CHAPTER VIII

LIANE was not fond of preliminaries. She considered that life was short

and that love was infinitely shorter, and she thought that the best

plan with both was to live in the present.

Jean perplexed and amused her; he adored her ardently and blindly, and

yet he seemed reluctant to give himself up to the elements which drew

him. He was caught off his feet, but he struggled and fought with the

power that held him. He had scruples and he wanted time. Liane gave him

no time and she laughed immoderately at his scruples.

“You do not deceive your friend, _mon ami_,” she said one night as they

were returning from the theatre. “If there is any deception on hand,

it is certainly my own. But, I assure you, your friend Maurice does

not consider me a nun, as you appear to do. I do not know that I have

given him, or you either, any reason to suppose that I find myself

at home in a convent! He is a man of the world, the good Maurice, at

least he wishes to be thought so. _Bon!_ he must accept the world. It

is doubtless as the good God made it, and he did not make it expressly

for the _jeune fille_! In Paris we get out of it what we can. Maurice

is the size of his income, neither larger nor smaller, and I give him

his money’s worth, rest assured! Why should I give him more? He is not

an object of charity! For myself I am an artist; I should bore myself

prettily if I sat and pined all day for your little man of the world!

I need a friend who is also an artist. It is you to-day; I remind you,

though you do not like it, that there have been yesterdays, and that if

you are not very good, there will be to-morrows.”

Jean closed his eyes. He hated what Liane was saying, and he thought

if he shut his eyes he might not see her words. He loved Liane best

when he was away from her and she could not disfigure herself in his

eyes; when he was in his dark and lonely little room, and could feel a

passionate impatience and disgust with Maurice, his old hero--who had

long ago ceased to be a hero in Paris, where young man at twenty-five,

with moustaches, self-importance, and a sense of life were not

particularly rare.

But when Jean found himself with Liane in Maurice’s motor, he was apt

to feel the disgust and impatience with himself, instead of with

Maurice, and he was far too proud to like to feel himself to blame.

Liane saw this quite plainly, even though she did not understand it.

To-night she had decided to cure it. She laid her hand on his arm.

“_Alors_,” she whispered, “is it for me to tell you to profit by

to-day? I give you all that an artist should give an artist; but, Jean,

that is not all I have to give!”

Jean’s eyes were drawn to her face; she knew that was the way to make

him forget all inconvenient ideas; and he forgot them. He looked at

her and everything vanished, the cold of the night around them, the

flashing lights, the swift, sharp cries of the streets, the softened

whirr and buzz of the passing cars, the houses, those sheltered

screens of human life, standing between them and the sky--all these

outer things, and all the inner things too, Jean’s scruples and his

struggles, his reluctance, and the safeguard of his pride, failed and

fell away from him, under the spell of Liane’s eyes. A hard compulsion

came upon him; at that moment he ceased to worship Liane, he wanted

her. He ceased to reflect; he could not speak. He put out his hand and

caught hers. He hurt her, but she did not wince; like the girl in the

picture, she met his demand with serene, satisfied eyes, waiting for

inevitable surrender.

“Maurice is away to-night,” she whispered. Jean followed her into the

flat without a word.

The fortnight that followed Jean never cared greatly to recall. There

was still the Bank in the daytime; sometimes he fell asleep over his

work, but his fellow clerks were very kind; they woke him up and said

to each other: “See how he has begun to live, this little one!”

