"What must Fitzsimmons think of me?" was her predominant idea. "His

gallantry as a gentleman prompted his reply, but still how sadly I must

have sunk in his opinion! That I should have allowed myself to be drawn

into such a conversation! That I should have carried a foolish jest so

far! But I will punish myself severely. I will expiate my folly by

avoiding all farther intercourse with Gordon Fitzsimmons; and from this

night we must become strangers to each other."

The change in Lucinda's countenance and manner was now so obvious that

several of her friends asked her if she was ill. To these questions she

answered in the negative: but her cheeks grew paler, and the tears

sprang to her eyes.

Miss Delwin now approached, and said to her in a low voice--"My dear

Lucinda, I perceive that you are suffering under some _contre-tems_; but

such things, you know, are always incidental to balls, and all other

assemblages where every one expects unqualified delight. We should be

prepared for these contingencies, and when they do occur, the only

alternative is to try to pass them over as well as we can, by making an

effort to rally our spirits so as to get through the remainder of the

evening with apparent composure, or else to plead indisposition and go

home. Which course will you take?"

"Oh! how gladly would I retire!" exclaimed Lucinda, scarcely able to

restrain her tears. "But were I to do so, there are persons who might

put strange constructions--or rather the company might be induced to

make invidious remarks--"

"By no means," interrupted Miss Delwin. "A lady may at any time be

overcome with the heat and fatigue of a ball-room--nothing is more

common."

"But," said Lucinda, "were I to leave the company--were I to appear as

if unable to stay--were I to evince so much emotion--he would, indeed,

suppose me in earnest."

"He!" cried Miss Delwin, looking surprised. "Of whom are you speaking,

dear Lucinda? Who is it that would suppose you in earnest?"

"No matter," replied Lucinda, "I spoke inadvertently; I forgot myself; I

knew not what I was saying."

"Dearest Lucinda," exclaimed Miss Delwin, "I am extremely sorry to find

you so discomposed. What can have happened? At a more convenient time,

may I hope that you will tell me?"

"Oh! no, no," replied Lucinda, "it is impossible. I cannot speak of it

even to you. Ask me no further. I am distressed, humiliated, shocked at

myself (and she covered her face with her hands). But I cannot talk

about it, now or ever."

"Lucinda, my dear Lucinda," said Miss Delwin, "your agitation will be

observed."

"Then I must endeavour to suppress it," replied Lucinda, starting up. "I

_must_ stay till this unfortunate ball is over; my going home would seem

too pointed."

"Let me then intreat you, my dear girl," said Miss Delwin, "to exert

yourself to appear as usual. Come, take my arm, and we will go and talk

nonsense to Apesley Sappington."

Lucinda did make an effort to resume her usual vivacity. But it was

evidently forced. She relapsed continually: and she resembled an actress

that is one moment playing with her wonted spirit, and the next moment

forgetting her part.

"So," said Colonel Kingswood to Fitzsimmons, after Lucinda had left them

together, "I am to infer that you are are really in love with Miss

Mandeville?"

"Ardently--passionately--and I long to tell her so in earnest," replied

Fitzsimmons; and he took up the feather that Lucinda in her agitation

had dropped from her hand.

"Of course, then, you will make your proposal to-morrow morning," said

the colonel.

"No," replied Fitzsimmons, concealing the feather within the breast of

his coat. "I cannot so wound her delicacy. I see that she is

disconcerted at the little scene into which we inadvertently drew her,

and alarmed at the idea that perhaps she allowed herself to go too far.

I respect her feelings, and I will spare them. But to me she has long

been the most charming woman in existence."

"What, then," inquired the colonel, "has retarded the disclosure of your

secret, if secret it may be called?"

"Her superiority in point of fortune," replied Fitzsimmons. "You know

the small amount of property left me by my father, and that in my

profession I am as yet but a beginner; though I must own that my

prospects of success are highly encouraging. To say nothing of my

repugnance to reversing the usual order of the married state, and

drawing the chief part of our expenditure from the money of my wife, how

could I expect to convince her that my motives in seeking her hand were

otherwise than mercenary?"

"Are they?" said Colonel Kingswood, with a half smile.

