Our story started then. To sate their rage

My father and my mother cut me off,

And so we had bread problems from the first.

He made but little clerking in the store,

Besides his mind was on the law and books.

These were the early tangles of our yarn.

And I grew worried as the children came,

Two sons at first, and I was far from well,

One died at five years, and I almost died

For grief at this. But down below all things,

Far down below all tune or scheme of sound,

Where no rests were, but only ceaseless dirge,

Was my heart's _de profundis_, crying out

My thirst for love, not thirst for his, but thirst

For love that quenched it. But the only water

That passed my lips was desert water, poisoned

By arsenic from his rocks. My soul grew bitter,

Then sweetened under the cross, grew bitter again.

My life lay raving on the desert sands.

To speak more plainly, sleep deserted me.

I could not sleep for thought, and for a will

That could not bend, but hoped that death or something

Would take him from me, bring me love before

My face was withered, as it is to-day.

At last the doctor found me growing mad

For lack of sleep. Why was I so, he asked.

You must give up this psychic work and quit

This psychic writing, let the spirits go.

Well, it was true that years before I found

I heard and saw with higher power, received

Deep messages from spirits, from my boy

Who passed away. And as to this, who knows?--

Surely no doctor--of this psychic power.

You may be called neurotic, what is that?

Perhaps it is the soul become so fine

It leaves the body, or shakes down the body

With energy too subtle for the body.

But I was sleepless for these years, at last

The secret lost of sleep, for seven days

And seven nights could find no sleep, until

I lay upon the lawn and pushed my head,

As a dog does around, around, around.

There was a devil in me, at one with me,

And neither to be put out, nor yet subdued

By help outside, and nothing to be done

Except to find escape by knife, or pistol,

And thus get sleep. Escape! Oh, that's the word!

There's something in the soul that says escape!

Fly, fly from something, and in truth, my friend,

Life's restlessness, however healthful it be,

Is motived by this urge to fly, escape:

Well, to go on, they gave me everything,

At last they gave me chloral, but no sleep!

And finally I closed my eyes and quick

The secret came to me, as one might find,

After forgetting how, to swim, or walk,

After a sickness, and for just two minutes

I slept, and then I got the secret back,

And later slept.

So I possessed myself.

But for these years sleep but two hours or so.

Why do I wake? The spirits let me sleep.

Oh, no it is my longing that will rest not,

These thoughts of him that rest not, and this love

That never has been satisfied, this heart

So empty all these years; the bitterness

Of living face to face with one you loathe,

Yet pity, while you hate yourself for feeling

Such bitterness toward another soul,

As wretched as your own. But then as well

I could not sleep for Elenor, for her fate,

Never to have a chance in life. I saw

Our poverty made surer; year by year

Slip by with chances slipping.

Oh, that child!

When I first felt her lips that sucked my breasts

My heart went muffled like a bird that tries

To pour its whole song in one note and fails

Out of its very ecstasy. A daughter,

A little daughter at my breast, a soul

Of a woman to be! I knew her spirit then,

Felt all my love and longing in her lips,

Felt all my passion, purity of desire

In those sweet lips that sucked my breasts. Oh, rapture,

Oh highest rapture God had given me

To see her roll upon my arm and smile,

Full fed, the milk that gurgled from her lips!

Such blue eyes--oh, my child! My child! my child!

I have no hope now of this life--no hope

Except to take you to my breast again.

God will be good and give you to me, or

God will bring sleep to me, a sleep so still

I shall not miss you, Elenor.

I go on.

I see her when she first began to walk.

She ran at first, just like a baby quail.

She never walked. She danced into this life.

She used to dance for minutes on her toes.

My starved heart bore her vital in some way.

My hope which would not die had made her gay,

And unafraid and venturesome and hopeful.

She did not know what sadness was, or fear,

Or anything but laughter, play and fun.

Not till she grew to ten years and could see

The place in life that God had given her

Between my life and his; and then I saw

A thoughtfulness come over her, as a cloud

Passes across the sun, and makes one place

A shadow while the landscape lies in light:

So quietness would come over her, with smiles

Around her quietness and sunniest laughter

Fast following on her quietness.

Well, you know

She went to school here as the others did.

But who knew that I grieved to see her lose

A schooling at St. Mary's, have no chance?

No chance save what she earned herself? What girl

Has earned the money for two years in college

Beside my Elenor in this neighborhood?

