CHAPTER X

At the beginning of October Paul went abroad. She had thought that

life without him would be unendurable, and she could not analyse her

own feelings when she found that she could laugh with as much

enjoyment as ever, and that her fits of depression were less frequent

than before. In fact, she had often been far more unsettled if a

letter from him had failed to arrive when it was due; and a new

sensation of freedom went far to cure her of the restlessness that had

possessed her all the summer. She began to probe into her truth-loving

soul, to try and discover whether her feeling for him was not an

illusion after all; but she found no satisfactory explanation of the

problem that was puzzling her, and she put it voluntarily away from

her, and turned to her work as a healthy antidote. And she had a good

deal of work just then. Thanks to the influence of the Honourable Mrs.

Keeley, her private pupils were increasing in number, and these, with

her lectures at the school, were producing a salary that relieved her

of all financial worry for the present. She was making new friends

too, and it added to her contentment to find that people asked her to

go and see them because they liked her. For the first time since her

arrival in town, she felt sure of being on the way to success; and the

sensation was a very thrilling one. Phyllis asked her, one day, why

she was looking so happy. Katharine laughed, and pondered for a

moment; then answered frankly that she did not know why. "I only know

that I have never been so gloriously happy in my whole life," she

added; and she wondered, as she spoke, whether the mad, feverish

happiness of the summer months had really been happiness at all. But

Phyllis, who felt that she had no share in this strange new life of

hers, looked back regretfully on the earlier days when Katharine had

been lonely and in need of her sympathy. Even Ted told her she was

looking "very fit," and this was the highest term of praise in his

vocabulary. For, since the beginning of October, she had seen a good

deal of Ted. It was very restful to come back to him, after the state

of high pressure in which she had been living lately; and when she

grew accustomed to his being a West-end young man, instead of an

easy-going schoolboy, she found him the same delightful companion as

of old. He did not allude to her many weeks of silence, nor ask her

how she had spent them; he came at her bidding, and when he found that

she liked him to come he came again. He was as humble as ever, except

in matters of worldly knowledge, and there he showed a youthful

superiority over her which amused her immensely. His laziness, which

had always been more or less an assumption with him, had developed

into the fashionable pose of indifference; and she tried in vain to

spur him on to doing something definite with his life, instead of

letting it drift away in a city office.

"Girls don't understand these things," he would say with good-natured

obstinacy. "Of course I loathe the beastly hole; any decent chap

would. But I may as well stop there. It's not my fault that I was ever

born, is it? I get enough to live on, with what my cousin allows me;

and I'm not going to grind all I know, to get a rise of five bob a

week. It isn't good enough. I'm sure I'm very easily contented, and my

wants are few enough. Oh, rats! I must have a frock coat; every decent

chap has. And you couldn't possibly call that extravagant, because I

sha'n't think of squaring it for a year at least. Of course I don't

expect you to understand these things, Kitty; it's impossible for a

man to do the cheap, like a woman."

And Katharine, who always wanted to reconstitute society, with a very

limited knowledge of its first principles, would strike in with a

vigorous denunciation of his comfortable philosophy; and he would

listen and laugh at her, and make no effort to support his own opinion

which he continued to hold, nevertheless. He was the best companion

she could have had just then; he never varied, whatever her mood was,

and he kept her from thinking too much about herself, which was a

habit she had acquired since she last saw him. Besides, he was a link

with her childhood, that period of vague existence which had held no

problems to be solved, and had never inspired her with a wish to

reform human nature. So they spent many evenings and half-holidays

together, and they went frequently to the theatre and sat in the

gallery, which often entertained them as much as the play itself; and

he loved to pay for her, with a manly air, at the box office, and

always made the same kind of weak resistance afterwards, when

Katharine insisted on refunding her share, under the lamp at the

corner of Queen's Crescent, Marylebone. Sometimes, when they were

unusually well off, they would dine at an Italian restaurant first,

where they could have many wonderful dishes for two shillings, and a

bottle of tenpenny claret. On one occasion--it was Ted's birthday, and

his cousin had sent him a five-pound note--they had more than an

ordinary jubilation.

"Buck up, and get ready!" he had rushed into the little distempered

hall to say. "We'll go to a new place, where the waiters aren't dirty,

and the wine isn't like sulphuric acid. And, Kitty, put on that hat

with the pink roses, won't you?"