"No, on my soul they are not," replied Fitzsimmons, earnestly. "Were our

situations reversed, I would, without a moment's hesitation, lay all

that I possessed at her feet, and think myself the most honoured, the

most fortunate of men if I could obtain a gem whose intrinsic value

requires not the aid of a gold setting."

"Do you suppose, then," said Colonel Kingswood, "that a lovely and

elegant woman like Miss Lucinda Mandeville can have so humble an opinion

of herself as to suppose that she owes all her admirers to her wealth,

and that there is nothing attractive about her but her bank-stock and

her houses?"

"Since I first knew Miss Mandeville," replied Fitzsimmons, "I have

secretly cherished the hope of being one day worthy of her acceptance.

And this hope has incited me to be doubly assiduous in my profession,

with the view of ultimately acquiring both wealth and distinction. And

when I have made a name, as well as a fortune, I shall have no scruples

in offering myself to her acceptance."

"And before all this is accomplished," observed the colonel, "some lucky

fellow, with a ready-made fortune, and a ready-made name, or, more

probably, some bold adventurer with neither, may fearlessly step in and

carry off the prize."

"There is madness in the thought!" exclaimed Fitzsimmons, putting his

hand to his forehead.

"Did it never strike you before?" inquired the colonel.

"It has, it has," cried Fitzsimmons; "a thousand times has it passed

like a dark cloud over the sunshine of my hopes."

"Take my advice," said the colonel, "and address Miss Mandeville at

once."

"Fool that I was!" exclaimed Fitzsimmons, "how could I be so utterly

absurd--so devoid of all tact, as to reply to her unguarded _badinage_

in a tone of reality! No wonder she looked so disconcerted, so shocked.

At this moment, how she must hate me!"

"I am not so sure of that," observed the colonel; "but take my advice,

and let the _etourderie_ of this evening be repaired by the opening it

affords you of disclosing your real feelings to the object of your

love."

"I cannot," replied Fitzsimmons, "I cannot, after what has passed, run

the risk of giving farther offence to her delicacy."

"Her delicacy," remarked the colonel, "may be more deeply offended by

your delaying the disclosure. But we must separate for the present. If

Miss Mandeville sees us talking together so earnestly, she may justly

suppose herself the object of discussion."

The two gentlemen parted; and Fitzsimmons, feeling it impossible to

speak to Lucinda again that evening, and having no inclination to talk

to any one else, withdrew from the ball, and passed two hours in

traversing his own room.

After the departure of her lover, Lucinda felt more at her ease;

particularly as Colonel Kingswood was so considerate as to avoid

approaching her. During the remainder of the evening, she exerted

herself with such success as to recall a portion of her natural

sprightliness, and of the habitual self-command that she had acquired

from living in the world of fashion.

Supper was announced. The ladies, persisting in their assumed

characters, conducted the gentlemen to the table, where the profusion

and variety of the delicacies that composed the feast, could only be

equalled by the taste and elegance with which they were decorated and

arranged. The belles filled the plates of the beaux, and poured out the

wine for them; and many pretty things were said about ambrosia and

nectar.

At the conclusion of the banquet, the band in the orchestra, on a signal

from some of the gentlemen, struck up the symphony to a favourite air

that chiefly owes its popularity to the words with which Moore has

introduced it into his melodies; and "To ladies' eyes a round, boys,"

was sung in concert by all the best male voices in the room. The song

went off with much eclat, and made a pleasant conclusion to the evening.

After the belles had curtsied out the beaux, and retired to the

cloak-room to equip themselves for their departure, they found the

gentlemen all waiting to see them to their carriages, and assist in

escorting them home: declaring that as the play was over, and the

curtain dropped, they must be allowed to resume their real characters.

When Lucinda Mandeville arrived at her own house, and found herself

alone in her dressing-room, all the smothered emotions of the evening

burst forth without restraint, and leaning her head on the arm of the

sofa, she indulged in a long fit of tears before she proceeded to take

off her ornaments. But when she went to her psyche for that purpose, she

could not help feeling that hers was not a face and figure to be seen

with indifference, and that in all probability the unguarded warmth with

which Fitzsimmons had replied to her mock courtship, was only the

genuine ebullition of a sincere and ardent passion.

