CHAPTER XI

TEMPLES AND RELIGION

Burma has been called the "Land of Pagodas," and nothing could be more

true, for from Syriam, below Rangoon, to Myitkyina, in the far north,

is one long succession of these beautiful temples. Not only on the

river-banks do these pagodas crown the hills, but in every town and

village throughout the country; and in many remote districts, far from

present habitations, some shrine, however simple, has been raised.

We have seen something of the great Shwe Dagon pagoda in Rangoon, but

there are many others almost equally beautiful, if not so large: the

exquisite Shwe Tsan Daw at Prome, the Arracan near Mandalay, while in

old Pagan, Pegu, Moulmein, and a host of other places, are temples

which one might well think could not be surpassed for beauty. I have

told you that these pagodas are usually bell-shaped--a delicate and

most elegant form of design, which gains very much in effect from the

habit the Burmese have of building their temples on a hill, so that

the gradually ascending ground, on the different levels of which the

pinnacles of the "kyoungs" are visible above the trees, leads

gradually upward from one point to another until the temple itself is

reached, towering gracefully above the other forms of beauty with

which the hill is sometimes covered. Another pretty effect is gained

by building them close to the water, either on the river-bank or

beside some artificial pool or "tank," in which they are reflected.

Nothing could be more beautiful than the effect of these golden piles

glittering in the sunshine among the deep green of the trees,

especially when repeated in some placid sheet of water, dotted over

perhaps with pink and purple lotus.

And, then, the little bells which hang from every "ti"--how they

tinkle as they swing in the breeze, in their numbers forming one

general harmonious note, most musical, and with a strange sensation of

joy and contentment in its sound.

These little bells are not the only ones in the temples, however, for

in all of them are others of very large size, which, raised a foot or

more from the ground, hang between two posts set in the platform which

surrounds the "zedi," as the bell-shaped temple is called.

These are used by the worshippers, who, with a stag's horn, strike the

bell after praying, to call the attention of the "nats" of the upper

and lower worlds to the fact that they have done so. You will see

these bells in one of the pictures, but there are some others of

immense size, that at Mingun weighing eighty tons; but, as a rule, the

tone of the very large bells is poor, and not to be compared with that

of those of more moderate size.

There are one or two places in Burma particularly rich in

pagodas--Pagan, Sagaing, and Mandalay. I want to tell you just a

little about each.

Let us go to Mandalay first, for I have no doubt that you have been

wondering why I have not already told you something about the capital

of Burma.

As a matter of fact, Mandalay is little better than an enlarged

village, and is built much in the same way as the towns I have already

described, and has really only two points of great interest--its

religious buildings and the "fort."

I am referring, of course, to the _Burmese_ town, for surrounding the

fort are a large number of well-built bungalows, and streets of shops

built of stone or brick; but these are for the use of Europeans and

Indian or Chinese traders, the Burmans here, as elsewhere, contenting

themselves with their thatched houses of timber. It may appear

surprising that a people who could erect their marvellous temples

should be satisfied with such poor dwellings. The reason is to be

found in their custom of removing their capital on each change of

dynasty, and since A.D. 1740 the capital of Burma has been moved no

less than eight times! Mandalay itself is only fifty years old, so

that it hardly appeared to them worth their while to build more

substantial dwellings, which might so soon have to be deserted; and in

this way they came to regard their homes as temporary, expending their

energies and wealth in the building of temples and monasteries

instead.

The streets of Mandalay are wide, and laid out in rectangles, as in

Rangoon, and, like all towns in Burma, the roads are heavily shaded by

trees. Foreign types are common in Mandalay, but the Burmese life here

is very pretty. Nowhere else are the people better dressed, and the

ladies rival the silk bazaar in the variety and beautiful colour of

their clothing. Until recently this was a royal city, and the ladies

pay great attention to the demands of fashion, whether it is in their

delicately-tinted garments, their embroidered sunshades or fan, or the

lace handkerchief with which they love to toy; and nothing in the way

of crowd could be nicer than these daintily-dressed and usually

prepossessing men and women. Fashion, however, has always _some_

drawback. The ladies in many cases smear their faces with a paste

called "thannakah," which has the effect of whitening the skin. The

result is very unfortunate, for it is not always put on evenly, and

only serves to make the ugly more forbidding, while it destroys the

soft warmth of colour and skin texture which so often makes these

women beautiful. Another unfortunate custom is their habit of smoking

such huge cheroots, which no mouth of ordinary size could possibly

hold without distortion.

All roads in Mandalay lead to the fort, lately the residence of the

Court. This consists of a huge square, 1-1/4 miles each way, entirely

surrounded by battlemented walls, and further protected by a wide and

deep moat. Quaint bridges cross the moat, and lead to gateways, each

surmounted by a "pyathat." Within the walls are the palace of the

King, and many other buildings of highly ornate and purely Burmese

character. Many of them have lately been destroyed by fire; but what

will interest us most is the rambling but most picturesque palace, the

lofty "pyathat" which is erected over Thebaw's throne being the finest

in the country, and so much admired by the Burmans as to be called

"the centre of the universe."

