And we are told:—

Sir Amys and the lady bright

To bed gan they go;

And when they weren in bed laid,

Sir Amys his sword out-brayed

And held it between them two.

This occurs in the old French romance of Amys and Amyloun which is

taken into the tale of the Ravens in the Seven Wise Masters where

Ludovic personates his friend Alexander in marrying the King of Egypt’s

daughter and sleeps every night with a bare blade between him and the

bride. See also Aladdin and his lamp. An Englishman remarked, “The

drawn sword would be little hindrance to a man and maid coming

together.” The drawn sword represented only the Prince’s honour.

[FN#428] Arab. “Ya Sáki’ al-Wajh,” which Lane translates by “lying” or

“liar.”

[FN#429] Kamín (in Bresl. Edit. “bayn” = between) Al-Bahrayn =

Ambuscade or lurking-place of the two seas. The name of the city in

Lane is “‘Emareeych” imaginary but derived from Emarch (‘imárah) =

being populous. Trébutien (ii. 161) takes from Bresl. Edit. “Amar” and

translates the port-name, “le lieu de refuge des deux mers.”

[FN#430] _i.e._ “High of (among) the Kings.” Lane proposes to read ‘Ali

al-Mulk = high in dominion.

[FN#431] Pronounce Mu’inuddeen = Aider of the Faith. The Bresl. Edit.

(iv. 266) also read “Mu’in al-Riyásah” = Mu’in of the Captaincies.

[FN#432] Arab. “Shúm” = a tough wood used for the staves with which

donkeys are driven. Sir Gardner Wilkinson informed Lane that it is the

ash.

[FN#433] In Persian we find the fuller metaphorical form, “kissing the

ground of obedience.”

[FN#434] For the Shaykh of the Sea(-board) in Sindbad the

Seaman see vol. vi. 50.

[FN#435] That this riding is a facetious exaggeration of the

African practice I find was guessed by Mr. Keightley.

[FN#436] Arab. “Kummasra”: the root seems to be “Kamsara” = being

slender or compact.

[FN#437] Lane translates, “by reason of the exhilaration produced by

intoxication.” But the Arabic here has no assonance. The passage also

alludes to the drunken habits of those blameless Ethiopians, the races

of Central Africa where, after midday a chief is rarely if ever found

sober. We hear much about drink in England but Englishmen are mere

babes compared with these stalwart Negroes. In Unyamwezi I found all

the standing bedsteads of pole-sleepers and bark-slabs disposed at an

angle of about 20 degrees for the purpose of draining off the huge

pottle-fulls of Pombe (Osirian beer) drained by the occupants; and,

comminxit lectum potus might be said of the whole male population.

[FN#438] This is not exaggerated. When at Hebron I saw the biblical

spectacle of two men carrying a huge bunch slung to a pole, not so much

for the weight as to keep the grapes from injury.

[FN#439] The Mac. and Bul. Edits. add, “and with him a host of

others after his kind”; but these words are omitted by the

Bresl. Edit. and apparently from the sequel there was only one

Ghul-giant.

[FN#440] Probably alluding to the most barbarous Persian practice of

plucking or tearing out the eyes from their sockets. See Sir John

Malcolm’s description of the capture of Kirmán and Morier (in Zohrab,

the hostage) for the wholesale blinding of the Asterabadian by the

Eunuch-King Agha Mohammed Shah. I may note that the mediæval Italian

practice called _bacinare_, or scorching with red-hot basins, came from

Persia.

[FN#441] Arab. “Laban” as opposed to “Halíb”: in Night dcclxxiv.

(_infra_ p. 365) the former is used for sweet milk, and other passages

could be cited. I have noted that all galaktophagi, or milk-drinking

races, prefer the artificially soured to the sweet, choosing the

fermentation to take place outside rather than inside their stomachs.

Amongst the Somal I never saw man, woman or child drink a drop of fresh

milk; and they offered considerable opposition to our heating it for

coffee.

[FN#442] Arab. “Tákah” not “an aperture” as Lane has it, but an arched

hollow in the wall.

[FN#443] In Trébutien (ii. 168) the cannibal is called “Goul

Eli-Fenioun” and Von Hammer remarks, “There is no need of such likeness

of name to prove that al this episode is a manifest imitation of the

adventures of Ulysses in Polyphemus’s cave; * * * and this induces the

belief that the Arabs have been acquainted with the poems of Homer.”

