FOOTNOTES:

[1] The pope's decision, so the story goes, was hastened by a

miracle. A priest, saying mass at the church of Santa Christina at

Bolsena, was troubled, after the consecration, with grave doubts as

to the truth of the doctrine of transubstantiation. His temptation

was removed by the Host beginning to bleed, the blood soaking through

the corporal _into_ the marble of the altar.

[2] Nothing caused more offence to Liberal sentiment in France after

the Restoration than the spectacle of King Louis XVIII. walking and

carrying a candle in the procession through the streets of Paris.

CORRAL (Span. from _corro_, a circle), a word used chiefly in Spanish

America and the United States for an enclosure for cattle and horses,

and also for a defensive circle formed of wagons against attacks from

Indians. It is also used as a verb, meaning to drive into a corral, and

so figuratively to enclose, hem in. The word is probably connected with

the South African Dutch word kraal (q.v.). In Ceylon it is especially

used for an enclosure meant for the capture of wild elephants. In this

last sense of the word the corresponding term in India is keddah (q.v.).

CORREA, a genus of Australian plants belonging to the natural order

Rutaceae, named after the Portuguese botanist Jose Francisco Correa da

Serra. The plants are evergreen shrubs and extremely useful for winter

flowering. They are increased by cuttings, and grown in a cool

greenhouse in rough peaty soil, with a slight addition of loam and sand.

After the plants have done flowering, they should all get a little

artificial warmth, plenty of moisture, and a slight shade, while they

are making their growth, during which period the tips of the young

shoots should be nipped out when 6 or 8 in. long. When the growth is

complete, a half-shady place outdoors during August and September will

be suitable, with protection from parching winds and hot sunshine.

CORREA DA SERRA, JOSE FRANCISCO (1750-1823), Portuguese politician and

man of science, was born at Serpa, in Alemtejo, in 1750. Educated at

Rome, he took orders under the protection of the duke of Alafoes, uncle

of Mary I. of Portugal. In 1777 he returned to Lisbon, where he resided

with his patron, with whose assistance he founded the Portuguese Academy

of Sciences. Of this institution he was named perpetual secretary, and

he received the privilege of publishing its transactions without

reference to any censor whatever. His use of this right brought him into

conflict with the Holy Office; and consequently in 1786 he fled to

France, and remained there till the death of Pedro III., when he again

took up his residence with Alafoes. But having given a lodging in the

palace to a French Girondist, he was forced to flee to England, where he

found a protector in Sir Joseph Banks, and became a member of the Royal

Society. In 1797 he was appointed secretary to the Portuguese embassy,

but a quarrel with the ambassador drove him once more to Paris (1802),

and in that city he resided till 1813, when he crossed over to New York.

In 1816 he was made Portuguese minister-plenipotentiary at Washington,

and in 1820 he was recalled home, appointed a member of the financial

council, and elected to a seat in the Cortes. Three years after, and in

the same year with the fall of the constitutional government, he died.

Correa da Serra ranks high as a botanist, though he published no great

special work. His principal claim to renown is the _Coleccao de livros

ineditos da historia Portugueza_, (4 vols., 1790-1816), an invaluable

selection of documents, exceedingly well edited.

CORREGGIO, or COREGGIO, the name ordinarily given to Antonio Allegri

(1494-1534), the celebrated Italian painter, one of the most vivid and

impulsive inventors in expression and pose and the most consummate

executants. The external circumstances of his life have been very

diversely stated by different writers, and the whole of what has been

narrated regarding him, even waiving the question of its authenticity,

is but meagre.

The first controversy is as to his origin. Some say that he was born of

poor and lowly parents; others, that his family was noble and rich.

Neither account is accurate. His father was Pellegrino Allegri, a

tradesman in comfortable circumstances, living at Correggio, a small

city in the territory of Modena; his mother Bernardina Piazzoli degli

Aromani, also of a creditable family of moderate means. Antonio was born

at Correggio, and was carefully educated. He was not (as has been often

alleged) strictly self-taught in his art--a supposition which the

internal evidence of his pictures must of itself refute. They show a

knowledge of optics, perspective, architecture, sculpture and anatomy.

The last-named science he studied under Dr Giovanni Battista Lombardi,

whom he is believed to have represented in the portrait currently named

"II Medico del Correggio" (Correggio's physician). It is concluded that

he learned the first elements of design from his uncle, Lorenzo Allegri,

a painter of moderate ability at Correggio, and from Antonio Bartolotti,

named Tognino, and that he afterwards went to the school of Francesco

Ferrari Bianchi (named Frare), and perhaps to that of the successors of

Andrea Mantegna in Mantua. He is said to have learned modelling along

with the celebrated Begarelli at Parma; and it has even been suggested

that, in the "Pieta" executed by Begarelli for the church of Santa

Margherita, the three finest figures are the work of Correggio, but, as

the group appears to have been completed three years after the painter's

death, there is very little plausibility in this story. Another

statement connecting Begarelli with Correggio is probably true, namely,

that the sculptor executed models in relief for the figures which the

painter had to design on the cupolas of the churches in Parma. This was

necessarily an expensive item, and it has been cited as showing that

Correggio must have been at least tolerably well off,--an inference

further supported by the fact that he used the most precious and costly

colours, and generally painted on fine canvases or sometimes on sheets

of copper.

The few certain early works of Correggio show a rapid progression

towards the attainment of his own original style. Though he never

achieved any large measure of reputation during his brief lifetime, and

was perhaps totally unknown beyond his own district of country, he found

a sufficiency of employers, and this from a very youthful age. One of

his early pictures, painted in 1514 when he was nineteen or twenty years

old, is a large altar-piece commissioned for the Franciscan convent at

Carpi, representing the Virgin enthroned, with Saints; it indicates a

predilection for the style of Leonardo da Vinci, and has certainly even

greater freedom than similarly early works of Raphael. This picture is

now in the Dresden gallery. Another painting of Correggio's youth is the

"Arrest of Christ." A third is an Ancona (or triple altar-piece--the

"Repose in Egypt, with Sts Bartholomew and John") in the church of the

Conventuali at Correggio, showing the transition from the painter's

first to his second style. Between 1514 and 1520 Correggio worked much,

both in oil and in fresco, for churches and convents. In 1521 he began

his famous fresco of the "Ascension of Christ," on the cupola of the

Benedictine church of San Giovanni in Parma; here the Redeemer is

surrounded by the twelve apostles and the four doctors of the church,

supported by a host of wingless cherub boys amid the clouds. This he

finished in 1524, and soon afterwards undertook his still vaster work on

another cupola, that of the cathedral of the same city, presenting the

"Assumption of the Virgin," amid an unnumbered host of saints and angels

rapt in celestial joy. It occupied him up to 1530. The astounding

boldness of scheme in these works, especially as regards their incessant

and audacious foreshortenings--the whole mass of figures being portrayed

as in the clouds, and as seen from below--becomes all the more startling

when we recall to mind the three facts--that Correggio had apparently

never seen any of the masterpieces of Raphael or his other great

predecessors and contemporaries, in Rome, Florence, or other chief

centres of art; that he was the first artist who ever undertook the

painting of a large cupola; and that he not only went at once to the

extreme of what can be adventured in foreshortening, but even

forestalled in this attempt the mightiest geniuses of an elder

generation--the "Last Judgment" of Michelangelo, for instance, not

having been begun earlier than 1533 (although the ceiling of the Sixtine

chapel, in which foreshortening plays a comparatively small part, dates

from 1508 to 1512). The cupola of the cathedral has neither skylight nor

windows, but only light reflected from below; the frescoes, some

portions of which were ultimately supplied by Giorgio Gandini, are now

dusky with the smoke of tapers, and parts of them, in the cathedral and

in the church of St John, have during many past years been peeling off.