They did their best, on that memorable evening, to reduce the five

pound-note, and to behave as though they were millionaires. They drove

in a hansom to the restaurant in question, which was a very brilliant

little one close to the theatres, where they had a waiter to

themselves instead of the fifth part of a very distracted and

breathless one. The state of Ted's pockets could always be estimated

by the amount of attention he exacted from the waiter; and this

evening there was absolutely nothing he would do for himself, from the

disposal of his walking stick to the choice of the wine.

"It's a very good tip to start by taking the waiter into your

confidence," he assured Kitty, when it had just been settled for them

that they were to have _bisque_ soup.

"It's convenient, sometimes, when everything is written in French,"

observed Katharine. Ted changed the conversation. On his twenty-second

birthday he felt inclined, for once in a way, to assert himself.

"I'm rather gone on this place; pretty, isn't it?" he continued. "All

the candle-shades are red, white, and blue; mean to say you didn't

twig that? You're getting less alive every day, Kit! Awfully

up-to-date place, this! I don't suppose there is a single decent woman

in the room, bar yourself."

He said this with such pride in the knowledge, that she would not have

robbed him of his satisfaction for the world.

"They look much the same as other women to me," she observed, after a

quick survey of the little tables.

"That's because you don't know. How should you? Women never do, bless

them! Do you like fizz?"

"Oh, Ted, don't! Isn't it a pity to spend such a lot just for

nothing?" she remonstrated. She had visions of all the unpaid bills he

had disclosed to her in one of his recent pessimistic moods.

"My dear Kitty, you really must learn to enjoy life. Don't be so

beastly serious over everything. Bills? What bills? There aren't any

to-night. The art of living is knowing when to be extravagant."

And she had to acknowledge, for the rest of the evening, that he had

certainly mastered the art of living. They went to a music hall, and

sat in the stalls; and Katharine enjoyed it because Ted was there, and

because he was so funny all through,--first, in his fear of being

asked by the conjurer for his hat which was a new one, or his watch

which was only represented by his watch chain; and secondly, because

he tried so hard to distract her attention from the songs that were

inclined to be risky. And Ted enjoyed it because it was the thing to

do, and because there would be hardly any of that fiver left by the

time he got home.

"Then you'll look me up at the office at five to-morrow; you won't

forget?" he asked rather wistfully, when they parted on the doorstep.

"Of course I won't forget," she answered, hastily. "Dear old Ted, I

have enjoyed it so much!"

"Good-night, dear," he said, as he turned away. And his tone haunted

her rather, as she groped her way up to bed in the dark. She began to

feel half afraid, with some annoyance at the thought, that this

pleasant state of things could not go on for ever, and that Ted was

going to spoil it all again as he had done once before, by taking

their relationship seriously. So she prepared to meet him, the next

afternoon, with a reserve of manner that was meant to indicate her

displeasure; but he disconcerted her very much by asking her bluntly

why the dickens she was playing so poorly; and she felt unreasonably

annoyed to find that her fears were groundless. So for some time

longer they went on as before, in the same happy-go-lucky kind of way

that had always characterised them. She learned to know several of his

friends, most of them genuine boyish fellows, who appealed to her more

by their affection for Ted than by any qualities they possessed

themselves. They seemed very much alike, though she was bound to

acknowledge that this impression may have been conveyed by the cut of

their clothes and the shape of their hats, which did not differ by so

much as a hair's breadth. But Ted always shone by comparison with the

best of them. He was the only one of his set who did not take himself

seriously; he had a sense of humour, too, and this compensated for the

exhausted manner which he felt obliged to assume as a mark of

fellowship with them.

He asked her, one night, with some diffidence, if she would mind

coming to tea in his chambers on the following Sunday.

"I shouldn't think of asking you to come alone," he hastened to add;

"but Monty is going to bring his sister along, so that's all square as

long as you don't mind."

"Mind! Why, of course not," said Katharine, in frank astonishment.

"What is there to mind? I want to see your chambers very much. I have

often wondered why you never asked me before."

Ted stared at her for a moment, and then began tracing what remained

of the pattern in the linoleum with his walking stick. They were

standing, as usual, in the hall of number ten, Queen's Crescent.

