She was not in the least apologetic or pathetic or vexed: she merely

stated a fact, and it occurred to Biscuits, who was somewhat

susceptible to personality, that she meant precisely what she said.

Although absence from the reception was just what Biscuits had

previously planned, she did not care to please herself at this price,

and though Evangeline Potts was the last person she would have

selected for her companion, and visions of the pretty little freshman

she had had in mind on filling out her programme flashed before her

with irritating clearness, she smiled encouragement and remonstrated

cheerfully.

"Oh, nonsense! Why, anything will do, I tell you! You don't need

evening dress! One of my friends last year had all her clothes ruined

by a pipe or something that burst in the closet and she went in white

duck. And she was one of the best-dressed girls in the class,

really--"

"Yes, but I'm not," interrupted Evangeline, "and that's different. I'm

just as much obliged to you for asking me, Miss Kitts, but I haven't

any evening dress and I shouldn't go without one."

It was characteristic of Biscuits that she attempted no further

argument. She knew that Evangeline Potts would not go unless she had

an evening dress, and it seemed, somehow, imperative that she should

go. She realized, too, that borrowing was out of the question.

"Why don't you cut one of your dresses out?" she suggested after a

moment. "Suzanne Endicott did that once when she was unexpectedly

asked to a dance and hadn't any low waist with her."

"I can't sew," Evangeline replied, "and I shouldn't know how to cut

it."

In proportion as she seemed convinced of the impossibility of going,

Biscuits waxed more eager to change her determination.

"See here," she said suddenly, "if I get Suzanne over here, will you

let _her_ cut one of your dresses out? I think she would; she's

awfully clever about that sort of thing and she's very obliging,

sometimes."

She was prepared for any answer but the one forthcoming.

"Why, I don't care," said Evangeline, indifferently, "only she'd

better hurry, hadn't she?"

Biscuits was by now so impressed with the vital necessity of getting

Suzanne that she had hardly time to wonder at her haste or her nervous

fear that the young lady might not be at home. She trudged up the two

flights and sighed with relief at the sound of Suzanne's mandolin.

Miss Endicott was not fond of the mandolin and played it solely for

the purpose of annoying the senior next door, who had a nasty habit of

rising early to study, and making her bed violently, driving it into

the wall just opposite Suzanne's pillow. When remonstrated with she

returned with calmness that she had not been accustomed, when herself

a sophomore, to object to the habits of seniors, and that excitable

young people who came to college for heaven knew what, had better

acquaint themselves with habits of study in others, since that was

their only probable source of knowledge of such habits.

Henceforth it became at once Suzanne's duty and pleasure to give what

she modestly called "little recitals from time to time," accompanied

by her mandolin, which instrument maddened her neighbor beyond

endurance. As Biscuits entered she was giving a very dramatic

rendering of the Jewel Song from Faust, and to her guest's opening

remarks she replied only by a melodious burst of laughter and the arch

assurance:

"_Non, non! Ce n'est plus toi!

Ce n'est plus ton visage!_"

Biscuits obeyed an imperative gesture and held her peace till the song

was over, when the performer, with an inimitable grin at the wall,

laid down her mandolin and pointed to a chair.

"_Que voulez-vous, ma plus chère? Vous avez l'air--_"

"Oh, for heaven's sake talk English, Suzanne! I want you to come over

and cut out Evangeline Potts' evening dress. Will you? She's freckled

and big, and she won't go unless you do. She's got to go, too. We

can't leave anybody out. Will you come?"

"_Mais qu'avez-vous donc, ma chère Berthe? Est-ce que j'suis

couturière, moi?_"

"Yes," said Biscuits, obstinately, "you are, and you know it. You

might be able to make her look like something. She's a perfect stick

now."

Suzanne shot one of her elfish glances at her visitor. It was

impossible to know what she would do.

"_Mais certainement vous avez assez de joue, vous!_" she suggested.

Biscuits did not reply, but watched the clock on the desk.

Suzanne shrugged her shoulders.

"_Eh bien!_" she said cheerfully, "_me voilà sage, Petits-pains, sage

et bien aimable! Où demeure-t-elle donc, votre amie?_"

"Bless you, Suzanne, her name's Evangeline Potts! and she--"

"_Mon Dieu!_ Evangeline Potts! _Mais quelle horreur! Est-ce que je

saurais prononcer ce nom affreux?_" babbled Suzanne, while Biscuits

found her golf cape and hustled her out of the door. Those who relied

too long or too securely on Miss Endicott's moods were frequently

disappointed in the end.

