Games next inflamed my fancy. More than dominoes or Halma, lead

soldiers appealed to me, and tops, marbles, and battledore and

shuttlecock. Through tag, fire-engine, pom-pom-pull-away,

hide-and-seek, baseball, and boxing, I came to tennis, which I knew

instinctively was to be my athletic _grand passion_. Perhaps I was

first attracted by the game's constant humor which was forever making

the ball imitate or caricature humanity, or beguiling the players to

act like solemn automata. For children are usually quicker than

grown-ups to see these droll resemblances. I came by degrees to like

the game's variety, its tense excitement, its beauty of posture and

curve. And before long I vaguely felt what I later learned

consciously: that tennis is a sure revealer of character. Three sets

with a man suffice to give one a working knowledge of his moral

equipment; six, of his chief mental traits; and a dozen, of that most

important, and usually veiled part of him, his subconscious

personality. Young people of opposite sexes are sometimes counseled to

take a long railway journey together before deciding on a matrimonial

merger. But I would respectfully advise them rather to play "singles"

with each other before venturing upon a continuous game of doubles.

The collecting mania appeared some time before tennis. I first

collected ferns under a crag in a deep glen. Mere amassing soon gave

way to discrimination, which led to picking out a favorite fern. This

was chosen, I now realize, with a woeful lack of fine feeling. I

called it "The Alligator" from its fancied resemblance to my brother's

alligator-skin traveling-bag. But admiration of this fern brought a

dawning consciousness that certain natural objects were preferable to

others. This led, in years, to an enthusiasm for collecting

impressions of the beauty, strength, sympathy, and significance of

nature. The Alligator fern, as I still call it, has become a symbolic

thing to me; and the sight of it now stands for my supreme or

best-loved impression, not alone in the world of ferns, but also in

each department of nature. Among forests it symbolizes the immemorial

incense cedars and redwoods of the Yosemite; among shores, those of

Capri and Monterey; among mountains, the glowing one called Isis as

seen at dawn from the depths of the Grand Cañon.

II

Next, I collected postage-stamps. I know that it is customary to-day

for writers to sneer at this pursuit. But surely they have forgotten

its variety and subtlety; its demand on the imagination; how it makes

history and geography live, and initiates one painlessly into the

mysteries of the currency of all nations. Then what a tonic it is for

the memory! Only think of the implications of the annual

price-catalogue! Soon after the issue of this work, every collector

worthy the name has almost unconsciously filed away in his mind the

current market values of thousands of stamps. And he can tell you

offhand, not only their worth in the normal perforated and canceled

condition, but also how their values vary if they are uncanceled,

unperforated, embossed, rouletted, surcharged with all manner of

initials, printed by mistake with the king standing on his head, or

water-marked anything from a horn of plenty to the seven lean kine of

Egypt. This feat of memory is, moreover, no hardship at all, for the

enthusiasm of the normal stamp-collector is so potent that its

proprietor has only to stand by and let it do all the work.

We often hear that the wealthy do not enjoy their possessions. This

depends entirely upon the wealthy. That some of them enjoy their

treasures giddily, madly, my own experience proves. For, as youthful

stamp-collectors went in those days, I was a philatelic magnate. By

inheritance, by the ceaseless and passionate trading of duplicates, by

rummaging in every available attic, by correspondence with a wide

circle of foreign missionaries, and by delivering up my whole

allowance, to the dealers, I had amassed a collection of several

thousand varieties. Among these were such gems as all of the

triangular Cape of Good Hopes, almost all of the early Persians, and

our own spectacular issue of 1869 unused, including the one on which

the silk-stockinged fathers are signing the Declaration of

Independence. Such possessions as these I well-nigh worshiped.

Even to-day, after having collected no stamps for a generation, the

chance sight of an "approval sheet," with its paper-hinged reminders

of every land, gives me a curious sensation. There visit my spine

echoes of the thrills that used to course it on similar occasions in

boyhood. These were the days when my stamps had formed for me mental

pictures--more or less accurate--of each country from Angola to

Zululand, its history, climate, scenery, inhabitants, and rulers. To

possess its rarest stamp was mysteriously connected in my mind with

being given the freedom of the land itself, and introduced with warm

recommendations to its _genius loci_.

