But when we came to Skagway, then I saw

Another Elenor Murray. How she danced

And tripped from place to place--such energy!

She almost wore me out with seeing sights.

But now behold! The White Pass she must see

Upon the principle of missing nothing--

But oh the grave of "Soapy" Smith, the outlaw,

The gambler and the heeler, that for her!

We went four miles and found the cemetery,

The grave of "Soapy" Smith.--Came back to town

Where she would see the buildings where they played

Stud poker, Keno, in the riotous days.

Time came for her to go. She looked at me

And said "Come on to Fairbanks." As for that,

I'd had enough, was ready to return,

But sensed an honorarium, so I said,

"You might induce me," with a pregnant tone.

That moment we were walking 'cross the street,

She stopped a moment, shook from head to heels,

And said, "No man has talked to me that way."

I dropped the matter. She renewed it--said,

"Why do you hurry back? What calls you back?

Come on to Fairbanks, see the gardens there,

That tag the blizzards with their rosy hands

And romp amid the snows." She smiled at me.

Well, then I thought--why not? And smiled her back,

And on we went to Fairbanks, where my hat

Blows off, as I shall tell you.

For a day

We did the town together, and that night

I thought to win her. First we dined together,

Had many drinks, my little school ma'am drank

Of everything I ordered, had a place

For more than I could drink. And truth to tell

At bed time I was woozy, ten o'clock.

We had not registered. And so I said,

"I'm Mr. Kelly and you're Mrs. Kelly."

She shook her head. And so to make an end

I could not win her, signed my name in full;

She did the same, we said good night and parted.

Next morning when I woke, felt none too good,

Got up at last and met her down at breakfast;

Tried eggs and toast, could only drink some coffee;

Got worse; in short, she saw it, put her hand

Upon my head and said, "Your head is hot,

You have a fever." Well, I lolled around

And tried to fight it off till noon--no good.

By this time I was sick, lay down to rest.

By night I could not lift my head--in short,

I lay there for a month, and all the time

She cared for me just like a mother would.

They moved me to a suite, she took the room

That opened into mine, by night and day

She nursed me, cheered me, read to me. At last

When I sat up, was soon to be about,

She said to me, "I'm going on to Nome,

St. Michael first. They tell me that you cross

The Arctic Circle going to St. Michael,

And I must cross the Arctic Circle--think

To come this far and miss it. I must see

The Indian villages." And there again

I saw, but clearer than before, the spirit

Adventuresome and restless, what you call

The heart American. I said to her,

"I'm not too well, I'm lonely,--yes, and more--

I'm fond of you, you have been good to me,

Stay with me here.--She darted in and out

The room where I was lying, doing things,

And broke my pleadings just like icicles

You shoot against a wall.

But here she was,

A month in Fairbanks, living at expense,

Said "I am short of money--lend me some,

I'll go to Nome, return to you and then

We'll ship together for the States."

You see

I really owed her money for her care,

Her loss in staying--then I loved the girl,

Had played all cards but one--I played it now:

"Come back and marry me." Her eyes looked down.

"I will be fair with you," she said, "and think.

Away from you I can make up my mind

If I have love enough to marry you."

I gave her money and she went away,

And for some weeks I had a splendid hell

Of loneliness and longing, you might know,

A stranger in Alaska, here in Fairbanks,

In love besides, and mulling in my mind

Our days and nights upon the steamer _Alice_,

Our ramblings in the Northland.

Weeks went by,

No letter and no girl. I found my health

Was vigorous again. One morning walking

I kicked a twenty dollar gold piece up

Right on the side-walk. Picked it up and said:

"An omen of good luck, a letter soon!

Perhaps this town has something for me!" Well,

I thought I'd get a job to pass the time

While waiting for my girl. I got the job

And here I am to-day; I've flourished here,

Worked to the top in Fairbanks in eight years,

And thus my hat blew off.

What of the girl?

Six weeks or more a letter came from her,

She crossed the Arctic Circle, went to Nome,

Sailed back to 'Frisco where she wrote to me.

Sent all the money back I loaned to her,

And thanked me for the honor I had done her

In asking her in marriage, but had thought

The matter over, could not marry me,

Thought in the circumstances it was useless

To come to Fairbanks, see me, tell me so.

Now, Bill, I'm egotist enough to think

This girl could do no better. Now it seems

She's dead and never married--why not me?

