To make this Translation the most useful that I cou'd, I have made

+Remarks+ upon each Play, and those are of two sorts, tho' equally

intermix'd: The first, to shew the Author's chief Excellencies as to

his Contrivance and Management of his +Plots+ and +Incidents+; the

second, to discover several Beauties of +Stile+ and +Wit+,

principally such as are not very clear, or cannot well be preserv'd

in our Tongue; and those are likewise to vindicate my Translation.

Several of these I must own my self oblig'd to Madam +Dacier+ for,

or at least the hint, tho' some of 'em I cou'd not have miss'd of in

the prosecution of those Designs I aim'd at. I have borrow'd little

or nothing from any other, for her's are far the best +Notes+ I ever

met with, tho' many of 'em were done more to shew her Parts and

Reading than for any real use, a thing which I shall never aim at.

I have been forc'd in most of 'em to be extream nice and curious in

penetrating into the bottom of the Author, for I find it far more

difficult to discover a Beauty than a Fault. I might have enlarg'd

upon 'em, and have made several more, with good grounds, but I

thought it dangerous to say all that cou'd be said; but instead of

that I was forc'd, much against my will, to dash out several of

those upon +Amphitryon+ upon the account of the Printer, but the

rest are more full and compleat.

If business wou'd have permitted me, I shou'd have ventur'd upon

three more of our Authors Plays; and upon that Account, I have taken

somewhat less time than was necessary for the translating such an

extraordinary difficult Author; for this requires more than double

the time of a +Historian+ or the like, which was as much as I cou'd

allow my self. I made choice of these three Plays as well for their

+Modesty+ as +Regularity+, for above all things I wou'd by no means

give the least Encouragement to Lewdness or Obscenity, which grow

too fast of themselves; and therefore I thought I cou'd not chuse

better than after a Lady. +Amphitryon+ had the Name, and never

fail'd of a general Approbation; +Epidicus+ was our Author's

Favourite, and truly there is much Art in it, tho' it is a little

heavy; and +Rudens+ is in several respects a better Play than any of

+Plautus+'s or +Terence+'s. I'm afraid +Amphitryon+ will bear the

worse in our Tongue, upon the Account of Mr. +Dryden+'s, whose

Improvements are very extraordinary; but considering Mr. +Dryden+'s

Management is of such a different Nature, this will still be as

useful and as proper for my +Design+, or at least to School-boys and

Learners. I must do that great Man the Justice in saying, that he

has not only much improved the +Humour+, +Wit+, and +Design+ in many

places, but likewise the +Thoughts+. I'll mention one, which just

now comes into my mind. +Alcmena+ in the Second Act complains thus:

+How poor and short are this Life's Pleasures, if once compar'd with

the Sorrows we endure? 'Tis Man's Destiny, and Heaven's Pleasure, to

mix our Joys with bitter Potions; and for some few Hours of

Satisfaction, we meet with Ages of Ills and Troubles.+ Mr. +Dryden+,

by the help of Blank Verse, and a little more room, has better'd it

extreamly.

Ye niggard Gods! you make our Lives too long:

You fill 'em with Diseases, Wants, and Woes,

And only dash 'em with a little Love;

Sprinkled by Fits, and with a sparing Hand.

Count all our Joys, from Childhood ev'n to Age,

They wou'd but make a Day of ev'ry Year:

And to carry it on further yet, and to make it appear more fine and

clear, he says,

Take back your Sev'nty Years, (the stint of Life)

Or else be kind, and cram the Quintessence

Of Sev'nty Years into sweet Sev'nty Days:

For all the rest is flat, insipid Being.

I mention this the rather, because it may serve for one Instance of

what Improvements our Modern Poets have made on the Ancients, when

they built upon their Foundations. For we find that many of the fine

things of the Ancients are like Seeds, that, when planted on

+English+ Ground by a Skilful Poet's Hand, thrive, and produce

excellent Fruit.