When he was roused, Jean used to shiver and feel horribly sad; at these

times he wished that he had never seen Liane; a fierce thirst for

loneliness, and freedom for his soul, possessed him; he hungered to

shut out Liane’s face and get back to his piano, his empty room, and

the liberty of his dreams. The long, dull day cramped and stiffened

him, and the money that ran through his hands seemed to his nervous

fancy to stain them like an unclean thing. It was as if in its

monotonous reiteration it spelt Liane. It was for her that it came

there, for her that it increased, and then ran back into the streets

of Paris, a golden, sordid stream. The sound of the money made Jean

yearn for the sound and smell of the earth at St. Jouin, for the clean

air and sweet loneliness of the woods. But when evening fell and the

lights came out, and Paris awoke, when the streets filled with the stir

of a well-dressed, living throng, then Jean’s heart quickened, and the

Bank and St. Jouin, and even the piano and its dreams, sank back into a

hidden place in his soul, and he became the happiest and gayest young

man in Paris, inconceivably loved by the most splendid woman in the

world.

It was not possible that he could wholly succeed in hiding from Liane

his intense separation of spirit. She knew, indeed, extremely little

about spirit, but on the other hand she knew a great deal about lovers,

and it did not escape her that Jean had, at moments, the power of

estranging himself from her possession. At the end of the fortnight

Maurice returned from the provinces, and Jean explained to Liane in her

dressing-room at the Odéon that he had met Maurice.

“Well,” said Liane impatiently. “I do not see anything very

extraordinary in that. I have also met him, _mon cher_; what then?”

“But you must not meet him again, Liane, not now,” said Jean quietly.

“You say the flat is your own, so I shall not ask you to leave it, but

you must not allow Maurice to visit you there again.”

Liane was silent a moment from sheer astonishment. It was true that

with a desire to spare Jean’s feelings she had told him the flat was

her own. It was equally true that it was not--not in the sense in which

she had led Jean to believe it to be.

“Must not, Jean!” she repeated, laying down her powder-puff and

regarding him with blank amazement. “Are you mad? What has this poor

Maurice done, then, that I am not to receive him?”

“Liane! Liane!” cried Jean, taking both her hands in his. “Why do you

pretend that you do not understand me? You do! you do! you do!”

Liane withdrew her hands and returned to her powder-puff.

“You are absurd,” she said coldly. “Do not enrage me with your virtues

from the provinces. I will not be taught how to live by a chicken whose

shell I have just broken. I shall receive whom I like when I like. One

would think, Monsieur, that I was your wife. Let me hear no more of

these impertinences!”

Jean went to the window and opened it; something in his brain seemed to

be burning to escape; he felt hot, savage, and reckless. No, she was

not his wife; he supposed if she were he might have trusted her, he

might have respected her. As it was, he did not, he hated her. All his

heart seemed filled with a hard exasperation. When he turned to face

her again, his eyes were fierce.

“I told him he could not come,” he said; “if you receive him you do it

at your own risk.”

“You told Maurice--told him he could not come?” Liane gasped.

“I told him you must choose between us,” Jean continued doggedly. “I

know he has all the things I have not got. I have nothing to offer

you--yes, that is true. You see me here, Liane; how much do you suppose

I have in my pocket? I think I have three francs. Well, it is all I

shall have till the end of the month. Maurice is, I believe, rich;

but there is one thing I have which I will not give up, and that is my

pride. Now which is it to be, tell me. If it is Maurice, I go!”

Liane contrived to stare at him for a moment without speaking. She

could say a good deal, but she was not going to say any of it at

present. Jean with his ardent eyes full of fire and tears charmed her

jaded senses. He was a new experience, she valued him. As for Maurice,

that was another story. She could, she fancied, make some arrangement

about Maurice. He would not cry for the moon, and she could manage

for him to have something short of that commodity. As far as Jean was

concerned, it was quite unnecessary that he should know anything about

her arrangements. The blank look passed out of her eyes, she opened her

arms to him and he knelt beside her, a child in her hands, trembling

with distress at his own temerity.

“Only trust me, Jean,” she whispered. “You do trust me?”

“You won’t see him, Liane?”

“Selfish little boy, to please you then--no.”

Jean gave a long sigh of relief. Where was his hatred now? His bitter

antagonism? that feeling in his heart of remorseless hardness? It

seemed impossible that they had ever existed and incredible that they

should ever exist again; but even now they were only hidden, like

the sharp teeth of rocks covered for the moment by the rush of the

incoming tide.

