dalla Vacche, 68
Lübeck, Kriegs Stube, 86
Lucca, panels in sacristy of Cathedral, by Christoforo da Lendinara, 32
---- Stalls from Cathedral in Pinacotheca, 32
Luchet, M., Excursus on furniture in France, 1867, 113, 114
Lüneburg, Rathsaal, 86
M
Macé, Jean, of Blois, 92-95
Majano, Benedetto da, 19, 20
Majano, Giuliano di Nardo da, 18, 22
---- Leonardo d' Antonio da, 19
Manuello, of Siena, 9
Marchi, of Crema, Family of, 6, 36
Mariotto di Mariotto, of Pesaro, 45
Marquetry, Derivation of, 1
Marti, Leonardo, 32
Masi, Antonio di Antonio, The Fleming, 46
Massari, Andrea, of Siena, 54
Mastei, Antonio, of Gubbio, 53
Mastro Crespolto, of Perugia, 26
Mastro Vanni di Tura dell' Ammanato, Sienese, 10
Matteo di Bernardino, of Florence, 17
Meo di Nuti, of Siena, 10
Michele Spagnuolo, 21
Milan, Cathedral, 15
Minelli, Giovanni and Cristoforo de, 45
Miniatures at Villanova, by Fra Giovanni da Verona, 59
Minnesinger's harp, of 14th Century, 8
Modern French marquetry, 125
Monte Oliveto, 55, 59, 60
Musée Cluny, wire-drawing bench made for Augustus, Elector of Saxony, 91
N
Naples, tarsia by Fra Giovanni da Verona in S. Anna dei Lombardi, 61, 62
Nicolò di Nicoluccio, 10
Nuremberg work in ebony and ivory, 90
O
[OE]ben, J. F., ébeniste du roi, 99
Orvieto, 10, 13
P
Padua, stalls in Church of S. Antonio, account by Matteo Colaccio, 30, 31
Paint and gilding added to intarsia work, 106
Paolo da Pesaro, 80
Parti of Siena, 9
Perugia, 10, 19, 26
---- choir of the Cathedral, 19
---- choir of S. Domenico, 26
---- door in choir of S. Pietro in Casinense by Fra Damiano, 74
---- Sala del Cambio, 26, 46
---- stalls of S. Agostino, 44
Pier Antonio dell 'Abate of Modena, 29
Pietro Antonio of Florence, 17
Pietro di Maffeis, 73
Pietro di Miaella of Siena, 10
Pietro di Rizzardi, 33
Pisa Cathedral, 21, 22, 23
Polimante da Nicola, 26
Pontelli, Baccio, 21
Portuguese decorations with pierced metal plates, 83
Poverty of craftsmen, Domenico del Coro, 10, 12
Preuszen, Hans, carver, 87
R
Realism in intarsia panels, 105
Reasons for beauty in designs, 127
Reggio in Emilia, 35
Relief intarsia or Präger arbeit, 85
Returns made by Sienese craftsman for taxation, 119, 120
Riesener, J. Henry, 99, 100
Roentgen, David, 102, 103
Rome, doors of St. Peter's, by Fra Antonio da Viterbo, 76, 77
Rosenfeldt, Jochim, 87
S
S. Mary Overie, Southwark, parish chest, 93
Sallig, Andreas, 87
San Sevrino, Domenico di, 46
Savona, choir of, Cathedral, 78
Schieferstein, Hans, 85, 90
Scraping and polishing marquetry, operation of, 115, 116
Shading of subjects in marquetry, 112
Siena, 9, 10, 13, 16, 37, 60
Simone d'Antonio of Siena, 13
Sizergh Castle, panelling from, 93
South German Bride chests, 89
South German inlaid Musical Instruments, 88
Spanish inlaid work in Victoria and Albert Museum, 81, 82
T
Taddeo Bartoli's designs for chapel of Palazzo Pubblico, Siena, 11
Tassi, Domenico of Florence, 17
Tasso, Maestro, his practical joke on the Benedictine Abbot, 28
Technical description from German book of 17th century, 106
Thickness of veneers in the market, 112
Tommaso di Ceccolo, 10
Tonbridge ware, 9
To stain ivory blue, 144
To stain ivory green, 144
To stain ivory orange, 142
To stain ivory purple, 143
To stain ivory various kinds of red, 142, 143
To stain ivory yellow, 142
To stain wood black, 138, 139
To stain wood blue, 140
To stain wood green, 141
To stain wood pink, 137
To stain wood purple, 137, 138
To stain wood red, 135, 136, 137
To stain wood silver grey, 141
To stain wood yellow, 133, 134
U
Uhr, Herman, 87, 88
Ulriksdal Castle, doors of drinking room, 92
Union of the crafts in one guild, 14
Urbino, tarsia in palace of Frederic of Montefeltro, 49, 50, 51
Use of mother-of-pearl, ivory, tortoiseshell, silver, &c., 54
V
Vasari's opinion of tarsia, 17
Veneering, operation of, 108
Veneers for marquetry, thickness of, 109, 110
Venice, Sacristy of S. Elena, 57, 58
Venice, tarsia in Sacristy of S. Mark's, 67, 68, 69
Verona, Sacristy of S. Anastasia, 10
Volthurn Castle, near Brixen, 90
Von Soest, Albert, 86
Vordt, 92
Vriese, Vriedemann, 86
W
Wallace Collection, Cabinet by Claude Charles Saunier, 95
Wallace Collection, Cabinets by Oeben and Riesener, 99, 100
Wallace Collection, jewel box by Conrad Cornier, 88
Webb, Stephen, paper at the Society of Arts, 128
Wegener, Adam, figure cutter, 87
Weiskopf, Wolf, 84
Winkler, Simon, 85
Wood, exceptional scantlings used by the ancients, 6, 7
Woods, combinations of, for marquetry, 111
Woods in use in England for marquetry, 112
---- used by the marqueteurs of Nice, 115
---- used by Riesener, 101
---- used in Barili's panel, 38
---- used in the best period, 106
---- used in stalls, Cathedral, Orvieto, 10
---- used on the Continent for veneers, 111
Z
Zambelli, of Bergamo, Stefano di Antoniuolo de, 46, 73
Zampiero da Padova, 73
Zanetto da Bergamo, 72, 73
_Willam Hodge & Co., Glasgow and Edinburgh_
End of Project Gutenberg's Intarsia and Marquetry, by F. Hamilton Jackson