Everything was finished

with the possible exception of me.

Rain fell all around the marquee--in a wet, funereal fringe.

The doorman stood in the street beneath his great umbrella, whistling.

Two old ladies waited impatiently, jostling each other and batting

annoyedly at their pocketbooks. They seemed to expect the whistle to

conjure up a yellow taxi from the fourth dimension and because it took

Al five minutes to hail an empty, the elder of the two put back her

dime in her purse and snapped it with the righteous authoritative sound

of a Norn's shears.

"Let's go to Gimbel's first," she said.

But the other wanted to start in Lord and Taylor's.

They whisked away debating this.

And I went soon--through the leaden atmosphere, on the black and

slippery pavement.

The people were there in the office ahead of me.

Mr. So-and-so. Mrs. So-and-so. Miss So-and-so.

The nurse was there, too.

It was where we had come in. Where we all do. Where we leave.

I sat, batting the drops from my trouser cuffs, smelling the damp

feathers of the anxious poultry.

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 331 / 346 题