“Now that’s all I wanted to know!” he exclaimed, with a kind of

exaggerated cheery reproach, walking on with her briskly to overtake her

mother.

He was not dining at their inn, but he insisted on coming that evening to

their _table d’hôte_. He sat next Mrs. Tramore, and in the evening he

accompanied them gallantly to the opera, at a third-rate theatre where

they were almost the only ladies in the boxes. The next day they went

together by rail to the Charterhouse of Pavia, and while he strolled with

the girl, as they waited for the homeward train, he said to her candidly:

“Your mother’s remarkably pretty.” She remembered the words and the

feeling they gave her: they were the first note of new era. The feeling

was somewhat that of an anxious, gratified matron who has “presented” her

child and is thinking of the matrimonial market. Men might be of no use,

as Mrs. Tramore said, yet it was from this moment Rose dated the rosy

dawn of her confidence that her _protégée_ would go off; and when later,

in crowded assemblies, the phrase, or something like it behind a hat or a

fan, fell repeatedly on her anxious ear, “Your mother _is_ in beauty!” or

“I’ve never seen her look better!” she had a faint vision of the yellow

sunshine and the afternoon shadows on the dusty Italian platform.

Mrs. Tramore’s behaviour at this period was a revelation of her native

understanding of delicate situations. She needed no account of this one

from her daughter—it was one of the things for which she had a scent; and

there was a kind of loyalty to the rules of a game in the silent

sweetness with which she smoothed the path of Bertram Jay. It was clear

that she was in her element in fostering the exercise of the affections,

and if she ever spoke without thinking twice it is probable that she

would have exclaimed, with some gaiety, “Oh, I know all about _love_!”

Rose could see that she thought their companion would be a help, in spite

of his being no dispenser of patronage. The key to the gates of fashion

had not been placed in his hand, and no one had ever heard of the ladies

of his family, who lived in some vague hollow of the Yorkshire moors; but

none the less he might administer a muscular push. Yes indeed, men in

general were broken reeds, but Captain Jay was peculiarly representative.

Respectability was the woman’s maximum, as honour was the man’s, but this

distinguished young soldier inspired more than one kind of confidence.

Rose had a great deal of attention for the use to which his

respectability was put; and there mingled with this attention some

amusement and much compassion. She saw that after a couple of days he

decidedly liked her mother, and that he was yet not in the least aware of

it. He took for granted that he believed in her but little;

notwithstanding which he would have trusted her with anything except Rose

herself. His trusting her with Rose would come very soon. He never

spoke to her daughter about her qualities of character, but two or three

of them (and indeed these were all the poor lady had, and they made the

best show) were what he had in mind in praising her appearance. When he

remarked: “What attention Mrs. Tramore seems to attract everywhere!” he

meant: “What a beautifully simple nature it is!” and when he said:

“There’s something extraordinarily harmonious in the colours she wears,”

it signified: “Upon my word, I never saw such a sweet temper in my life!”

She lost one of her boxes at Verona, and made the prettiest joke of it to

Captain Jay. When Rose saw this she said to herself, “Next season we

shall have only to choose.” Rose knew what was in the box.