Even old circulars issued by dealers, now long gone to stampless

climes, have power still to raise the ghost of the vanished glamour. I

prefer those of foreign dealers because their English has the quaint,

other-world atmosphere of what they dealt in. The other day I found in

an old scrapbook a circular from Vienna, which annihilated a score of

years with its very first words:

CLEARING

OF A LARGE PART OF MY RETAIL DEPOSITORY

Being lately so much engaged into my wholesale business ... I

have made up my mind to sell out a large post of my

retail-stamps at under-prices. They are rests of larger

collections containing for the most, only older marks and

not thrash possibly put together purposedly as they used to

be composed by the other dealers and containing therefore

mostly but worthless and useless nouveautés of Central

America.

Before continuing this persuasive flow, the dealer inserts a number of

testimonials like the following. He calls them:

ACKNOWLEDGMENTS

Sent package having surpassed my expectations I beg to remit

by to-days post-office-ordres Mk. 100. Kindly please send me

by return of post offered album wanted for retail sale.

G. B.--HANNOVER.

The dealer now comes to his peroration:

I beg to call the kind of attention of every buyer to the

fact of my selling all these packages and albums with my own

loss merely for clearings sake of my retail business and in

order to get rid of them as much and as soon as possible.

With 25-60 % abatement I give stamps and whole things to

societies against four weeks calculation.

All collectors are bound to oblige themselves by writing

contemporaneously with sending in the depository amount to

make calculation within a week as latest term.

It is enough! As I read, the old magic enfolds me, and I am seized

with longing to turn myself into a society of collectors and to

implore the altruistic dealer "kindly please" to send me, at a

prodigious "abatement," "stamps and whole things against four weeks

calculation."

III

The youngest children of large families are apt to be lonely folk,

somewhat retired and individualistic in their enthusiasms. I was such

a child, blessed by circumstances with few playfellows and rather

inclined to sedentary joys. Even when I reached the barbaric stage of

evolution where youth is gripped by enthusiasm for the main pursuits

of his primitive ancestors, I was fain to enjoy these in the more

sophisticated forms natural to a lonely young city-dweller.

When stamps had passed their zenith I was filled with a lust for

slaughter. Fish were at first the desired victims. Day after day I sat

watching a hopelessly buoyant cork refuse to bob into the depths of

the muddy and torpid Cuyahoga. I was like some fond parent, hoping

against hope to see his child out-live the flippant period and dive

beneath the surface of things, into touch with the great living

realities. And when the cork finally marked a historic epoch by

vanishing, and a small, inert, and intensely bored sucker was pulled

in hand over hand, I felt thrills of gratified longing and conquest

old and strong as the race.

But presently I myself was drawn, like the cork, beneath the

superficial surface of the angler's art. For in the public library I

chanced on a shelf of books, that told about fishing of a nobler,

jollier, more seductive sort. At once I was consumed with a passion

for five-ounce split-bamboo fly-rods, ethereal leaders, double-tapered

casting-lines of braided silk, and artificial flies more fair than

birds of paradise. Armed in spirit, with all these, I waded the

streams of England with kindly old Isaak Walton, and ranged the

Restigouche with the predecessors of Henry van Dyke. These dreams

brought with them a certain amount of satisfaction--about as much

satisfaction as if they had come as guests to a surprise party, each

equipped with a small sandwich and a large appetite. The visions were

pleasant, of course, but they cried out, and made me cry out, for

action. There were no trout, to be sure, within a hundred miles, and

there was no way of getting to any trouty realm of delight. But I did

what I could to be prepared for the blessed hour when we should meet.

I secured five new subscriptions or so to "The Boys' Chronicle" (let

us call it), and received in return a fly-rod so flimsy that it would

have resolved itself into its elements at sight of a half-pound

trout. It was destined, though, never to meet with this embarrassment.

My casting-line bore a family resemblance to grocery string. My leader

was a piece of gut from my brother's 'cello; my flybook, an old

wallet. As for flies, they seemed beyond my means; and it was

perplexing to know what to do, until I found a book which said that it

was better by far to tie your own flies. With joyful relief I acted on

this counsel. Plucking the feather-duster, I tied two White Millers

with shoe-thread upon cod-hooks. One of these I stained and streaked

with my heart's blood into the semblance of a Parmacheene Belle. The

canary furnished materials for a Yellow May; a dooryard English

sparrow, for a Brown Hackle. My masterpiece, the beautiful,

parti-colored fly known as Jock Scott, owed its being to my sister's

Easter bonnet.

