OUR BOOKING-OFFICE.

[Illustration]

The Baron can highly recommend _The Wages of Sin_, by LUCAS MALET. "I

am informed," says the B. DE B.-W., "that this is the _nom de plume_

of an Authoress. This MALET should be Femalet." Be this as it may, the

Baron, who is discretion itself, will not attempt to penetrate beyond

the veil. Some of the writing is a bit tall; but thank heaven, my old

æsthetic friend, "O-the-pity-of-it" occurs only once; and O the pity

of it when he does so, and gives a "MAUDLE and POSTLETHWAITE" tone to

the passage in question. What does "huffle" mean? (Vol. III., p. 82.)

Genius has a right to create words; and when Genius does so, the very

sound of the word conveys its meaning with and frequently without the

context. "But I'm huffled," says the Baron, "if I understand it here."

Still "huffled" is a good-substitute for strong language, when you're

ruffled. Don't let the light-hearted reader be deterred by the slow

pace of Volume One; but stick to it, and avoid skipping. A selfish

mean cuss is the "hero," so to style him; and personally, the Baron

would consider him in Society as a first-class artistic bore. The

character is drawn with great skill, as are they all. The description

of _Mrs. Crookendon's_ after-dinner party is as life-like as if it

were a well-staged scene in a well-written and well-cast Drama.

"I have been dipping into _Country House Sketches_, by C.C. RHYS,"

says the Baron, "and have come to the conclusion that if the author,

youthful I fancy, would give himself time, and have the patience to

'follow my LEVER,' the result would be a _Jack Hinton Junior_, with

a smack of _Soapey Sponge_ in it." The short stories are all, more or

less, good, and would be still better but for a certain cocksureness

about them which savours of the man in a country house who will insist

on telling you a series of good stories about himself, one after the

other, until the guests in the smoking-room, in sheer despair of ever

getting their turn of talking about themselves, or of turning on

the tap of their own good stories, light their candles, yawn, and go

pensively to bed.

My "Faithful Co." informs me that he has been reading some very

excellent _Sketches of England_, by a "Foreign Artist," and a "Foreign

Author." The latter is no less a person than the genial representative

of the _Journal des Débats_ in London, Mons. P. VILLARS. My "Co."

says that, take it all round, this is one of the best books upon _La

Perfide Albion_ he has ever read. Both scribe and illustrator are

evidently fond of the "Foreigners" they find in the British Isles.

Mons. VILLARS, however, makes one startling assertion, which has taken

my "Co," by surprise. The "Foreign Author" declares that "laughter

never struck his ears." Now our Monsieur is an admirable _raconteur_,

and if he ever told one of his capital stories to an Englishman of

average intelligence, he _must_ have heard laughter. He has also read

a rather strange work called, _What will Mrs. Grundy say?_ My "Co."

declares that, considering its subject, the book, which is not without

merit, might be recommended as a disciplinary exercise during Lent.

Says "Co. Junior," to the Baron, "Sir, I've just come across AUSTIN

DOBSON and his _Four Frenchwomen_." "Hold!" cries the Baron, frowning.

"No scandal." "Nay, Sir," quoth "Co. Junior," nervously. "'tis but

the title of a book." "That is another thing," says the Baron, waving

his hand, "proceed!" "It is about Mlle. DE CORDAY, Madame ROLAND,

the Princesse DE LAMBALLE, and Madame DE GENLIS. I recommend it,

Sir. _Tolle, Lege!_ "And with a bow "Co. Junior," withdraws from the

presence.

Quoth the Baron, "I was looking again into _Saint Monica_, just to see

if I might like it any better than I did on the first occasion--which,

"with me hand upon me hearrt," as Doctor O'Q. says, I cannot say

I do,--when I came upon the following misprint,--"_This woman,

nevertheless, worshipped him as the god of her idoltary._" It's a

beautiful word, "idoltary," and so much better than the ordinary way

of spelling it. So, after all, there is more in _Saint Monica_ than

I had expected. In fact, its chief fault is that it is too much spun

out; and, just at this time, _Saint Monica_ mustn't be associated in

any sort of way with the House at Cambridge where they spin.

Punch, or the London Charivari, Volume 100, March 21, 1891 · 第 24 / 32 题