The violent foreshortenings were not, in the painter's own time, the

object of unmixed admiration; some satirist termed the groups a

"guazzetto di rane," or "hash of frogs." This was not exactly the

opinion of Titian, who is reported to have said, on seeing the pictures,

and finding them lightly esteemed by local dignitaries, "Reverse the

cupola, and fill it with gold, and even that will not be its money's

worth." Annibale Caracci and the Eclectics generally evinced their

zealous admiration quite as ardently. Parma is the only city which

contains frescoes by Correggio. For the paintings of the cupola of San

Giovanni he received the moderate sum of 472 sequins; for those of the

cathedral, much less proportionately, 350. On these amounts he had to

subsist, himself and his family, and to provide the colours, for about

ten years, having little time for further work meanwhile. Parma was in

an exceedingly unsettled and turbulent condition during some of the

years covered by Correggio's labours there, veering between the

governmental ascendancy of the French and of the Pope, with wars and

rumours of wars, alarms, tumults and pestilence.

Other leading works by Correggio are the following:--The frescoes in the

Camera di San Paolo (the abbess's saloon) in the monastery of S.

Lodovico at Parma, painted towards 1519 in fresco,--"Diana returning

from the Chase," with auxiliary groups of lovely and vivacious boys of

more than life size, in sixteen oval compartments. In the National

Gallery, London, the "Ecce Homo," painted probably towards 1520

(authenticity not unquestioned); and "Cupid, Mercury and Venus," the

latter more especially a fine example. The oil-painting of the Nativity

named "Night" ("La Notte"), for which 40 ducats and 208 livres of old

Reggio coin were paid, the nocturnal scene partially lit up by the

splendour proceeding from the divine Infant. This work was undertaken at

Reggio in 1522 for Alberto Pratoneris, and is now in the Dresden

gallery. The oil-painting of St Jerome, termed also "Day" ("Il Giorno"),

as contrasting with the above-named "Night." Jerome is here with the

Madonna and Child, the Magdalene, and two Angels, of whom one points out

to the Infant a passage in the book held by the Saint. This was painted

for Briseida Bergonzi from 1527 onwards, and was remunerated by 400 gold

imperials, some cartloads of faggots and measures of wheat, and a fat

pig. It is now in the gallery at Parma. The "Magdalene lying at the

entrance of her Cavern": this small picture (only 18 in. wide) was

bought by Augustus III. of Saxony for 6000 louis d'or, and is in

Dresden. In the same gallery, the two works designated "St George"

(painted towards 1532) and "St Sebastian." In the Parma gallery, the

Madonna named "della Scala," a fresco which was originally in a recess

of the Porta Romana, Parma; also the Madonna "della Scodella" (of the

bowl, which is held by the Virgin--the subject being the Repose in

Egypt): it was executed for the church of San Sepolcro. Both these works

date towards 1526. In the church of the Annunciation, "Parma," a fresco

of the Annunciation, now all but perished. Five celebrated pictures

painted or begun in 1532,--"Venus," "Leda," "Danae," "Vice," and

"Virtue": the "Leda," with figures of charming girls bathing, is now in

the Berlin gallery, and is a singularly delightful specimen of the

master. In Vienna, "Jupiter and Io." In the Louvre, "Jupiter and

Antiope," and the "Mystic Marriage of St Catharine." In the Naples

Museum, the "Madonna Reposing," commonly named "La Zingarella," or the

"Madonna del Coniglio" (Gipsy-girl, or Madonna of the Rabbit). On some

of his pictures Correggio signed "Lieto," as a synonym of "Allegri."

About forty works can be confidently assigned to him, apart from a

multitude of others probably or manifestly spurious.

The famous story that this great but isolated artist was once, after

long expectancy, gratified by seeing a picture of Raphael's, and closed

an intense scrutiny of it by exclaiming "Anch' io son pittore" (I too am

a painter), cannot be traced to any certain source. It has nevertheless

a great internal air of probability; and the most enthusiastic devotee

of the Umbrian will admit that in technical _bravura_, in enterprizing,

gifted, and consummated execution, not Raphael himself could have

assumed to lord it over Correggio.

In 1520 Correggio married Girolama Merlino, a young lady of Mantua, who

brought him a good dowry. She was but sixteen years of age, very lovely,

and is said by tradition to have been the model of his Zingarella. They

lived in great harmony together, and had a family of four children. She

died in 1529. Correggio himself expired at his native place on the 5th

of March 1534. His illness was a short one, and has by some authors been

termed pleurisy. Others, following Vasari, allege that it was brought on

by his having had to carry home a sum of money, 50 scudi, which had been

paid to him for one of his pictures, and paid in copper coin to

humiliate and annoy him; he carried the money himself, to save expense,

from Parma to Correggio on a hot day, and his fatigue and exhaustion led

to the mortal illness. In this curious tale there is no symptom of

authenticity, unless its very singularity, and the unlikelihood of its

being invented without any foundation at all, may be allowed to count

for something. He is said to have died with Christian piety; and his

eulogists (speaking apparently from intuition rather than record) affirm

that he was a good citizen, an affectionate son and father, fond and

observant of children, a sincere and obliging friend, pacific,

beneficent, grateful, unassuming, without meanness, free from envy and

tolerant of criticism. He was buried with some pomp in the Arrivabene

chapel, in the cloister of the Franciscan church at Correggio.

