And she finished with a repetition of Ferdinand's remark,--

'We are the Edisons of a new communion!'

When Valentia began to paint her companion's portrait, they were

naturally much more together. And they never grew tired of sitting in

the pleasant garden under the trees, while she worked at her canvas and

green shadows fell on the profile of Ferdinand White. They talked of

many things. After a while they became less reserved about their private

concerns. Valentia told Ferdinand about her home in Ohio, and about her

people; and Ferdinand spoke of the country parsonage in which he had

spent his childhood, and the public school, and lastly of Oxford and the

strange, happy days when he had learnt to read Plato and Walter

Pater....

At last Valentia threw aside her brushes and leant back with a sigh.

'It is finished!'

Ferdinand rose and stretched himself, and went to look at his portrait.

He stood before it for a while, and then he placed his hand on

Valentia's shoulder.

'You are a genius, Miss Stewart.'

She looked up at him.

'Ah, Mr White, I was inspired by you. It is more your work than mine.'

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