I covered the points of the hooks with pieces of cork, and fished on

the front lawn from morning to night, leaning with difficulty against

the thrust of an imaginary torrent. And I never ceased striving to

make the three flies straighten out properly as the books directed,

and fall like thistledown upon the strategic spot where the empty

tomato can was anchored, and then jiggle appetizingly down over the

four-pounder, where he sulked in the deep hole just beyond the

hydrant.

The hunting fever was wakened by the need for the Brown Hackle already

mentioned. But as the choice of weapons and of victims culminated in

the air-gun and the sparrow, respectively, my earliest hunting was

confined even more closely than my fishing to the library and the

dense and teeming forests of the imagination.

But while somewhat handicapped here by the scarcity of ferocious game,

I was more fortunate in another enthusiasm which attacked me at almost

the same time. For however unpropitious the hunting is on any given

part of the earth's surface, there is everywhere and always an

abundance of good hidden-treasure-seeking to be had. The garden, the

attic, the tennis lawn all suffered. And my initiative was

strengthened by the discovery of an incomparable book all about a dead

man's chest, and not only digging for gold in a secret island, but

finding it, too, by jingo! and fighting off the mutineers.

These aspirations naturally led to games of Pirate, or Outlaw, which

were handicapped, however, by the scarcity of playmates, and their

curious hesitation to serve as victims. As pirates and outlaws are

well known to be the most superstitious of creatures, inclining to the

primitive in their religious views, we were naturally led into a sort

of dread enthusiasm for--or enthusiastic dread of--the whole pantheon

of spooks, sprites, and bugaboos to which savages and children, great

and small, bow the knee. My dreams at that time ran something like

this:

PARADISE REVISED

Playing hymn-tunes day and night

On a harp _may_ be all right

For the grown-ups; but for me,

I do wish that heaven could be

Sort o' like a circus, run

So a kid could have some fun!

There I'd not play harps, but horns

When I chased the unicorns--

Magic tubes with pistons greasy,

Slides that pushed and pulled out easy,

Cylinders of snaky brass

Where the fingers like to fuss,

Polished like a looking-glass,

Ending in a blunderbuss.

I would ride a horse of steel

Wound up with a ratchet-wheel.

Every beast I'd put to rout

Like the man I read about.

I would singe the leopard's hair,

Stalk the vampire and the adder,

Drive the werewolf from his lair,

Make the mad gorilla madder.

Needle-guns my work should do.

But, if beasts got closer to,

I would pierce them to the marrow

With a barbed and poisoned arrow,

Or I'd whack 'em on the skull

Till my scimiter was dull.

If these weapons didn't work,

With a kris or bowie-knife,

Poniard, assegai, or dirk,

I would make them beg for life;--

Spare them, though, if they'd be good

And guard me from what haunts the wood--

From those creepy, shuddery sights

That come round a fellow nights--

Imps that squeak and trolls that prowl,

Ghouls, the slimy devil-fowl,

Headless goblins with lassoes,

Scarlet witches worse than those,

Flying dragon-fish that bellow

So as most to scare a fellow....

There, as nearly as I could,

I would live like Robin Hood,

Taking down the mean and haughty,

Getting plunder from the naughty

To reward all honest men

Who should seek my outlaw's den.

When I'd wearied of these pleasures

I'd go hunt for hidden treasures--

In no ordinary way,

Pirates' luggers I'd waylay;

Board them from my sinking dory,

Wade through decks of gore and glory,

Drive the fiends, with blazing matchlock,

Down below, and snap the hatch-lock.

Next, I'd scud beneath the sky-land,

Sight the hills of Treasure Island,

Prowl and peer and prod and prise,

Till there burst upon my eyes

Just the proper pirate's freight:

Gold doubloons and pieces of eight!

Then--the very best of all--

Suddenly a stranger tall

Would appear, and I'd forget

That we hadn't ever met.