Regarding the art of Correggio from an intellectual or emotional point

of view, his supreme gift may be defined as suavity,--a vivid,

spontaneous, lambent play of the affections, a heartfelt inner grace

which fashions the forms and features, and beams like soft and glancing

sunshine in the expressions. We see lovely or lovable souls clothed in

bodies or corresponding loveliness, which are not only physically

charming, but are so informed with the spirit within as to become one

with that in movement and gesture. In these qualities of graceful

naturalness, not heightened into the sacred or severe, and of joyous

animation, in momentary smiles and casual living turns of head or limb,

Correggio undoubtedly carried the art some steps beyond anything it had

previously attained, and he remains to this day the unsurpassed or

unequalled model of pre-eminence. From a technical point of view, his

supreme gift--even exceeding his prodigious faculty in foreshortening

and the like--is chiaroscuro, the power of modifying every tone, from

bright light to depth of darkness, with the sweetest and most subtle

gradations, all being combined into harmonious unity. In this again he

far distanced all predecessors, and defied subsequent competition. His

colour also is luminous and precious, perfectly understood and blended;

it does not rival the superb richness or deep intense glow of the

Venetians, but on its own showing is a perfect achievement, in exact

keeping with his powers in chiaroscuro and in vital expression. When we

come, however, to estimate painters according to their dramatic faculty,

their power of telling a story or impressing a majestic truth, their

range and strength of mind, we find the merits of Correggio very feeble

in comparison with those of the highest masters, and even of many who

without, being altogether great have excelled in these particular

qualities. Correggio never _means_ much, and often, in subjects where

fulness of significance is demanded, he means provokingly little. He

expressed his own miraculous facility by saying that he always had his

thoughts at the end of his pencil; in truth, they were often thoughts

rather of the pencil and its controlling hand than of the teeming brain.

He has the faults of his excellences--sweetness lapsing into mawkishness

and affectation, empty in elevated themes and lasciviously voluptuous in

those of a sensuous type, rapid and forceful action lapsing into

posturing and self-display, fineness and sinuosity of contour lapsing

into exaggeration and mannerism, daring design lapsing into

incorrectness. No great master is more dangerous than Correggio to his

enthusiasts; round him the misdeeds of conventionalists and the follies

of connoisseurs cluster with peculiar virulence, and almost tend to

blind to his real and astonishing excellences those practitioners or

lovers of painting who, while they can acknowledge the value of

_technique_, are still more devoted to greatness of soul, and grave or

elevated invention, as expressed in the form of art.

Correggio was the head of the school of painting of Parma, which forms

one main division of the Lombardic school. He had more imitators than

pupils. Of the latter one can name with certainty only his son Pomponio,

who was born in 1521 and died at an advanced age; Francesco Capelli;

Giovanni Giarola; Antonio Bernieri (who, being also a native of the town

of Correggio, has sometimes been confounded with Allegri); and Bernardo

Gatti, who ranks as the best of all. The Parmigiani (Mazzuoli) were his

most highly distinguished imitators.

A large number of books have been written concerning Correggio. The

principal modern authority is Conrado Ricci, _Life and Times of

Correggio_ (1896); see also Pungileoni, _Memorie storiche di Antonio

Allegri_ (1817); Julius Meyer, _Antonio Allegri_ (1870, English

translation, 1876); H. Thode, _Correggio_ (1898); Bigi, _Vita ed

opere_ (1881); Colnaghi, _Correggio Frescoes at Parma_ (1845); Fagan,

_Works of Correggio_ (1873); and T. Sturge Moore, _Correggio_ (1906)

(a work which includes some adverse criticism on the views of Bernhard

Berenson, in his _Study of Italian Art_, 1901, and elsewhere).

(W. M. R.)

CORRENTI, CESARE (1815-1888), Italian revolutionist and politician, was

born on the 3rd of January 1815, at Milan, of a poor but noble family.

While employed in the public debt administration, he flooded Lombardy

with revolutionary pamphlets designed to excite hatred against the

Austrians, and in 1848 proposed the general abstention of the Milanese

from smoking, which gave rise to the insurrection known as the Five

Days. During the revolt he was one of the leading spirits of the

operations of the insurgents. Until the reoccupation of Milan by the

Austrians he was secretary-general of the provisional government, but

afterwards he fled to Piedmont, whence he again distributed his

revolutionary pamphlets throughout Lombardy, earning a precarious

livelihood by journalism. Elected deputy in 1849, he worked strenuously

for the national cause, supporting Cavour in his Crimean policy,

although he belonged to the Left. After the annexation of Lombardy he

was made commissioner for the liquidation of the Lombardo-Venetian debt,

in 1860 was appointed councillor of state, and received various other

public positions, especially in connexion with the railway and financial

administration. He veered round to the Right, and in 1867 and again in

1869 he held the portfolio of education; he played an important part in

the events consequent upon the occupation of Rome, and helped to draft

the Law of Guarantees. As minister of education he suppressed the

theological faculties in the Italian universities, but eventually

resigned office and allied himself with the Left again on account of

conservative opposition to his reforms. His defection from the Right

ultimately assured the advent of the Left to power in 1876; and while

declining office, he remained chief adviser of Agostino Depretis until

the latter's death. On several occasions--notably in connexion with the

redemption of the Italian railways, and with the Paris exhibition of

1878--he acted as representative of the government. In 1877 he was given

the lucrative appointment of secretary of the order of Saints Maurice

and Lazarus by Depretis, and in 1886 was created senator. He died at

Rome on the 4th of October 1888. He left a considerable body of writings

on a variety of subjects, none of which is of exceptional merit.

See E. Massarani, _Cesare Correnti nella vita e nelle opere_ (1890);

and L. Carpi, _Il Risorgimento italiano_, vol. iv. (Milan, 1888).

(L. V.*)

CORRESPONDENCE (from med. scholastic Lat. _correspondentia_,

_correspondere_, compounded of Lat. _cum_, with, and _respondere_, to

answer; cf. Fr. _correspondence_), strictly a mutual agreement or

fitness of parts or character, that which fits or answers to a

requirement in another, or more generally a similarity or parallelism.

In the 17th and 18th centuries the word was frequently applied to

relations and communications between states. It is now, outside special

applications, chiefly applied to the interchange of communications by

letter, or to the letters themselves, between private individuals,

states, business houses, or from individuals to the press. The "doctrine

of correspondence or correspondences," one of the leading tenets of

Swedenborgianism, is that every natural object corresponds to and

typifies some spiritual principle or truth, this being the only key to

the true interpretation of Scripture. In mathematics, the term

"correspondence" implies the existence of some relation between the

members of two groups of objects. If each object of one group

corresponds to one and only one object of the second, and vice versa,

then a one-to-one correspondence exists between the groups. If each

object of the first group corresponds to [beta] objects of the second

group, and each object of the second group corresponds to a objects of

the first group, then an [alpha] to [beta] correspondence exists between

the two groups. For examples of the application of this notion see

CURVE.

