I tossed the key of 1601 and caught it. "Me, too."

"It's a pity a girl can't ask you in for a nightcap. But you'd only be

able to have Coca-Cola."

"Gotta sleep. I'll give you a buzz in the morning, Yvonne."

"Will you?"

"Bet."

She gave me a musical good night and opened her door slowly. I walked

down the red carpet--and her door closed with a bang.

3

There was nothing for me in my own apartment.

The books--even Vogt's _Road to Survival_, which I had almost

finished--looked nervous. The many magazines--through all of which I

had coursed while bathing, eating, sitting on the toilet, riding in

the plane, idling--were like partly-consumed meals: there were bits

here and there I still wanted to taste, to digest--but not now. I was,

of course, neither sleepy nor intending to go to bed. I can get along

for days, for weeks, on four or five hours of sleep, even without

throat cancer. Often, when I am writing a long story, I begin with the

sunrise, go to sleep at two or three the next morning, get up with

dawn again--and so continue until the job is done.

My body ad-libs its life. When its brain is electrified, when the

aurora of thought and imagination and sensation ascends there as a

means to work, to dream, to worry, to engage in reasoning or wild

speculation, the thing that calls itself "I" follows after, like a

boy after a rainbow--and I have found as many pots of gold as a bank

president. And when my body has nothing to say or do or think about, I

sleep. I lie on the ground. I hoe potatoes and corn, dig garbage pits,

make tables and bookshelves, fix gadgets. I sit on a beach and stare at

the accumulation of hydrogen cunningly mixed with oxygen. When my body

is sick, the I runs to doctors, takes pills, eases itself--and pushes

at pain only if it must, like a man wheeling a heavy barrow up a hill.

I do not have the illusion of fortitude that makes sadists of, say,

Englishmen. I suffer. And when my I is grayed with its own weather, or

the bad chemistry of the body that owns it, I suffer, too--jittering

and jizzling, mourning and dreading, a repelled, repellent object--a

man with blues.

The construction of society does not permit such practices by most.

They have the 8:02 to catch, the Monday wash, and their two weeks in

July. The church bell rings not when the preacher feels he is close to

God, but at eleven, on the Seventh Day. He who is weak with the length

of winter cannot escape it; who faints in the summer must faint again

upon recovering consciousness--or else employ his I to whip his body so

that it will face summer without further protest.

No other animal would do itself such violences.

This is an age of schedules. The people of it have long since foundered

in time. Time is a sea that presses them to its bottom--a sea that

waterlogs their tissues--a sea that prevents them from the experience

of its own medium as other than a weight and an absolute dimension.

Living is drowning with the first lesson at the clock and being drowned

forever after that.

My body and my I had endeavored, with some success, to ignore the

obsessional meridians. Others may travel them like a baby that has

learned to walk and become so enamored of the skill as to proceed,

steadily, for the rest of its days, in one straight line on time's sea

bottom. We have stopped--separately and together--somewhat explored

time's other dimensions--gone to the surface and seen the sun, for

example--bought time, stolen it, ignored it, zigzagged, looked back

through it, and seen the straight line of the compulsive infant for the

circle it really is.

As Dr. E. has shown, time's a human invention--a convenient illusion.

As the body knows, it has no more significance, alone, than width,

by itself. But the I has taken time, in most cases, for a universal

measurement, notched it in hours and minutes, and set the whole world

to counting time. Its mere recognition is subjective. Yet, how few

subjects realize that if the subject be a baseball player, and if his

subjectivity and objectivity live fifty years--then the subjectivity of

Wordsworth, or Emerson, may have lasted for several hundred thousand?

So, in this frame of reference--this truer attitude--even I, compared

with some of my timeserving fellow men, may be older than Methuselah.

The body is potentially immortal: it can reproduce itself. And so the I

would be immortal in its self-sensation if it were oriented, like the

lives of animals, toward that which it could reproduce--all men toward

all men yet to be--rather than toward its wretched self-awareness, its

greedy, permanent stoppage of time for narcissistic attitudinizing.

The I is a mirror. It can see itself forever and any now as this

now--if only it looks at the reflection to observe all those behind

and all beyond, of which it is an integral. But if it ignores those

behind--rules out even the next-lowest author of its instincts--and if

it eschews the requirements of those to come which are the integral

function of itself--if, that is, the I concentrates upon its one

embodied reflection, rejecting the panoply of life and repudiating

past and present for its little now--then, truly that I is mortal. It

is a suicide for that it is an assassin.

Such are all persons but a very few, these days.

So are they taught.

So inspired: unpunctuality and unproductivity are un-American.

So do they urgently maintain themselves--egoists without the sense of

individuation.

And that is why the earth is perishing for man.

In the hatred people have for people.

And the absolute hatred of posterity that rises from the absolute

rejection of our real ancestry.

There are moments when the circumstance is unutterably clear to me--and

in these, I _know_--without respect to the immediate employment of my

body or the thing called I.

There are moments when the time-easements I have bought grow clouded.

And then the knowledge escapes arms, legs, cranium, and I.

What man, reared as I was, domiciled in this earth's insanity, has even

the intimations, let alone the occasional assurance? And who, attached

to his clocks, trains, bells, and the earth's turned shadow, keeps a

continual hold upon the vital principle? Very few.

Say it was late.

Say I did not want to sleep.

Say, if you will, I did not want to face my circumstances. It is not

so. The space during which I sat on the green sofa smoking my cigarette

was what you call ten minutes--an infinity that could not be shortened,

made painful, or even touched at any point by measurement.

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 87 / 346 题