It got him. He glanced back appreciatively. "You said it!"

If his name had been Angelo Utrillo, I would have suggested Fermi. He

wouldn't have known who Fermi was, but my explanation would have filled

him with pride. And if it had been Michael Riority, I would have tried

De Valera.

"Babe Ruth," I repeated when I paid my fare. "Did the _Mirror_ and

the _News_ give Freud a double-page spread? The greatest mind in the

twentieth century. Greatest Jew since Jesus. We should be proud to

live in the same age. But what are we proud of? Babe Ruth. Baseball's

okay--but the way people act about it certainly shows what's wrong with

people."

"You're right, Mac."

I tipped him a quarter. Money wasn't going to be useful to me much

longer.

Then I felt sick.

The money I possessed--the insurance--the money that might come from

my books and perhaps from the posthumous sale of a few stories to the

movies--would be all there was

for my wife

daughter

my wife's mother

and some others.

I had two rooms--a bedroom and parlor. Sleep and reading in bed were

thus kept separate from work, from the two hundred and eighteen pages

of my serial which had to be cut sheet by sheet, line by line, to fit

the precise requirements of a weekly magazine. This small suite was on

the sixteenth floor. Here, the street sounds became boogie-woogie--set

to rhythm by bouncing back and forth between the walls of Madison

Avenue. Here the smell of the city was less toxic. And here the eye

ranged over rooftops. My draperies, flowered and lined with sateen,

moved now against the dark-green embrasures of the window--not in a

breeze but in the upward eddy of diurnal heat. The yellow roses with

which the management had greeted me dangled in their vase. I wondered

whether to cut their stems or throw them out. If Ricky, my wife, had

accompanied me, there would have been two dozen roses--and she would

have known about the stems. I propped open the door to the hall with a

book. Air sucked through the crack.

In a big mirror, over the mantel, over the chunks of topaz glass that

represented coals in the artificial fireplace, I could see myself.

Strained and pallid, sweat showing at the armpits of my dark-blue

gabardine jacket.

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 22 / 346 题