CORREZE, a department of south-central France, formed from the southern

portion of the old province of Limousin, bounded N. by the departments

of Haute-Vienne and Creuse, E, by Puy-de-Dome, S.E. by Cantal, S. by

Lot, and W. by Dordogne. Area, 2273 sq. m. Pop. (1906) 317,430. Correze

is situated on the western fringe of the central plateau of France. It

forms a hilly tableland elevated in the east and north, and intersected

by numerous fertile river valleys, trending for the most part to the

south and south-west. The highest points, many of which exceed 3000 ft.,

are found in the north, where the Plateau de Millevaches separates the

basins of the Loire and the Garonne. Except for a small district in the

extreme north, which is watered by the Vienne, Correze belongs to the

basin of the Garonne. The Dordogne waters its south-eastern region. The

Correze, from which the department takes its name, and the Vezere, of

which the Correze is the chief tributary, rise in the Plateau de

Millevaches, flow south-west, and unite to the west of Brive. The

climate of Correze is, in general, cold, damp and variable, except in

the south-west, where it is mild and agreeable. The majority of the

inhabitants live by agriculture. About one-third of the department is

arable land, most of which is found in the south-west. Rye, buckwheat

and wheat (in the order named) are the most abundant cereals. Hemp, flax

and tobacco are also grown. The more elevated regions of the north and

east are given over to pasture, sheep being specially numerous on the

Plateau de Millevaches. Pigs and goats are reared to a considerable

extent; and poultry-farming and cheese-making are much practised. The

vineyards of the neighbourhood of Brive produce wine of medium quality.

Chestnuts, largely used as an article of food, walnuts and cider-apples

are the chief fruits. Coal in small quantities, slate, building-stone

and other stone are the mineral products, and clay, used in potteries

and tile-works, is also worked. The most important industrial

establishment is the government manufactory of fire-arms at Tulle. There

are flour-mills, breweries, oil-works, saw-mills and dye-works; and hats

(Bort), coarse woollens, silk, preserved foods, wooden shoes, chairs,

paper and leather are manufactured. Coal and raw materials for textile

industries are leading imports; live stock and agricultural products are

the chief exports. The department is served by the Orleans railway, and

the Dordogne is navigable. The department is divided into the

arrondissements of Tulle, Brive and Ussel, containing 29 cantons and 289

communes. It belongs to the archdiocese of Bourges, the region of the

XII. army corps, and the _Academie_ (educational division) of

Clermont-Ferrand. Its court of appeal is at Limoges. Tulle, the capital,

and Brive are the principal towns of the department. Uzerche is a

picturesque old town on the Vezere, with a Romanesque church, old

houses, a gate and other remains of medieval fortifications. At Aubazine

(or Obazine) there is a Romanesque church of the 12th century, formerly

belonging to the celebrated Cistercian abbey, of which Etienne "of

Obazine" (d. 1159 and subsequently beatified) was the founder and first

abbot. It contains the fine sculptured tomb of the founder. To the same

style belong the abbey church of Beaulieu, the south portal of which is

elaborately carved, the abbey church of Meymac, and the abbey church of

Vigeois. Treignac, with its church, bridge and ramparts of the 15th

century, and Turenne, dominated by the ruins of the castle of the famous

family of that name, are ancient and interesting towns. The dolmen at

Espartignac and the cromlech of Aubazine are the chief megalithic

remains in the department. A Roman eagle and other antiquities have been

found close to Ussel, which at the end of the 16th century became the

centre of the duchy of Ventadour.

CORRIB, LOUGH, a lake of western Ireland, in the counties Galway and

Mayo. It lies N.W. and S.E., and is 27 m. long, including a long

projecting arm at the north-west. The extreme breadth is 7 m., but the

outline is extremely irregular, and the lough narrows near the centre to

a few hundred yards. Lough Corrib is very shallow, hardly exceeding 30

ft. in depth at any point, and it is covered with islands, of which

there are some 300. It lies 29 ft. above sea-level, and drains by the

short river Corrib to Galway Bay. The large Lough Mask lies to its north

and is connected with it by a partly subterranean channel. The scenery

is pleasant, but the shores are low, except at the north-west, where the

wild foothills of Joyce's Country rise.

CORRIDOR (Fr. _corridor_, from Ital. _corridore_, Med. Lat.

_corridorium_, a "running-place," from _currere_, to run), a main

passage in a large building, on which various apartments open. In public

offices, prisons, workhouses, hospitals, &c., the corridors are usually

of severe simplicity; but in mansions and palaces large corridors

(galleries) are often adorned with works of art, whence comes the term

"picture gallery" applied to many collections. The term "corridor

carriage" is applied to the modern style of railway carriage in which a

narrow passage connects the separate compartments, the object being to

combine a certain degree of privacy for the traveller with access from

one compartment to another whilst the train is in motion.

CORRIE (Gaelic _coire_, cauldron; hence whirlpool, or circular hollow),

a term used in the Highlands of Scotland for a steep-sided, rounded

hollow in a mountain-side, from the lower part of which a stream usually

issues as the outlet of a small lake ponded by glacial debris.

Corrie-lakes are common in all glaciated mountain regions. (See CIRQUE.)

CORRIENTES, a north-eastern province of the Argentine Republic, and part

of a region known as the Argentine Mesopotamia, bounded N. by Paraguay,

N.E. by Misiones (territory), E. by Brazil, S. by Entre Rios, and W. by

Santa Fe and the Chaco. Pop. (1895) 239,618; (1904 estimate) 299,479;

area, 32,580 sq. m. Nearly one-third of the province is covered by

swamps and lagoons, or is so little above their level as to be

practically unfit for permanent settlement unless drained. The Ibera

lagoon (c. 8500 sq. m., according to the _Argentine Year Book_ for

1905-1906) includes a large part of the central and north-eastern

departments, and the Maloya lagoon covers a large part of the

north-western departments. Several streams flowing into the Parana and

Uruguay have their sources in these lagoons, the Ibera sending its

waters in both directions. The southern districts of the province,

however, are high and rolling, similar to the neighbouring departments

of Entre Rios, and are admirably adapted to grazing and agriculture. The

north-eastern corner is also high, but it is broken by ranges of hills

and is heavily forested, like the adjacent territory of Misiones. The

climate on the higher plains is sub-tropical, but in the northern swamps

it is essentially tropical. Corrientes is the hottest province of

Argentina, notwithstanding its large area of water and forest. The

exports include cattle and horses, jerked beef, hides, timber and

firewood, cereals and fruit. The principal towns are Corrientes, the

capital; Goya, a flourishing agricultural town (1906 estimate, 7000) on

a side channel of the Parana, 150 m. S. of Corrientes, the seat of a

modern normal school and the market-town of a prosperous district; Bella

Vista (pop. 1906 estimate, 3000), prettily situated on the Parana, 80 m.

S. of Corrientes, the commercial centre of a large district; Esquina

(pop. 1906 estimate, 3000) on the Parana at the mouth of the Corrientes

river, 86 m. S. of Goya, which exports timber and firewood from the

neighbouring forest of Payubre; Monte Caseros (pop. 1906 estimate, 4000)

on the Uruguay river, from which cattle are shipped to Brazil, the

eastern terminus of the Argentine North-Eastern railway (which crosses

the province in a N.W. direction to Corrientes), and a station on the

East Argentine railway (which runs northward to Paso de Los Libres,

opposite Uruguayana, Brazil and to San Tome, and southward to a junction

with the Entre Rios railways). A considerable district on the upper

Uruguay was once occupied by prosperous Jesuit missions, all of which

fell into decay and ruins after the expulsion of that order from the

Spanish possessions in 1767. The population of the province is composed

very largely of Indian and mixed races, and Guarani is still the

language of the country people.

