I phoned back.

His usually calm voice was raised with emotion. "I got word the serial

was done and Bob Durfree called before I sent for it. I've got some

bad news for you, Phil. They've been dissatisfied with Durfree's

editorial policy for quite a while. Over the weekend, the Board met and

they've hired a new editor. Serials are out, from now on. I reminded

the new editor that the characters in your story belong to them--and

you can't sell it anywhere else. He said he was sorry; said he wanted

short stories about Cynthia, as usual. But no serials. You know, they

never consider a request as a commitment. I'm as sore as I can be! I

realize you were counting on the money for your new house. But--can't

you change the characters and do it over and let me try it on somebody

else? It's a mighty good story!"

Harold is not just my literary representative. He is my friend. I

didn't want him to guess how I really felt.

I told him I'd decide later whether to write the serial over or to

chuck it. I hung up. Went to the desk. The carbon copy of my summer's

work was sitting there, mute and blurry in its box. I took it out and

fingered it and wondered how long it would be before I'd get to that

sober book which would try to tell what certain men had learned of

human instinct and how different it was from what most of the rest of

mankind believed.

Quite a while, I thought.

There were other things to do first. A wife to heal, a kid to send to

school, a house to finish, taxes to pay, trips to make, furniture to

buy.

Maybe a war to fight at some frustrated desk.

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 340 / 346 题