She had been born in San Francisco and brought up, alternately, in

Paris and New York, by her brother, a rising young artist, whose views

were as broad as his handling, and whose regret at parting with her

was equalled only by his firm determination to fulfil the promise he

had made their mother, long dead, to educate her properly. Only his

solemn assurance that she should come back every summer if she would

behave, and finally conduct their joint establishment in Paris with

the Angora for chaperon and the silky Skye for butler, kept her from

taking the first steamer back from the seaport nearest the town she

had hated consistently since she left that scene of delicious little

suppers and jolly painter-people and nights at the play and ecstatic

exhibitions when Brother was "on the line."

Now a wealthy young woman from San Francisco who chooses to spend from

two to four years at an Eastern college is a sufficiently complicated

type in herself; when she has grown up in studios and done very much

as she pleases all her life, she affords even more food for thought to

the student of character.

People who disliked Suzanne called her unprincipled and shallow and

lazy; people who admired her called her brilliant and irresponsible

and lazy; people who loved her called her fascinating and spoiled and

lazy. She could dance like a leaf in the wind; she could make herself

the most bewitching garments out of nothing to speak of; she could

create a Japanese tea-room with one parasol and two fans, and make a

Persian interior from a rug, an inlaid table, and a jewelled lantern;

she could learn anything perfectly in half the time it would take

anybody else to get a fair idea of it, and she could, if so minded,

carry insolence to the point of a fine art. She was far from pretty,

but her clever little brown face, with its strange gray eyes,

compelled attention, and her hair had that rare silvery tinge that is

an individuality in itself. She was never without two or three devoted

admirers, but her class disliked her, and it took all their

self-control to bear with her to the extent that was necessary in

order to profit by her special abilities. She was no more to be

depended upon than a kitten, and her periodical bursts of rage

rendered her unendurable to that large majority which objects to

flaming eyes and torrents of assorted abuse, to say nothing of the

occasional destruction of bric-a-brac.

And yet, to the wonder of these righteous critics, Suzanne kept her

warm friends. There was always some amiable Philistine to watch her

erratic movements with delighted awe, to run on her errands, to listen

to her amazing confidences, and to stand up for her through thick and

thin. Though Biscuits and her little circle were, even in their

sophomore year, beginning to draw away from her, vaguely conscious of

a necessary parting of the ways, frankly puzzled at the vagaries of

this girl who was half a spoiled baby, half a woman of the world, at

intervals the fascination of her personality drew them back for a

while, and they wondered that they could have thought her

irresponsible and selfish at heart.

To-day, as Biscuits walked beside her, convulsed by her narration of a

recent tussle with the lady-in-charge--"I was only putting an

accordion-pleated crêpe-paper frieze above the moulding, with thumb

tacks, and if she had kept out of the way--pig! 'What do you think you

came to college for, Suzanne? Certainly not work of this sort!' 'Oh,

no, Mrs. Wylie, of course not. I have long realized that our real

object in coming here was to save the maids trouble!'"--she almost

forgave her that curt refusal to have anything to do with the

reception decorations: "You'd far better save me for the Prom--I'll

manage that, but I won't do both, _vous savez, c'est un peu trop

fort_!" she had remarked royally, and the committee had smothered

their wrath and agreed, and cursed her afterwards in detail, after the

manner of practical young women who are far from the short-sightedness

of allowing their emotions to interfere with their intentions. Also,

they do not enjoy giving needless pain--on the spot. This is one of

the sweetest attributes of woman.

They knocked at Evangeline's door, and omitting preliminary

ceremonies, demanded the dress. Evangeline produced a dark red

cashmere: Suzanne shook her head. A much washed white lawn with what

appeared to be blue palm-leaf fans scattered over it was next offered

for consideration: Suzanne gasped, "_Mon Dieu!_" A gray gingham

decorated with yellow spirals met her demand for "a summer thing," and

caused the artist to sink upon the floor with a tragic groan.

"_Mais, Evangéline, vous me serrez le coeur! C'est horrible! C'est

effrayant!_"

Evangeline smiled politely but offered no further suggestion.

Suzanne looked at her searchingly through half-closed eyes. "Have you

anything black?" she demanded.