And with cap upthrown I'd greet him

(Turning from the plunder, yellow)

And I'd hurry fast to meet him,

For he'd be the very fellow

Who, I think, invented fun--

Robert Louis Stevenson.

The enthusiasms of this barbaric period never died. They grew up,

instead, and proved serviceable friends. Fishing and hunting are now

the high-lights of vacation time. The crude call of the weird and the

inexplicable has modulated into a siren note from the forgotten

psychic continents which we Western peoples have only just discovered

and begun to explore. As for the buried treasure craze--why, my

life-work practically amounts to a daily search for hidden valuables

in the cellars and attics, the chimney-pieces and desert islands of

the mind, and secret attempts to coin them into currency.

And so I might go on to tell of my enthusiasms for no end of other

things like reading, modeling, folk-lore, cathedrals, writing,

pictures, and the theater. Then there is the long story of that

enthusiasm called Love, of Friendship its twin, and their elder

brother, Religion, and their younger sister, Altruism. And travel and

adventure and so on. But no! It is, I believe, a misdemeanor to obtain

attention under false pretenses. If I have caught the reader's eye by

promising to illustrate in outline a new method of writing

autobiography, I must not abuse his confidence by putting that method

into practice. So, with a regret almost equal to that of Lewis

Carroll's famous Bellman--

I skip twenty years--

and close with my latest enthusiasm.

IV

Confirmed wanderers that we were, my wife and I had rented a house for

the winter in a Massachusetts coast village and had fallen somewhat

under the spell of the place. Nevertheless, we had decided to move on

soon--to try, in fact, another trip through Italy. Our friendly

neighbors urged us to buy land up the "back lane" instead, and build

and settle down. We knew nothing of this region, however, and scarcely

heard them.

But they were so insistent that one day we ventured up the back lane

at dusk and began to explore the woods. It grew dark and we thought of

turning back. Then it began to grow light again. A full moon was

climbing up through the maples, inviting further explorations. We

pushed through a dense undergrowth and presently were in a grove of

great white pines. There was a faint sound of running water, and

suddenly we came upon an astonishing brook--wide, swift, and musical.

We had not suspected the existence of such a brook within a dozen

leagues. It was over-arched by tall oaks and elms, beeches, tupelos,

and maples. The moonbeams were dancing in the ripples and on the

floating castles of foam.

"What a place for a study!"

"Yes; a log cabin with a big stone fireplace."

The remarks came idly, but our eyes met and held. Moved by one impulse

we turned from the stream and remarked what bosh people will sometimes

talk, and discussed the coming Italian trip as we moved cautiously

among the briers. But when we came once more to the veteran pines,

they seemed more glamorous than ever in the moonlight, especially one

that stood near a large holly, apart from the rest--a three-prong

lyrical fellow--and his opposite, a burly, thickset archer, bending

his long-bow into a most exquisite curve. The fragrant pine needles

whispered. The brook lent its faint music.

"Quick! We had better get away!"

A forgotten lumber road led us safe from briers up a hill. Out of a

dense oak grove we suddenly emerged upon the more open crest. Our feet

sank deep in moss.

"Look," I said.

Over the heads of the high forest trees below shimmered a mile of

moonlit marshes, and beyond them a gleam--perhaps from some vessel far

at sea, perhaps even from a Provincetown lighthouse.

"Yes, but look!"

At a touch I faced around and beheld, crowning the hill, a stately

company of red cedars, comely and dense and mysterious as the

cypresses of Tivoli, and gloriously drenched in moonlight.

"But what a place for a house!"

"Let's give up Italy," was the answer, "and make this wood our home."

By instinct and training we were two inveterate wanderers. Never had

we possessed so much as a shingle or a spoonful of earth. But the

nest-building enthusiasm had us at last. Our hands met in compact. As

we strolled reluctantly homeward to a ten-o'clock dinner we talked of

road-making, swamps, pneumatic water-systems, the nimbleness of

dollars, and mountains of other difficulties. And we agreed that the

only kind of faith which can easily remove mountains is the faith of

the enthusiast.

V

THE AUTO-COMRADE

Human nature abhors a vacuum, especially a vacuum inside itself. Offer

the ordinary man a week's vacation all alone, and he will look as

though you were offering him a cell in Sing Sing.

