CHAPTER XII.

Anglo-Saxon Period--Pottery, general characteristics

of--Cinerary Urns--Saxon Urn with Roman Inscription--Frankish

and other Urns--Cemeteries at King’s Newton, etc.--Mode of

Manufacture--Impressed Ornaments.

The pottery of the Anglo-Saxon period, so far as examples have come

down to us, are almost, if not entirely, confined to sepulchral urns.

We know, from the illuminated MSS. of the period, to which we are

accustomed to turn for information upon almost any point, that other

vessels--pitchers, dishes, etc.--were made and used, but for those

which have come down to us we are indebted to the grave-mounds; and,

in these, sepulchral vessels, almost exclusively, are found to occur.

Cinerary urns are, therefore, almost the only known productions of

the Saxon potteries, and these, like those of the Celtic period, were

doubtless, in most cases, made near the spot where the burial took

place, and were formed of the clays of the neighbourhood. This is

proved, incontestably, in the case of the urns found at King’s Newton,

where the bed of clay still exists, and has very recently been used for

common pottery purposes.

[Illustration: Fig. 326.]

The shapes of the cinerary urns are somewhat peculiar, and partake

largely of the Frankish form. Instead of being wide at the mouth,

like the Celtic urns, they are contracted, and have a kind of neck

instead of the overhanging lip or rim which characterizes so much of

the sepulchral pottery of that period. The urns are formed by hand,

not on the wheel, like so many of the Romano-British period, and

they are, as a rule, perhaps, more firmly fired than the Celtic ones.

They are usually of a dark-coloured clay, sometimes nearly black,

at other times they are dark brown, and occasionally of a slate or

greenish tint, produced by surface colouring. The general form of these

interesting fictile vessels will be best understood by reference to

the engravings which follow. One of these (on fig. 326) will be seen

to have projecting knobs or bosses, which have been formed by simply

pressing out the pliant clay from the inside with the hand. In other

examples these raised bosses take the form of ribs gradually swelling

out from the bottom, till, at the top they expand into semi-egg-shaped

protuberances. The ornamentation on the urns from these cemeteries

usually consists of encircling incised lines in bands or otherwise,

and vertical or zigzag lines arranged in a variety of ways, and not

unfrequently the knobs or protuberances of which I have just spoken.

Sometimes, also, they present evident attempts at imitation of the

Roman egg-and-tongue ornament. The marked features of the pottery

of this period are the frequency of small punctured or impressed

ornaments, which are introduced along with the lines or bands with very

good effect. These ornaments were evidently produced by the end of a

stick cut and notched across in different directions so as to produce

crosses and other patterns. In some districts--especially in the East

Angles--these vessels are ornamented with simple patterns painted upon

their surface in white; but so far as my knowledge goes, no example of

this kind of decoration has been found in the Mercian cemeteries.

Of these urns--the East Anglian, etc.--Mr. Wright (to whom, and to Mr.

Roach Smith, is mainly due the credit of having correctly appropriated

them to the Anglo-Saxon period), thus speaks:--

“The pottery is usually made of a rather dark clay, coloured outside

brown or dark slate colour, which has sometimes a tint of green, and

is sometimes black. These urns appear often to have been made with the

hand, without the employment of the lathe; the texture of the clay is

rather coarse, and they are rarely well baked. The favourite ornaments

are bands of parallel lines encircling the vessel, or vertical and

zigzags, sometimes arranged in small bands, and sometimes on a larger

scale covering half the elevation of the urn; and in this latter case

the spaces are filled up with small circles and crosses, and other

marks, stamped or painted in white. Other ornaments are met with, some

of which are evidently unskilful attempts at imitating the well-known

egg-and-tongue and other ornaments of the Roman Samian ware, which,

from the specimens, and even fragments, found in their graves, appear

to have been much admired and valued by the Anglo-Saxons. But a still

more characteristic peculiarity of the pottery of the Anglo-Saxon

burial urns consists in raised knobs or bosses, arranged symmetrically

round them, and sometimes forming a sort of ribs, while in the ruder

examples they become mere round lumps, or even present only a slight

swelling of the surface of the vessel.

[Illustration: Fig. 327.]

[Illustration: Fig. 328.]

[Illustration: Fig. 329.]