"I have a black silk," said Evangeline, and she brought out a heavy,

corded, ribbon-trimmed affair with a pointed vest that would have been

highly suitable for a maiden aunt who had, as Suzanne remarked, seen

misfortune. Biscuits sighed, but Suzanne rose rapidly to her feet and

clutched the scissors she had brought with her.

"_Enfin! Ça y est!_" she cried. "Put it on her, Biscuits!"

She persisted in utterly ignoring Evangeline, or, more exactly, in

treating her as if she had been a doll, talking to her in a pitying

tone that required no answer and commenting upon her deficiencies in a

manner that made Biscuits squirm visibly and glance apologetically at

the object of such impersonal criticism.

"Perhaps Miss Potts doesn't care to have such a--such a nice dress

cut," she suggested, as Suzanne, with what seemed a perfectly careless

gesture, slashed at the sleeves.

"_Quel malheur!_" replied the artist, indifferently, and Evangeline

added, "I'd just as lieve."

With pursed lips Suzanne snipped and pinched, while Biscuits followed

her every motion and Evangeline silently adjusted herself to each new

position as Suzanne pulled and pushed her arms and neck about. At

length with a sudden motion Suzanne stripped off the detached sleeves

as if they had been gloves, and snatched away the top of the scant

middle-aged waist with a quick movement. "_Voilà!_" she said, and

Biscuits gasped: for Evangeline Potts was a transformed creature. Her

arms and neck were ivory white and as soft and smooth as satin; the

lovely curves of her throat and shoulders could never have been

guessed at under the stiff black seams of the waist.

Suzanne patted her arms appreciatively. "I might have known it, with

that hair and those freckles!" she murmured. Then, calmly, to

Evangeline: "The trouble with your kind is, you never have any

eyebrows and your eyelids get red, _n'est-ce pas?_"

She went a few steps back from the motionless figure and stood silent.

"You could twist a black scarf," suggested Biscuits, hastily. Suzanne

waved her hand.

"_Tu me dégoûtes, à la fin!_" she said coldly; "Get your cape on!"

Then, to Evangeline: "Undo your hair!" As the thick coil tumbled over

her shoulders, the directress of ceremonies deliberately selected a

light inner tress and snipped it off.

"Take it down town and match it--in velvet if you can, in silk if you

can't," she commanded. "And get enough, get two, three yards!"

"But will Miss Potts want to spend--" Biscuits looked doubtfully at

the white-armed goddess who contemplated herself quietly in the glass.

It was impossible to know what she was thinking; she was apparently

quite accustomed to strangers who dressed her in low-cut evening

dresses and snipped her hair and spent her money.

Suzanne stamped her foot. "_Va-t-en!_" she cried, and then, with an

irresistible mimicry of Evangeline, "_She'd_ just as lieve!"

When Biscuits returned with a great strip of tawny velvet, it was

taken from her at the door, and she was instructed to get from

Suzanne's room her make-up box and the gold powder that had so

unaccountably disappeared after the play last week.

"They borrowed the eyebrow pencil and that, the night of the dress

rehearsal, and they _swore_ to bring them back--beasts! What have I to

call my own? _Rien!_ Never, never, never will I lend anything again!

_Il faut faire un fin, vraiment!_"

It was a long hunt for Biscuits, and more than once it occurred to her

that she had refused to go on the decorating committee with a view to

escaping just such wearisome trotting about. When she handed the box

to Suzanne and suggested that the result should be extremely pleasing

to justify such toil, the red spot in the artist's either cheek and

her wide-opened eyes indicated the happy absorption to which no effort

seems worthy of mention. Biscuits, not allowed to enter the room, sat

wearily on the stairs, longing to go home but unwilling to abandon

Suzanne. It was very nearly six, and she was not dressed; she had left

the necessary perusal of _The Works of Christopher Marlowe_ till late

in the day, thinking to devote the evening to it; she took little

interest in Evangeline Potts, and she did not care much for dancing.

But for the moment her resentment vanished when Suzanne called her in

and she beheld the object of her labors under the gaslight in a

carefully darkened room. Her milk-white shoulders rose magnificently

from folds of auburn velvet that her wonderful hair repeated in loose

waves about her face and a great mass low on her neck. Her long, round

arms gleamed against the black of her skirt and melted into the glow

of her velvet girdle. In the white light her freckles paled and her

eyes turned wholly brown, and said mysterious things that could never

by any possibility have occurred to her.

