The man seemed to grow pale. His smile disappeared. "No."

"Then what--? In God's name what--?"

"I am here," Chris said in so low a tone his voice scarcely carried

through the pulsing air, "because I promised."

"Promised? Promised who--when--?"

"Because I said it. Lo, I shall be with you always, even unto the end

of the world."

The colonel stared--and remembered. He turned the color of ashes. His

right hand, ungoverned, made upon brow, shoulders and chest the sign

of the Cross. His knees bent tremblingly.

But before he could genuflect the man called Chris touched his arm.

"Don't, colonel!"

The officer, in his distraction, was muttering a woman's name, over and

over.

Chris smiled painfully. "I am here." He glanced, then, at the watching

gunners.

The colonel looked that way, too, and recovered something of his

fighting smile. They were--after all--his command. It wouldn't do

to let them see him prostrate. The gunners responded to the direct

glance--and the return of the smile--by a brightening of their eyes

and a faint curving of the corners of their mouths; their attention

went back to duty--the duty of scanning the void outside the domes of

plexiglass.

"My Lord--" the colonel all but whispered--"what shall we do?"

"Return."

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 257 / 346 题