"What a babe you are, Kitty!" he said, without looking up; and

Katharine reddened as she suddenly realised his meaning. Of course Ted

was no longer a boy, and she was no longer a child; and she was on

precisely the same footing with him in the eyes of the world as she

was with Paul Wilton. Unconsciously, she compared the attitude of the

two men under similar circumstances; Paul, who was unscrupulous in

letting her visit him as long as no one knew of it; and Ted, who had

no views on the matter at all but merely wished to spare her any

annoyance.

"I see," she said. "Who is Monty?" She always felt nervous when he

offered to introduce her to any of his friends; because she knew very

well that he warned them all beforehand that she had "ideas," and this

put her at a distinct disadvantage to begin with.

"Oh, Monty's awfully smart! He knows no end. You'll like Monty, I

expect. He wants to meet you, awfully; says he likes the look of your

photograph. I told him how bally clever you were, and all that.

Monty's clever, too; he reads Ibsen."

Katharine received this proof of Monty's intellectual ability with

some cynicism which, however, she was careful to conceal.

"I shall be delighted to meet him," she said. "What time shall I

come?"

"Oh, any time; four will do. And, I say, Kit, I suppose I must have

cream, mustn't I? You can't give Monty milk that's been sitting for

hours, and spoof him that it's cream. I've done that sometimes, but

you can't spoof Monty."

"Oh, I'll bring the cream. I know a shop where they'll let me have it

on Sunday," said Katharine confidently; and Ted left comforted.

After all, Monty's sister could not come; but Ted's sense of the

fitness of things was satisfied by his having asked her, and, as Monty

himself came and did not seem afraid of Katharine as all his other

friends were, he felt that his tea-party was a success. The only thing

that marred his enjoyment was the fact that Katharine, for some

unaccountable caprice, refused to be intellectual in spite of the

efforts of Monty, whose real name proved to be Montague, to draw her

out. Monty was a young man with a gentlemanly view of life, tempered

by a great desire to be thought advanced; and he began the

conversation with a will.

"Awfully clever new thing at the Royalty! Suppose you've seen it, Miss

Austen?" he began. "Awfully plucky of the Independent Theatre to put

it on, it is really."

"Is it?" smiled Katharine. "I haven't seen it yet. Ted and I hate

those advanced plays,--they're so slow as a rule. Comic operas, we

like best."

Monty seemed surprised; and Ted was a little disconcerted by this

frank avowal of his own ordinary tastes.

"You see, Kit only goes to those things to please me," he said,

apologetically. "She's just as keen on all those humpy plays as you

are, don't you know?"

Monty was not sure that he knew, but he turned to another branch of

art.

"Talking about posters," he said,--which was only his favourite method

of opening a conversation, for nobody was talking about posters at

all,--"have you seen that awfully clever one of the new paper, 'The

Future'? It's by quite a new man, in the French style, so bold and yet

so subtle. But of course you must have seen it."

"Oh, yes," laughed Katharine, "I should think I had! You mean the red

one, don't you, with a black sun and a cactus thing, and a lot of

spots all over it? Ted and I were laughing at it, only yesterday. Do

you really think it is good?"

Monty said he really did think so; and Ted, who was torn in two by his

admiration for both of them, came to his rescue.

"You had better be careful, Kitty," he said, anxiously. "Monty does

know."

"Of course," said Katharine politely, "it is only a matter of taste,

isn't it, Mr. Montague?"

"Quite so," replied Monty, concealing his feelings of superiority as

well as he could. "By the way, talking of taste, what do you think of

the new Danish poet? Rather strong, don't you think?"

Katharine sighed, and glanced nervously at Ted.

"Oh, I suppose he's all right," she said, with the exaggerated

solemnity that would have betrayed to any one who knew her well how

close she was to laughter; "but he isn't a bit new, is he? I mean, he

only says the same things over again that the old poets said ever so

much better. Don't you think so?"

"They all give you the hump, any way," put in Ted. But Monty ignored

his remark, and said that he never read any of the old poets; he

preferred the new ones because they went so much deeper.

"Hang it all, Kitty; what a rum girl you are!" said Ted, in a

disappointed tone. "A chap never knows where to have you. I did think

you were advanced, if you couldn't be anything else."

