Apulaeus, 86

"Arbasto," 155; 175-178

"Arcadia," Sidney's, 226, 229;

account and criticism of, 234-262;

popularity, imitations and translations of, 262-283;

criticised in the eighteenth century by Addison, Cowper and Young,

270-272;

Milton's and Horace Walpole's criticism of, 272;

Niceron on, 283;

drawings from editions of, 16, 17, 273, 275, 277

"Arcadianism," Dekker and Ben Jonson on, 261

Arcady, land of, 218, 219

Architecture, Elizabethan, 12, 99, 100, 101, 102

Aretino, 298, 348

"Argalus and Parthenia," Quarles', 16, 264, 267;

as a chap-book, 271-275

D'Argenson's opinion of England, 24

"Ariosto," 43, 173, 237, 363;

Harington's translation of, 13, 76, 77, 79, 80, 366

"Arisbas," Dickenson's, 146

Arthur, the Celtic hero, 39;

and his knights, 35

Arundel, Earl of, 159

Ascham, Roger, denounces foreign travel and literature, 71, 72, 73, 74,

75, 79 _note_, 85, 318;

condemns Morte d'Arthur, 63, 74;

on the study of Greek and Latin, 87, 88;

his views on the old romances endorsed by Nash, 307, 308

"Astree," d'Urfe's, 205, 247, 364, 365

"Astrophel and Stella," 229, 233, 234

D'Aubigne, 398

"Aucassin and Nicolete," 36, 37, 59, 60, 353

B.

Bacon, Francis, 24, 43;

"New Atlantis," 50;

and English prose, 52;

essay on Gardens, 241; 300, 403, 413

Bacon, Friar, stories about, 28

Bandello, 81 _note_, 86, 147

"Baron de Foeneste," 398

Baudoin, translation of Sidney's "Arcadia" into French, 276-280

Baxter's "Sir Philip Sidney's Ourania," 262

Beattie, 26

Beckett, engraver, 19

Behn, Mrs., 414-417

Bell's "Theatre," engraving from, 14, 97

Belleforest's tales translated and imitated by Paynter, 86;

"Histoires tragiques," 147

"Bentivolio and Urania," Ingelow's, 413

"Beowulf," the oldest English romance, 11;

fac-simile of the beginning of the MS., 31; 33, 34;

want of tenderness in, 35

"Berenice," Racine's, translated by Otway, 397

"Berger extravagant," 21, 280, 398, 401

Bergerac, Cyrano de, his "Etats et empires de la lune et du soleil," 50;

his "Pedant joue," 128 _note_;

style of, 258;

humour of, 289, 290

Berners, Lord, 106-107

Bestiaries, 108, 111, 112, 115, 116, 119

Blount, Charles, Lord Mountjoy, Earl of Devonshire, 227

Blount, Edward, publisher of Lyly's comedies, 137, 138

Boccaccio, 43;

"Filocopo," "Amorous Fiammetta," "Decameron," English translations

of, 75, 76; 86

Boileau, 258, 356 _note_, 363, 390

Borde, Dr. Andrew, 288, 289, 326

Bossuet, 387

Bovon of Hanstone, poem imitated from a French romance, 39

Boyle, Roger, Lord Broghill, 384-389

Bozon, Nicole, 111

Breton, Nicholas, 192, 198-202

Brunne, Robert Manning de, 38, 39

Bullen, 22

Bunyan, John, 159, 413

Burghley House, 12, 101, 102

Byron's "Don Juan," 409, 410

C.

Caesarius, 48, 49

Callot, 317, 337

Camden Society, 18

"Campaspe," Lyly's, 138

Carey, 412

"Carte du Tendre," 19, 359, 361

"Cassandra," 396, 403, 412;

"Cassandre," 362, 364, 382, 383

Castiglione's "Courtier," 76

Caxton's woodcut of Chaucer's pilgrims, 12, 45;

his editions of Chaucer and work as a printer, 52-55; 60

"Cent Nouvelles," 47, 48

Cervantes, 43, 88, 399

Chappelain, Mdlle. G., translator of Sidney's "Arcadia," 277-280

Chapelain, Jean, author of "La Pucelle," 294, 350, 357

Characters, books of, 201-2 _note_

Charlemagne, poem imitated from French romance of, 39

Charles I., 84; 250, 252; 366, 382

Charles II., 381

Charles IX., 220

Chartley, 223

Chateaubriand, 231, 283

Chateaumorand, Diane de, 276

Chatterton, 26

Chaucer, Caxton's engraving of his pilgrims, 12, 45;

a story-teller, but with small influence on the Elizabethan novel,

43, 44;

homage of Pope and Dryden to, 44;

faculty of observation in, 49;

and mediaeval story-tellers, 89;

