Hattie was unruffled. "Sometimes they do. How are you?"

"Swell."

"I'm glad to hear it! What can we do for you?"

"It's a long, fascinating story that I'd like to run up and tell you."

"Be a pleasure. I'm losing at bridge. Looking for an out." She

chuckled. "Stingers? Side cars? What shall I get ready?"

"Coffee."

"Better still! Viola keeps a percolator on--but I'll have her make it

fresh. Usually--it's like French pot-au-feu--goes on forever."

"You've doubtless--moved--?"

"Moved! We're Manhattan's most displaced persons!" She gave me a high

number on the West Side.

There was never a rush hour at Hattie's. But two a.m. was what might

be called the peak. It embarrassed no one: she had plenty of sitting

rooms. In any case, most of the customers knew one another--and knew

one another as clients.

A white marble lobby. An elevator with much gilded fretwork. It was

operated by a Negro with an exceedingly noncommittal face. Only one

door in the hall on the top floor. A good-sized apartment building, I

thought, as I pushed the bell and heard the chimes; hence a good-sized

bordello. The colored girl who had answered the phone answered the

door, keeping the chain attached. I told her my name.

The foyer was dim and modernistic. Two halls branched from it. I could

see doors along both--and hear music.

"Jes' follow me, please."

She said it all night.

The perfumes mingled, the way they do. It is a woman's

medley--expensive or cheap--with no other detectable difference. One

door was open. Two girls sat there--pale, straight hair that fell to

a sharp, sculptured point over a book and a pair of shimmering, nylon

legs.

Viola went on.

She opened another door. Hattie was standing at the window in a green

dress--her once-sleek orange hair dyed black, now, and fluffed out--her

ankles no longer slim--and when she turned I hid, as all of us do, my

inner response to the etching of the interval--that very Time which

I so recently had seen to be without importance. She was now about

fifty-five.

"Phil," she said, "this is nice! You don't seem a day older--just

wiser. But look at me!"

"Brunette."

"A harridan. The warmest heart in the world--and what happens? The

opposite of Dorian Grey. I blame it on the high morals and low conduct

of the cops. Hard years. I loved Fiorello--and he despised every bone

in my body. I was even over in Jersey for a while. It was the lowest

period in my life. Sit down over there in the red chair. Viola, bring

us coffee. You know--I've often thought about you--when I read your

books--or when one of the girls did--or when I read something of yours

in a magazine. You aren't around here much, any more, though, are you?"

I shook my head. "Miami Beach. And now--we're building a house in

Miami."

"Florida. I went down last winter. Had a cold I simply couldn't

shake. Stayed at the Steinberg-Riviera. Hell of a place, Miami Beach!

Wonderful weather, period. Everybody on the make. Shake a palm and out

drops a chippy. A madam with ethics would starve there--and the news

about good taste hasn't got south of the Mason and Dixon Line."

"I always think of it as the end of the American dream."

"It's the end, anyhow. Phil. Do you really want to see me? Because if

you're being polite for old time's sake--maybe you'd rather put off the

sentimental chitchat till later."

Hattie is a thoughtful dame.

I was about to laugh at her when an abrupt inquiry held me for a second

or two. I was surprised--a little. But the question postponed itself.

"I came up--solely and utterly to call on you, Hattie."

She shrugged one shoulder. She yawned. "Maybe we can return your

calls. We used to. But--really--I'm delighted. Except when you

were--overburdened--you were always fun to have around. It's a dull

life--just being chaperon to a lot of whores. And it seems to me the

boys aren't interested in philosophy any more. They used to spend

more time chinning than cheating, around here. Back in the old days

of humanism and liberalism and Coué and the market boom, when the

world was full of fun. Why--I had to scout local campuses for girls

who could keep in the debates! Now--the boys just come in tight and

preoccupied--ask for a girl by hair color, like picking out paint for

a kitchen--pay--and scram. I can't recall how long it's been since we

held one of those impromptu breakfasts--for the celebrities and plain

people who happened to be around! It's depressing!"

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 90 / 346 题