It was long before she could compose herself to sleep, and her dreams

were entirely of the ball and of Fitzsimmons. When she arose next

morning, she determined to remain all day up stairs, and to see no

visiters; rejoicing that the fatigue of the preceding evening would

probably keep most of her friends at home.

About noon, Gordon Fitzsimmons, who had counted the moments till then,

sent up his card with a pencilled request to see Miss Mandeville.

Terrified, agitated, and feeling as if she never again could raise her

eyes to his face, or open her lips in his presence, Lucinda's first

thought was to reply that she was indisposed, but she checked herself

from sending him such a message, first, because it was not exactly the

truth, and secondly, lest he should suppose that the cause of her

illness might have some reference to himself. She therefore desired the

servant simply to tell Mr. Fitzsimmons that Miss Mandeville could

receive no visiters that day.

But Fitzsimmons was not now to be put off. He had been shown into one of

the parlours, and going to the writing-case on the centre-table, he took

a sheet of paper, and addressed to her an epistle expressing in the most

ardent terms his admiration and his love, and concluding with the hope

that she would grant him an interview. There was not, of course, the

slightest allusion to the events of the preceding evening. The letter

was conceived with as much delicacy as warmth, and highly elevated the

writer in the opinion of the reader. Still, she hesitated whether to see

him or not. Her heart said yes--but her pride said no. And at length she

most heroically determined to send him a written refusal, not only of

the interview but of himself, that in case he should have dared to

presume that the unfortunate scene at the ball could possibly have meant

anything more than a jest, so preposterous an idea might be banished

from his mind for ever.

In this spirit she commenced several replies to his letter, but found it

impossible to indite them in such terms as to satisfy herself; and,

after wasting half a dozen sheets of paper with unsuccessful beginnings,

she committed them all to the fire. Finally, she concluded that she

could explain herself more effectually in a personal interview, whatever

embarrassment the sight of him might occasion her. But not being able at

this time to summon courage to meet him face to face, she sent down a

note of three lines, informing Mr. Fitzsimmons that she would see him in

the evening at seven o'clock.

Several of Lucinda's friends called to talk about the ball, but she

excused herself from seeing them, and passed the remainder of the day up

stairs, in one long thought of Fitzsimmons, and in dwelling on the

painful idea that the avowal of his sentiments had, in all probability,

been elicited by her indiscretion of the preceding evening. "But," said

she to herself, "I will steadily persist in declining his addresses; I

will positively refuse him, for unless I do so, I never can recover my

own self-respect. I will make this sacrifice to delicacy, and even then

I shall never cease to regret my folly in having allowed myself to be

carried so far in the thoughtless levity of the moment."

Being thus firmly resolved on dismissing her admirer, it is not to be

supposed that Lucinda could attach the smallest consequence to looking

well that evening, during what she considered their final interview.

Therefore we must, of course, attribute to accident the length of time

she spent in considering which she should wear of two new silk dresses;

one being of the colour denominated _ashes of roses_--the other of the

tint designated as _monkey's sighs_. Though ashes of roses seemed

emblematic of an extinguished flame, yet monkey's sighs bore more direct

reference to a rejected lover, which, perhaps, was the reason that she

finally decided on it. There was likewise a considerable demur about a

canezou and a pelerine, but eventually the latter carried the day. And

it was long, also, before she could determine on the most becoming style

of arranging her hair, wavering between plaits and braids. At last the

braids had it.

Mr. Fitzsimmons was announced a quarter before seven, his watch being

undoubtedly too fast. Lucinda came down in ill-concealed perturbation,

repeating to herself, as she descended the stairs, "Yes--my rejection of

him shall be positive--and my adherence to it firm and inexorable."

Whether it was so we will not presume to say, but this much is

certain--that in a month from that time the delinquent gentlemen made

the _amende honorable_ by giving the ladies a most splendid ball, at

which the _ci-devant_ Miss Mandeville and Mr. Gordon Fitzsimmons made

their first appearance in public as bride and bridegroom, to the great

delight of Colonel Kingswood.

