CHAPTER VII

MARY BALL'S CHILDHOOD

It is easy to imagine the childhood of Mary Ball. Children in

her day escaped from the nursery at an early age. They were not

hidden away in convents or sent to finishing schools. There were no

ostentatious débuts, no "coming-out teas." As soon as a girl was

fairly in her "teens" she was marriageable.

Little girls, from early babyhood, became the constant companions

of their mothers, and were treated with respect. Washington writes

gravely of "Miss Custis," six years old. They worked samplers,

learned to edge handkerchiefs with a wonderful imitation of

needle-point, plaited lace-strings for stays, twisted the fine

cords that drew into proper bounds the stiff bodices, knitted

garters and long hose, took lessons on the harpsichord, danced the

minuet, and lent their little hands to "clap muslins" on the great

clearstarching days, when the lace "steenkirk," and ruffled bosoms,

and ample kerchiefs, were "gotten up" and crimped into prescribed

shape. No lounging, idleness, or loss of time was permitted. The

social customs of the day enforced habits of self-control. For

long hours the little Mary was expected to sit upon high chairs,

with no relenting pillows or cushions, making her manners as became

a gentleman's daughter throughout the stated "dining days," when

guests arrived in the morning and remained until evening. Nor was

her upright figure, clad in silk coat and mittens, capuchin and

neckatees, ever absent from the front seat of the yellow chariot as

it swung heavily through the sands to return these stately visits,

or to take her mother and sister to old St. Stephen's church.

Arriving at the latter, she might possibly have had a glimpse now

and then of other little girls as she paced the gallery on her way

to the high-backed family pew, with its "railing of brass rods

with damask curtains to prevent the family from gazing around when

sitting or kneeling." Swallowed up in the great square pew she could

see nothing.

[Illustration: An Old Doll.]

From the viewpoint of a twentieth-century child, her small feet

were set in a hard, if not thorny, path. The limits of an early

colonial house allowed no space for the nursery devoted exclusively

to a child, and filled with every conceivable appliance for her

instruction and amusement. There were no wonderful mechanical

animals, lifelike in form and color, and capable of exercising many

of their functions. One stiff-jointed, staring, wooden effigy was

the only prophecy of the enchanting doll family,--the blue-eyed,

brown-eyed, flaxen-curled, sleeping, talking, walking, and dimpled

darlings of latter-day children,--and the wooden-handled board,

faced with horn and bound with brass, the sole representative of the

child's picture-book of to-day. No children's books were printed

in England until the middle of the eighteenth century; but one

Thomas Flint, a Boston printer, appreciating the rhymes that his

mother-in-law, Mrs. Goose, sang to his children, published them

in book form and gave them a name than which none is more sure of

immortality. This, however, was in 1719--too late for our little

Mary Ball. She had only the horn-book as resource in the long, dark

days when the fairest of all books lay hidden beneath the snows of

winter--the horn-book, immortalized by Thomas Tickell as far back as

1636:--

"Thee will I sing, in comely wainscot bound,

And golden verge enclosing thee around:

The faithful horn before, from age to age

Preserving thy invulnerable page;

Behind, thy patron saint in armor shines

With sword and lance to guard the sacred lines.

The instructed handles at the bottom fixed

Lest wrangling critics should pervert the text."

The "sword and lance" were in allusion to the one illustration of

the horn-book. When the blue eyes wearied over the alphabet, Lord's

prayer, and nine digits, they might be refreshed with a picture of

St. George and the Dragon, rudely carved on the wooden back. The

"instructed handle" clasped the whole and kept it together.

[Illustration: Horn-book.]

All orphans and poor children in colonial Virginia were provided

with public schools under the care of the vestries of the

parishes--"litle houses," says Hugh Jones in 1722, "built on purpose

where are taught English, writing, etc." Parents were compelled to

send their children to these schools, and masters to whom children

were bound were required to give them schooling until "ye years

of twelfe or thereabout" without distinction of race or sex. For

instance, in the vestry book of Petsworth Parish, in Gloucester

County, is an indenture dated Oct. 30, 1716, of Ralph Bevis to give

George Petsworth, "a molattoe boy of the age of 2 years, 3 years'

schooling; and carefully to instruct him afterwards that he may

read well any part of the Bible." Having mastered the Bible, all

literary possibilities were open to the said George. The gentry,

however, employed private tutors in their own families,--Scotchmen

or Englishmen fresh from the universities, or young curates from

Princeton or Fagg's Manor in Pennsylvania. Others secured teachers

by indenture. "In Virginia," says the _London Magazine_, "a clever

servant is often indentured to some master as a schoolmaster." John

Carter of Lancaster directed in his will that his son Robert should

have "a youth servant bought for him to teach him in his books in

English or Latin." Early advertisements in the _Virginia Gazette_

assured all "single men capable of teaching children to Read

English, write or Cypher or Greek Latin and Mathematicks--also all

Dancing Masters," that they "would meet with good encouragement" in

certain neighborhoods.