"Cooke's Tale," 204;

read by Nash, 296

Chesterfield, Lord, 414

Chettle's edition of "Groats-worth of Wit," 165 _note_, 321;

"Piers Plain," 328, 330, 331

"Chrononotontologos," 412

Cibber, Theophilus, 381

"Civile Conversation," Guazzo's, 72, 73, 76

"Clarissa Harlowe," 25, 26, 31

"Clelie," 361, 364, 370; frontispiece of "La Fausse," 20, 375

"Cleopatra," 412; Queen, as represented on the English stage, 14, 97;

"Cleopatre," 364, 369;

frontispiece of, 20, 371

Clovis, 354

Colet, Dean of St. Paul's, 87

Comte, Auguste, 416

Conde, 352, 357

"Contes Moralises," Bozon's, 111

Cooper, Fenimore, 415

Copland, 12

Corneille, 278, 282, 343, 355, 363, 373

Coryat, 302 _note_

Cotterel, Sir Charles, translator of "Cassandre," 373

"Cour Bergere," play derived by Mareschal from Sidney's "Arcadia," 282

"Court Secret," 413

Cowper, on Sidney's "Arcadia," 271

Coxon (or Cockson), Thomas, engraver, portraits by, 13

Crebillon _fils_, 414

Cromwell, 84, 363, 381

Crowne's "Pandion and Amphigenia," 19, 389-391; 392, 395

D.

Davenport, 173

Davies, John, drawing from his translation of Sorel's "Berger

extravagant," 21

Day, John, "Ile of Guls," 263;

collaborator of Dekker, 331

"Debat de folie et d'amour," 173

Dedekind, 339

Defoe, 25, 26;

protest against the abbreviation of "Robinson Crusoe," 123, 124; 199,

260, 270, 294, 313, 320, 335, 345, 348, 390, 404, 417

Dekker, portrait of, 333;

on _Arcadianism_ and _Euphuism_, 261;

on Nash in the Elysian fields, 327;

plays and pamphlets by, 330-346;

love of literature, 332;

gaiety, 333;

Lamb on, 332;

Nash and, 334;

"Wonderfull Yeare," 335-338;

advice on behaviour at a play-house, 340-343

Desperriers, Bonaventure, 86

Devereux, Penelope, afterwards Lady Rich, Sidney's "Stella," 223, 224,

225, 227, 228

Dickens, Charles, 124

Dickenson, imitator of Lyly, 145, 146, 161 _note_

Disguises, fondness for, in Elizabethan times, 237-239

"Don Simonides," Rich's, 146, 147

Drayton, 331

Dryden, 354, 363, 389, 392, 396, 404, 417

Du Bartas, 271

Du Bellay, 70

Dupleix, Scipion, historiographer royal, 354

Dyce, reprint by, 18

E.

"Ecclesiastical Polity," Hooker's, 382

Eliot, George, 36, 124

Elizabeth, Queen, portrait by Rogers, 11, 96, 256;

by Zucchero, 14;

in pastoral romance, 218;

manners of, 91-96;

learning of, 92;

toilettes of, 92;

Hentzner on, 96

Elizabethan houses, 101, 102;

dress, 128;

literary men, 161;

amusements, 18, 287, 298

"Emile," Rousseau's, 415

"Empress of Morocco," Settle's, 393, 395

"Endimion," Lyly's, 138, 139;

Gombauld's, 19, 367, 369

English, ancestry of the, 40, 41, 42;

effect of the French conquest on the literature of the, 43

"English Adventures," Boyle's, 388, 389

"English Rogue," Head's, 413

Erasmus, 51, 87, 88, 348

Essex, Earl of, 159

"Euphues," Lyly's, 103-142;

written for women, 104, 105;

on women in, 127-130, 133;

natural history in, 107, 108-120;

moral teaching in, 123, 124, 127;

bringing up of children in, 130-132;

popularity of, 137-142;

Nash on, 139, 140;

abbreviation of, 141

"Euphues his censure to Philautus," Greene's, 146, 168

_Euphuism_, Lyly and, 105;

acclimatization of, in England, 106, 107;

Shakespeare on, 140;

Dekker and, 261

Exeter, Joseph of, 38

Exeter, Marquis of, seat of the, 12

F.

Fayette, Mme. de la, 397

Fenelon's, "Telemaque," 50;

"Lettre a l'Academie," 229

Fenton's, "Tragicall Discourses," 80, 81

Fielding, 25, 124, 270, 313, 317, 406, 412, 417

Floire and Blanchefleur, 36

Florio's Montaigne, 227

Ford, Emanuel, disciple of Lyly, 192;

"Parismus," 193-198;

collaborator of Dekker, 331

Fortescue's, "Foreste," 81

Fouquet, 281

Fournival, Richard de, 107, 108

Fox, George, the Quaker, 158

"Francesco's Fortunes," drawings from, 11

"Francion," 293, 398

French, gaiety of the literature of the, 33, 34

Froissart, 43, 47, 86

Furetiere, 398, 399, 404, 405

Furnivall, F. J., 39, 90, 102, 140, 162, 223

G.

