I opened the door, being careful to cling to the knob.

My dimmest view was justified.

Socker Melton was a big chum--sixty-two or -three and about two-hundred

and twenty-five. He had a face that would have been square if he'd

sacrificed his extra chin--large, blue, eager-beaver eyes--a babyish

snub nose--and a rather thick mouth, not very clearly defined; but

there was nothing repulsive in the ensemble--he looked like a star

Buick salesman. He wore--maybe I should say sported, since he probably

thought of it that way--a white flannel suit of a light weight and he

carried a panama hat, the sweatband of which was earning its keep. A

poor day for those big boys and I felt sorry for him. His clerical

collar was doing its best to stand up for Jesus--but there were folds

in it and his black dickey was mussed.

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 198 / 346 题