CHAPTER IV.

A BAL-MASQUE OF THE PERIOD.--THE BAT.

The opera balls were then at their height. It was an invention of the

Chevalier de Bullon, who only obtained pardon for assuming the title of

Prince d'Auvergne, nobody exactly knew why, by rendering this service to

the dissipated society of the time. It was he who had invented the

double flooring which put the pit on a level with the stage: and the

regent, who highly appreciated all good inventions, had granted him in

recompense a pension of two thousand livres, which was four times what

the Grand Roi had given to Corneille. That beautiful room, with its rich

and grave architecture, which the Cardinal de Richelieu had inaugurated

by his "Mirame," where Sully and Quinault's pastorals had been

represented, and where Moliere had himself played his principal works,

was this evening the rendezvous of all that was noble, rich, and

elegant.

D'Harmental, from a feeling of spite, very natural in his situation, had

taken particular pains with his toilet. When he arrived, the room was

already full, and he had an instant's fear that the mask with the violet

ribbons would not find him, inasmuch as the unknown had neglected to

assign a place of meeting, and he congratulated himself on having come

unmasked. This resolution showed great confidence in the discretion of

his late adversaries, a word from whom would have sent him before the

Parliament, or at least to the Bastille. But so much confidence had the

gentlemen of that day in each other's good faith, that, after having in

the morning passed his sword through the body of one of the regent's

favorites, the chevalier came, without hesitation, to seek an adventure

at the Palais Royal. The first person he saw there was the young Duc de

Richelieu, whose name, adventures, elegance, and perhaps indiscretions,

had already brought him so much into fashion. It was said that two

princesses of the blood disputed his affections, which did not prevent

Madame de Nesle and Madame de Polignac from fighting with pistols for

him, or Madame de Sabran, Madame de Villars, Madame de Mouchy, and

Madame de Tencin, from sharing his heart.

He had just joined the Marquis de Canillac, one of the regent's

favorites, whom, on account of the grave appearance he affected, his

highness called his mentor. Richelieu began to tell Canillac a story,

out loud and with much gesticulation. The chevalier knew the duke, but

not enough to interrupt a conversation; he was going to pass, when the

duke seized him by the coat.

"Pardieu!" he said, "my dear chevalier, you are not de trop. I am

telling Canillac an adventure which may be useful to him as nocturnal

lieutenant to the regent, and to you, as running the same danger as I

did. The history dates from to-day--a further merit, as I have only had

time to tell it to about twenty people, so that it is scarcely known.

Spread it, you will oblige me, and the regent also."

D'Harmental frowned. The duke had chosen his time badly. At this moment

the Chevalier de Ravanne passed, pursuing a mask. "Ravanne!" cried

Richelieu, "Ravanne!"

"I am not at leisure," replied he.

"Do you know where Lafare is?"

"He has the migraine."

"And Fargy?"

"He has sprained himself." And Ravanne disappeared in the crowd, after

bowing in the most friendly manner to his adversary of the morning.

"Well, and the story?" asked Canillac.

"We are coming to it. Imagine that some time ago, when I left the

Bastille, where my duel with Gace had sent me, three or four days after

my reappearance Rafe gave me a charming little note from Madame de

Parabere, inviting me to pass that evening with her. You understand,

chevalier, that it is not at the moment of leaving the Bastille that one

would despise a rendezvous, given by the mistress of him who holds the

keys. No need to inquire if I was punctual; guess who I found seated on

the sofa by her side. I give you a hundred guesses."

"Her husband," said Canillac.

"On the contrary, it was his royal highness himself. I was so much the

more astonished, as I had been admitted with some mystery; nevertheless,

as you will understand, I would not allow myself to appear astonished. I

assumed a composed and modest air, like yours, Canillac, and saluted the

marquise with such profound respect, that the regent laughed. I did not

expect this explosion, and was a little disconcerted. I took a chair,

but the regent signed to me to take my place on the sofa. I obeyed.

"'My dear duke,' he said, 'we have written to you on a serious affair.

Here is this poor marchioness, who, after being separated from her

husband for two years, is threatened with an action by this clown, under

pretext that she has a lover.' The marchioness tried to blush, but

finding she could not, covered her face with her fan. 'At the first word

she told me of her position,' continued the regent, 'I sent for

D'Argenson, and asked him who this lover could be.'

"'Oh, monsieur, spare me!' said the marchioness.--'Nonsense, my little

duck; a little patience.'--'Do you know what the lieutenant of police

answered me, my dear duke?'--'No,' said I, much embarrassed.--'He said

it was either you or me.'--'It is an atrocious calumny,' I

cried.--'Don't be excited, the marchioness has confessed all.'