Why did she ditch me? So I thought about it,

Was piqued of course, concluded in the end

There was another man. A woman's no

Means she has someone else, expects to have,

More suited to her fancy. Then one morning

As I awoke with thoughts of her as usual

Right in my mind there plumped an incident

On shipboard when she asked me if I knew

A certain man in Chicago. At the time

The question passed amid our running talk,

And made no memory. But you watch and see

A woman when she asks you if you know

A certain man, the chances are the man

Is something in her life. So now I lay

And thought there is a man, and that's the man;

His name is stored away, I'll dig it up

Out of the cells subliminal--so I thought

But could not bring it back.

I found at last

The telephone directory of Chicago,

And searched and searched the names from A to Z.

Some mornings would pronounce a name and think

That is the name, then throw the name away--

It did not fit the echo in my brain.

But now at last--look here! Eight years are gone,

I'm healed of Elenor Murray, married too;

And read about her death here in the _Times_,

And turn the pages over--column five--

Chicago startled by a suicide--

Gregory Wenner kills himself--behold

The name, at last, she spoke!

* * * * *

So much for waters in Alaska. Now

Turn eyes upon the waters nearer home.

Anton Sosnowski has a fateful day

And Winthrop Marion runs the story down,

And learns Sosnowski read the _Times_ the day,

He broke from brooding to a dreadful deed;

Sosnowski saw the face of Elenor Murray

And Rufus Fox upon the self-same page,

And afterwards was known to show a clipping

Concerning Elenor Murray and the banner

Of Joan of Arc, the words she wrote and folded

Within the banner: to be brave, nor flinch.

ANTON SOSNOWSKI

Anton Sosnowski, from the Shakspeare School

Where he assists the janitor, sweeps and dusts,

The day now done, sits by a smeared up table

Munching coarse bread and drinking beer; before him

The evening paper spread, held down or turned

By claw-like hands, covered with shiny scars.

He broods upon the war news, and his fate

Which keeps him from the war, looks up and sees

His scarred face in the mirror over the wainscot;

His lashless eyes and browless brows and head

With patches of thin hair. And then he mutters

Hot curses to himself and turns the paper

And curses Germany, and asks revenge

For Poland's wrongs.

And what is this he sees?

The picture of his ruin and his hate,

Wert Rufus Fox! This leader of the bar

Is made the counselor of the city, now

The city takes gas, cars and telephones

And runs them for the people. So this man

Grown rich through machinations against the people,

Who fought the people all his life before,

Abettor, aider, thinker for the slickers

Regraters and forestallers and engrossers,

Is now the friend, adviser of the city,

Which he so balked and thwarted, growing rich,

Feared, noted, bowed to for the very treason

For which he is so hated, yet deferred to.

And Anton looks upon the picture, reads

About the great man's ancestry here printed,

And all the great achievements of his life;

Once president of the bar association,

And member of this club and of that club.

Contributor to charities and art,

A founder of a library, a vestryman.

And Anton looks upon the picture, trembles

Before the picture's eyes. They are the eyes

Of Innocent the Tenth, with cruelty

And cunning added--eyes that see all things

And boulder jaws that crush all things--the jaws

That place themselves at front of drifts, are placed

By that world irony which mocks the good,

And gives the glory and the victory

To strength and greed.

Anton Sosnowski looks

Long at the picture, then at his own hands,

And laughs maniacally as he takes the mug

With both hands like a bird with frozen claws,

These broken, burned off hands which handle bread

As they were wooden rakes. And in a mirror

Beside the table in the wall, smeared over

With steam from red-hots, kraut and cookery,

Of smoking fats, fixed by the dust in blurs,

And streaks, he sees his own face, horrible

For scars and splotches as of leprosy;

The eyes that have no lashes and no brows;

The bullet head that has no hair, the ears

Burnt off at top.

So comes it to this Pole

Who sees beside the picture of the lawyer

The clear cut face of Elenor Murray--yes,

She gave her spirit to the war, is dead,

Her life is being sifted now. But Fox

Lives for more honors, and by honors covers

His days of evil.

Thus Sosnowski broods,

And lives again that moment of hell when fire

Burst like a geyser from a vat where gas

Had gathered in his ignorance; being sent

To light a drying stove within the vat,

A work not his, who was the engineer.