CORRIENTES (_San Juan de Corrientes_), a city and river port, and the

capital of the above province, in the north of the Argentine Republic,

on the left bank of the Parana river, 20 m. below the junction of the

Upper Parana and Paraguay, and 832 m. N. of Buenos Aires. The name is

derived from the _siete corrientes_ (seven currents) caused by rocks in

the bed of the river just above the town. Pop. (1895) 16,129; (1907

local estimate) 30,172, largely Indian and of mixed descent. The

appearance of Corrientes is not equal to its commercial and political

importance, the buildings both public and private being generally poor

and antiquated. There are four churches, the more conspicuous of which

are the Matriz and San Francisco. The government house, originally a

Jesuit college, is an antiquated structure surrounding an open court

(_patio_). There is a national college. The commercial importance of

Corrientes results from its unusually favourable situation near the

confluence of the Upper Parana and Paraguay, and a short distance below

the mouth of the Bermejo. The navigation of the Upper Parana and Bermejo

rivers begins here, and freight for the Upper Parana and Chaco rivers is

transhipped at Corrientes, which practically controls the trade of the

extensive regions tributary to them. Corrientes is the western terminus

of the Argentine North-Eastern railway, which crosses the province S.E.

to Monte Caseros, where it connects with the East Argentine line running

S. to Concordia and N. to San Tome. The principal exports are timber,

cereals, mate, sugar, tobacco, hides, jerked beef, fruit and quebracho.

CORRIGAN, MICHAEL AUGUSTINE (1839-1902), third archbishop of the Roman

Catholic archdiocese of New York, in the United States, was born in

Newark, New Jersey, on the 13th of August 1839. In 1859 he graduated at

Mount St Mary's College, Emmittsburg, Maryland, and began his studies

for the priesthood as the first of the twelve students with whom the

American College at Rome was opened. On the 19th of September 1863 he

was ordained priest, and in 1864 obtained the degree of D.D. Returning

to America, he was appointed professor of Dogmatic Theology and Sacred

Scripture, and director of the ecclesiastical seminary of Seton Hall

College at South Orange, New Jersey; soon afterwards he was made

vice-president of the institution; and in 1868 became president,

succeeding Rev. Bernard J. M'Quaid (b. 1823), the first Roman Catholic

bishop of Rochester. In October 1868 Corrigan became vicar-general of

Newark, a diocese then including all the state of New Jersey. When

Archbishop Bayley was transferred to the see of Baltimore in 1873, Pius

IX. appointed Corrigan bishop of Newark. In 1876 he resigned the

presidency of Seton Hall College. In 1880 Bishop Corrigan was made

coadjutor, with the right of succession, to Cardinal McCloskey,

archbishop of New York, under the title of archbishop of Petra; and

thereafter nearly all the practical work of the archdiocese fell to his

hands. He was at the time the youngest archbishop in the Catholic Church

in America. On the death of Cardinal McCloskey in 1885 Archbishop

Corrigan became metropolitan of the diocese of New York. He died on the

5th of May 1902. He was a scholar of much erudition, with great power of

administrative organization, simple, generous and kindly in character.

The earlier years of his archiepiscopate were disturbed by his

controversy with Edward McGlynn (1839-1900), a New York priest (and a

fellow-student with Corrigan at Rome), who disapproved of parochial

schools, refused to go to Rome for examination, and was excommunicated

in July 1887, but returned to the church five years later.

See _Michael Augustine Corrigan: A Memorial_, with biographical sketch

by John A. Mooney (New York, 1902).

CORROSIVE SUBLIMATE, MERCURIC CHLORIDE, PERCHLORIDE OF MERCURY (HgCl2),

a white solid obtained by the action of chlorine on mercury or calomel,

by the addition of hydrochloric acid to a hot, strong solution of

mercurous nitrate, Hg2(NO3)2 + 4HCl = 2HgCl2 + 2H2O + 2NO2, and,

commercially, by heating a mixture of mercuric sulphate and common salt,

the mercuric chloride subliming and being condensed in the form of small

rhombic crystals. It melts at 288 deg., and boils at 303 deg.; it is

sparingly soluble in cold water, more so in hot; it is very soluble in

alcohol and ether. It is soluble in hydrochloric acid forming compounds

such as HgCl2.2HCl, 3HgCl2.4HCl, 2HgCl2.HCl, according to the

temperature and concentration; it also forms double salts with many

chlorides; _sal alembroth_, 2NH4Cl.HgCl2.H2O, is the compound with

ammonium chloride. It absorbs ammonia to form HgCl2.NH3, which may be

distilled without decomposition. Various oxychlorides are formed by

digesting corrosive sublimate with mercuric oxide. Corrosive sublimate

has important applications in medicine--as an astringent, stimulant,

caustic and antiseptic (see MERCURY).

CORRUPT PRACTICES, a term used in English election law, as defined by

the Corrupt and Illegal Practices Prevention Act 1883, to include

bribery, treating, undue influence, personation, and aiding, abetting,

counselling and procuring personation. Bribery and corruption at

elections have been the subject of much legislation, statutes for their

prevention have been passed in 1729, 1809, 1827, 1842, 1854, 1868 and

1883.

By the Corrupt and Illegal Practices Prevention Act 1883 (which

incorporated the Corrupt Practices Prevention Act 1854, an act that

repealed all former legislation) the following persons are to be deemed

guilty of _bribery_:--

1. Every person who shall directly or indirectly, by himself or by any

other person on his behalf, give, lend, &c., or offer, promise, or

promise to procure, &c., any money or valuable consideration to or for

any voter or any other person in order to induce any voter to vote or

refrain from voting, or shall corruptly do any such act on account of

such voter having voted or refrained from voting at any election.

2. Every person who shall similarly give or procure or promise, &c.,

any office, place or employment to or for any voter or other person in

order to induce him to vote, &c.

3. Every person who shall make any gift, loan, promise, &c., as

aforesaid to any person to induce such person to procure the return of

any person to serve in parliament or the vote of any voter.

4. Every person who shall, in consequence of such gift, procure or

engage, promise or endeavour to procure the return of any person or the

vote of any voter.

5. Every person who shall pay any money with the intent that it should

be spent in bribery, or who shall pay money in repayment of any money

wholly or in part expended in bribery.

6. Every person who before or during an election shall receive or

contract for any money, &c., for voting, or refraining, or agreeing to

vote or to refrain from voting.

7. Every person who, after the election, receives money, &c., on account

of any person having voted or refrained, &c.