THE RED BOX,

OR,

SCENES AT THE GENERAL WAYNE.

A TALE.

----"Just of the same piece

Is every flatterer's spirit."--SHAKSPEARE.

In one of the most beautiful counties of Pennsylvania, and in the

immediate vicinity of the Susquehanna, stood an old fashioned country

tavern, known by the designation of the General Wayne. Of its landlord

and his family, and of some little incidents that took place within its

precincts about forty years ago, it is our purpose to relate a few

particulars.

The proprietor of the house and of the fine farm that surrounded it, was

by birth a New-Englander; and having served in Washington's army during

the whole of the revolutionary war, he was still distinguished by the

title of Colonel Brigham. When, on the return of peace, he resumed his

original occupation of farming, he concluded to settle on the genial

soil of Pennsylvania, and removed thither with his wife, their little

daughter, and an adopted child named Oliver, a fine boy whom they

boasted of loving equally with their own Fanny; that he was equally

indulged admitted not of a doubt.

As Oliver advanced to manhood he took the chief charge of the farm, and

Mrs. Brigham with great difficulty prevailed on her husband to set up an

inn; partly to give himself more occupation, and partly because his

boundless hospitality in entertaining gratuitously all strangers that

came into the neighbourhood, had become rather too much of a tax.

Accordingly, a range of stalls for horses was erected at a short

distance from the house, which was beautified with a new porch, running

all along the front, and furnished with green benches. A village artist

(who was not only a painter, but a glazier also) was employed to

contrive a sign, which it was expected would surpass all that had ever

been seen in the country; it being neither Buck nor Fox, neither Black

Horse, Green Tree, Conestoga Wagon, or any of those every-day things.

The painter's ideas were committed to board in the shape of the

landlord's old commander, General Anthony Wayne. This effigy was

evidently designed for that of a human being, but the artist had begun

the upper part on so large a scale, that there was little or no room for

the body and limbs; the gallant general looking as if crushed down by

the weight of his hat and head. He stood upon a narrow strip of

verdigris green, with his two heels together, and his toes wonderfully

turned out. The facings of his coat, and all his under-clothes, were of

gold. He wielded in one hand an enormous sword--the other held out a

pistol in the act of going off--and he leaned on a cannon from whence

issued a flash of scarlet fire, and a cloud of sky-blue smoke.

It is true, that when the sign came home, the colonel made many

objections to it, declaring that gold breeches had never been worn in

the continental army, and that no man ever stood still leaning on a gun

at the moment it was discharged--neither did he think it by any means a

good likeness of General Wayne. But Mrs. Brigham reminded her husband

that there was no use in telling all this to everybody, and that it

might suit some people's ideas of General Wayne--adding, that she never

saw a sign that _was_ a good likeness, except Timothy Grimshaw's White

Lion, which looked exactly like Timothy himself.

Oliver averred that the artist was certainly a liberal man, and had

given them the full worth of their money, for beside the gilding, there

was more paint on it than on any sign he had ever seen.

Their neighbour, Tempy Walters, was, however, of opinion that they had

been greatly overcharged, for that a man had painted her brother's

cellar-door (which was considerably larger than this sign) for half the

money. "To be sure," added Tempy, "there was no gold on the

cellar-door--but it must have taken twice the paint."

To be brief, the colonel dismissed the case by paying the artist rather

more than he asked--telling him, also, that he should be glad to see him

at his house whenever he chose to come, and that his visits should not

cost him a cent.

There never, perhaps, was a less profitable tavern than the General

Wayne. The people of the neighbourhood were amazingly sober, and Mrs.

Brigham allowed no tipplers to lounge about the bar-room or porch. The

charges were so moderate as scarcely to cover the actual cost of the

good things which were so profusely lavished on the table, and the

family could not relinquish the habit of treating their guests as

visiters and friends. Colonel Brigham always found some reason why such

and such articles were not worth considering at all, and why such and

such people could not afford to pay as well as he could afford to give

them food and shelter. On soldiers, of course, he bestowed gratuitous

entertainment, and was never more delighted than when he saw them

coming. Pedlers and tinmen always took it--and emigrants on their way to

the back settlements were invariably told to keep their money to help

pay for their land.