All these buildings are of timber, only the finest teak being used,

and the many columns which support the roofs of the halls of audience

consist of single tree-trunks of unusual size and great value.

The moat serves to supply Mandalay with its drinking-water, and is fed

by a conduit from the hills. I am afraid the water is not very clean,

but it is a very pretty sight to see the people coming to fill their

jars from the little stages which jut from the banks, while the whole

surface is at some seasons of the year a mass of purple lotus and

white water-lily, and, although in the middle of the city, paddy-birds

and other ibis wade about its margins.

Mandalay is a station for our troops, who are quartered inside the

fort, which was only captured after severe fighting. The stockade,

which offered so great an obstacle to our men, has been swept away,

and "Tommy Atkins," as well as Indian troops, now inhabit the palaces

of King Thebaw's time! But it is an unhealthy station, and nowhere in

Burma have I seen such crowds of mosquitoes, the common cause of fever

in Europeans.

The most beautiful of Mandalay's pagodas, "the Incomparable," has been

destroyed by fire; but a large number remain, one of which is very

interesting. This is the "Kuthodaw," a temple built by Mindon Min,

King Thebaw's father. The central dome is not remarkable, but on each

side of the large flagged space which surrounds it are rows and rows

of miniature temples, each with an ornamental cupola, supported upon

pillars. Each of these 729 cupolas contains a slab of alabaster, on

which is inscribed a chapter of the Pali Bible. The entrance-gates,

also, are large, and unusually ornate in design.

Each quarter of the town has one or more large pagodas, and others

surround its outskirts from the river-bank to the top of Mandalay

Hill; but these differ from the others we have noticed in one respect,

being covered by carved plaster-work, each stage of which is

beautified by some elaborate or striking pattern, so that the dome of

pure white, broken by sharp contrast of light and shade, is quite as

rich in effect as the gilded temples of Rangoon or Prome.

Most remarkable of all the buildings in Mandalay, however, are the

monasteries, of which there are a large number, many of great

interest, the principal one being the "Queen's Golden Monastery," for

beauty of design and elaborate embellishment unquestionably the finest

structure of its kind in Burma.

Across the river from Mandalay is a very pretty scene. Low conical

hills rise from the banks of the river, each crowned by a pagoda,

around which are many "kyoungs" and "zeyats." Scattered over the

hill-sides are many others, gleaming white against the warm earth

tints and the foliage which surround them. This is old Sagaing, once a

capital of Burma; but the city has gone, and only its temples now

remain. Crossing the river in sampans painted red, blue, and yellow,

or landing on the pearly shingle of the beach, are crowds of

well-dressed Burmans from Mandalay and Ava, bent on a pilgrimage to

one or other of the many shrines, which are reached by long flights of

steps, whose entrance is guarded by enormous leogryphs.

A pretty legend gives the origin of these monsters, which, often of

enormous size, invariably guard the entrance to a temple. Long ago in

the dim past a Princess was stolen by "nats," and hidden away in the

dark recesses of the forest. The King made every effort to find the

hiding-place of his daughter, but without success, until one day a

lioness rescued the Princess, and restored her to her home. Ever since

then the lion, which in the course of centuries has gradually become

changed into the leogryph (or half-lion, half-griffin), has been

accepted by the people as the emblem of protecting watchfulness.

Close to Mandalay on the south is Amarapura, another of Burma's many

capitals, and though we cannot hope to see all the many interesting

monuments that remain, it has one pagoda in particular which well

repays us for our long and dusty journey.

This is the Arracan pagoda, one of the most famous shrines in Burma,

and the one most frequented by the Shans and other hill tribes, whose

time of pilgrimage occurs "between the reaping and the sowing."

There is no ascent to this temple, which, through a series of

ornamented doorways, is approached by a long flat corridor, which, as

usual, serves the purpose of a bazaar. Here perhaps the best Burmese

gongs may be purchased, and the stalls for cut flowers display a rich

profusion of blooms, whose scent fills the whole temple precincts. The

temple itself is different in design from any others we have seen,

being built in the form of a square tower, above which rises a series

of diminishing terraces, each beautified by carved battlements and

corner pinnacles, the whole being richly gilt.

[Illustration: THE SHWE ZIGON PAGODA, PAGAN. _Page 82._]

Beneath the central tower is the shrine, before which a constant

stream of devotees succeed each other in prayer. This contains an

enormous brass image of Buddha, 12 feet in height, thickly plastered

with the pilgrims' offerings of gold-leaf. Behind the temple are the

sacred tanks, whose green and slimy water is alive with turtles, too

lazy or too well fed to eat the dainty morsels thrown to them by the

onlookers, but which are pounced upon by hundreds of hawks, who often

seize the tit-bits before they reach the water.

The courtyards are, as usual, thronged, and pastry-cooks and

story-tellers, soothsayers and musicians, provide refreshment and

amusement to the ever-moving crowd of happy people, at whom we never

tire of looking.

And now, having seen something of the principal pagodas, with their

crowds of worshippers or loiterers, let us take one glimpse of the

ancient city of Pagan.