_Treating._--Any person who corruptly by himself or by any other person

either before, during or after an election, directly or indirectly gives

or provides, or pays wholly or in part the expense of giving or

providing any meat, drink or entertainment, or provision to or for any

person in order to be elected, or for being elected, or for the purpose

of corruptly influencing such person to give or refrain from giving his

vote at an election, &c., shall be deemed guilty of treating, and every

elector corruptly accepting such meat, drink, &c., shall also be guilty

of treating.

_Undue Influence._--Every person who shall directly or indirectly make

use of or threaten to make use of any force, violence, &c., or inflict

or threaten to inflict any temporal or spiritual injury, &c., upon any

person to induce or compel such person to vote or refrain from voting,

or who shall by abduction, duress, or any fraudulent device or

contrivance impede or prevent the exercise of the franchise of any

elector, or shall thereby compel, induce, &c., any elector to give or

refrain from giving his vote, shall be guilty of undue influence.

Illegal, as distinguished from "corrupt," practices are certain acts and

omissions in regard to an election which are now prohibited, whether

done or omitted, honestly or dishonestly. They may be classified under

the following heads:--(1) Acts which are illegal practices by whomsoever

committed. These are as follows: Payment or receipt or contracts to pay

or receive money for conveyance of voters to or from the poll, on

account of any committee room beyond the number allowed by the act, or

to an elector for use of house or land to exhibit addresses, &c., or for

exhibition by him (otherwise than in the ordinary course of his business

of advertising agent) of such addresses, &c.; payment of election

expenses otherwise than by or through the election agent, and payment

otherwise than to a candidate or election agent of money provided by any

other person for election expenses; voting or procuring to vote of any

person prohibited from voting, if the person offending knows of the

prohibition; knowingly publishing a false statement that a candidate has

withdrawn, or publishing with a view to affect the return of a candidate

a false statement as to his character or conduct. (2) Acts and omissions

which are illegal practices in the case of candidates and agents only,

being breaches of duties specially imposed on them. These are the

payment or incurring expenses in excess of the maximum authorized by the

legislature, the omitting without lawful excuse to make a return and

declaration of expenses in due time, and the payment by an election

agent of any election expense amounting to 40s. not vouched by bill of

particulars and receipt, of any claim for expenses not sent in in due

time, or of any such claim after the time allowed for payment thereof.

(3) Acts which are illegal practices when done by a candidate or agent,

and are a minor offence when done by any one else. These are illegal

payments, employment and hiring, and printing, publishing or posting a

bill, placard or poster not bearing on its face the name of the printer

or publisher. Illegal payments are knowingly providing money for

prohibited payments or expenses in excess of the maximum, corruptly

inducing a candidate to withdraw by payment or promise of payment (the

candidate so induced being guilty of the like offence), paying or

agreeing to pay for torches, flags, banners, cockades, ribbons and

other marks of distinction (the receiver being guilty of the like

offence if he is aware of the illegality). Illegal employment is the

employment for payment or promise of payment of persons beyond the

number allowed by the legislature or for purposes not authorized. The

employe is guilty of the like offence if he knows of the illegality.

Illegal hiring is the letting or lending, or the employing, hiring,

borrowing or using to carry voters to the poll of stage, or hackney

carriages, or horses, or of carriages or horses ordinarily let for hire,

and the hiring of committee rooms in premises licensed for the sale of

intoxicants, in a club (not being a permanent political club) where

intoxicants are sold, in premises where refreshments are ordinarily

sold, or in a public elementary school in receipt of a parliamentary

grant. Personation and aiding, abetting, &c., of personation are

felonies punishable with two years' imprisonment with hard labour. All

other corrupt practices are indictable misdemeanours (in Scotland,

crimes and offences) punishable with one year's imprisonment, with or

without hard labour, or a fine not exceeding L200. Conviction of any

corrupt practice also renders the offender incapable for seven years of

being registered as an elector, or voting at any election, parliamentary

or other, in the United Kingdom, or of holding any public or judicial

office, or of being elected to or sitting in the House of Commons; and

any such office or seat held by him at the time is vacated. In the case

of a parliamentary candidate, if an election court finds that there has

been treating or undue influence by him, or any other corrupt practice

with his knowledge or consent, he becomes incapable of ever being

elected for the same constituency, and incurs the like incapacities as

if he had been convicted on indictment; if it is found by the election

court that he has been guilty by his agents of a corrupt practice, he

becomes incapable for seven years of being elected for the same

constituency. Illegal practices are offences punishable on summary

conviction with a fine not exceeding L100, and with five years'

incapacity for being registered or voting as a parliamentary elector, or

an elector to public office within the county or borough where the

offence was committed. Illegal payments, employment and hiring, and

printing and publishing of bills, &c., not bearing the printer's or

publisher's name, are, when committed by any one who is not a candidate

or agent, offences punishable on summary conviction with a fine not

exceeding L100, but carry with them no incapacities. Where an election

court finds that any illegal practice has been committed with the

knowledge or consent of a parliamentary candidate, he becomes incapable

for seven years of being elected to or sitting in the House of Commons

for the same constituency. He incurs the like incapacity, limited to the

duration of the parliament for which the election was held, if the

election court finds that he was guilty by his agents of an illegal

practice. A prosecution for any of the above offences cannot be

instituted more than a year after the offence was committed, unless an

inquiry by election commissioners takes place, in which case it may be

instituted at any time within two years from the commission of the

offence, not being more than three months after the date of the

commissioners' report.

The law as to corrupt and illegal practices, as above stated, applies

equally to parliamentary, municipal, county and parish council

elections. Incapacities corresponding to those incurred by parliamentary

candidates found guilty by an election court are incurred by municipal

and other candidates in the like case, e.g. a municipal candidate found

personally guilty of a corrupt practice is incapacitated forever, and a

candidate found guilty by his agents is incapacitated for three years

from holding corporate office in the borough.

See Rogers, _On Elections_, 3 vols.; Fraser, _Law of Parliamentary

Elections_.

CORRY, a city of Erie county, Pennsylvania, U.S.A., 37 m. S.E. of Erie,

in the N.W. part of the state, at an elevation of about 1430 ft. Pop.

(1890) 5677; (1900) 5369 (671 foreign-born); (1910) 5991. It is served

by the Erie and the Pennsylvania railways. Corry is situated in the

midst of a fine farming region, which is rich in petroleum and natural

gas, and is widely known for its mineral springs. One mile W. of the

city is a state fish hatchery, and there are fine trout streams in the

neighbourhood. Among the city's manufactures are steel, engines,

locomotives, radiators, shovels, bricks, flour, furniture and leather.

Corry was settled in 1860, and was incorporated as a borough in 1863 and

as a city in 1866.