The gas exploded as he struck the match,

And like an insect fixed upon a pin

And held before a flame, hands, face and body

Were burned and broken as his body shot

Up and against the brewery wall. What next?

The wearisome and tangled ways of courts

With Rufus Fox for foe, four trials in all

Where juries disagreed who heard the law

Erroneously given by the court.

At last a verdict favorable, and a court

Sitting above the forum where he won

To say, as there's no evidence to show

Just how the gas got in the vat, Sosnowski

Must go for life with broken hands unhelped.

And that the fact alone of gas therein

Though naught to show his fault had brought it there,

The mere explosion did not speak a fault

Against the brewery.

Out from court he went

To use a broom with crumpled hands, and look

For life in mirrors at his ghastly face.

And brood until suspicion grew to truth

That Rufus Fox had compassed juries, courts;

And read of Rufus Fox, who day by day

Was featured in the press for noble deeds,

For Art or Charity, for notable dinners,

Guests, travels and what not.

So now the Pole

Reading of Elenor Murray, cursed himself

That he could brood and wait--for what?--and grow

More weak of will for brooding, while this woman

Had gone to war and served and ended it,

Yet he lived on, and could not go to war;

Saw only days of sweeping with these hands,

And every day his face within the mirror,

And every afternoon this glass of beer,

And coarse bread, and these thoughts.

And every day some story to arouse

His sense of justice; how the generous

Give and pass on, and how the selfish live

And gather honors. But Sosnowski thought

If I could do a flaming thing to show

What courts are ours, what matter if I die?

What if they took their quick-lime and erased

My flesh and bones, expunged my very name,

And made its syllables forbidden?--still

If I brought in a new day for the courts,

Have I not served? he thought. Sosnowski rose

And to the bar, drank whiskey, then went out.

That afternoon Elihu Rufus Fox

Came home to dress for a dinner to be given

For English notables in town--to rest

After a bath, and found himself alone,

His wife at Red Cross work. And there alone,

Collarless, lounging, in a comfort chair,

Poring on Wordsworth's poems--all at once

Before he hears the door turned, rather feels

A foot-fall and a presence, hears too soon

A pistol shot, looks up and sees Sosnowski,

Who fires again, but misses; grabs the man,

Disarms him, flings him down, and finding blood

Upon his shirt sleeve, sees his hand is hit,

No other damage--then the pistol takes,

And covering Sosnowski, looks at him.

And after several seconds gets the face

Which gradually comes forth from memories

Of many cases, knows the man at last.

And studying Sosnowski, Rufus Fox

Divines what drove the fellow to this deed.

And in these moments Rufus Fox beholds

His life and work, and how he made the law

A thing to use, how he had builded friendships

In clubs and churches, courted politicians,

And played with secret powers, and compromised

Causes and truths for power and capital

To draw on as a lawyer, so to win

Favorable judgments when his skill was hired

By those who wished to win, who had to win

To keep the social order undisturbed

And wealth where it was wrenched to.

And Rufus Fox

Knew that this trembling wreck before him knew

About this course of life at making law

And using law, and using those who sit

To administer the law. And then he said:

"Why did you do this?"

And Sosnowski spoke:

"I meant to kill you--where's your right to live

When millions have been killed to make the world

A safer place for liberty? Where's your right

To live and have more honors, be the man

To guide the city, now that telephones,

Gas, railways have been taken by the city?

I meant to kill you just to help the poor

Who go to court. For had I killed you here

My story would be known, no matter if

They buried me in lime, and made my name

A word no man could speak. Now I have failed.

And since you have the pistol, point it at me

And kill me now--for if you tell the world

You killed me in defense of self, the world

Will never doubt you, for the world believes you

And will not doubt your word, whatever it is."

And Rufus Fox replied: "Your mind is turned

For thinking of your case, when you should know

This country is a place of laws, and law

Must have its way, no matter who is hurt.

Now I must turn you over to the courts,

And let you feel the hard hand of the law."

Just then the wife of Rufus Fox came in,

And saw her husband with his granite jaws,

And lowering countenance, blood on his shirt,

The pistol in his hand, the scarred Sosnowski,

Facing the lawyer.

