I put out my light and listened to the seismic nocturne of the city.

From the next room came a bold, cajoling giggle.

Then quiet.

The building quivered.

The planet turned.

Exhaustion lowered me into sleep on a jerky rope that did not loosen me

for a long time.

12

Contrary to expectation, the end of civilization came about through a

series of events connected in no way with war or atomic bombardment. Of

these events the earliest, so far as careful inquiry could determine at

the time, was initially observed by Malcolm Calk of 2531 North Munley

Street, Urbana, Illinois. Mr. Calk had just become engaged to Dorothea

Lurp of the same address--the boarding establishment of Sarah L. Rev,

or Reev--and they were celebrating the happy occasion by spending a

weekend at the Chicago home of Miss Lurp's parents. The day being

warm--it was the 9th of August, in the hot summer of 1953--the young

couple determined to repair to the beach.

They were contentedly ensconced at the lakeside when Mr. Calk's eyes

wandered from the person of his fiancée, who was in wading, to the

clouds overhead. These were of a cumulus nature, for the most part

widely spaced, and drifting southward on a wind reported later by the

Weather Bureau as of twelve miles per hour at mean cloud altitude.

Calk's mind was, as may readily be imagined, turned toward those

fancies which are commonly described as "building castles in the air."

He reports, indeed, that the phrase passed through his thoughts as he

looked at the vaporous structures overhead.

Within them he observed a certain slight turbulence or agitation to

which he at first paid scant heed. Clouds revolve and turn themselves

inside out in a manner that bespeaks air currents and their own

diaphanous consistency--a manner that sometimes suggests they have a

life of their own in a weird fourth dimension of the blue up yonder.

But the young Calk gave the phenomenon only a cursory, occasional

glance; his head was already "in the clouds"--another phrase upon which

he recalls musing at the time. He was apparently a person of whimsey--a

patternmaker employed by the Racine Forge and Tool Company of Urbana.

Presently, however, his focus was drawn with insistence toward the

slow-tumbling clouds and, as people will, he gave free play to his

imagination, seeing in the changing shapes now a dragon, now a cat's

face, and now the chuck of a turret lathe. These gossamer figures

wove themselves, vanished, and eddied into yet different forms until,

ultimately he found himself viewing a large letter N. About this he

saw nothing remarkable--at first. A letter of the alphabet is probably

shaped by the clouds as often as any boar's head or serpent.

The "N," however, took on contour and texture until it seemed a

deliberate thing--resembling, as Calk put it later, "Sky-writing done

backwards in a newsreel so that the frayed-out smoke pulled together

again to make a real clean-cut N."

At the moment, however (so uncritical was his brain and so unrelated

was the celestial phenomenon to his thoughts), he came to a different

conclusion. When the N established itself as a clear and sharply

defined capital letter, some two miles in length and many thousands of

feet above Lake Michigan, Calk informed himself that it was, actually,

the work of a sky-writer. This is a kind of rationalization which any

psychologist will recognize. Because what he saw did not quite conform

to his past experience, Calk discounted his sensory impression and

interpreted an external fact in terms of orderly recollections rather

than of observable reality. Donner, Bates, Breesteen, Cavanaugh, Cohen

and Wilstein, among other authorities, have noted the similiarity of

this process to that by which prejudices are often established.

"Look, honey," Mr. Calk called to his fiancée. "Sky-writer."

Miss Lurp looked and nodded in agreement. "Yeah. Bet it's cold up

there! Lucky fellow--the pilot."

No one else in the vicinity appeared to be aware of the process

overhead. Miss Lurp continued to wade--Mr. Calk to watch her and to

cast an occasional glance at the sky. A letter U was slowly formed

alongside the perfect N.

Miss Lurp at this point stepped on a clamshell, or possibly a broken

bottle, which hurt her foot although it did not break the skin.

Exaggerating the injury, she hopped ashore to solicit comfort, which

Mr. Calk readily supplied. Thereafter, sitting side by side, they gazed

up at the NU, near which yet other clouds were shifting and shaping

themselves.

"Why," said Miss Lurp, "that's not sky-writing at all! It's just the

clouds coming together accidental-like." To another couple, sitting on

the sand nearby, she called, "Look, people! The clouds are having a

spelling bee!"

One upturned countenance, or even two, may not serve to divert a throng

from its preoccupations, whether sordid or sublime. But four faces

intently elevated will permeate any mass of people and constrain nearly

all of the individuals in it to join. This contagion of curiosity

now spread over the beach. Soon, persons everywhere--on the sand and

the walk behind and in the water--bathers, loafers, nurses with

perambulators on the Drive, and policemen who were supposed to patrol

it but who were more attentive to the nurses--looked up to see, in a

vast blue area above, three letters:

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 169 / 346 题