“That these vessels belong to the early Anglo-Saxon period is proved

beyond any doubt by the various objects, such as arms, personal

ornaments, etc., which are found with them, and they present evident

imitations both of Roman forms and of Roman ornamentation. But one of

these urns has been found accompanied with remarkable circumstances,

which not only show its relative date, but illustrate a fact in

the ethnological history of this early period. Among the Faussett

collection of Anglo-Saxon antiquities is an urn which Bryan Faussett

appears to have obtained from North Elmham, in Norfolk, and which

contained the bones of a child. It is represented in the accompanying

engraving (fig. 327), and will be seen at once to be perfectly

identical in character with the East Anglian sepulchral urns. But

Mr. Roach Smith, in examining the various objects in the Faussett

collection, preparatory to his edition of Bryan Faussett’s ‘_Inventorum

Sepulchrale_,’ discovered on one side of this urn a Roman sepulchral

inscription, which is easily read as follows:--

D. M. ‘To the gods of the shades.

LAELIAE To Lælia

RVFINAE Rufina.

VIXIT·A·XIII She lived thirteen years,

M·III·D·VI. three months, and six days.’

To this Roman girl, with a purely Roman name, belonged, no doubt,

the few bones which were found in the Anglo-Saxon burial urn when

Bryan Faussett received it, and this circumstance illustrates several

important as well as interesting questions relating to our early

history. It proves, in the first place, what no judicious historian

now doubts, that the Roman population remained in the island after

the withdrawal of the Roman power, and mixed with the Anglo-Saxon

conquerors; that they continued to retain for some time at least

their old manners and language, and even their Paganism and their

burial ceremonies, for this is the purely Roman form of sepulchral

inscriptions; and that, with their own ceremonies, they buried in the

common cemetery of the new Anglo-Saxon possessors of the land, for this

urn was found in an Anglo-Saxon burial ground. This last circumstance

had already been suspected by antiquaries, for traces of Roman

interment in the well-known Roman leaden coffins had been found in the

Anglo-Saxon cemetery at Ozingell, in the Isle of Thanet; and other

similar discoveries have, I believe, been made elsewhere. The fact of

this Roman inscription on an Anglo-Saxon burial urn, found immediately

in the district of the Anglo-Saxon cemeteries, which have produced so

many of these East Anglian urns, proves further that these urns belong

to a period following immediately upon the close of what we call the

Roman period.”

The sepulchral vases found in the district of the middle Angles vary

but slightly in form from the East Anglian burial urns. An example

is given in fig. 328, from Chestersovers, in Warwickshire, where it

was found with an iron sword, a spear-head, and other articles of

Anglo-Saxon character.

“If we had not abundant proofs of the Anglo-Saxon character of this

pottery at home,” continues Mr. Wright, “we should find sufficient

evidences of it among the remains of the kindred tribes on the

Continent, the old Germans, or Alemanni, and the Franks. Some years

ago an early cemetery, belonging to the Germans, or Alemanni, who then

occupied the banks of the Upper Rhine, was discovered near a hamlet

called Selzen, on the northern bank of that river, not far above

Mayence, and the rather numerous objects found in it are, I believe,

preserved in the Mayence Museum. They were communicated to the public

by the brothers Lindenschmit, in a well-illustrated volume published

in 1848, under the title ‘_Das Germanische Todtenlager bei Selzen in

der Provinz Reinhessen_.’ When this book appeared in England, our

antiquaries were astonished to find in the objects discovered in the

Alemannic cemeteries of the country bordering on the Rhine a character

entirely identical with that of their own Anglo-Saxon antiquities,

by which the close affinity of the two races was strikingly

illustrated. More recently, the subject has been further illustrated

in the description by Ludwig Lindenschmit of the collection of the

national antiquities in the Ducal Museum of Hohenzollern, and in

other publications. About the same time with the first labours of the

Lindenschmits, a French antiquary, Dr. Rigollot, was calling attention

in France to similar discoveries in the cemeteries which the Teutonic

invaders of Picardy had left behind them, and in which he recognized

the same character as that displayed by the similar remains of the

Anglo-Saxons in our island. Similar discoveries have been made in

Burgundy and in Switzerland, the ancient country of the Helvetii; and

it is hardly necessary here to do more than mention the great and

valuable researches carried on by the Abbé Cochet among the Frankish

graves in Normandy. It has thus become an established fact that the

varied remains of the tribes, all of Teutonic descent, who settled on

the borders of the Roman empire along the whole extent of the country

from Great Britain to Switzerland, present the same character and bear

a close resemblance.”