"'Then,' I replied, 'if the marchioness has confessed all, I do not see

what remains for me to tell.'--'Oh!' continued the regent, 'I do not ask

you for details. It only remains for us, as accomplices, to get one

another out of the scrape.'--'And what have you to fear, monseigneur?' I

asked. 'I know that, protected by your highness's name, I might brave

all. What have we to fear?'--'The outcry of Parabere, who wants me to

make him a duke.'

"'Well, suppose we reconcile them,' replied I.--'Exactly,' said his

highness, laughing; 'and you have had the same idea as the

marchioness.'--'Pardieu, madame, that is an honor for me. There must be

a kind of apparent reconciliation between this tender couple, which

would prevent the marquis from incommoding us with the scandal of an

action.'--'But the difficulty,' objected Madame de Parabere, 'is, that

it is two years since he has been here; and, as he piques himself on his

jealousy and severity, what can we say? He has made a vow, that if any

one sets foot here during his absence, the law should avenge him.'

"'You see, Richelieu, this becomes rather uncomfortable,' added the

regent.--'Peste! It does indeed.'--'I have some means of coercion in my

hands, but they do not go so far as to force a husband to be reconciled

to his wife, and to receive her at his house.'--'Well,' replied I,

'suppose we bring him here.'--'There is the difficulty.'--'Wait a

moment. May I ask if Monsieur de Parabere still has a weakness for

champagne and burgundy?'--'I fear so,' said the marchioness.--'Then,

monseigneur, we are saved. I invite the marquis to supper, with a dozen

of mauvais sujets and charming women. You send Dubois.'--'What! Dubois?'

asked the regent.

"'Certainly; one of us must remain sober. As Dubois cannot drink, he

must undertake to make the marquis drink; and when everybody is under

the table, he can take him away from us and do what he likes with him.

The rest depends on the coachman.'--'Did I not tell you, marchioness,'

said the regent, 'that Richelieu would give us good advice? Stop, duke,'

continued he; 'you must leave off wandering round certain palaces; leave

the old lady to die quietly at St. Cyr, the lame man to rhyme at Sceaux,

and join yourself with us. I will give you, in my cabinet, the place of

that old fool D'Axelles; and affairs will not perhaps be injured by

it.'--'I dare say,' answered I. 'The thing is impossible; I have other

plans.'--'Obstinate fellow!' murmured the regent."

"And Monsieur de Parabere?" asked the Chevalier d'Harmental, curious to

know the end of the story.--"Oh! everything passed as we arranged it. He

went to sleep at my house, and awoke at his wife's. He made a great

noise, but there was no longer any possibility of crying scandal. His

carriage had stopped at his wife's hotel, and all the servants saw him

enter. He was reconciled in spite of himself. If he dares again to

complain of his beautiful wife, we will prove to him, as clearly as

possible, that he adores her without knowing it; and that she is the

most innocent of women--also without his knowing it."

"Chevalier!" at this moment a sweet and flute-like voice whispered in

D'Harmental's ear, while a little hand rested on his arm.

"You see that I am wanted."

"I will let you go on one condition."

"What is it?"

"That you will tell my story to this charming bat, charging her to tell

it to all the night-birds of her acquaintance."

"I fear," said D'Harmental, "I shall not have time."

"Oh! so much the better for you," replied the duke, freeing the

chevalier, whom till then he had held by the coat; "for then you must

have something better to say."

And he turned on his heel, to take the arm of a domino, who, in passing,

complimented him on his adventure. D'Harmental threw a rapid glance on

the mask who accosted him, in order to make sure that it was the one

with whom he had a rendezvous, and was satisfied on seeing a violet

ribbon on the left shoulder. He hastened to a distance from Canillac and

Richelieu, in order not to be interrupted in a conversation which he

expected to be highly interesting.

The unknown, whose voice betrayed her sex, was of middle height, and

young, as far as one could judge from the elasticity of her movements.

As M. de Richelieu had already remarked, she had adopted the costume

best calculated to hide either graces or defects. She was dressed as a

bat--a costume much in vogue, and very convenient, from its perfect

simplicity, being composed only of two black skirts. The manner of

employing them was at the command of everybody. One was fastened, as

usual, round the waist; the masked head was passed through the

placket-hole of the other. The front was pulled down to make wings; the

back raised to make horns. You were almost certain thus to puzzle an

interlocutor, who could only recognize you by the closest scrutiny.