There is not one! But then if books and schooling

Be things prerequisite for success in life,

Why should we have a social scheme that clings

To marriage and the home, when such a soul

Is turned into the world from such a home,

With schooling so inadequate? If the state

May take our sons and daughters for its use

In war, in peace, why let the state raise up

And school these sons and daughters, let the home

Go to full ruin from half ruin now,

And let us who have failed in choosing mates

Re-choose, without that fear of children's fate

Which haunts us now.

For look at Elenor!

Why did she never marry? Any man

Had made his life rich had he married her.

But in this present scheme of things such women

Move in a life where men are mostly less

In mind and heart than they are--and the men

Who are their equals never come to them,

Or come to them too seldom, or if they come

Are blind and do not know these Elenors.

And she had character enough to live

In single life, refuse the lesser chance,

Since she found not the great one, as I think.

But let it pass--I'm sure she was beloved,

And more than once, I'm sure. But I am sure

She was too wise for errors crude and common.

And if she had a love that stopped her heart,

She knew beforehand all, and met her fate

Bravely, and wrote that "To be brave and not

To flinch," to keep before her soul her faith

Deep down within it, lest she might forget it

Among her crowded thoughts.

She went to the war.

She came to see me before she went, and said

She owed her courage and her restless spirit

To me, her will to live, her love of life,

Her power to sacrifice and serve, to me.

She put her arms about my neck and kissed me,

Said I had been a mother to her, being

A mother if no more; wished she had brought

More happiness to me, material things,

Delight in life.

Of course her work took strength.

Her life was sapped by service in the war,

She died for country, for America,

As much as any soldier. So I say

If her life came to any waste, what waste

May her heroic life and death prevent?

The world has spent two hundred billion dollars

To put an egotist and strutting despot

Out of the power he used to tyrannize

Over his people with a tyranny

Political in chief, to take away

The glittering dominion of a crown.

I want some good to us out of this war,

And some emancipation. Let me tell you:

I know a worse thing than a German king:

It is the social scourge of poverty,

Which cripples, slays the husband and the wife,

And sends the children forth in life half formed.

I know a tyranny more insidious

Than any William had, it is the tyranny

Of superstition, customs, laws and rules;

The tyranny of the church, the tyranny

Of marriage, and the tyranny of beliefs

Concerning right and wrong, of good and evil;

The tyranny of taboos, the despotism

That rules our spirits with commands and threats:

Ghosts of dead faiths and creeds, ghosts of the past.

The tyranny, in short, that starves and chains

Imprisons, scourges, crucifies the soul,

Which only asks the chance to live and love,

Freely as it wishes, which will live so

If you take Poverty and chuck him out.

Then make the main thing inner growth, take rules,

Conventions and religion (save it be

The worship of God in spirit without hands

And without temples sacraments) the babble

Of moralists, the rant and flummery

Of preachers and of priests, and chuck them out.

These things produce your waste and suffering.

You tell a soul it sins and make it suffer,

Spend years in impotence and twilight thought.

You punish where no punishment should be,

Weaken and break the soul. You weight the soul

With idols and with symbols meaningless,

When God gave but three things: the earth and air

And mind to know them, live in freedom by them.

Well, I would have America become

As free as any soul has ever dreamed her,

And if America does not get strength

To free herself, now that the war is over.

Then Elenor Murray's spirit has not won

The thing she died for.

So I go my way,

Back to get supper, I who live, shall die

In America as it is--Rise up and change it

For mothers of the future Elenors.

By now the press was full of Elenor Murray.

And far and near, wherever she was known,

Had lived, or taught, or studied, tongues were loosed

In episodes or stories of the girl.

The coroner on the street was button-holed,

Received marked articles and letters, some

Anonymous, some crazy. David Borrow

Who helped this Alma Bell as lawyer, friend,

Found in his mail a note from Alma Bell,

Enclosed with one much longer, written for

The coroner to read.

When Merival

Had read it, then he said to Borrow: "Read

This letter to the other jurors." So

He read it to them, as they sat one night,

Invited to the home of Merival

To drink a little wine and have a smoke,

And talk about the case.

ALMA BELL TO THE CORONER

What my name is, or where I live, or if

I am that Alma Bell whose name is broached

With Elenor Murray's who shall know from this?

My hand-writing I hide in type, I send

This letter through a friend who will not tell.