A few figures will be sufficient to illustrate this resemblance as far

as regards the pottery, and these are here given, in which figs. 330

and 332 are Alemannic vases from the cemetery of Selzen. It will be

seen that they resemble exactly in form those East Anglian urns we have

given in our plate, and the same ornamentation is also found among our

Anglo-Saxon pottery. These urns are described as being usually made of

the clay of the neighbourhood, in most cases turned on a lathe, but

many of them imperfectly baked. They are found in graves where the body

had not undergone cremation, and were used for containing articles of

a miscellaneous description. In one grave, at the feet of the skeleton

of a gigantic warrior, was found one of these urns, containing two

bronze fibulæ, a comb, a number of beads, a pair of shears, flints and

steel, and a bronze ring. Fig. 334 is an urn procured at Cologne, and

is slate-coloured, with an ornament of circular stamps.

[Illustration: Fig. 330.]

[Illustration: Fig. 331.]

[Illustration: Fig. 332.]

[Illustration: Fig. 333.]

[Illustration: Fig. 334.]

Figs. 331 and 333 are Frankish urns obtained by the Abbé Cochet from

Londinières in Normandy, and show at a glance the identity of the

Frankish pottery with the Germanic as well as with the Anglo-Saxon.

The first of these is surrounded with a row of the well-known bosses,

which are equally characteristic of the three divisions of this

Teutonic pottery, Anglo-Saxon, Frankish, and Alemannic. Above these

bosses is an ornament identical with that of the East Anglian urn with

the sepulchral inscription, given on fig. 327. The urn represented

in fig. 331 has an ornament which is evidently an imitation of the

egg-and-tongue ornament so common on the Roman pottery. The Abbé

Cochet collected in the course of his excavations in Normandy several

hundreds of these Frankish urns, which all present the same general

character.

The next four examples are earthen vessels found in the lacustrine

habitations of Switzerland, of which so much has been written during

the last few years. Figs. 335, 336, and 337, are taken from the plates

illustrative of the communications of Dr. Ferdinand Keller to the

_Transactions_ of the Antiquarian Society of Zurich, and fig. 338,

also from the Zurich _Transactions_, and found in a Pfahlbau, near

Allensbach on the Untersee, on the borders of Switzerland and Germany.

A single glance will show a great similarity of form with those of the

Anglo-Saxons from our own country.

[Illustration: Fig. 339.]

[Illustration: Fig. 340.]

The following engravings will exhibit a striking variety of cinerary

urns of the Anglo-Saxon period, from the Mercian cemetery at King’s

Newton. Fig. 339 is six and a quarter inches in height. It is

ornamented with encircling bands or lines and impressed ornaments.

In the upper band is a series of small circular indentations, with

a dot in the centre of each, and in the lower band are three rows of

dots. Between these bands is a series of indented crosses, which may

be described as in some degree approaching to crosses _patée_ in form.

At the bottom are also small square indentations, with diagonal lines.

Fig. 342 is seven inches in height. It is ornamented with encircling

lines, the central band bearing a double row of dots; the band at the

bottom of the neck a series of small indented quatre-foil flowers; and

the lower one a series of square indentations with diagonal lines.

Fig. 341 is one of the most elaborately ornamented urns which has ever

been discovered.[51] The remainder of the examples vary from these

and from each other, in point both of form and decoration. Some of

these have herring-bone lines, others simple punctures, and others,

again, encircling lines only. The marked features of the pottery of

this period is the frequency of small punctured or impressed ornaments,

which are introduced along with the lines or bands, with very good

effect. These ornaments were evidently produced by the end of a stick,

cut and notched across in different directions, so as to produce

crosses and other patterns, and by twisted slips of metal, etc. In the

annexed woodcut I have endeavoured to show two of the notched stick

“punches,” such as I have reason to believe were used for pressing into

the soft clay, and also two of the impressed patterns produced by it.

[Illustration: Figs. 335 to 338.]

[Illustration: Fig. 341.]

[Illustration: Fig. 342.]

[Illustration: Fig. 343.]

[Illustration: Fig. 344.]

[Illustration: Fig. 345.]

[Illustration: Fig. 346.]

[Illustration: Fig. 347.]

[Illustration: Fig. 348.]

[Illustration: Fig. 349.]

[Illustration: Fig. 350.]

[Illustration: Fig. 351.]

[Illustration: Fig. 352.]

Other varieties of pottery found in the Anglo-Saxon graves are a

species of cup, and upright vessels, one of which is shown on fig. 327.

Fragments of pitchers have also occasionally been found, as also have

portions of coarse dishes. In the Kentish graves, most of the pottery

is of the Roman period, and consists of Samian pateræ and other vessels

of that manufacture; and cups, etc., of the Upchurch and Castor wares,

etc.

Grave-mounds and Their Contents A Manual of Archæology, as Exemplified in the Burials of the Celtic, the Romano-British, and the Anglo-Saxon Periods · 第 12 / 16 章