The chevalier made all these observations in less time than it has taken

to describe them; but having no knowledge of the person with whom he had

to deal, and believing it to be some love intrigue, he hesitated to

speak; when, turning toward him:

"Chevalier," said the mask, without disguising her voice, assuming that

her voice was unknown to him, "do you know that I am doubly grateful to

you for having come, particularly in the state of mind in which you are?

It is unfortunate that I cannot attribute this exactitude to anything

but curiosity."

"Beautiful mask!" answered D'Harmental, "did you not tell me in your

letter that you were a good genius? Now, if really you partake of a

superior nature, the past, the present and the future must be known to

you. You knew, then, that I should come; and, since you knew it, my

coming ought not to astonish you."

"Alas!" replied the unknown, "it is easy to see that you are a weak

mortal, and that you are happy enough never to have raised yourself

above your sphere, otherwise you would know that if we, as you say, know

the past, the present and the future, this science is silent as to what

regards ourselves, and that the things we most desire remain to us

plunged in the most dense obscurity."

"Diable! Monsieur le Genie," answered D'Harmental, "do you know that you

will make me very vain if you continue in that tone; for, take care, you

have told me, or nearly so, that you had a great desire that I should

come to your rendezvous."

"I did not think I was telling you anything new, chevalier. It appeared

to me that my letter would leave you no doubt as to the desire I felt of

seeing you."

"This desire, which I only admit because you confess it, and I am too

gallant to contradict you--had it not made you promise in your letter

more than is in your power to keep?"

"Make a trial of my science; that will give you a test of my power."

"Oh, mon Dieu! I will confine myself to the simplest thing. You say you

are acquainted with the past, the present and the future. Tell me my

fortune."

"Nothing easier; give me your hand."

D'Harmental did what was asked of him.

"Sir," said the stranger, after a moment's examination, "I see very

legibly written by the direction of the 'adducta,' and by the

arrangement of the longitudinal lines of the palm, five words, in which

are included the history of your life. These words are, courage,

ambition, disappointment, love, and treason."

"Peste!" interrupted the chevalier, "I did not know that the genii

studied anatomy so deeply, and were obliged to take their degrees like a

Bachelor of Salamanca!"

"Genii know all that men know, and many other things besides,

chevalier."

"Well, then, what mean these words, at once so sonorous and so opposite?

and what do they teach you of me in the past, my very learned genius?"

"They teach me that it is by your courage alone that you gained the rank

of colonel, which you occupied in the army in Flanders; that this rank

awakened your ambition; that this ambition has been followed by a

disappointment; that you hoped to console yourself for this

disappointment by love; but that love, like fortune, is subject to

treachery, and that you have been betrayed."

"Not bad," said the chevalier; "and the Sybil of Cuma could not have got

out of it better. A little vague, as in all horoscopes, but a great fund

of truth, nevertheless. Let us come to the present, beautiful mask."

"The present, chevalier? Let us speak softly of it, for it smells

terribly of the Bastille."

The chevalier started in spite of himself, for he believed that no one

except the actors who had played a part in it could know his adventure

of the morning.

"There are at this hour," continued the stranger, "two brave gentlemen

lying sadly in their beds, while we chat gayly at the ball; and that

because a certain Chevalier d'Harmental, a great listener at doors, did

not remember a hemistich of Virgil."

"And what is this hemistich?" asked the chevalier, more and more

astonished.

"'Facilis descensus Averni,'" said the mask, laughing.

"My dear genius," cried the chevalier, trying to peep through the

openings in the stranger's mask, "that, allow me to inform you, is a

quotation rather masculine."

"Do you not know that genii are of both sexes?"

"Yes; but I had never heard that they quoted the AEneid so fluently."

"Is not the quotation appropriate? You speak to me of the Sybil of Cuma;

I answer you in her language. You ask for existing things; I give them

you. But you mortals are never satisfied."

"No; for I confess that this knowledge of the past and the present

inspires me with a terrible desire to know the future."

"There are always two futures," said the mask; "there is the future of

weak minds, and the future of strong minds. God has given man free will

that he might choose. Your future depends on yourself."

"But we must know these two futures to choose the best."

"Well, there is one which awaits you, somewhere in the environs of

Nevers, in the depth of the country, among the rabbits of your warren,

and the fowls of your poultry-yard. This one will conduct you straight

to the magistrate's bench of your parish. It is an easy ambition, and

you have only to let yourself go to attain it. You are on the road."

"And the other?" replied the chevalier, visibly piqued at the

supposition that in any case such a future could be his.

"The other," said the stranger, leaning her arm on that of the young

man, and fixing her eyes on him through her mask; "the other will throw

you back into noise and light--will make you one of the actors in the

game which is playing in the world, and, whether you gain or lose, will

leave you at least the renown of a great player."

