OR, WANTED A PETRUCHIO.

(_A Shakspearian Foreshadowing of the Situation in France._)

Prophetic Swan! To picture in advance

The future's pageantry of personage

And scene was thine unique prerogative;

So easily thy creations take the mould

Of aftertimes and characters unborn.

Paris to-day seems Padua, thy fair shrew,

The tricksy termagant, "curst _Katharine_,"

The Paduan _Xantippe_, prickly, perverse,

Yet fascinating vixen, dons to-day

A Gallic guise, and fumes in French, and flounces

In skirts _à la République_.

What said _Gremio?_

"_Your gifts are so good, here's none will hold you!_"

And who may hold the fair Lutetian shrew?

No man, "I wis," is "_half-way to her heart_

_But if he were, doubt not her care should be_

_To comb his noddle with a three-legg'd stool_,

_And paint his face_, _and use him like a fool_."

Here's _Katharine_--but where's _Petruchio?_

"_What! shall I be appointed hours_, _as though_, _belike_

_I knew not what to take_, _and what to leave_, _ha!_"

There speaks the sweet-faced shrew, and takes to-day

What she will leave to-morrow. Yet she shines

In the description of _Hortensio_.

"_With wealth enough_, _and young_, _and beauteous;_

_Brought up as best becomes a gentlewoman;_

_Her only fault (and that is faults enough)_

_Is_, _that she is intolerably curst_,

_And shrewd_, _and froward: so beyond all measure_,

_That_, _were my state far worser than it is_,

_I would not wed her for a mine of gold_."

And yet there be good fellows in the world,

'An a man could but haply light on them,

Would take the veriest vixen "_with all faults_."

And many a one hath said, or seemed to say,

"_For I will board her_, _though she chide as loud_

_As thunder_, _when the clouds in autumn crack_."

But with what issue? Like _Hortensio_,

His head is broken by the vixen's lute,

Ere he hath time to teach her government

Of frets or stops, or skilful fingering.

How many, with _Hortensio_, might say,

When asked if he could break her to the lute,--

"_Why_, _no; for she hath broke the lute to me_.

_I did but tell her_, _she mistook her frets_,

_And bow'd her hand to teach her fingering;_

_When with a most impatient devilish spirit_,

'Frets, call you these?' _quoth she:_ 'I'll fume with them:'

_And with that word_, _she struck me on the head_,

_And through the instrument my pate made way;_

_And there I stood amazed for a while_,

_As on a pillory_, _looking through the lute:_

_While she did call me_, _rascal fiddler_,

_And twangling Jack; with twenty such vile terms_,

_As she had studied to misuse me so_.

Her masters have not learned true mastery,

And he, her latest would-be teacher, turns

Too prompt and pusillanimous a back

Upon his wilful pupil, beaten off

Quicker than buffeted _Hortensio_

In poor, poltroonish, post-deserting flight;

Leaving the lute whose harmonies his hand

Should have bowed hers to, broken and unstrung,

In the shrew's angry and outrageous grasp:

See how the Gallic _Katharine_ in her fume,

Flouting all mastery, flouncing uncontrolled

In furious anger, flings the shattered lute,

Unstrung, aside, as did the Paduan shrew,

Spurning all government--till _Petruchio_ came!

"_Come_, _come you wasp; i' faith you are too angry!_"

So, in _Petruchio's_ words, say France's friends.

Whilst foes and half-allies look doubtful on,

From the chill Eastward or more genial North,

Wondering what stable faith, in love or hate,

May rest upon such shifting shrewishness.

Where waits _Petruchio_, and will he come

In purple velvet, or in soldier steel,

Or simple, civic, hero-covering cloth,

To tame this _Katharine_ of the Phrygian cap,

And smiling, in the mocking calm of power,

Say of the shrew, like him of Padua:--

"_Think you a little din can daunt mine ears?_

_Have I not in my time heard lion's roar?_

_Have I not heard the sea_, _puff'd up with winds_,

_Rage like an angry boar chafèd with sweat?_

_Have I not heard great ordnance in the field_,

_And heaven's artillery thunder in the skies?_

_Have I not in a pitched battle heard_

_Loud 'larums_, _neighing steeds_, _and trumpets' clang?_

_And do you tell me of a woman's tongue;_

_That gives not half so great a blow to th' ear_

_As will a chestnut in a farmer's fire?_

_Tush! tush! fear boys with bugbears_.--

_I fear none!_"

* * * * *

Punch, or the London Charivari, Vol. 108, January 26, 1895 · 第 12 / 27 题