"There are," as Ruth Cameron truly observes, "a great many people to

whom there is no prospect more terrifying than that of a few hours

with only their own selves for company. To escape that terrible

catastrophe, they will make friends with the most fearful bore or read

the most stupid story.... If such people are marooned a few hours, not

only without human companionship, but even without a book or magazine

with which to screen their own stupidity from themselves, they are

fairly frantic."

If any one hates to be alone with himself, the chances are that he

has not much of any self to be alone with. He is in as desolate a

condition as a certain Mr. Pease of Oberlin, who, having lost his wife

and children, set up his own tombstone and chiseled upon it this

epitaph:

"Here lies the pod.

The Pease are shelled and gone to God."

Now, pod-like people such as he are always solitary wherever other

people are not; and there is, of course, nothing much more distressing

than solitariness. These people, however, fall through sheer ignorance

into a confusion of thought. They suppose that solitude and

solitariness are the same thing. To the artist in life--to the wise

keeper of the joyful heart--there is just one difference between these

two: it is the difference between heaven and its antipodes. For, to

the artist in life, solitude is solitariness plus the Auto-Comrade.

As it is the Auto-Comrade who makes all the difference, I shall try to

describe his appearance. His eyes are the most arresting part of him.

They never peer stupidly through great, thick spectacles of others'

making. They are scarcely ever closed in sleep, and sometimes make

their happiest discoveries during the small hours. These hours are

truly small because the Auto-Comrade often turns his eyes into the

lenses of a moving-picture machine--such an entertaining one that it

compresses the hours to seconds. It is through constant, alert use

that his eyes have become sharp. They can pierce through the rinds of

the toughest personalities, and even penetrate on occasion into the

future. They can also take in whole panoramas of the past in one

sweeping look. For they are of that "inner" variety through which

Wordsworth, winter after winter, used to survey his daffodil-fields.

"The bliss of solitude," he called them.

The Auto-Comrade has an adjustable brow. It can be raised high enough

to hold and reverberate and add rich overtones to, the grandest

chords of thought ever struck by a Plato, a Buddha, or a Kant. The

next instant it may easily be lowered to the point where the ordinary

cartoon of commerce or the tiny cachinnation of a machine-made

Chesterton paradox will not ring entirely hollow. As for his voice, it

can at times be more musical than Melba's or Caruso's. Without being

raised above a whisper, it can girdle the globe. It can barely breathe

some delicious new melody; yet the thing will float forth not only

undiminished, but gathering beauty, significance, and incisiveness in

every land it passes through.

The Auto-Comrade is an erect, wiry young figure of an athlete. As he

trades at the Seven-League Boot and Shoe Concern, it never bothers him

to accompany you on the longest tramps. His feet simply cannot be

tired out. As for his hands, they are always alert to give you a lift

up the rough places on the mountain-side. He has remarkable presence

of body. In any emergency he is usually the best man on the spot. He

is at once seer, creator, accomplisher, and present help in time of

trouble. But his everyday occupation is that of entertainer. He is the

joy-bringer--the Prometheus of pleasure. In his vicinity there is no

such thing as ennui or lonesomeness. Emerson wrote:

"When I would spend a lonely day

Sun and moon are in my way."

But for pals of the Auto-Comrade, not only sun, moon, etc., are in the

way, but all of his own unlimited resources. For every time and season

he has a fittingly varied repertory of entertainment.

Now and again he startles you by the legerdemain feat of snatching

brand-new ideas out of the blue, like rabbits out of a hat. While you

stand at the port-hole of your cabin and watch the rollers rushing

back to the beloved home-land you are quitting, he marshals your

friends and acquaintances into a long line for a word of greeting or a

rapid-fire chat, just as though you were some idol of the people, and

were steaming in past the Statue of Liberty on your way home from

lionizing and being lionized abroad, and the Auto-Comrade were the

factotum at your elbow who asks, "What name, please?"

After the friends and acquaintances, he even brings up your _bêtes

noires_ and dearest enemies for inspection and comment. Strangely

enough, viewed in this way, these persons no longer seem so

contemptible or pernicious or devilish as they once did. At this point

your factotum rubs your eye-glasses bright with the handkerchief he

always carries about for slate-cleaning purposes, and lo! you even

begin to discover good points about the chaps, hitherto unsuspected.

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