"If I lose, what shall I lose?" asked the chevalier.

"Life, probably."

The chevalier tossed his head contemptuously.

"And if I win?" added he.

"What do you say to the rank of colonel of horse, the title of Grandee

of Spain, and the order of the Saint Esprit, without counting the

field-marshal's baton in prospective?"

"I say that the prize is worth the stake, and that if you can prove to

me that you can keep your promise, I am your man."

"This proof," replied the mask, "must be given you by another, and if

you wish to have it you must follow me."

"Oh!" said D'Harmental, "am I deceived, and are you but a genius of the

second order--a subaltern spirit, an intermediate power? Diable! this

would take away a little of my consideration for you."

"What does it matter if I am subject to some great enchantress, and she

has sent me to you?"

"I warn you that I do not treat with ambassadors."

"My mission is to conduct you to her."

"Then I shall see her?"

"Face to face."----"Let us go, then."

"Chevalier, you go quickly to the work; you forget that before all

initiations there are certain indispensable ceremonies to secure the

discretion of the initiated."

"What must I do?"

"You must allow your eyes to be bandaged, and let me lead you where I

like. When arrived at the door of the temple, you must take a solemn

oath to reveal nothing concerning the things you may hear, or the people

you may see."

"I am ready to swear by the Styx," said D'Harmental, laughing.

"No, chevalier," said the mask, in a grave voice; "swear only by your

honor; you are known, and that will suffice."

"And when I have taken this oath," asked the chevalier, after an

instant's reflection, "will it be permitted to me to retire, if the

proposals made are not such as a gentleman may entertain?"

"Your conscience will be your sole arbiter, and your word the only

pledge demanded of you."

"I am ready," said the chevalier.

"Let us go, then," said the mask.

The chevalier prepared to cross the room in a straight line toward the

door; but perceiving three of his friends, who might have stopped him on

the way, he made a turn, and described a curve which would bring him to

the same end.

"What are you doing?" asked the mask.

"I am avoiding some one who might detain us."

"Ah!" said the mask, "I began to fear."

"Fear what?" asked D'Harmental.

"To fear that your ardor was diminished in the proportion of the

diagonal to the two sides of a square."

"Pardieu!" said D'Harmental, "this is the first time, I believe, that

ever a rendezvous was given to a gentleman at an opera ball to talk

anatomy, ancient literature, and mathematics. I am sorry to say so, but

you are the most pedantic genius I ever met in my life."

The bat burst out laughing, but made no reply to this sally, in which

was betrayed the spite of the chevalier at not being able to recognize a

person who appeared to be so well acquainted with his adventures; but as

this only added to his curiosity, both descended in equal haste, and

found themselves in the vestibule.

"What road shall we take?" asked the chevalier. "Shall we travel

underground, or in a car drawn by griffins?"

"With your permission, chevalier, we will simply go in a carriage; and

though you appear to doubt it, I am a woman, and rather afraid of the

dark."

"Permit me, then, to call my carriage," said the chevalier.

"Not at all; I have my own."

"Call it then."

"With your permission, chevalier, we will not be more proud than Mahomet

with the mountain; and as my carriage cannot come to us, we will go to

it."

At these words the bat drew the chevalier into the Rue St. Honore. A

carriage without armorial bearings, with two dark-colored horses, waited

at the corner of the street. The coachman was on his seat, enveloped in

a great cape which hid the lower part of his face, while a

three-cornered hat covered his forehead and eyes. A footman held the

door open with one hand, and with the other held his handkerchief so as

to conceal his face.

"Get in," said the mask.

D'Harmental hesitated a moment. The anxiety of the servants to preserve

their incognito, the carriage without blazon, the obscure place where it

was drawn up, and the advanced hour of the night, all inspired the

chevalier with a sentiment of mistrust; but reflecting that he gave his

arm to a woman, and had a sword by his side, he got in boldly. The mask

sat down by him, and the footman closed the door.

"Well, are we not going to start?" said the chevalier, seeing that the

carriage remained motionless.

"There remains a little precaution to be taken," said the mask, drawing

a silk handkerchief from her pocket.

"Ah! yes, true," said D'Harmental; "I had forgotten. I give myself up to

you with confidence."

And he advanced his head. The unknown bandaged his eyes; then said--

"Chevalier, you give me your word of honor not to remove this bandage

till I give you permission?"

"I do."

"It is well."

Then, raising the glass in front, she said to the coachman--

"You know where, Monsieur le Comte."

And the carriage started at a gallop.

The conspirators; or, The chevalier d'Harmental · 第 4 / 43 章