"_Tiens! J'ai eu la main heureuse, n'est-ce pas? Vous la trouvez

charmante?_" said Suzanne, turning her about as if she had been a

dummy and indicating her opinion that the back view was, if anything,

more satisfying than the front.

"You're a genius, Suzanne! She's simply stunning! How did you do it?"

Suzanne smiled. "_C'est pas grand' chose_," she said modestly. But she

looked contentedly at Evangeline and loosened her hair a little. "Now

remember, don't put on those hideous rings," she commanded, "and don't

wear anything on your head. Do you dance well?" she added.

Evangeline hesitated. "I dance a little," she replied, "pretty well, I

guess."

Suzanne promptly encircled her waist and whistled a waltz. After a few

turns she stopped.

"You dance very badly," she said encouragingly. "If I were you, I'd

sit out most of them. You can say it bores you--they'll be glad

enough. Besides, you might get red and then you'd not be pretty. Now

don't move about much, and when Miss Kitts brings you the white roses

put them just where I told you.

"Very well," said Evangeline, and as the other two prepared to go she

gave them one of her long, slow smiles. "I'm much obliged to you

both, I'm sure," she said; "you've been very kind."

"_Adieu, mon enfant--à plus tard!_" and Suzanne seized the door knob.

She turned in the door and threw a quick, piercing look at her

handiwork. "If you take my advice, you'll never put on that dreadful

shirt-waist again, _très chère_," she said lightly. "You'll spoil all

this splendor, if you do. Give it away--or, no, don't! you'd corrupt

the taste of the poor--burn it up, and the others with it, and get a

black suit and a black silk waist and wear a big white tie, if you

like. And a white tam--one of those pussy ones. Wear one color--_c'est

plus distingué_--and if you want a big black hat with plumes, I'll

make it for you. _Et maintenant, regarde-toi dans la glace!_"

With this invocation they left her, and Biscuits, learning that

Suzanne had exhausted her energy and proposed to inform her freshman

that she was ill and unable to attend the reception, became possessed

by the idea that she was responsible for this particular illustration

of the artistic temperament, and went without her dinner to hunt up a

substitute. She wasted no time in argument with Suzanne, who lay

luxuriously on her couch pillows with her hands under her head, and

planned costumes for Evangeline Potts all the evening, but tramped

angrily over the campus till quarter of seven to find an unattached

sophomore, forgetting that Evangeline's flowers were yet to be

purchased. Coming up with them in her hand, a little later, she was

forced to stop and explain to the substitute the intricacies of

Suzanne's programme, breaking off abruptly to beat her breast like the

wedding guest, for she heard the loud bassoon and fled to her room,

tearing her evening dress hopelessly and completing her toilette on

the stairs. The substitute suffered from a violent headache as the

result of her unexpected exertions, and the little freshman cried

herself to sleep, for she had dreamed for nights of going with

Suzanne, whom she admired to stupefaction.

But of all this Evangeline Potts knew little, and, it may be, cared

less. She was one of the successes of the evening, and her few remarks

were quoted diligently. She could have danced dozens of extras, had so

many been possible, and Biscuits was considered to have displayed more

than her ordinary cleverness in procuring a creature so picturesque

and distinguished.

This did not surprise her, nor did she particularly resent being

pointed out by more than one freshman as "the sophomore that took that

stunning Miss Potts"; but her amazement was undisguised, the next

morning but one, at the sight of Evangeline walking out from chapel

with a prominent junior, the glamor of the evening gone, it is true,

her face somewhat heavy and undeniably freckled, but nevertheless an

Evangeline transformed. From her fluffy white cap to the hem of her

dignified black skirt she was the realization of Suzanne's parting

suggestions, and the distinct intention of her costume had its full

effect. She was far more impressive than the jolly little

short-skirted junior, whose curly yellow hair paled beside the dark

richness of Evangeline's massive coils, and Biscuits, remembering that

she had called her "a perfect stick," marvelled inwardly.

She went to call on her a little later, but Evangeline was not in; and

feeling that her duty was done, Miss Kitts gave no further thought to

what she considered an essentially uninteresting person, but devoted

herself to a study of the campus house into which she had moved only

that year.