By the time they reached Venice (they had stopped at half a dozen little

old romantic cities in the most frolicsome æsthetic way) she liked their

companion better than she had ever liked him before. She did him the

justice to recognise that if he was not quite honest with himself he was

at least wholly honest with _her_. She reckoned up everything he had

been since he joined them, and put upon it all an interpretation so

favourable to his devotion that, catching herself in the act of glossing

over one or two episodes that had not struck her at the time as

disinterested she exclaimed, beneath her breath, “Look out—you’re falling

in love!” But if he liked correctness wasn’t he quite right? Could any

one possibly like it more than _she_ did? And if he had protested

against her throwing in her lot with her mother, this was not because of

the benefit conferred but because of the injury received. He exaggerated

that injury, but this was the privilege of a lover perfectly willing to

be selfish on behalf of his mistress. He might have wanted her

grandmother’s money for her, but if he had given her up on first

discovering that she was throwing away her chance of it (oh, this was

_her_ doing too!) he had given up her grandmother as much: not keeping

well with the old woman, as some men would have done; not waiting to see

how the perverse experiment would turn out and appeasing her, if it

should promise tolerably, with a view to future operations. He had had a

simple-minded, evangelical, lurid view of what the girl he loved would

find herself in for. She could see this now—she could see it from his

present bewilderment and mystification, and she liked him and pitied him,

with the kindest smile, for the original _naïveté_ as well as for the

actual meekness. No wonder he hadn’t known what she was in for, since he

now didn’t even know what he was in for himself. Were there not moments

when he thought his companions almost unnaturally good, almost

suspiciously safe? He had lost all power to verify that sketch of their

isolation and _déclassement_ to which she had treated him on the great

square at Milan. The last thing he noticed was that they were neglected,

and he had never, for himself, had such an impression of society.

It could scarcely be enhanced even by the apparition of a large, fair,

hot, red-haired young man, carrying a lady’s fan in his hand, who

suddenly stood before their little party as, on the third evening after

their arrival in Venice, it partook of ices at one of the tables before

the celebrated Café Florian. The lamplit Venetian dusk appeared to have

revealed them to this gentleman as he sat with other friends at a

neighbouring table, and he had sprung up, with unsophisticated glee, to

shake hands with Mrs. Tramore and her daughter. Rose recalled him to her

mother, who looked at first as though she didn’t remember him but

presently bestowed a sufficiently gracious smile on Mr. Guy Mangler. He

gave with youthful candour the history of his movements and indicated the

whereabouts of his family: he was with his mother and sisters; they had

met the Bob Veseys, who had taken Lord Whiteroy’s yacht and were going to

Constantinople. His mother and the girls, poor things, were at the Grand

Hotel, but he was on the yacht with the Veseys, where they had Lord

Whiteroy’s cook. Wasn’t the food in Venice filthy, and wouldn’t they

come and look at the yacht? She wasn’t very fast, but she was awfully

jolly. His mother might have come if she would, but she wouldn’t at

first, and now, when she wanted to, there were other people, who

naturally wouldn’t turn out for her. Mr. Mangler sat down; he alluded

with artless resentment to the way, in July, the door of his friends had

been closed to him. He was going to Constantinople, but he didn’t

care—if _they_ were going anywhere; meanwhile his mother hoped awfully

they would look her up.

Lady Maresfield, if she had given her son any such message, which Rose

disbelieved, entertained her hope in a manner compatible with her sitting

for half an hour, surrounded by her little retinue, without glancing in

the direction of Mrs. Tramore. The girl, however, was aware that this

was not a good enough instance of their humiliation; inasmuch as it was

rather she who, on the occasion of their last contact, had held off from

Lady Maresfield. She was a little ashamed now of not having answered the

note in which this affable personage ignored her mother. She couldn’t

help perceiving indeed a dim movement on the part of some of the other

members of the group; she made out an attitude of observation in the

high-plumed head of Mrs. Vaughan-Vesey. Mrs. Vesey, perhaps, might have

been looking at Captain Jay, for as this gentleman walked back to the

hotel with our young lady (they were at the “Britannia,” and young

Mangler, who clung to them, went in front with Mrs. Tramore) he revealed

to Rose that he had some acquaintance with Lady Maresfield’s eldest

daughter, though he didn’t know and didn’t particularly want to know, her

ladyship. He expressed himself with more acerbity than she had ever

heard him use (Christian charity so generally governed his speech) about

the young donkey who had been prattling to them. They separated at the

door of the hotel. Mrs. Tramore had got rid of Mr. Mangler, and Bertram

Jay was in other quarters.

“If you know Mrs. Vesey, why didn’t you go and speak to her? I’m sure

she saw you,” Rose said.

Captain Jay replied even more circumspectly than usual. “Because I

didn’t want to leave you.”

“Well, you can go now; you’re free,” Rose rejoined.

“Thank you. I shall never go again.”

“That won’t be civil,” said Rose.

