LONG DISTANCE

Chet Ball was painting a wooden chicken yellow. The wooden chicken was

mounted on a six-by-twelve board. The board was mounted on four tiny

wheels. The whole would eventually be pulled on a string guided by the

plump, moist hand of some blissful six-year-old.

You got the incongruity of it the instant your eye fell upon Chet Ball.

Chet's shoulders alone would have loomed large in contrast with any

wooden toy ever devised, including the Trojan horse. Everything about

him, from the big, blunt-fingered hands that held the ridiculous chick

to the great muscular pillar of his neck, was in direct opposition to

his task, his surroundings, and his attitude.

Chet's proper milieu was Chicago, Illinois (the West Side); his job that

of lineman for the Gas, Light and Power Company; his normal working

position astride the top of a telegraph pole supported in his perilous

perch by a lineman's leather belt and the kindly fates, both of which

are likely to trick you in an emergency.

Yet now he lolled back among his pillows, dabbling complacently at the

absurd yellow toy. A description of his surroundings would sound like

Pages 3 to 17 of a novel by Mrs. Humphry Ward. The place was all

greensward, and terraces, and sun dials, and beeches, and even those

rhododendrons without which no English novel or country estate is

complete. The presence of Chet Ball among his pillows and some hundreds

similarly disposed revealed to you at once the fact that this particular

English estate was now transformed into Reconstruction Hospital No. 9.

The painting of the chicken quite finished (including two beady black

paint eyes) Chet was momentarily at a loss. Miss Kate had not told him

to stop painting when the chicken was completed. Miss Kate was at the

other end of the sunny garden walk, bending over a wheel-chair. So Chet

went on painting, placidly. One by one, with meticulous nicety, he

painted all his finger nails a bright and cheery yellow. Then he did the

whole of his left thumb, and was starting on the second joint of the

index finger when Miss Kate came up behind him and took the brush gently

from his strong hands.

"You shouldn't have painted your fingers," she said.

Half Portions · 第 21 / 34 题