But first, since no chance ever yet was mine

To speak my heart out, since if I had tried

These fifteen years ago to tell my heart,

I must have failed for lack of words and mind,

I speak my heart out now. I knew the soul

Of Elenor Murray, knew it at the time,

Have verified my knowledge in these years,

Who have not lost her, have kept touch with her

In letters, know the splendid sacrifice

She made in the war. She was a human soul

Earth is not blest with often.

First I say

I knew her when she first came to my class

Turned seventeen just then--such blue-bell eyes,

And such a cataract of dark brown hair,

And such a brow, sweet lips, and such a way

Of talking with a cunning gasp, as if

To catch breath for the words. And such a sense

Of fitness, beauty, delicacy. But more

Such vital power that shook her silver nerves,

And made her dim to others; but to me

She was all sanity of soul, her body,

The instruments of life, were overborne

By that great flame of hers. And if her music

Fell sometimes into discord, which I doubt,

It was her heart-strings which could not vibrate

For human weakness, what the soul of her

Struck for response; and when the strings so failed

She was more grieved than I, or anyone,

Who listened and expected more.

Well, then

What was my love? I am not loath to tell.

I could not touch her hand without a thrill,

Nor kiss her lips but I felt purified,

Exalted in some way. And if fatigue,

The hopeless, daily ills of teaching brought

My spirit to distress, and if I went,

As oftentimes I did, to call upon her

After the school hours, as I heard her step

Responding to my knock, my heart went up,

Her face framed by the opened door--what peace

Was mine to see it, peace ineffable

And rest were mine to sit with her and hear

That voice of hers where breath was caught for words,

That cunning gasp and pause!

I loved her then,

Have loved her always, love her now no less.

I feel her spirit somehow, can take out

Her letters, photograph, and find a joy

That such a soul lived, was in truth my soul,

Must always be my soul.

What was this love?

Why only this, shame nature if you will:

But since man's body is not man's alone,

Nor woman's body wholly feminine,

A biologic truth, our body's souls

Are neither masculine nor feminine,

But part and part; from whence our souls play forth

Part masculine, part feminine--this woman

Had that of body first which made her soul,

Or made her soul play in its way, and I

Had that of body which made soul of me

Play in its way. Our music met, that's all,

And harmonized. The flesh's explanation

Is not important, nor to tell whence comes

A love in the heart--the thing is love at last:

Love which unites and comforts, glorifies,

Enlarges spirit, woos to generous life,

Invites to sacrifice, to service, clothes

This poor dull earth with glory, makes the dawn

An hour of high resolve, the night a hope

For dawn for fuller life, the day a time

For working out the soul in terms of love.

This was my love for Elenor Murray--this

Her love for me, I think. Her sacrifice

In the war I traced to our love--all the good

Her life set into being, into motion

Has in it something of this love of ours.

How good is God who gives us love, the lens

Through which we see the beauty, hid from eyes

That have no love, no lens.

Then what are spirits?

Effluvia material of our bodies?

Or is the spirit all--the body nothing,

Since every atom, particle of matter

With its interstices of soul, divides

Until there is no matter, only soul?

But what is love but of the soul--what flesh

Knows love but through the soul? May it not be

As soul learns love through flesh, it may at last,

Helped on its way by flesh, discard the flesh:--

As cured men leave their crutches--and go on

Loving with spirits. For it seems to me

I must find Elenor Murray as a spirit,

Myself a spirit, love her as I loved her

These years on earth, but with a clearer fire,

Flame that is separate from fuel, burning

Eternal through itself.

And here a word:

My love for Elenor Murray never had

Other expression than the look of eyes,

The spiritual thrill of listening to her voice,

A hand clasp, kiss upon the lips at best,

Better to find her soul, as Plato says.

Too true I left LeRoy under a cloud,

Because of love for Elenor Murray--yet

Not lawless love, I write now to make clear

What love was mine--and you must understand.

But let me tell how life has dealt with me,

Then judge my purpose, dream, the quality

Of Elenor Murray judge, who in some way,

Somehow has drawn me onward, upward too,

I hope, as I have striven.

I did fear

Her safety, and her future, did reprove

Her conduct, its appearance, rather more

In dread of gossip, dread of ways to follow

From such free ways begun at seventeen,

In innocence, out of a vital heart.

But when a bud is opening what stray bees

Come to drag pollen over it, and set

Life going to the end in the fruit of life!

O, my wish was to keep her for some love

To ripen in a rich maturity.

My care proved useless--or shall I say so?

