be made out.

The disposal of the vase caused me a great deal of anxiety, and I

foresaw that unless I hit upon some idea whereby I could safeguard it

from injury for ever, my project would be deprived of half its value.

As I sat thinking I heard a noise of feet suddenly on the staircase.

"They are bringing down my mother's coffin," I said, and at that

moment the door was opened and I was told that the funeral procession

was waiting for me. My brother, and various relatives and friends,

were waiting in the hall; black gloves were on every hand, crepe

streamed from every hat, "All the paraphernalia of grief," I muttered;

"nothing is wanting." My soul revolted against this mockery. "But why

should I pity my mother? She wished to lie beside her husband. And far

be it from me to criticise such a desire!"

The coffin was lifted upon the hearse. A gardener of old time came up

to ask me if I wished there to be any crying. I did not at first

understand what he meant; he began to explain, and I began to

understand that he meant the cries with which the Western peasant

follows his dead to the grave. Horrible savagery! and I ordered that

there was to be no keening; but three or four women, unable to contain

themselves, rushed forward and began a keen. It was difficult to try

to stop them. I fancy that every one looked round to see if there were

any clouds in the sky, for it was about a mile and a half to the

chapel; we would have to walk three miles at least, and if it rained,

we should probably catch heavy colds. We thought of the damp of the

wood, and the drip from the melancholy boughs of yew and fir growing

about that sepulchre on the hillside. But there was no danger of rain;

Castle Island lay in the misted water, faint and grey, reminding me of

what a splendid burial I might have if the law did not intervene to

prevent me. And as we followed the straggling grey Irish road, with

scant meagre fields on either side--fields that seemed to be on the

point of drifting into marsh land--past the houses of the poor people,

I tried to devise a scheme for the safeguarding of the vase. But

Rameses the Second had not succeeded in securing his body against

violation; it had been unswathed; I had seen his photograph in the

Strand, and where he failed, how should I succeed?

Twenty priests had been engaged to sing a Mass, and whilst they

chanted, my mind continued to roam, seeking the unattainable, seeking

that which Rameses had been unable to find. Unexpectedly, at the very

moment when the priest began to intone the Pater Noster, I thought of

the deep sea as the only clean and holy receptacle for the vase

containing my ashes. If it were dropped where the sea is deepest it

would not reach the bottom, but would hang suspended in dark, moveless

depths where only a few fishes range, in a cool, deep grave "made

without hands, in a world without stain," surrounded by a lovely revel

of Bacchanals, youths and maidens, and wild creatures from the woods,

man in his primitive animality. But nothing lasts for ever. In some

millions of years the sea will begin to wither, and the vase

containing me will sink (my hope is that it will sink down to some

secure foundation of rocks to stand in the airless and waterless

desert that the earth will then be).

Rameses failed, but I shall succeed. Surrounded by dancing youths and

maidens, my tomb shall stand on a high rock in the solitude of the

extinct sea of an extinct planet. Millions of years will pass away,

and the earth, after having lain dead for a long winter, as it does

now for a few weeks under frost and snow, will, with all other

revolving planets, become absorbed in the sun, and the sun itself will

become absorbed in greater suns, Sirius and his like. In the matters

of grave moment, millions of years are but seconds; billions convey

very little to our minds. At the end of, let us say, some billion

years the ultimate moment towards which everything from the beginning

has been moving will be reached; and from that moment the tide will

begin to flow out again, the eternal dispersal of things will begin

again; suns will be scattered abroad, and in tremendous sun-quakes

planets will be thrown off; in loud earth-quakes these planets will

throw off moons. Millions of years will pass away, the earth will

become cool, and out of the primal mud life will begin again in the

shape of plants, and then of fish, and then of animals. It is like

madness, but is it madder than Christian doctrine? and I believe that

billions of years hence, billions and billions of years hence, I shall

be sitting in the same room as I sit now, writing the same lines as I

am now writing: I believe that again, a few years later, my ashes will

swing in the moveless and silent depths of the Pacific Ocean, and that

the same figures, the same nymphs, and the same fauns will dance

around me again.

Memoirs of My Dead Life · 第 14 / 14 章