Seeing that her husband

Had no wound but a hand clipped of the skin,

And learning what the story was, she saw

It was no time to let Sosnowski's wrong

Come out to cloud the glory of her husband,

Now that in a new day he had come to stand

With progress, fairer terms of life--to let

The corpse of a dead day be brought beside

The fresh and breathing life of brighter truth.

Quickly she called the butler, gave him charge

Over Sosnowski, who was taken out,

Held in the kitchen, while the two conferred,

The husband and the wife.

To him she said,

They two alone now: "I can see your plan

To turn this fellow over to the law.

It will not do, my dear, it will not do.

For though I have been sharer in your life,

Partaker of its spoils and fruits, I see

This man is just a ghost of a dead day

Of your past life, perhaps, in which I shared.

But that dead life I would not resurrect

In memory even, it has passed us by,

You shall not live it more, no more shall I.

The war has changed the world--the harvest coming

Will have its tares no doubt, but the old tares

Have been cut out and burned, wholly, I trust.

And just to think you used that sharpened talent

For getting money, place, in the old regime,

To place you where to-day? Why, where you must

Use all your talents for the common good.

A barter takes two parties, and the traffic

Whereby the giants of the era gone--

(You are a giant rising on the wreck

Of programs and of plots)--made riches for

Themselves and those they served, is gone as well.

Since gradually no one is left to serve

Or have an interest but the state or city,

The community which is all and should be all.

So here you are at last despite yourself,

Changed not in mind perhaps, but changed in place,

Work, interest, taking pride too in the work;

And speaking with your outer mind, at least

Praise for the day and work.

I am at fault,

And take no virtue to myself--I lived

Your life with you and coveted the things

Your labors brought me. All is changed for me.

I would be poorer than this wretched Pole

Rather than go back to the day that's dead,

Or reassume the moods I lived them through.

What can we do now to undo the past,

Those days of self-indulgence, ostentation,

False prestige, witless pride, that waste of time,

Money and spirit, haunted by ennui

Insatiable emotion, thirst for change.

At least we can do this: We can set up

The race's progress and our country's glory

As standards for our work each day, go on

Perhaps in ignorance, misguided faith;

And let the end approve our poor attempts.

Now to begin, I ask two things of you:

If you or anyone who did your will

Wronged this poor Pole, make good the wrong at once.

And for the sake of bigness let him go.

For your own name's sake, let the fellow go.

Do you so promise me?"

And Rufus Fox,

Who looked a thunder cloud of wrath and power

Before the mirror tying his white tie,

All this time silent--only spoke these words:

"Go tell the butler to keep guard on him

And hold him till we come from dinner."

The wife

Looked at the red black face of Rufus Fox

There in the mirror, which like Lao's mirror

Reflected what his mind was, then went out

Gently to her bidding, found Sosnowski

Laughing and talking with the second maid,

Watched over by the butler, quite himself,

His pent up anger half discharged, his grudge

In part relieved.

There was a garrulous ancient at LeRoy

Who traced all evils to monopoly

In land, all social cures to single tax.

He tried to button-hole the coroner

And tell him what he thought of Elenor Murray.

But Merival escaped. And then this man,

Consider Freeland named, got in a group

And talked his mind out of the case, the land

And what makes poverty and waste in lives:

CONSIDER FREELAND

Look at that tract of land there--five good acres

Held out of use these thirty years and more.

They keep a cow there. See! the cow's there now.

She can't eat up the grass, there is so much.

And in these thirty years these houses here,

Here, all around here have been built. This lot

Is worth five times the worth it had before

These houses were built round it.

Well, by God,

I am in part responsible for this.

I started out to be a first rate lawyer.

Was I first rate lawyer? Well, I won

These acres for the Burtons in the day

When I could tell you what is gavel kind,

Advowsons, corodies, frank tenements,

Scutage, escheats, feoffments, heriots,

Remainders and reversions, and mortmain,

Tale special and tale general, tale female,

Fees absolute, conditional, copyholds;

And used to stand and argue with the courts

The difference 'twixt a purchase, limitation,

The rule in Shelley's case.

And so it was

In my good days I won these acres here

For old man Kingston's daughter, who in turn

Bound it with limitation for the life

Of selfish sons, who keep a caretaker,

Who keeps a cow upon it. There's the cow!

The land has had no use for thirty years.

The children are kept off it. Elenor Murray,

This girl whose death makes such a stir, one time

Was playing there--but that's another story.