Liane carried out a suitable arrangement, and Jean believed that she

had obeyed him; it made him extraordinarily humble and tender with

her; he could not do enough to show his gratitude; and Liane was

not always easy to serve, she required so much and she had a most

terrible temper. Jean set himself to please her with an almost feminine

gentleness and tact. He did not ask from her refined sensibilities or

quick perceptions. He called her to himself a great artist, and he made

himself believe that this excused everything.

He was very young and he loved her, and the young cannot love without

the divine fire. They must look for their vine to bring forth grapes,

and when it brings forth wild grapes they shut their eyes.

They will believe in beauty though they must go blind to keep their

vision; they would rather enter into the kingdom of heaven maimed than

know it is not the kingdom of heaven.

Jean persisted in believing in Liane in spite of Liane, but sometimes

she made it very hard for him.

“There is still an arrangement we must make,” she said to him one

day. “I cannot have anyone going about with me who is dressed like a

piano-tuner. You carry yourself well, it is true. You have the good

little air which says: ‘I own myself,’ but that is not enough when

you are with me. It is necessary that you show a great deal more

importance, you must, in short, look as if you owned me! and for that,

_mon cher_, you will require clothes. I cannot put a placard on your

back--‘_I beseech you, here is a man who is about to become a great

musician; refrain from regarding his cravat!_’ And I will not be seen

with a nobody! In Paris it is necessary to have a note, a tone, to

express one’s self in such a way that the world cannot readily overlook

you.”

Jean looked dogged, he did not wish to say he was too poor. He had

already been forced into this confession rather frequently by Liane,

who never understood anything about money, except that you spent

it--yours or any one else’s--like water, and that when it was finished

you made yourself excessively agreeable or disagreeable (according

to the requirements of the case) till you were given more. There is

more than one way of paying for your fun, and since Jean’s pockets

were empty, he had had to pay for it lately with his pride, and he had

several times made a stand about the price. He did not like supping

here and there and everywhere at enormous expense, for which Liane

paid; he did not like the invariable use of the expensive motor,

and Liane never walked a step and never used anything else. He did

not like his position as the man who carried things, shared things,

bought things, and for none of which his whole salary (he had just

been started on a hundred francs a month) would have covered the tips

for one busy night. Cravats and tie-pins he had hardly seen his way

to escape, but he drew the line at a silk hat for the Opera, and a

new suit, and took the first opportunity during a short afternoon’s

shopping to say so.

Liane stared at him.

“_Pourquoi, mon ami?_” she said, in a voice of toneless gentleness,

which Jean had learned to dread as the preliminary of a rising fury.

“_Pourquoi pas?_” And she went out of the shop where she had turned

over everything and bought nothing--she was a difficult shopper--with

the air of a tragedy queen.

If she would only be angry, Jean thought he might manage to keep the

little golden coin of his pride, but she wasn’t only angry. She was

angry at first, splendidly, furiously angry, till she saw it was no

use. Then she melted and entreated Jean with that flexible, dramatic

tenderness which attacks all the weak places in a man’s heart and

tyrannizes over them; but still Jean held out. She made him feel that

he was a brute and know that he was a fool, but he clung to his pride

and faced her with drawn lips and haggard eyes.

“Please, please don’t tempt me, Liane,” he pleaded. “I literally

haven’t a penny except some money, a very small sum, my mother left

me, which I have promised to keep intact for an emergency. You don’t

want me to use that? I don’t even know if I legally can, and you

certainly can’t suppose that I will accept clothes from you. It’s just

like you to be generous enough to offer anything you have, but it

would be impossible for me to take it. I know I’m not very smart, my

poor Liane, but try to put up with me as I am! Perhaps I shall make

something by playing soon, and every bit of it shall go to a jeweller

for you, and a tailor for me; only have patience.”

