I let myself absorb the vertical drop until I was weak.

Vertigo gets to me fast. My psychiatrist said he thought it was a

symbol--in my case--for striving. I spent too much effort trying to get

to some summit where skill, not effort, alone could take anybody. And

the struggle was reflected as a physical horror of high places. There

must have been something in it, because after assimilating the idea,

I was at least able to live in high rooms without feeling queasy. But

there may be even more in it--since I still get sick, hanging around

the edge of sixteen-story walls.

Paul also was looking down at all the people and the people constantly

arriving.

"I'm going in," I said.

He hardly paid any attention.

Such clothes as I had on were soaked clear through again. I was

thinking about changing when the door knocked and the cop stood there

with some other men--in and out of uniforms.

"He's moved."

"I know."

"We can't get at him good, there. A net won't be possible. We've got

some guys looking over the picture on the roof. But it's risky. Twice,

that squad has gotten a line around somebody--and had them get loose

and go. One bird threw the rope off before they could pull it tight.

And a woman cut it while she was hanging over the street. Can we come

in?"

I opened the door. They looked at me. "My name's Black," one said.

"Captain--your precinct." He introduced the rest the way an undertaker

presents pallbearers to each other. They all went over near the windows

and knelt and peeked furtively at Paul.

"Should I stay out there?" I asked.

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 301 / 346 题