But I'm afraid this +Preface+ has been too long and tedious for this

small Piece; but the Press stays, and the hast I'm in will not

permit me to make it shorter, or so much as review it; yet before I

conclude, I must inform the Reader, that I had the Advantage of

another's doing their +P+lays before me; from whose Translation I

had very considerable Helps, especially in the +Jests+ and

+Quibbles+.

The Augustan Reprint Society

WILLIAM ANDREWS CLARK

MEMORIAL LIBRARY

UNIVERSITY OF CALIFORNIA, LOS ANGELES

PUBLICATIONS IN PRINT

[Decoration]

[Where available, Project Gutenberg e-text numbers are given in

brackets.]

1948-1949

16. Henry Nevil Payne, _The Fatal Jealousie_ (1673). [16916]

18. Anonymous, "Of Genius," in _The Occasional Paper_, Vol. III, No. 10

(1719), and Aaron Hill, Preface to The Creation (1720). [15870]

1949-1950

19. Susanna Centlivre, _The Busie Body_ (1709). [16740]

20. Lewis Theobald, _Preface to the Works of Shakespeare_ (1734).

[16346]

22. Samuel Johnson, _The Vanity of Human Wishes_ (1749), and two

_Rambler_ papers (1750). [13350]

23. John Dryden, _His Majesties Declaration Defended_ (1681). [15074]

1950-1951

26. Charles Macklin, _The Man of the World_ (1792). [14463]

1951-1952

31. Thomas Gray, _An Elegy Wrote in a Country Churchyard_ (1751), and

_The Eton College Manuscript_. [15409]

1952-1953

41. Bernard Mandeville, _A Letter to Dion_ (1732). [29478]

1962-1963

98. _Select Hymns Taken Out of Mr. Herbert's Temple_ (1697).

1963-1964

104. Thomas D'Urfey, _Wonders in the Sun_; or, _The Kingdom of the

Birds_ (1706).

1964-1965

110. John Tutchin, _Selected Poems_ (1685-1700). [_In Preparation_]

111. Anonymous, _Political Justice_ (1736).

112. Robert Dodsley, _An Essay on Fable_ (1764).

113. T. R., _An Essay Concerning Critical and Curious Learning_ (1698).

114. _Two Poems Against Pope_: Leonard Welsted, _One Epistle to Mr. A.

Pope_ (1730), and Anonymous, _The Blatant Beast_ (1742). [21499]

1965-1966

115. Daniel Defoe and others, _Accounts of the Apparition of Mrs. Veal_.

116. Charles Macklin, _The Covent Garden Theatre_ (1752). [_In

Preparation_]

117. Sir George L'Estrange, _Citt and Bumpkin_ (1680). [_In Preparation_]

118. Henry More, _Enthusiasmus Triumphatus_ (1662).

119. Thomas Traherne, _Meditations on the Six Days of the Creation_

(1717).

120. Bernard Mandeville, _Aesop Dress'd or a Collection of Fables_

(1704). [_In Preparation_]

1966-1967

122. James MacPherson, _Fragments of Ancient Poetry_ (1760). [8161]

123. Edmond Malone, _Cursory Observations on the Poems Attributed to

Mr. Thomas Rowley_ (1782). [29116]

124. Anonymous, _The Female Wits_ (1704). [_In Preparation_]

125. Anonymous, _The Scribleriad_ (1742). Lord Hervey, _The Difference

Between Verbal and Practical Virtue_ (1742). [_In Preparation_]

126. _Le Lutrin: an Heroick Poem, Written Originally in French by

Monsieur Boileau: Made English by N. O._ (1682).

Subsequent publications may be checked in the annual prospectus.

Publications #1 through 90, of the first fifteen years of Augustan

Reprint Society, are available in bound units at $14.00 per unit of six

from:

KRAUS REPRINT CORPORATION

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New York, N.Y. 10017

Publications in print are available at the regular membership rate of

$5.00 yearly. Prices of single issues may be obtained upon request.