She saw Evangeline very rarely after that, except at the dances and

plays, where her white shoulders framed in auburn velvet appeared very

regularly. Once, happening to sit beside her, she began a

conversation, but she could not remember afterward that Miss Potts

said anything but, "Yes, indeed," or, "Yes, I think so, too." Her

surprise was therefore great when, on hearing the result of the

sophomore elections the next fall, and audibly commenting on the

oddity of Miss Evangeline Potts in the position of sophomore

president, she was indignantly assured by a loyal member of that class

that the vote was almost unanimous and that she was one of the ablest

girls in the class.

Even this she did not consider long, for the sophomore presidency is

the least important of the four; but when among the first five

sophomores to be triumphantly ushered into Phi Kappa Psi she was asked

to consider the name of Evangeline Potts, she remonstrated.

"But she's not clever! She's not half so bright as lots we haven't

got!" she objected. "Why do we want her?"

"She's no prod, of course, but she's a prominent girl and class

president," was the answer, "and she's really very strong, I

think--they say she does fair work, and everybody but you wants her.

Do you really disapprove of her?"

"Oh, no!" said Biscuits, and watched Miss Potts with interest. She

received her congratulations quietly, with a manner that made one

wonder if they had been quite in good taste, and acted altogether as

if she had fully expected to enter the society with Ursula Wyckoff and

Dodo Bent. The senior class president took her out of chapel at the

head of the file, with a bunch of violets as big as her two fists

pinned to her belt, and Biscuits was asked to a supper in her honor in

the campus house she had recently entered.

One of the other guests was the little freshman Biscuits had first

asked to the sophomore reception, herself a sophomore now, and one of

Phi Kappa's first five.

"Was your class surprised at the elections?" asked Biscuits, glancing

half unconsciously at Evangeline. The sophomore smiled gently, with a

hardly perceptible recognition of Biscuits' look.

"Oh, no," she replied; "we expected them--except, perhaps, one or

two." Her polite little blush showed her traditional surprise at her

own success, and the junior gave the equally traditional deprecating

smile.

"Who's the other?" she inquired bluntly. The sophomore was taken off

her guard and glanced again at Evangeline.

"Why, some of us didn't exactly see--we think Alison Greer's terribly

bright--we didn't expect--and yet, I don't know! After all, I think

perhaps we weren't so awfully surprised!"

"Now, I wonder if you really weren't, or if you're lying?" thought

Biscuits, and then, remembering suddenly, "but that's just the way

_we_ all talked last year about Evelyn Lyon!"

That summer Evangeline spent in France with Suzanne, who informed

Biscuits before they sailed that though she couldn't find out anything

about Miss Potts' parents, she had learned of the existence of a

well-to-do uncle in New Hampshire who intended leaving quite a little

money to his uncommunicative niece--he had given her the money to go

abroad.

"She planned it all out, and asked to go with me, and I couldn't well

refuse," said Suzanne, "though Brother will be wild with rage--he

hates women who are not clever: _il est un peu exigéant, mon frère_."

By senior year Biscuits had very nearly lost track of Suzanne, who

left the campus and spent most of her time sketching. Brother had

shown some pen-and-ink portraits of hers to a great critic, who had

declared that Brother had by no means exhausted the family genius, and

Suzanne, heavily bribed, had returned to her last year of durance. The

day of the Junior Prom Biscuits received a very French little note

inviting her to "_une première vue_," and with the full expectation of

a pen-and-ink collection, she confronted Evangeline, glorious in white

satin and gold passementerie, with an amber chain and a great amber

comb in her hair.

"_Vous rappelez-vous cette première fois, hein?_" Suzanne asked, with

a grin. "_Ça date de loin, n'est-ce pas?_" Adding cheerfully,

"_L'oncle est mort et nous avons une jolie dot!_"

Biscuits was not surprised to learn that Ursula Wyckoff had moved

heaven and earth to get her cousin from Columbia for Evangeline's

escort; she had heard how Nan Gillatt actually took her own brother to

the Glee Club concert because Evangeline preferred the youth selected

by Nan for herself, and she remembered how _she_ had hunted from shop

to shop for the velvet that matched that auburn hair. It was not that

Evangeline insisted: she did not beg favors. But her habit of

receiving a proposition in silence filled one with an irresistible

desire to better one's offer, and even the improvement seemed poor in

the calm scrutiny of those red-brown eyes.

"What I can't see is, who pushes her!" mused Biscuits.

Smith College Stories Ten Stories by Josephine Dodge Daskam · 第 11 / 15 段