I thought of gardens.

All the gardens I had made or cared about.

Roses of my own, on carefully pruned canes standing in New England

mulch. Rented roses on rose trees in Hollywood. I thought of sweet

peas--fragrant rainbows along old fences. Of delphiniums--hybrids

taller than my head, rockets frozen at the climax of blue burst. Lilies

and phlox and poppies. I thought of annuals--of planting the grains,

setting out the frail seedlings--and walking the later carpet--a

hundred styles of color: zinnias and marigolds and asters, verbenas

and lavender, sweet William and candytuft and pansies, nasturtiums,

forget-me-nots and primroses. I thought of foxglove, too, and

Canterbury bells. For a long time, of hollyhocks regimented against

white clapboard--red, mauve, yellow, pink, purple, orange. Then I

thought of sunflowers growing like Jack's beanstalk. Spring flowers

and the years I'd spent changing a steep rise of field into a rock

garden, plowing, bulldozing, wading in a cold brook to collect the

great, flat stones, trucking them home, embedding them one by one in

the slope--on aromatic rainy days, in the sweet spring sun, and in the

hard dirt of October. A wall here, steps there, an outcrop yonder, and

a place for a pool below.

Then the little hill opened into memory's bloom of crocus and

narcissus, daffodil, tulip, hyacinth and scilla, the creams and livid

whites, pale yellows and money-gold hues, and the many blues of

springtime, bright, pastel, lilac. The bells and stars and cups--and

the spring scent that is the honeyed promise of summer coming.

Next, I thought of the woodland flowers--flowers before men found

them. The precious arbutus, inexhaustible spring beauties, violets,

the anemones, the lady-slippers, bloodroot, showy orchis standing in

a wet glade beside a moss-shawled log, and pitcher plants--red rubber

flowers on the sphagnum belly of weird bog. All summer long the rues

and cardinal flowers and gentians; ferns--goldenrod, when the clear air

cooled--when night's sky throbbed with wings and carried to earth the

enthusiastic, strange twitter of migration.

I, too, migrated.

I came to my other home in Florida--the crashing flowers, the trees

bigger than houses and bright as a florist's potted plants: poinciana,

bauhinia, spathodia, jacaranda. Extravagant vines--alamanda, yellow

as these roses, trumpet flowers as orange as Mexico's sunsets,

pandoreas, solandras, and the holy, nepenthic stephanotis. Jasmine.

Glade hammocks with orchids blooming on stumps like swarms of sucking

butterflies--great white wading birds watching and vultures pinned

above in the blue, cloud-dappled sky.

Brief glory of flower-upholstered deserts.

Alpine flowers in the high, thin, whimpering air with near snow.

And trees. Great God, the trees!

It was, taken by itself, a many lifetimes.

All good.

All beautiful.

A great magic given to the modern man who thought of beauty never.

Or who thought beauty was a ship's engine, or the line of high

ferroconcrete, or the color scheme of a porch, or--adoring Christ

forgive us, a new car! Something _he_ made, anyhow.

This was some of my lives.

Ricky had shared a number of them with me--created and divided the

hours and days in the years of the flowers.

Why should I wonder concerning anything, who knew and loved flowers

like this--why not, in the continual floral celebrations, take all

content from marvel itself?

Men missed it, most of them.

Generals detailed insensate GIs to set square borders of ageratum

around the headquarters lawn.

Statesmen wore bachelor's-buttons into their deadlocks. Or maybe

carnations.

Dowagers and whores--cattleyas: spilled on avid breasts and icy

shoulders.

Millionaires decreed. Gardeners dug. Who looked--who saw?

Business executives had something sent up for the office, daily, and

never noticed the color or knew the name. Flowers executed and embalmed

to add their priceless prestige to dirty bucks.

Schoolboys planted beans and watched the halved cotyledons ascend. Then

grew and prospered and spent their lives sawing women in half.

At last, tired relatives recriminated while they embedded melancholy

metal pots in the green grittiness of graves.

Who cherished?

Who left them alone in the forest?

Who else--like Ricky--knew each plant to be an individual?

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 231 / 346 题