William Andrews Clark Memorial Library:

University of California, Los Angeles

THE AUGUSTAN REPRINT SOCIETY

_General Editors_: George Robert Guffey, University of California,

Los Angeles; Maximillian E. Novak, University of California, Los

Angeles; Robert Vosper, William Andrews Clark Memorial Library.

_Corresponding Secretary_: Mrs. Edna C. Davis, William Andrews Clark

Memorial Library.

The Society's purpose is to publish reprints (usually facsimile

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income of the Society is devoted to defraying costs of publication and

mailing.

Correspondence concerning memberships in the United States and Canada

should be addressed to the William Andrews Clark Memorial Library, 2520

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PUBLICATIONS FOR 1967-1968

127-128. Charles Macklin, _A Will and No Will, or a Bone for the

Lawyers_ (1746). _The New Play Criticiz'd, or The Plague of Envy_

(1747). Introduction by Jean B. Kern. [_In Preparation_]

129. Lawrence Echard, Prefaces to _Terence's Comedies_ (1694) and

_Plautus's Comedies_ (1694). Introduction by John Barnard.

[_Present Text_]

130. Henry More, _Democritus Platonissans_ (1646). Introduction by P. G.

Stanwood. [_In Preparation_]

131. John Evelyn, _The History of . . . Sabatai Sevi . . . The Suppos'd

Messiah of the Jews_ (1669). Introduction by Christopher W. Grose.

[_In Preparation_]

132. Walter Harte, _An Essay on Satire, Particularly on the Dunciad_

(1730). Introduction by Thomas B. Gilmore. [29237]

ANNOUNCEMENTS:

Next in the series of special publications by the Society will be a

volume including Elkanah Settle's _The Empress of Morocco_ (1673) with

six plates; _Notes and Observations on the Empress of Morocco_ (1674)

by John Dryden, John Crowne and Thomas Shadwell; _Notes and Observations

on the Empress of Morocco Revised_ (1674) by Elkanah Settle: and

_The Empress of Morocco. A Farce_ (1674) by Thomas Duffet, with an

Introduction by Maximillian E. Novak. Already published in this series

are reprints of John Ogilby's _The Fables of Aesop Paraphras'd in Verse_

(1668) with an Introduction by Earl Miner and John Gay's _Fables_ (1727,

1738), with an Introduction by Vinton A. Dearing. Publication is

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* * * * *

* * * *

Errata (noted by transcriber)

_In the Prefaces, errors were corrected only if a later edition showed

the same correction._

_Editor's Introduction_

under the imprint of Thomas Salusbury [_spelling is correct_]

another's doing their [i.e., "these"?] Plays before me

[_this and following bracketed notes are in the original_]

_Preface to Terence_

vix de demenso suo, suum defraudans genium

[demcuso ... defrudans]

Eheu me miseram! [Ehen]

ni unum desit [de sit]

perfectly just, truly proportionably [. for,]

he never fails in any one place, but [. for,]

why he goes off, where he's a going [goes of]

the whole cou'dn't contain above Eleven hours [about Eleven hours]

for such inferior Persons, we leave to others. [. invisible]

or to say very little, as 'twas agreeable to them

[_s in "as" invisible_]

In some things they are too short, in others too long [. for,]

_School-Masters_ often want time, and now and then Judgment

[time. and now then and]

some hints we had from the _French_, but [. for,]

_Odiosus_, _Tristis_, &c. these we

[_missing ; or : after "&c.", OR error for "These"_]

They may possibly take 'em for Blunders [' missing or invisible]

but we have better offend this way than the other [beeter]

_Preface to Plautus_

due Observance and Penetration [Penitration]

Exit +Euclio+. [Eudio]

And besure you secure the Door [_spacing as shown_]

For the Reader's Satisfaction, here follows [he follows]

_Augustan Reprints_

UNIVERSITY OF CALIFORNIA, LOS ANGELES [. for,]

and 30 -- in Great Britain and Europe [_unchanged_]

Prefaces to Terence's Comedies and Plautus's Comedies (1694) · 第 4 / 4 段