Or anyone say so? since no mind knows

What failure here may somewhere prove a gain.

There was that man who came into her life

With heart unsatisfied, bound to a woman

He wedded early. Elenor Murray's love

Destroyed this man by human measurements.

And he destroyed her, so they say. But yet

She poured her love upon him, lit her soul

With brighter flames for love of him. At last

She knew no thing but love and sacrifice.

She wrote me last her life was just one pain,

Had always been so from the first, and now

She wished to fling her spirit in the war,

Give, serve, nor count the cost, win death and God

In service in the war--O, loveliest soul

I pray and pray to meet you once again!

So was her life a ruin, was it waste?

She was a prodigal flower that never shut

Its petals, even in darkness, let her soul

Escape when, where it would.

But to myself:

I dragged myself to England from LeRoy

And plunged in life, philosophies of life,

Spinoza and what not, read poetry,

Heard music too, Tschaikowsky, Wagner, all

Who tried to make sound tell the secret thing

That drove me wild in searching love. And lovers

I had one after the other, having fallen

To that belief the way is by the body.

But I was fooled and grew by slow degrees.

And then there came a wild man in my life,

A vagabond, a madman, genius--well,

We both went mad, and I smashed everything,

And ran away, threw all the world for him,

Only to find myself worn out, half dead

At last, as it were out of delirium.

And for four years sat by the sea, or made

Visits to Paris, where I met the man

I married. Then how strange! I gave myself

Wholly to bearing children, just to find

Some explanation of myself, some work

Wholly absorbing, lives to take my love.

And here I was instructed, found a step

For my poor feet to mount by. Though submerged,

Alone too much, my husband not the mate

I dreamed of, hearing echoes in my dreams

Of London and of Paris, sometimes voices

Of lovers lost and vanished; still I've found

A peace sometimes, a stay, too, in the innocence

And helplessness of children.

But you see,

In spite of all we do, however high

And fiercely mounts desire, life imposes

Repression, sacrifice, renunciation.

And our poor souls fall muddied in the ditch,

Or take the discipline and live life out.

So Elenor Murray lived and did not fail.

And so it was the knowledge of her life

Kept me in spite of failures at the task

Of holding to my self.

These two months passed

I found I had not killed desire--found

Among a group a chance to try again

For happiness, but knew it was not there.

Then to my children I came back and said:

"Free once again through suffering." So I prayed:

"Come to me flame of spirit, fire of worship,

Bright fire of song; if I but be myself,

Work through my fate, you shall be mine at last."...

Then was it that I heard from Elenor Murray--

Such letters, such outpourings of herself!

Poor woman leaving love that could not be

More than it was; how wise she was to fly,

And use that love for service, as she did;

Extract its purest essence for the war,

And ease death with it, merging love and death

Into that mystic union, seen at last

By Elenor Murray.

When I heard she came

All broken from the war, and died somehow

There by the river, then she seemed to me

More near--I seemed to feel her; little zephyrs

Blowing about my face, when I sat looking

Over the sea in my rose bower, seemed

The exhalation of her soul that caught

Its breath for words. I see her in my dreams--

O, my pure soul, what have you been to me,

What must you be hereafter!

But my friend,

And I must call you friend, whose strength in life

Drives you to find economies of spirit,

And save the waste of spirit, you must find

Whatever waste there was of Elenor Murray

Of love or faith, or time, or strength, great gain

In spite of early chances, father, mother,

Too loveless, negligent, or ignorant;

Her mother instinct never blessed with children.

I sometimes think no life is without use--

For even weeds that sow themselves, frost reaped

And matted on the ground, enrich the soil,

Or feed some life. Our eyes must see the end

Of what these growths are for, before we say

Where waste is and where gain.

* * * * *

Coroner Merival woke to scan the _Times_,

And read the story of the suicide

Of Gregory Wenner, circle big enough

From Elenor Murray's death, but unobserved

Of Merival, until he heard the hint

Of Dr. Trace, who made the autopsy,

That Gregory Wenner might have caused the death

Of Eleanor Murray, or at least was near

When Elenor Murray died. Here is the story

Worked out by Merival as he went about

Unearthing secrets, asking here and there

What Gregory Wenner was to Elenor Murray.

