I told him about Gwen and Yvonne.

He pretended to be still more deeply outraged. "There you are! A

perfect Wylie situation. God, what an imposter! Not one lovely

girl--but two--are sent on silver salvers. You entertain them. You get

all the social opprobrium and none of the benefits. What confidence can

youth have in you, after a trick like that? Here you are--the last hope

for phallic worship in a dying world. The man with the one message that

makes sense. Either the boys get their breeches back--and do things to

make the dames respect 'em--or Nature will throw us out of the party.

You proclaim it with your foghorn and you play it on your xylophone.

But when it gets right down to the bedrocking--what do you do? You

personally, Mr. Prophet? Welsh! Walk out on the act!"

"Times are changing," I told him. "Phallic worship? Can you build

good rituals around our businessmen? A healthy restoration of

phallic worship would ruin the profitable activities of every vested

institution in the land, from its banks to its churches. People

wouldn't even care if the trains ran on time, any more. Think of that!"

Dave was leering at me pensively. "By God. It might be the thing to

revive Hollywood."

"Yeah," I said. "You open with a prologue that shows modern psychology

has found the roots of love in our love lives. Then you fade to the

American Home, where a Husband is trying to figure out how to arouse

or enchant or even slightly interest one Beautiful Blonde Mother. She

is rushing about the house swatting her children for bringing home a

magazine full of art studies. Her husband tries to slip his arm around

her--but she knows he is suffering from neurotic hay fever, makes his

living by manufacturing second-rate household appliances which he sells

owing to better advertising, is afraid of his stockholders, never had

the earning capacity of Joe Benson or Harvey Tekker or Don Oaker,

and is scared of her, besides. Great subject for phallic worship! We

fade to a contented pagan maiden in the South Sea Isles--ukeleles and

moonlight--"

"And the MPPA comes in and tosses out the film! It's a conspiracy!" he

said in a Durantean tone.

"You guys have worked out the vein--that's all. There can't be any

more very interesting movies till there's a new public attitude about

life. You've got to where there's no permissible area that you haven't

canvassed a hundred times. The new pictures are all remakes. People

get sick of such things. Jam yesterday, today and tomorrow is as bad

as none today. All the movies are self-plagiarisms. I even went to one

with Ricky this summer."

"We're grateful."

"Remember the _Three Little Pigs_--and the song about the 'Big Bad

Wolf' that people sang to kid themselves in the Depression?"

"I remember."

"So all right. We went to see this movie--and we also saw a remake

of the Little Pigs. Same story. Same art. Same theme song. At the

finale, the new inspiration is this: the wolf pops down the chimney of

the little pig in the brick house--hind end first. And the pig fills

a caldron with turpentine. The wolf lands in same--and the picture

irises down on the wolf roaring away, his hind legs held high, his

turpentined anus dragging, his forelegs pulling--like any dog. Now--I

was brought up to believe that you can't tell the same joke twice. And

I was also taught that putting turps on animals' rears was sadistic.

I still think it is. And I think it's too vulgar a way to try for a

laugh--cruelty to animals aside. That, my boy, is truly obscene--the

dying effort of a perishing industry. Fortunately--television is coming

in--and it will be far more vulgar. Television will really speed up the

fertile necessity of a great change in this disgraceful Western world.

Right?"

"Right," said Dave. "I saw that short. I psychologically snapped my

_petits fours_." He looked at me for a while. "Phil--why'd you call me

over here, this morning?"

Karl came with the gin and tea. I signed. He went.

Dave's question startled me. I suddenly saw it from his angle. I'd

allowed him to skip--or postpone--an important conference because

(I'd said) my nephew was on an emotional binge and I needed aid. Dave

would know that, all else being equal and normal, I could handle my

nephew. He'd know that, barring some editorial crisis, the cutting of

a serial wasn't so important I couldn't set it aside for a day or so

to row a relative through the waters of a soul-struggle. He'd know,

by my cursory attention to Paul--and by the way my talk had slatted

around--that I had more on my mind than Paul's problem. So he had

realized--and I had not--that I'd decided to call in a friend--for

myself.

"I need a good lawyer," I said.

"Oh--oh!"

I looked at him cross-eyed. "What an evil mind you have! I keep my

accounts and the tax people are not particularly interested in me.

No brunette has letters of mine and is asking for a thousand bucks.

Nobody is suing me for plagiarism. I just noticed a little nuisance in

the back of my throat the other day and went over to see Tom and had a

biopsy--and I want my affairs in order."

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 187 / 346 题