At this point, Katharine yielded to an irresistible desire to laugh;

and Ted looked anxiously at the friend to whom he had given such a

false impression of her "ideas." But, to his surprise, the great Monty

himself joined in her laughter, and seemed inexpressibly relieved to

find that she was not nearly so intellectual as she had been painted,

and it was therefore no longer incumbent on him to sustain the

conversation at such a high pitch.

"Now that we have settled I am not advanced," said Katharine, turning

up her veil, "supposing we have some tea." And for the rest of the

afternoon they behaved like rational beings, and discussed the low

comedians and the comic papers.

"All the same," Ted complained, when Monty had gone, "he's awfully

clever, really. You may rot as much as you like, but Monty does know

about things. You don't know what a fool he makes _me_ feel."

"He needn't do that," said Katharine. "It would be the kindest thing

in the world not to let him read another magazine or newspaper for six

months. I think he is very nice, though, when he lets himself go."

Ted looked at her a little sadly.

"You seemed to be getting on beastly well, I thought," he said.

"He is certainly very amusing, and it was nice of you to ask me to

meet him," continued Katharine, innocently. Ted walked to the

fire-place, and studied himself silently in the looking-glass.

"I wish I wasn't such a damned fool," he burst out savagely. Katharine

stood still with amazement.

"Ted!" she cried. "Ted! What do you mean?"

Ted planted his elbows on the mantel-shelf, and buried his face in his

hands.

"Ted!" she said again, with distress in her voice. "What do you mean,

Ted? As if I--oh, Ted! And a man like _that_! You know piles more than

he does, old boy, ever so much more. You don't put on any side, that's

all; and he does. You mustn't say that any more, Ted; oh, you mustn't!

It hurts."

"You know you are spoofing me," he said, in muffled tones. "You know

you only say that just to please me. You think I am a fool all the

time, only you are a good old brick and pretend not to see it. As if I

didn't twig! I ought never to have been born."

Katharine walked swiftly over to him, and laid her hand on his arm.

She did not reason with herself; she only knew that she wanted to

comfort him at any price.

"Ted," she said, earnestly, "_I_ am glad you were born."

He turned round suddenly, and looked at her; and she started nervously

at the eagerness of his expression. He had not looked like that when

he made love to her in the summer-house.

"Do you mean that, dear?"

"Oh, don't be so serious, Ted! Of course I mean it; of course I am

glad you were born. Think how forlorn I should have been without you;

it would have been awful if I had been alone." He looked only half

satisfied; and she went on desperately, caring for nothing but to

charm away the miserable look from his face. "Dear Ted, you know what

you are to me; you know I don't care a little bit for Monty, or

anybody else, either."

"Do you mean that, Kitty?" he asked again, in a voice that he could

not steady. "Not anybody else, dear?"

Something indefinable, something that made her long for another man's

voice to be trembling for love of her, as his was trembling now,

seemed to come between them and to strike her dumb. He looked at her

searchingly for a moment, then shook off her hand and pushed her away

from him. She shivered as the suspicion crossed her mind that he had

guessed her thoughts, though she knew quite well that the renewal of

her friendship with Paul was unknown to him. She went up to him again,

and let him seize her two hands and crush them until she could have

cried out with the pain.

"You are the best fellow in the world, Ted," she said. "But you

mustn't look like that; oh, don't! I am not worth it, Ted; I am not

nearly good enough for you, dear,--you know I am not. I am never going

to marry any one; I am not the sort to marry; I am hard, and cold, and

bitter. Sometimes, I think I shall just work and fight my way to the

end. I know I shall never be happy in the way most women are happy.

But I will be your chum, and stick to you always, Ted. May I?"

"Oh, shut up!" said Ted, almost in a whisper; and the tears sprang to

her eyes. She stood on tiptoe, and impetuously kissed the only place

on his cheek she could reach. At the moment, it seemed the only right

and proper thing to be done.

"I couldn't help it. I had to; and I don't care," she said, defiantly.

And Ted wrung her hands again, and let them go.

"I suppose none of it is your fault, Kit, but--"

There was a pause, and Katharine avoided his eyes, for the first time

in her life.

"It's time to go," she said. "Will you see me home?"

She fetched him his hat and coat, and Ted gave himself a shake.

"He didn't take cream, after all," he said, with a poor attempt at a

laugh.

The Making of a Prig · 第 10 / 20 章