Unfortunately Jean asked Liane for the quality she most despised and

least possessed.

“So you will not even do this one little thing for me?” she said,

gazing tragically in front of her.

“I would do anything in all the world for you, Liane,” said Jean, his

voice trembling, “but I can’t take money!”

Liane flung her pathos from her as if it were an old shoe.

“Bah!” she said. “That same old story, then! The things a man will do

for you! How often have I not heard them! _Hein!_ What are they, _mon

ami_? First, die for me! You would naturally put this first, as it is

the last thing I should ask of you! It is true you could die for me

in any old suit, but how would it profit me? I am not a cannibal, nor

am I a murderer. I do not desire the death of my friends! It would

not contribute, this sacrifice of yours, anything to my safety, my

comfort or my amusement! Anything! I again ask you--will you give

up your Bank for me? No! You have already said that you cannot risk

having no profession. I do not know what you call ten sous a month,

but it appears that it may pass for a profession. You cannot offer me

money--you have not got it. Talent? You will not use it. Beauty? Your

friend Maurice with his ox eyes, his butcher’s moustache, his figure

enlaced, presents something better to the eye than you. What then?

Your wit? My poor Jean, you have just given me, it seems, a specimen.

Pardon me if I prefer my own. You have not the sense to see that there

are only two things worth having--money and life--and that one pays for

the other! What can you do for me, then? I will tell you. You can take

things when I want you to take them! But that, it seems at present,

you can only do when you yourself want them! You are willing enough to

take my time, for example, and also what you are so good as to call my

charms? I introduce you into the artist world, I lift you here, I lift

you there, I carry you about, I get myself even laughed at. They say:

‘The good Liane has turned nursemaid; behold how she trains her little

one!’ I ask in return what? That you should not go about with me in

rags from a country village. No, I do not care if the chauffeur hears

or not--yes, rags! Yes! I say a suit left over from the year of your

first Communion, and you say ‘No! this I will not do; this goes too

far; this risks too much!’----”

“Liane,” entreated Jean. “The people on the pavement, everyone is

staring at us!” Liane was enjoying herself. What if everyone was

staring at them? She preferred an audience. She did not lower her tone

at all as she continued:

“_Mon ami_, I am very reasonable. I am very calm, I am quite patient,

_moi_! I say only this--” and she made a superb gesture with her hands

which took in half the Bois de Boulogne, through which they were

dashing at a magnificent pace, “which of us two is it, then, who asks

too much?”

Jean capitulated. He answered that he would try and draw out the sum

his mother had left for the special emergency.

Liane became pacific; they would dismount, she said, and take a stroll

in the Bois, where they would have tea--the whole world was out this

afternoon.

She did not at all mind what money Jean used, the great thing was that

they should both be well dressed and that she should have what she

wanted without any dispute about it.

“Now, _mon ami_, are you happy?” she asked Jean, with the acquired

sublimity of the Liane smile as she led the way under the sun-touched,

wintry trees of the Bois. Jean could not honestly say that he was

happy, but he was at least glad that Liane should be so. Lately, he

was beginning to realize that the desire to appease her was taking

the place of finding in her his own tremendous joy. Instead of rapture

at the miracle of her presence he felt relief if they succeeded in

spending a peaceful hour together; and once or twice he had not been

quite sure that the relief was due to the peace so much as to the

fact that the hour was over, and he could go back once more to his

stolen moments at the piano, the only free ones of his life. He began

to think, too, more good-naturedly of Maurice, and less--very much

less--proudly of himself; but he still thought that he loved Liane. It

takes a great deal to kill love, for after the glory of the individual

has faded, there still remains the inmost unquenchable fire--the love

of love. Perhaps it would not be true to say that Jean still loved

Liane. She had very much disgusted and distressed him, but she could

still make him love love, and while she could do that there was no real

danger of his escaping her.

"Broken Music" · 第 8 / 29 章