“I don’t care to be civil. I don’t like her.”

“Why don’t you like her?”

“You ask too many questions.”

“I know I do,” the girl acknowledged.

Captain Jay had already shaken hands with her, but at this he put out his

hand again. “She’s too worldly,” he murmured, while he held Rose

Tramore’s a moment.

“Ah, you dear!” Rose exclaimed almost audibly as, with her mother, she

turned away.

The next morning, upon the Grand Canal, the gondola of our three friends

encountered a stately barge which, though it contained several persons,

seemed pervaded mainly by one majestic presence. During the instant the

gondolas were passing each other it was impossible either for Rose

Tramore or for her companions not to become conscious that this

distinguished identity had markedly inclined itself—a circumstance

commemorated the next moment, almost within earshot of the other boat, by

the most spontaneous cry that had issued for many a day from the lips of

Mrs. Tramore. “Fancy, my dear, Lady Maresfield has bowed to us!”

“We ought to have returned it,” Rose answered; but she looked at Bertram

Jay, who was opposite to her. He blushed, and she blushed, and during

this moment was born a deeper understanding than had yet existed between

these associated spirits. It had something to do with their going

together that afternoon, without her mother, to look at certain

out-of-the-way pictures as to which Ruskin had inspired her with a desire

to see sincerely. Mrs. Tramore expressed the wish to stay at home, and

the motive of this wish—a finer shade than any that even Ruskin had ever

found a phrase for—was not translated into misrepresenting words by

either the mother or the daughter. At San Giovanni in Bragora the girl

and her companion came upon Mrs. Vaughan-Vesey, who, with one of her

sisters, was also endeavouring to do the earnest thing. She did it to

Rose, she did it to Captain Jay, as well as to Gianbellini; she was a

handsome, long-necked, aquiline person, of a different type from the rest

of her family, and she did it remarkably well. She secured our

friends—it was her own expression—for luncheon, on the morrow, on the

yacht, and she made it public to Rose that she would come that afternoon

to invite her mother. When the girl returned to the hotel, Mrs. Tramore

mentioned, before Captain Jay, who had come up to their sitting-room,

that Lady Maresfield had called. “She stayed a long time—at least it

seemed long!” laughed Mrs. Tramore.

The poor lady could laugh freely now; yet there was some grimness in a

colloquy that she had with her daughter after Bertram Jay had departed.

Before this happened Mrs. Vesey’s card, scrawled over in pencil and

referring to the morrow’s luncheon, was brought up to Mrs. Tramore.

“They mean it all as a bribe,” said the principal recipient of these

civilities.

“As a bribe?” Rose repeated.

“She wants to marry you to that boy; they’ve seen Captain Jay and they’re

frightened.”

“Well, dear mamma, I can’t take Mr. Mangler for a husband.”

“Of course not. But oughtn’t we to go to the luncheon?”

“Certainly we’ll go to the luncheon,” Rose said; and when the affair took

place, on the morrow, she could feel for the first time that she was

taking her mother out. This appearance was somehow brought home to every

one else, and it was really the agent of her success. For it is of the

essence of this simple history that, in the first place, that success

dated from Mrs. Vesey’s Venetian _déjeuner_, and in the second reposed,

by a subtle social logic, on the very anomaly that had made it dubious.

There is always a chance in things, and Rose Tramore’s chance was in the

fact that Gwendolen Vesey was, as some one had said, awfully modern, an

immense improvement on the exploded science of her mother, and capable of

seeing what a “draw” there would be in the comedy, if properly brought

out, of the reversed positions of Mrs. Tramore and Mrs. Tramore’s

diplomatic daughter. With a first-rate managerial eye she perceived that

people would flock into any room—and all the more into one of hers—to see

Rose bring in her dreadful mother. She treated the cream of English

society to this thrilling spectacle later in the autumn, when she once

more “secured” both the performers for a week at Brimble. It made a hit

on the spot, the very first evening—the girl was felt to play her part so

well. The rumour of the performance spread; every one wanted to see it.