I only say for the present, these five acres

Made Elenor Murray's life a thing of waste

As much as anything, and a damn sight more.

For think a minute!

Kingston had a daughter

Married to Colonel Burton in Kentucky.

And Kingston's son was in the Civil War.

But just before the war, the Burtons deeded

These acres here, which she inherited

From old man Kingston, to this Captain Kingston,

The son aforesaid of Old Kingston. Well,

The deed upon its face was absolute,

But really was a deed in trust.

The Captain

Held title for a year or two, and then

An hour before he fought at Shiloh, made

A will, and willed acres to his wife,

Fee simple and forever. Now you'd think

That contemplating death, he'd make a deed

Giving these acres back to Mrs. Burton,

The sister who had trusted him. I don't know

What comes in people's heads, but I believe

The want of money is the root of evil,

As well as love of money; for this Captain

Perhaps would make provision for his wife

And infant son, thought that the chiefest thing

No matter how he did it, being poor,

Willed this land as he did. But anyway

He willed it so, went into Shiloh's battle,

And fell dead on the field.

What happened then?

They took this will to probate. As I said

I was a lawyer then, you may believe it,

Was hired by the Burtons to reclaim

These acres from the Widow Kingston's clutch,

Under this wicked will. And so I argued

The will had not been witnessed according to law.

Got beat upon that point in the lower court,

But won upon it in the upper courts.

Then next I filed a bill to set aside

This deed the Burtons made to Captain Kingston--

Oh, I was full of schemes, expedients,

In those days, I can tell you. Widow Kingston

Came back and filed a cross bill, asked the court

To confirm the title in her son and her

As heirs of Captain Kingston, let the will

Go out of thought and reckoning. Here's the issue;

You understand the case, no doubt. We fought

Through all the courts. I lost in the lower court,

As I lost on the will. There was the deed:

For love and affection and one dollar we

Convey and warrant lots from one to ten

In the city of LeRoy, to Captain Kingston

To be his own forever.

How to go

Behind such words and show the actual trust

Inhering in the deed, that was the job.

But here I was resourceful as before,

Found witnesses to testify they heard

This Captain Kingston say he held the acres

In trust for Mrs. Burton--but I lost

Before the chancellor, had to appeal,

But won on the appeal, and thus restored

These acres to the Burtons. And for this

What did I get? Three hundred lousy dollars.

That's why I smoke a pipe; that's also why

I quit the business when I saw the business

Was making ready to quit me. By God,

My life is waste so far as it was used

By this law business, and no coroner

Need hold an inquest on me to find out

What waste was in my life--God damn the law!

Well, then I go my way, and take my fee,

And pay my bills. The Burtons have the land,

And turn a cow upon it. See how nice

A playground it would be. I've seen ten sets

Of children try to play there--hey! you hear,

The caretaker come out, get off of there!

And then the children scamper, climb the fence.

Well, after while the Burtons die. The will

Leaves these five acres to their sons for life,

Remainder to the children of the sons.

The sons are living yet at middle life,

These acres have been tied up twenty years,

They may be tied up thirty years beside:

The sons can't sell it, and their children can't,

Only the cow can use it, as it stands.

It grows more valuable as the people come here,

And bring in being Elenor Murrays, children,

And make the land around it populous.

That's what makes poverty, this holding land,

It makes the taxes harder on the poor,

It makes work scarcer, and it takes your girls

And boys and throws them into life half made,

Half ready for the battle. Is a country

Free where the laws permit such things? Your priests,

Your addle-headed preachers mouthing Christ

And morals, prohibition, laws to force

People to be good, to save the girls,

When every half-wit knows environment

Takes natures, made unstable in these homes

Of poverty and does the trick.

That baronet

Who mocked our freedom, sailing back for England

And said: Your Liberty Statue in the harbor

Is just a joke, that baronet is right,

While such conditions thrive.

Well, look at me

Who for three hundred dollars take a part

In making a cow pasture for a cow

For fifty years or so. I hate myself.

And were the Burtons better than this Kingston?

Kingston would will away what was not his.

The Burtons took what is the gift of God,

As much as air, and fenced it out of use--

Save for the cow aforesaid--for the lives

Of sons in being.

Oh, I know you think

I have a grudge. I have.

Domesday Book · 第 10 / 18 段