Living intimately with the Greeks they could not have ignored the Iliad

and the Odyssey: indeed we know by tradition that they had

translations, now apparently lost. I cannot however, accept Lane’s

conjecture that “the story of Ulysses and Polyphemus may have been of

Eastern origin.” Possibly the myth came from Egypt, for I have shown

that the opening of the Iliad bears a suspicious likeness to the proem

of Pentaur’s Epic.

[FN#444] Arab. “Shakhtúr”.

[FN#445] In the Bresl. Edit. the ship is not wrecked but lands Sa’id in

safety.

[FN#446] So in the Shah-nameh the Símurgh-bird gives one of her

feathers to her protégé Zál which he will throw into the fire when she

is wanted.

[FN#447] Bresl. Edit. “Al-Zardakhánát” Arab. plur. of Zarad-Khánah, a

bastard word = armoury, from Arab. Zarad (hauberk) and Pers. Khánah =

house etc.

[FN#448] Some retrenchment was here found necessary to avoid “damnable

iteration.”

[FN#449] _i.e._ Badi’a al-Jamal.

[FN#450] Mohammed.

[FN#451] Koran xxxv. “The Creator” (Fátir) or the Angels, so called

from the first verse.

[FN#452] In the Bresl. Edit. (p. 263) Sayf al-Muluk drops asleep under

a tree to the lulling sound of a Sákiyah or water-wheel, and is seen by

Badi’a al-Jamal, who falls in love with him and drops tears upon his

cheeks, etc. The scene, containing much recitation, is long and well

told.

[FN#453] Arab. “Lukmah” = a _bouchée_ of bread, meat, fruit or pastry,

and especially applied to the rice balled with the hand and delicately

inserted into a friend’s mouth.

[FN#454] Arab. “Saláhiyah,” also written Saráhiyah: it means an

ewer-shaped glass-bottle.

[FN#455] Arab. “Sarmújah,” of which Von Hammer remarks that the

dictionaries ignore it; Dozy gives the forms Sarmúj, Sarmúz, and

Sarmúzah and explains them by “espèce de guêtre, de sandale ou de mule,

qu’on chausse par-dessus la botte.”

[FN#456] In token of profound submission.

[FN#457] Arab. “Misr” in Ibn Khaldún is a land whose people are settled

and civilised hence “Namsur” = we settle; and “Amsár” = settled

provinces. Al-Misrayn was the title of Basrah and Kufah the two

military cantonments founded by Caliph Omar on the frontier of

conquering Arabia and conquered Persia. Hence “Tamsír” = founding such

posts, which were planted in Mesopotamia, Syria and Egypt. In these

camps were stationed the veterans who had fought under Mohammed; but

the spoils of the East soon changed them to splendid cities where

luxury and learning flourished side by side. Sprenger (Al-Mas’údi pp.

19, 177) compares them ecclesiastically with the primitive Christian

Churches such as Jerusalem, Alexandria and Antioch. But the Moslems

were animated with an ardent love of liberty and Kufah under Al-Hajjaj

the masterful, lost 100,000 of her turbulent sons without the thirst

for independence being quenched. This can hardly be said of the Early

Christians who, with the exception of a few staunch-hearted martyrs,

appear in history as pauvres diables and poules mouillées, ever

oppressed by their own most ignorant and harmful fancy that the world

was about to end.

[FN#458] _i.e._ Waiting to be sold and wasting away in single cursedness.

[FN#459] Arab. “Yá dádati”: dádat is an old servant-woman or slave,

often applied to a nurse, like its congener the Pers. Dádá, the latter

often pronounced Daddeh, as Daddeh Bazm-árá in the Kuisum-nameh

(Atkinson’s “Customs of the Women of Persia,” London, 8vo, 1832).

[FN#460] Marjánah has been already explained. D’Herbelot derives from

it the Romance name _Morgante la Déconvenue_, here confounding Morgana

with Urganda; and Keltic scholars make Morgain = Mor Gwynn—the white

maid (p. 10, Keightley’s Fairy Mythology, London, Whittaker, 1833).

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