FOOTNOTES:

[206] _Historiadores Portugueses_ in _Opusculos_ (1907), ii. 27.

The author of the _Theatrum_ has a similar verdict: _Scripsit

Chronicam Ioannis II ut quidem potuit sed longe impar regis et rerum

magnitudinis._

[207] _Sem letras e sem saber_, he says modestly, _me fui nisto meter._

[208] The book has as many titles as editions, that of 1545 being

_Lyuro das Obras de Garcia de Resẽde que trata da vida e grãdissimas

virtudes_, &c.

[209] Or he would seek to obtain them through a friend as in the case

of _o Cancioneiro do abade frei Martinho_ of Alcobaça. It is improbable

that Resende, who valued friendship above good poetry, altered the

manuscripts he received, in spite of Francisco de Sousa’s permission:

_as quaes podeys enmendar_.

[210] _Prologo._ ‘Had you forgotten that _trovas_ are still written in

Portugal?’ asks Nuno Pereira of one of his victims; and of a dress it

is said that it would be _certo de leuar Trouas de riso e mote_. Cf.

the phrase _dar causa a trovadores_.

[211] Or Albuquerque would be mentioned in a game of _Porque’s_ (why’s)

common among the _praguentos da India_: _Porque Afonso d’Albuquerque Dá

pareas a el rey de Fez?_

[212] Zurara, _Cr. de D. Joam_, cap. 29.

[213] The _Cancioneiro_ contains many references to Venice. The

_pimenta de Veneza_ mentioned in one of the poems must have sounded

strange to Portuguese readers in 1516.

[214] e. g. _Meu bem, sem vos ver Se vivo um dia, Viver nam queria.

Caland’ e sofrendo Meu mal sem medida, Mil mortes na vida Sinto nam vos

vendo, E pois que vivendo Moiro toda via, Viver nam queria._

[215] _La t’arreda Satanas, Cristo Jesu a ti chamo, A ti amo, Tu Senhor

me salvarás. O sinal da cruz espante Minha torpe tentaçam, Com devaçam

Espero dir adiante._

[216] One of his poems has the heading: _Outro vilançete seu estãdo em

Azamor antes ̃q se fynasse_.

[217] e.g. _A culpa de quem se ama doe mais & perdoase mais asinha, Nam

pede louvor quem o merece, Da fee nace a rezam da fee_, &c.

[218] D. Carolina Michaëlis de Vasconcellos goes so far as to call the

Portuguese _Cancioneiro Geral_ a mere supplement or second part of the

Spanish _Cancionero General_ (_Estudos sobre o Romanceiro_, p. 303).

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