JOHN LEACHMAN.

[The aceto-nitrate _may_ be used, but in our own practice we do not do

so. It is apt to give an unpleasant brownish colour. The solutions of

silver, {650} whether used for albumenising or otherwise, being reduced

to a state of chloride by the addition of common salt so long as any

precipitate is formed: fine silver may then be readily obtained by

heating a crucible, the chloride consisting of three-fourths of pure

metal. It is a false economy to use dirty or doubtful solutions, and by

adopting the above course the pecuniary loss is very trifling. Our

ordinary stoves will not always give a sufficient heat, but any working

jeweller or chemist having the ordinary furnace would accomplish it.]

_On the Restoration of old Collodion._--Many plans have been suggested for

the restoration of collodion when it has lost its sensitiveness by age. In

the last Number of the _Photographic Journal_, p. 147., MR. CROOKES

proposes "to remove the free iodine from the collodion by means of a piece

of pure silver. For two ounces of liquid I should recommend a sheet of

stout silver foil, about two inches long and half an inch broad. It will

require to remain in contact with the collodion for about two days, or even

longer if the latter be very dark-coloured; and in this case it will

sometimes be found advantageous to clean the surface of the silver, as it

becomes protected with a coating of iodide, by means of cyanide of

potassium or hyposulphite of soda.

"When thus renovated, the collodion will be found as sensitive and good as

it was originally."

This plan is certainly more simple than any that has yet been recommended.

The action of the silver being its mere combination with the free iodine,

thereby producing the reduction of the collodion to its original colourless

condition, I would venture to put this question to MR. CROOKES (to whom the

readers of "N. & Q." are already under great obligations): Does he consider

that it is the mere presence of free iodine which causes the want of

sensitiveness in the collodion? This is all which appears to be

accomplished by the process which Mr. Crookes recommends.

Now, as one who has had some experience, both in the manufacture and uses

of collodion, such a view does not agree with my practice and observation.

Occasionally, upon sensitising collodion, I have found it assume a deep

sherry colour a few hours after being made. This must have depended upon

the free iodide it contained, and yet such collodion has worked most

admirably. I have now before me a large body of collodion almost red, and

which has been made some three or four months; yet the last time I used

this, about a week since, it was just as good as when it was first made.

Undoubtedly collodion does more or less deteriorate with age; but here I

would observe, that there is an immense difference in the different

manufactures of collodion, and which can be ascertained by use only, and

not by appearance.

But Mr. Hennah, who has had much practical experience, recommends the

collodion to be made sensitive merely by the iodide of potassium; and he

said, "if it did not work quite clearly and well, a little tincture of

iodine brought it right." Here, then, is added the very thing which MR.

CROOKES proposes to abstract.

Again, MR. CROOKES considers the free iodine to be the cause of the

colouring of the collodion; will he then kindly explain its _modus

operandi_?

As he has on several occasions given your readers the benefit of his great

chemical knowledge, I trust they may be favoured by him with a solution of

these difficulties, which have puzzled

Notes and Queries, Number 218, December 31, 1853 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 63 / 180 题