CORSAIR (through the Fr. from the Med. Lat. _cursarius_, a pirate;

_cursus_, or _cursa_, from _currere_, to run, being Late Latin for a

plundering foray), the name given by the Mediterranean peoples to the

privateers of the Barbary coast who plundered the shipping of Christian

nations; they were not strictly pirates, as they were commissioned by

their respective governments, but the word came to be synonymous, in

English, with "pirate." The French word _corsaire_ is still used for

"privateer," and _guerre de course_ is applied to the use in naval

warfare of "commerce-destroyers." (See PIRATE, BARBARY PIRATES and

PRIVATEER.)

CORSICA (Fr. _Corse_), a large island of the Mediterranean, forming a

department of France. It is situated immediately to the north of

Sardinia (from which it is separated by the narrow strait of Bonifacio),

between 41 deg. 21' and 43 deg. N. and 8 deg. 30' and 9 deg. 30' E.

Area, 3367 sq.m. Pop. (1906) 291,160. Corsica lies within 54 m. W. of

the coast of Tuscany, 98 m. S. of Genoa and 106 m. S.E. of the French

coast at Nice. The extreme length of the island is 114 m. and its

breadth 52 m. The greater part of the surface of Corsica is occupied by

forest-clad mountains, whose central ridge describes a curve from N.W.

to S.W., presenting its convexity towards the E. Secondary chains

diverge in all directions from this main range, enclosing small basins

both geographically and socially isolated; on the west and south of the

island they either terminate abruptly on the shore or run out to a great

distance into the sea, forming picturesque bays and gulfs, some of which

afford excellent harbours. The highest peaks are the Monts Cinto (8881

ft.), Rotondo (8612), Paglia Orba (8284), Padro (7851) and d'Oro (7845).

On the eastern side of the island, between Bastia and Porto Vecchio,

there intervenes between the mountains and the sea a considerable tract

of low and unhealthy, but fertile country, and the coast is fringed in

places by lagoons.

_Geology._--Corsica may be divided into two parts, which are

geologically distinct, by a line drawn from Belgodere through Corte to

the east coast near Favone. West of this line the island is composed

chiefly of granite, with a large mass of granophyres, quartz

porphyries and similar rocks forming the high mountains around Mt.

Cinto; but between the Gulfs of Porto and Galeria, schists, limestones

and anthracite, containing fossils of Upper Carboniferous age, occur.

The famous orbicular diorite of Corsica is found near Sta.

Lucia-di-Tallano in the arrondissement of Sartene. In the eastern part

of the island the predominant rocks are schists of unknown age, with

intrusive masses of serpentine and euphotide. Folded amongst the

schists are Strips of Upper Carboniferous beds similar to those of the

west coast. Overlying these more ancient rocks are limestones with

Rhaetic and Liassic fossils, occurring in small patches at Oletta,

Morosaglia, &c. Nummulitic limestone of Eocene age is found near St

Florent, and occupies several large basins near the boundary between

the granite and the schist. Miocene molasse with _Clypeaster_, &c.,

forms the plain of Aleria on the east coast, and occurs also at St

Florent in the north and Bonifacio in the south. A small patch of

Pliocene has been found near Aleria. The caves of Corsica, especially

in the neighbourhood of Bastia, contain numerous mammalian remains,

the commonest of which belong to _Lagomys corsicanus_, Cuv.

See Hollande, "Geologie de la Corse," _Ann. sci. geol._, vol. ix.

(1877); Nentien, "Etudes sur les gites mineraux de la Corse," _Ann.

Mines Paris_, ser. 9, vol. xii. pp. 231-296, pi. v. (1897).

Corsica is well watered by rivers and torrents, which, though short in

their course, bring down large volumes of water from the mountains. The

longest is the Golo, which rises in the pastoral region of Niolo,

isolated among the mountains to the west of Corte and inhabited by a

distinct population of obscure origin. It enters the sea on the east

coast to the south of the salt-water lake of Biguglia; farther south, on

the same side of the island, is the Tavignano, while on the west there

are the Liamone, the Gravone and the Taravo. The other streams are all

comparatively small. Owing to the rugged and indented outline of the

western coast there are an unusual number of bays and harbours. Of the

bays the most important are Porto, Sagone, Ajaccio and Valinco; of the

ports, St Florent (San Fiorenzo), Ile Rousse (Isola Rossa), Calvi,

Ajaccio and Propriano. On the eastern side, which is much less rugged

and broken, the only harbours worth mentioning are those of Bastia and

Porto Vecchio (the _Portus Syracusanus_ of the ancients), and the only

gulfs those of Porto Vecchio and Santa Manza. At the extreme south are

the harbour and town of Bonifacio, giving name to the strait which

separates Corsica from Sardinia.

The climate of the island ranges from warmth in the lowlands to extreme

rigour in the mountains. The intermediate region is the most temperate

and healthy. The mean annual temperature at Ajaccio is 63 deg. F. The

dominant winds are those from the south-west and south-east.

There are mines of anthracite, antimony and copper; the island produces

granite, building stone, marble, and amianthus, and there are salt

marshes. Among other places Guagno, Pardina Guitera, and Orezza have

mineral springs.

The agriculture of Corsica suffers from scarcity of labour, due partly

to the apathy of the inhabitants, and from scarcity of capital. The

cultivation of cereals, despite the fertility of the soil, is neglected;

wheat is grown to some extent, but in this respect, the population is

dependent to a large degree on outside supplies. The culture of fruit,

especially of the vine, cedrates, citrons and olives (for which the

Balagne region, in the north-west, is noted), of vegetables and of

tobacco, and sheep and goat rearing are the main rural industries, to

which may be added the rearing of silk-worms. The exploitation of the

fine forests, which contain the well-known Corsican pine, beeches, oaks

and chestnuts, is also an important resource, but tends to proceed too

rapidly. Chestnuts are exported, and, ground into flour, are used as

food by the mountaineers. Most of the inhabitants are proprietors of

land, but often the properties are so split up that many hours, or even

a whole day, are spent in going from the vineyard or olive plantation to

the arable land in the plain or the chestnut-wood in the mountain. A

great part of the agricultural labour is performed by labourers from

Tuscany and Lucca, who periodically visit the island for that purpose.

Sheep of a peculiar breed, resembling chamois and known as _mouflons_,

inhabit the more inaccessible parts of the mountains. The uncultivated

districts are generally overgrown with a thick tangled underwood,

consisting of arbutus, myrtle, thorn, laurel broom and other fragrant

shrubs, and known as the _maquis_, the fragrance of which can be

distinguished even from the sea.

Fishing and shooting are allowed almost everywhere to the possessor of a

government licence; special permission, where it is necessary, is easily

obtained. Wild boars, stags, in the eastern districts, and hares as well

as the _mouflon_ are found, while partridges, quail, woodcock, wild duck

and water-fowl are abundant. Trout and eels are the chief fish. The

flesh of the Corsican blackbird is considered a delicacy. The fisheries

of tunny, pilchard and anchovy are extensively prosecuted for the supply

of the Italian markets; but comparatively few of the natives are engaged

in this industry.

