He said, "Hunh."

So I knew.

We'd been friends, after all, for thirty-four years; by the inflection

of a syllable, we could make lucid assertions. He thought--what I

thought.

"Phil," he said, "we better get a biopsy right away."

"It's in a bad spot."

His instruments gagged me for a minute or two, brought tears in my

eyes, probed at revolted mucosae. "Yes, Phil. And there's a lot of it.

You didn't notice--anything--?"

"Earlier? Nope. This morning. I was flying down anyhow. I have a serial

to correct."

"Of course," Tom said, "I'm not sure. It could be one of those rank

lymphoid things. Radium blots them out. X-ray. Radioactive cobalt,

these days, perhaps. But--"

But.

We looked at each other for a while. He said a kind thing: "We're

both--forty-six."

He meant that we shared the hazards of time together. He also intended

to start me thinking of all I had been and done, seen and known, felt

and expressed, in four and a half decades of life.

His clock ticked.

His phone rang.

The receiver brought to my age-dulled ears the emery of a woman's

voice. And Tom, with the cultivated patience that masks a physician's

irritation, told her to take the "pink medicine" every two hours

instead of every four.

The elixir alurate, I thought.

That brickbat on the safety valve of America: barbital.

Opus 21 Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse · 第 15 / 346 题