But though tavern-keeping did not realize the anticipations of Mrs.

Brigham in operating as a check on the hospitality of her husband,

still, as she said, it kept him about the house, and prevented him from

heating and fatiguing himself in the fields, and from interfering with

Oliver in the management of the farm--Oliver always doing best when left

to himself. It must be understood that this youth, though virtually a

dependant on the bounty of the Brighams, evinced as free and determined

a spirit as if he had been literally "monarch of all he surveyed." He

was active, industrious, frank to a fault, brave and generous; and would

have fought at any moment in defence of any member of the family; or,

indeed, for any member of any other family, if he conceived them to have

been injured.

Between Oliver and Fanny Brigham there was as yet no demonstration of

any particular attachment. They had been brought up so much like brother

and sister that they seemed not to know when to begin to fall in love.

Fanny coquetted with the smart young men in the neighbourhood, and

Oliver flirted with the pretty girls; not seeming to perceive that Fanny

was the prettiest of all. The old people, however, had it very much at

heart for a match to take place between the young people, as the best

preventive to Oliver "going west" (a thing he sometimes talked of, in

common with the generality of young farmers), and therefore they watched

closely, and were always fancying that they detected symptoms of real

_bona fide_ love. If the young people quarrelled, it was better so than

that they should feel nothing for each other but mutual indifference. If

they appeared indifferent, it was supposed that Fanny was modestly

veiling her genuine feelings, and that Oliver was disguising his to try

the strength of hers. If they talked and laughed together, they were

animated by each other's society. If they were silent, they had the

matter under serious consideration. If Fanny received with complaisance

the civilities of a rural beau, and if Oliver devoted his attention to a

rural belle, it was only to excite each other's jealousy. On one thing,

however, the old people were agreed--which was, that it was best not to

hurry matters. In this they judged from their own experience; for Mrs.

Brigham had lost her first lover (a man that had come to see her every

Wednesday and Saturday for five years and a half) because her father

prematurely asked him what his intentions were. And Colonel Brigham had

been refused no less than nine times, in consequence of "popping the

question" at his first interview--a way he had when he was young.

So equal, however, was their love for the two children (as they still

continued to call them), so anxious were they to keep Oliver always with

them, and so impossible did it seem to them to think of any other young

man as a son-in-law, that they would have sacrificed much to bring about

so desirable a conclusion. But we have been loitering too long on the

brink of our story, and it is time we were fairly afloat.

One clear, mild autumnal evening, Colonel Brigham (who for himself never

liked benches) was occupying a few chairs in his front porch, and

reading several newspapers; looking occasionally towards a cider-press

under a large tree, round which lay a mountain of apples that a horse

and a black boy were engaged in grinding. The colonel was habited in

striped homespun trousers, a dark brown waistcoat with silver buttons,

and no coat--but he took great pride in always wearing a clean shirt of

fine country-made linen. As relics of his former military capacity, he

persisted in a three-cocked hat and a black stock. He had joined the

army in the meridian of life, and he was now a large, stout, handsome

old man, with a clear blue eye, and silver gray hair curling on each

side of a broad high forehead. Suddenly a stage that passed the house

twice a week, stopped before the door. The only passengers in it were an

old gentleman who occupied the back seat, and four young ones that sat

on the two others, all with their faces towards him.

"Can we be accommodated at this inn for a few days?" said the elder

stranger, looking out at the side. Colonel Brigham replied in the

affirmative, adding that just then there were no guests in the house.

"So much the better," said the old gentleman; "I like the appearance of

this part of the country, and may as well be here for a little while as

any where else." And making a sign to the young ones, they all four

scrambled out of the stage with such eagerness as nearly to fall over

each other--and every one took a part in assisting him down the steps,

two holding him by the hands, and two by the elbows. But as soon as his

feet touched the ground, he shook them all off as if scattering them to

the four winds. He was a small slender old man, but of a florid

complexion, and showed no indication of infirm health, but the excessive

care that he took of himself--being enveloped in a great coat, over it a

fur tippet round his neck, and his hat was tied down with a silk

handkerchief.

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