I wondered what they'd think if they knew the truth.

But, then, I always wonder that.

I'm the silly jackass who does.

Look--waiters, busboys, and you over there in the cage with the pointed

auburn haircut and the long eyelashes and the tight dress--here we

have a handsome young woman who has set about, by means not nearly so

rare or unorthodox as you pretend among yourselves--to find one or two

universals, or fundamentals, which are not in the book.

What book?

Not in any?

Oh--yes--those banned novels. And those mournful characters who thought

only of their pale, poetical brows plunging into the Pit, the lonely

well. Or sordid sun-tan oil on Jackson's vulgar beach.

When will the poets get the censors off _their_ backs, too--and write

like men, for a change? God's no fairy, or Satan, either.

What foul compulsion is this--that every page of the Tragedy must

itself be mournful stuff, sinister, or sick?

Farce, instead!

Does the tragic deer, the beautiful, the doomed, imbue his every

poolside hour with dolorous contemplation? Must all the activities

of the woodchuck be regarded as dismal? To write the stark terms of

our essence on every breath and sentence of the moment is to be the

own advocate of death, the white bones himself, and to overlook the

splendor with such eyeless concentration that the poem becomes a joke

on the poet.

I flirted with Yvonne--told her stories of Paris and Hollywood and

Miami Beach--held her hand--all, in chivalrous camouflage.

Paul came at last.

I hardly needed to see the stoop--the broken reach to push open the

doors that enclosed our cold air cube--to know that, between us, we

had not lifted his oppression. For, when it is succubus that's lost,

incubus perforce remains.

He looked disapprovingly at Yvonne. "Mrs. Prentiss, this is my nephew,"

I said. "Paul Wilson."

"Hello, Mrs. Prentiss." He turned from her. "I'll barge along, Phil. I

thought you'd be alone."

"Oh, hell, sit."

"Really--it's not possible!" His ardent features were emphasized by

pallor--and shooting about on his face, besides.

"Sit," I said, "and eat--or otherwise you'll force me to leave the lady

and go with you. She has a date after dinner, anyhow."

He groaned and sat down--nipping the menu from the waiter's hands

roughly. "No news."

"Tough." I turned to Yvonne. "His--fiancée--is lost."

"How awful! What happened?"

Paul glared at me for a moment. "Your friend Dave," he finally said,

in a tone more polite than his facial expression, "did all he could.

Got an agency looking. Sent a fellow over to stay in my--our--place. We

hunted up some more friends of hers--that Dave got track of--and they

told us of others. We've been seeing them. It isn't much fun."

"Why not quit, then? Wait for her?"

"If all she did was walk out," Yvonne agreed, "that's absolutely the

only thing to do. Sit tight. Have a good time. Suppose she finds out

you're apparently raising heaven and earth to locate her? She'll just

hide in a safe spot and enjoy things that much more."

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 220 / 346 题