But this was after Mary Ball's childhood. Days of silent listening

to the talk of older people were probably her early school days. In

Virginia there were books, true, but the large libraries of thirty

years later had not yet been brought over. There was already a

fine library at Stratford in Westmoreland. Colonel Byrd's library

was considered vast when it attained to "3600 titles." Books were

unfashionable at court in England. No power in heaven or earth has

been yet found to keep the wise and witty from writing them, but in

the first years of the eighteenth century it was very bad form to

talk about them. Later, even, the first gentleman in England was

always furious at the sight of books. Old ladies used to declare

that "Books were not fit articles for drawing-rooms." "Books!" said

Sarah Marlborough; "prithee, don't talk to me about books! The only

books I know are men and cards."

But there were earnest talkers in Virginia, and the liveliest

interest in all kinds of affairs. It was a picturesque time in the

life of the colony. Things of interest were always happening. We

know this of the little Mary,--she was observant and wise, quiet

and reflective. She had early opinions, doubtless, upon the powers

of the vestries, the African slave-trade, the right of a Virginia

assembly to the privileges of parliament, and other grave questions

of her time. Nor was the time without its vivid romances. Although

no witch was ever burnt in Virginia, Grace Sherwood, who must have

been young and comely, was arrested "under suspetion of witchcraft,"

condemned by a jury of old women because of a birth-mark on her

body, and sentenced to a seat in the famous ducking-stool, which had

been, in the wisdom of the burgesses, provided to still the tongues

of "brabbling women,"--a sentence never inflicted, for a few glances

at her tearful eyes won from the relenting justice the order that

this ducking was to be "in no wise without her consent, _or if the

day should be rainy_, or in any way to endanger her health!"

[Illustration: Ducking-stool.]

Stories were told around the fireside on winter nights, when the

wooden shutters rattled--for rarely before 1720 were "windows

sasht with crystal glass." The express, bringing mails from the

north, had been scalped by Indians. Four times in one year had

homeward-bound ships been sunk by pirates. Men, returning to England

to receive an inheritance, were waylaid on the high seas, robbed,

and murdered. In Virginia waters the dreaded "Blackbeard" had it

all his own way for a while. Finally, his grim head is brought home

on the bowsprit of a Virginia ship, and a drinking-cup, rimmed with

silver, made of the skull that held his wicked brains. Of course,

it could not be expected that he could rest in his grave under

these circumstances, and so, until fifty years ago (when possibly

the drinking-cup was reclaimed by his restless spirit), his phantom

sloop might be seen spreading its ghostly sails in the moonlight on

the York River and putting into Ware Creek to hide ill-gotten gains

in the Old Stone House. Only a few years before had the dreadful

Tuscaroras risen with fire and tomahawk in the neighbor colony of

North Carolina.

[Illustration: The Old Stone House.]

Nearer home, in her own neighborhood, in fact, were many suggestive

localities which a child's fears might people with supernatural

spirits. Although there were no haunted castles with dungeon, moat,

and tower, there were deserted houses in lonely places, with open

windows like hollow eyes, graveyards half hidden by tangled creepers

and wept over by ancient willows. About these there sometimes hung a

mysterious, fitful light which little Mary, when a belated traveller

in the family coach, passed with bated breath, lest warlocks or

witches should issue therefrom, to say nothing of the interminable

stretches of dark forests, skirting ravines fringed with poisonous

vines, and haunted by the deadly rattlesnake. People talked of

strange, unreal lights peeping through the tiny port-holes of the

old Stone House on York River--that mysterious fortress believed to

have been built by John Smith--while, flitting across the doorway,

had been seen the dusky form of Pocahontas, clad in her buckskin

robe, with a white plume in her hair: keeping tryst, doubtless, with

Captain Smith, with none to hinder, now that the dull, puritanic

John Rolfe was dead and buried; and, as we have said, Blackbeard's

sloop would come glimmering down the river, and the bloody horror of

a headless body would land and wend its way to the little fortress

which held his stolen treasure. Moreover, Nathaniel Bacon had risen

from his grave in York River, and been seen in the Stone House with

his compatriots, Drummond, Bland, and Hansford.

Doubtless such stories inspired many of little Mary's early dreams,

and caused her to tremble as she lay in her trundle-bed,--kept all

day beneath the great four poster, and drawn out at night,--unless,

indeed, her loving mother allowed her to climb the four steps

leading to the feather sanctuary behind the heavy curtains, and held

her safe and warm in her own bosom.

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