The Corsican is simple and sober but unenterprising; dignified and

proud, he is possessed of a native courtesy, manifested in his

hospitality to strangers, the refusal of which is much resented. He is,

however, implacable towards his own countrymen when his enmity is once

aroused, and the practice of the blood-feud or _vendetta_ has not died

out. Each individual is attached to some powerful family, and the

influence of this usage is specially marked in politics, the individual

voting with his clan on pain of arousing the vindictiveness of his

fellow-members. Another dominant factor in social life in Corsica is the

almost universal ambition on the part of the natives towards an official

career, a tendency from which commerce and agriculture inevitably

suffer.

The manufactures of the island are of small importance. They include the

extraction of gallic acid from chestnut-bark, the preparation of

preserved citrons and other delicacies, and of macaroni and similar

foods and the manufacture of fancy goods and cigars.

The chief ports are Bastia, Ajaccio and Ile Rousse. A railway runs from

Bastia to Ajaccio with branches to Calvi and Ghisonaccia, but, in

general, lack of means of communication as well as of capital are a

barrier to commercial activity. In 1905 imports reached a value of

L113,000. The chief were tobacco furniture and wooden goods, wine,

cereals, coal, cheese and bran. Exports were valued at L336,000, and

included chestnut-extract, charcoal, timber, citrons and other fruits,

seeds, casks, skins, chestnuts and tanning bark.

Corsica is divided into five arrondissements (chief towns--Ajaccio,

Bastia, Calvi, Corte and Sartene), with 62 cantons and 364 communes. It

forms part of the _academie_ (educational circumscription) and

archiepiscopal province of Aix (Bouches-du-Rhone) and of the region of

the XV. army corps. The principal towns are Ajaccio, the capital and the

seat of the bishop of the island and of the prefect; Bastia, the seat of

the court of appeal and of the military commander; Calvi, Corte and

Bonifacio. Other places of interest are St Florent, near which stand the

ruins of the cathedral (12th century) of the vanished town of Nebbio;

Murato, which has a church (12th or 13th century) of Pisan architecture,

which is exemplified in other Corsican churches; and Cargese, where

there is a Greek colony, dating from the 17th century. Near Lucciana are

the ruins of a fine Romanesque church called La Canonica. Megalithic

monuments are numerous, chief among them being the dolmen of Fontanaccia

in the arrondissement of Sartene.

_History._--The earliest inhabitants of Corsica were probably Ligurian.

The Phocaeans of Ionia were the first civilized people to establish

settlements there. About 560 B.C. they landed in the island and founded

the town of Alalia. By the end of the 6th century, however, their power

had dwindled before that of the Etruscans, who were in their turn driven

out by the Carthaginians. The latter were followed by the Romans, who

gained a footing in the island at the time of the First Punic War, but

did not establish themselves there till the middle of the 2nd century

B.C. Both Marius and Sulla founded colonies--the one at Mariana (near

Lucciana) in 104, the second at Aleria in 88. In the early centuries of

the Christian era Corsica formed one of the senatorial provinces of the

Empire, but though it was in continuous commercial communication with

Italy, it was better known as a place of banishment for political

offenders. One of the most distinguished of those was the younger

Seneca, who spent in exile there the eight years ending A.D. 49.

During the break-up of the Roman empire in the West the possession of

Corsica was for a while disputed between the Vandals and the Gothic

allies of the Roman emperors, until in 469 Genseric finally made himself

master of the island. For 65 years the Vandals maintained their

domination, the Corsican forests supplying the wood for the fleets with

which they terrorized the Mediterranean. After the destruction of the

Vandal power in Africa by Belisarius, his lieutenant Cyril conquered

Corsica (534) which now, under the exarchate of Africa, became part of

the East Roman empire. The succeeding period was one of great misery.

Goths and Lombards in turn ravaged the island, which in spite of the

prayers of Pope Gregory the Great the exarch of Africa did nothing to

defend; the rule of the Byzantines was effective only in grinding

excessive taxes out of the wretched population; and, to crown all, in

713 the Mussulmans from the northern coast of Africa made their first

descent upon the island. Corsica remained nominally attached to the East

Roman empire until Charlemagne, having overthrown the Lombard power in

Italy (774), proceeded to the conquest of the island, which now passed

into the hands of the Franks. In 806, however, occurred the first of a

series of Moorish incursions from Spain. Several times defeated by the

emperor's lieutenants, the Moors continually returned, and in 810 gained

temporary possession of the island. They were crushed and exterminated

by an expedition under the emperor's son Charles, but none the less

returned again and again. In 828 the defence of Corsica was entrusted to

Boniface II., count of the Tuscan march, who conducted a successful

expedition against the African Mussulmans, and returning to Corsica

built a fortress in the south of the island which formed the nucleus of

the town (Bonifacio) that bears his name. Boniface's war against the

Saracens was continued by his son Adalbert, after he had been restored

to his father's dignities in 846; but, in spite of all efforts, the

Mussulmans seem to have remained in possession of part of the island

until about 930. Corsica, of which Berengar II., king of Italy, had made

himself master, became in 962, after his dethronement by Otto the Great,

a place of refuge for his son Adalbert, who succeeded in holding the

island and in passing it on to his son, another Adalbert. This latter

was, however, defeated by the forces of Otto II., and Corsica was once

more attached to the marquisate of Tuscany, of which Adalbert was

allowed to hold part of the island in fee.

The Terra di Comune.

The period of feudal anarchy now began, a general mellay of petty lords

each eager to expand his domain. The counts of Cinarca, especially, said

to be descended from Adalbert, aimed at establishing their supremacy

over the whole island. To counteract this and similar ambitions, in the

11th century, a sort of national diet was held, and Sambucuccio, lord of

Alando, put himself at the head of a movement which resulted in

confining the feudal lords to less than half of the island to the south,

and in establishing in the rest, henceforth known as the Terra di

Comune, a sort of republic composed of autonomous parishes. This system,

which survived till the Revolution, is thus described by Jacobi (tom. i.

p. 137), "Each parish or commune nominated a certain number of

councillors who, under the name of 'fathers of the commune,' were

charged with the administration of justice under the direction of a

_podesta_, who was as it were their president. The podestas of each of

the states or enfranchised districts chose a member of the supreme

council charged with the making of laws and regulations for the Terra di

Comune. This council or magistracy was called the Twelve, from the

number of districts taking a share in its nomination. Finally, in each

district the fathers of the commune elected a magistrate who, under the

name of _caporale_, was entrusted with the defence of the interests of

the poor and weak, with seeing that justice was done to them, and that

they were not made the victims of the powerful and rich."

Encyclopaedia Britannica, 11th Edition, "Coquelin, Benoît Constant" to "Costume" Volume 7, Slice 4 · 第 20 / 47 题