It was an entertainment of which, that winter in the country, and the

next season in town, persons of taste desired to give their friends the

freshness. The thing was to make the Tramores come late, after every one

had arrived. They were engaged for a fixed hour, like the American

imitator and the Patagonian contralto. Mrs. Vesey had been the first to

say the girl was awfully original, but that became the general view.

Gwendolen Vesey had with her mother one of the few quarrels in which Lady

Maresfield had really stood up to such an antagonist (the elder woman had

to recognise in general in whose veins it was that the blood of the

Manglers flowed) on account of this very circumstance of her attaching

more importance to Miss Tramore’s originality (“Her originality be

hanged!” her ladyship had gone so far as unintelligently to exclaim) than

to the prospects of the unfortunate Guy. Mrs. Vesey actually lost sight

of these pressing problems in her admiration of the way the mother and

the daughter, or rather the daughter and the mother (it was slightly

confusing) “drew.” It was Lady Maresfield’s version of the case that the

brazen girl (she was shockingly coarse) had treated poor Guy abominably.

At any rate it was made known, just after Easter, that Miss Tramore was

to be married to Captain Jay. The marriage was not to take place till

the summer; but Rose felt that before this the field would practically be

won. There had been some bad moments, there had been several warm

corners and a certain number of cold shoulders and closed doors and stony

stares; but the breach was effectually made—the rest was only a question

of time. Mrs. Tramore could be trusted to keep what she had gained, and

it was the dowagers, the old dragons with prominent fangs and glittering

scales, whom the trick had already mainly caught. By this time there

were several houses into which the liberated lady had crept alone. Her

daughter had been expected with her, but they couldn’t turn her out

because the girl had stayed behind, and she was fast acquiring a new

identity, that of a parental connection with the heroine of such a

romantic story. She was at least the next best thing to her daughter,

and Rose foresaw the day when she would be valued principally as a

memento of one of the prettiest episodes in the annals of London. At a

big official party, in June, Rose had the joy of introducing Eric to his

mother. She was a little sorry it was an official party—there were some

other such queer people there; but Eric called, observing the shade, the

next day but one.

No observer, probably, would have been acute enough to fix exactly the

moment at which the girl ceased to take out her mother and began to be

taken out by her. A later phase was more distinguishable—that at which

Rose forbore to inflict on her companion a duality that might become

oppressive. She began to economise her force, she went only when the

particular effect was required. Her marriage was delayed by the period

of mourning consequent upon the death of her grandmother, who, the

younger Mrs. Tramore averred, was killed by the rumour of her own new

birth. She was the only one of the dragons who had not been tamed.

Julia Tramore knew the truth about this—she was determined such things

should not kill _her_. She would live to do something—she hardly knew

what. The provisions of her mother’s will were published in the

“Illustrated News”; from which it appeared that everything that was not

to go to Eric and to Julia was to go to the fortunate Edith. Miss

Tramore makes no secret of her own intentions as regards this favourite.

Edith is not pretty, but Lady Maresfield is waiting for her; she is

determined Gwendolen Vesey shall not get hold of her. Mrs. Vesey however

takes no interest in her at all. She is whimsical, as befits a woman of

her fashion; but there are two persons she is still very fond of, the

delightful Bertram Jays. The fondness of this pair, it must be added, is

not wholly expended in return. They are extremely united, but their life

is more domestic than might have been expected from the preliminary

signs. It owes a portion of its concentration to the fact that Mrs.

Tramore has now so many places to go to that she has almost no time to

come to her daughter’s. She is, under her son-in-law’s roof, a brilliant

but a rare apparition, and the other day he remarked upon the

circumstance to his wife.

“If it hadn’t been for you,” she replied, smiling, “she might have had

her regular place at our fireside.”

“Good heavens, how did I prevent it?” cried Captain Jay, with all the

consciousness of virtue.

“You ordered it otherwise, you goose!” And she says, in the same spirit,

whenever her husband commends her (which he does, sometimes,

extravagantly) for the way she launched her mother: “Nonsense, my

dear—practically it was _you_!”

The Chaperon · 第 3 / 3 段