Splendidly placed upon a commanding site on the river-bank, Pagan was

at one time a populous and wealthy centre. To-day it is the city of

the dead, and the domes and pinnacles of its temples, which cover an

area of 16 square miles, remain silent monuments to its former

greatness. Save for a few priests and scattered families of the

poorest of the people, its population has disappeared centuries ago,

and the land, once fertile, is now covered with aloe, cactus, and

thorn, while an air of weary heat and desolation envelops it. Some

idea of its size may be formed when I tell you that a thousand of its

pagodas are known by name, while as many more are little but a heap of

ruinous brickwork.

Many of its temples are of the greatest historical interest. The

Ananda, built 800 years ago, is larger than St. Paul's, and its

elongated dome and innumerable pinnacles render it as graceful as it

is imposing. There are other temples even larger, while the picture

facing page 80 will give you some little idea of the beauty and

interest of the Shwe Zigon.

Throughout the country temples abound, and in lonely places where no

temple has been built, the lofty "tagundaing" marks some holy spot.

You will find no statues to her Kings in Burma, but in every temple,

in little wayside shrines, and even in the most unfrequented wilds,

the Burmans have erected images of Buddha, founder of their faith.

Nearly one-third of the world's population are Buddhists, and this

fact alone would seem to show how beautiful is the religion they

profess. Buddhism was founded by an Indian Prince called Gautama,

about 600 years before the birth of Christ. This Prince, though heir

to a kingdom, and surrounded by every luxury, left his palace and his

beautiful wife and their little son, to become a wanderer in the

search for truth, and for six years he lived as a hermit in the

wilderness, attended only by a few disciples. One day, while seated

beneath a "bo" tree, lost in contemplation, revelation came to him,

and from that time he became a preacher, striving to raise men and

women to his own lofty and pure standard of what life should be.

Few Europeans really understand Buddhism, but many of its principles

we can all appreciate. Thus, men are taught truthfulness, purity,

obedience, and kindness, which forbids the giving of pain to any

living creature. Charity, patience, humility, and the habit of

meditation are early instilled into the minds of the boys, who,

without exception, spend at least a portion of their lives as inmates

of a monastery, and with the priests and novices are not ashamed to

collect the daily offering of food.

In their consideration for animals, their love for their children, and

great respect for age, as well as in their consideration for each

other, the Burmans act well up to the beauty of their faith; for a

beautiful religion it is, beautifully expounded in Arnold's "Light of

Asia," which I hope many of you will presently read.

It is not difficult to understand how their religion, combined with

their own happy, contented natures, and the enervating effect of

climate, renders the Burmans little able to withstand the pressure

from without which has lately been brought to bear upon them.

Largely content with what Nature provides for them, and without social

grades to spur them to ambition, their sports and races and amusements

of many kinds occupy the chief attention of the men, who quickly

succumb to their more energetic and businesslike rivals from India or

China. The women, more capable and rather despising the idleness of

the men, are more and more prone to marry among other races, while

Western civilization also is doing much to destroy the primitive charm

of the people.

Sad it is to think that the Burman as a pure race is slowly

disappearing, and there are few, I think, who know them but will view

this prospect with sincere regret. But if it is inevitable that this

picturesque and lovable people must be in time replaced by others, at

least their beautiful country always will remain.

And now, as I close this chapter, there recurs to my mind a pretty

picture which embodies so much of the spirit of the country that it

may well form our last peep at Burma.

Far away in the jungle on the crest of a lonely hill stands a ruined

pagoda. The white ornamental plaster-work which once beautified it has

long since disappeared, and in the rents and fissures which seam its

rich red brickwork venomous serpents hide.

The niche which formerly contained a Buddha is unoccupied, but, as

though to soften its decay, kindly creepers have covered its rugged

exterior with a bower of foliage and flowers, while the leogryphs

which once marked the entrance to its enclosure are buried in

vegetation. All around are trees of many kinds, which tower above the

jungle, among which large and beautiful butterflies flit among the

flowers, while birds of gay plumage gambol among the tree-tops to the

distant song of the bulbul. It was a pretty scene, but sad in its

loneliness, to which a touch of pathos was added by the figure of a

solitary priest praying before the empty shrine. Wondering what had

brought him so far from any known habitation, I watched him long as

he prayed. Just as the sun set and the day closed he plucked a lovely

flower from the scrub and placed it reverently on the shrine where

Buddha once had stood, and as I turned my pony's head in the direction

of my distant camp, the slowly-retreating figure of the "hpungi"

became lost in the glory of the sunset.

THE END

* * * * *

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_BY THE SAME ARTIST AND AUTHOR_

BURMA

By R. TALBOT KELLY, R.B.A.

_Containing 75 full-page Illustrations in Colour. Square Demy 8vo.,

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Price 20/- net

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BY R. TALBOT KELLY, R.B.A.

_Containing 75 full-page Illustrations in Colour. Square Demy 8vo.,

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Price 20/- net

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PUBLISHED BY A. & C. BLACK, SOHO SQUARE, LONDON, W.

* * * * *

A BACHELOR GIRL

IN BURMA

By G. E. MITTON

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Peeps at Many Lands: Burma · 第 11 / 11 章