The coroner had a friend who was the friend

Of Mrs. Wenner. Acting on the hint

Of Dr. Trace he found this friend and learned

What follows here of Gregory Wenner, then

What Mrs. Wenner learned in coming home

To bury Gregory Wenner. What he learned

The coroner told the jury. Here's the life

Of Gregory Wenner first:

GREGORY WENNER

Gregory Wenner's brother married the mother

Of Alma Bell, the daughter of a marriage

The mother made before. Kinship enough

To justify a call on Wenner's power

When Alma Bell was face to face with shame.

And Gregory Wenner went to help the girl,

And for a moment looked on Elenor Murray

Who left the school-room passing through the hall,

A girl of seventeen. He left his business

Of massing millions in the city, to help

Poor Alma Bell, and three years afterward

In the Garden of the Gods he saw again

The face of Elenor Murray--what a fate

For Gregory Wenner!

But when Alma Bell

Wrote him for help his mind was roiled with cares:

A money magnate had signed up a loan

For half a million, to which Wenner added

That much beside, earned since his thirtieth year,

Now forty-two, with which to build a block

Of sixteen stories on a piece of ground

Leased in the loop for nine and ninety years.

But now a crabbed miser, much away,

Following the sun, and reached through agents, lawyers,

Owning the land next to the Wenner land,

Refused to have the sixteen story wall

Adjoin his wall, without he might select

His son-in-law as architect to plan

The sixteen-story block of Gregory Wenner.

And Gregory Wenner caught in such a trap,

The loan already bargained for and bound

In a hard money lender's giant grasp,

Consented to the terms, let son-in-law

Make plans and supervise the work.

Five years

Go by before the evil blossoms fully;

But here's the bud: Gregory Wenner spent

His half-a-million on the building, also

Four hundred thousand of the promised loan,

Made by the money magnate--then behold

The money magnate said: "You cannot have

Another dollar, for the bonds you give

Are scarcely worth the sum delivered now

Pursuant to the contract. I have learned

Your architect has blundered, in five years

Your building will be leaning, soon enough

It will be wrecked by order of the city."

And Gregory Wenner found he spoke the truth.

But went ahead to finish up the building,

And raked and scraped, fell back on friends for loans,

Mortgaged his home for money, just to finish

This sixteen-story building, kept a hope

The future would reclaim him.

Gregory Wenner

Who seemed so powerful in his place in life

Had all along this cancer in his life:

He owned the building, but he owed the money,

And all the time the building took a slant,

By just a little every year. And time

Made matters worse for him, increased his foes

As he stood for the city in its warfares

Against the surface railways, telephones;

And earned thereby the wrath of money lenders,

Who made it hard for him to raise a loan,

Who needed loans habitually. Besides

He had the trouble of an invalid wife

Who went from hospitals to sanitariums,

And traveled south, and went in search of health.

Now Gregory Wenner reaches forty-five,

He's fought a mighty battle, but grows tired.

The building leans a little more each year.

And money, as before, is hard to get.

And yet he lives and keeps a hope.

At last

He does not feel so well, has dizzy spells.

The doctor recommends a change of scene.

And Gregory Wenner starts to see the west.

He visits Denver. Then upon a day

He walks about the Garden of the Gods,

And sees a girl who stands alone and looks

About the Garden's wonders. Then he sees

The girl is Elenor Murray, who has grown

To twenty-years, who looks that seventeen

When first he saw her. He remembers her,

And speaks of Alma Bell, that Alma Bell

Is kindred to him. Where is Alma Bell,

He has not heard about her in these years?

And Elenor Murray colors, and says: "Look,

There is a white cloud on the mountain top."

And thus the talk commences.

Elenor Murray

Shows forth the vital spirit that is hers.

She dances on her toes and crows in wonder,

Flings up her arms in rapture. What a world

Of beauty and of hope! For not her life

Of teaching school, a school of Czechs and Poles

There near LeRoy, since she left school and taught,

These two years now, nor arid life at home,

Her father sullen and her mother saddened;

Nor yet that talk of Alma Bell and her

That like a corpse's gas has scented her,

And made her struggles harder in LeRoy--

Not these have quenched her flame, or made it burn

Less brightly. Though at last she left LeRoy

To fly old things, the dreary home, begin

A new life teaching in Los Angeles.

Gregory Wenner studies her and thinks

That Alma Bell was right to reprimand

Elenor Murray for her reckless ways

Of strolling and of riding. And perhaps

Real things were back of ways to be construed

In innocence or wisdom--for who knows?

His thought ran. Such a pretty face, blue eyes,

And such a buoyant spirit.

Domesday Book · 第 2 / 18 段