I said nothing.

"Did you hear me?"

"Yeah. Why didn't you?"

"Because I wanted to see Gwen again. Once more, anyway."

"Suppose she couldn't have come?"

"That's unkind of you!"

"Would a friend have done as well?"

She didn't answer for so long that I leaned out again. She was swinging

the cord of the window blind. The last debilitated glow in the sky made

her look like a flower at twilight--like a single tinted object in a

black-and-white photograph of a room. She caught sight of me.

"Maybe even better," she said falteringly. "What sort of person am I!"

"The sort that a person is, when a person begins finding out what sort."

"But not the final discovery?" The turn and set of her head was eager.

I couldn't see her eyes.

"Who is?"

"You mean--you think everybody--?"

"Yes," I said, swirling the water around. "Everybody. Most--when

they're young. Most grow out of it. Some--hardly notice it. Some have

a minor case of it all their lives. To others--it's an intermittent

hint--a leftover that crops up as a suggestion, not a fact. Lots--are

carried off stage for good by it. The great majority insist they have

no such feelings--never could and never did and never will. The result

of that--"

"Is what?"

"Look out the window and see the crummy mess yourself, honey! If you'll

toss me my dressing gown--from the closet--"

"I'm scared," she said, when I came into the sitting room.

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 212 / 346 题