Gaedertz, of Berlin, 17

"Gallathea," Lyly's, 139

"Gamelyne," tale of, 204

Gargantua and Pantagruel, story of, 50

Gascoigne, "Adventures passed by Master F. T.," 81

Gawain, a metrical romance imitated from the French, 89

"Genereuse Allemande," Mareschal's, 282

Gheeraedts, 16

Gil Bias, 24

Godwin, F., 413

"Golden boke of Marcus Aurelius," translated by Lord Berners and Sir

Thomas North, 106, 107

Gomberville, 356

Gosse, 373

Gower, 296

"Grand Cyrus," romance of, 364, 383, 396

Green Knight, metrical romance from the French, 39

Greene, Robert, illustrations to his work, 11, 15;

stories of, translated into French, 27;

denounces foreign travel, 73 _note_;

natural history of, 112;

imitator of Lyly, 145, 146, 170, 171 _note_;

Warner on, 149, 150;

character, birth, and education, 152, 153, 154;

travels, 74, 154;

writings, 151, 155;

"Groats-worth of Wit," 156, 157, 158;

"Repentances," 158, 159, 162;

marriage, 159, 160, 166, 167;

Nash on, 160, 161;

complaint against plagiarists, 163;

abuse of Shakespeare, 164, 165;

illness and death, 162, 163, 165, 166, 167;

Ben Jonson on, 166;

contributions to the novel literature of Elizabethan times, 167-192;

_Euphuism_ of, 170-173;

"Penelope," 174;

imitated by Breton, 198, 199, 201;

by Lodge, 202;

style of his novels, 290; 295, 296, 300, 418

Greville Fulke, Lord Brooke, 220, 226, 245

Grimestone's translation of tales by Goulart, 81

"Groats-worth of Wit," 156, 157, 165 _note_, 328

_Grobianism_, 339, 344, 345, 346

"Grobianus," 338, 339

Guazzo's "Civile Conversation," translation of, 76

Guevara, 86, 106

"Gulliver's Travels," 50, 51

"Guls Horne-booke," Dekker's, 28, 261, 339, 340, 341, 342, 343

"Gwydonius," Greene's, 155

H.

Hall, Joseph, bishop of Norwich, 73 _note_, 413

Hampole, Rolle de, story of a scholar of Paris, 48, 49

Harington's translation of "Ariosto," 13, 76, 77, 79, 80, 366

Harrington's "Oceana," 413

Harrison's "Description of Britaine," 101

Hartley, Mrs., as Cleopatra, 14, 97

Harvey, Gabriel, Nash and, 297, 298

Hastings, battle of, results of, 33

Hathaway, 331

Haughton, 331

Havelock the Dane, a metrical romance, 39

Head, Richard, writer of a picaresque novel, 294, 412, 413

Henri IV., 352

Henrietta of England, Duchess of Orleans, 386, 387

Henry VIII., learning of, 87

Henslowe, 328, 331

Hentzner on Elizabeth, 96

"Heptameron," Reine de Navarre's, 398

Herbert, William, Shakespeare's friend, 234

"Hercules of Greece," romance, 349

Heroical novels and plays in England and France, 347-397;

reaction against, 397-412

Heywood, T., 331

"History of the Ladye Lucres," 81;

drawing from German edition of, 14, 82

Hood, Robin, stories about, 28

Hooker, Richard, 382

Hurst, Richard, drawing from his version of Gombauld's "Endimion," 19

"Hystorie of Hamblet," 81

I.

"Ibrahim ou l'illustre Bassa," 364

"Ile of Guls," Day's, 263

Ingelow's "Bentivolio and Urania," 413

"Isle of Dogs," Nash's, 297, 298 _note_

J.

"Jack Wilton," Nash's novel of, 297;

account of, 308-321

Jessopp, Dr., 218

Johnson, Dr., 151, 413

Jones, Inigo, sketches by, 14, 100;

architecture of, 100, 101

Jonson, Ben, 151, 261, 270, 331, 341 _note_, 348, 404, 407

K.

Keats, 418

Kemp, the actor, 18, 287, 298

Kenilworth, festivities at, 223;

park of, 241, 242

King Horn, a metrical romance, 39

"Knight of the Swanne," frontispiece of, 12, 61, 64

L.

Labe, Louise, "Debat de Folie et d'Amour," 173

La Calprenede, 356, 369, 384, 398, 408;

Mme. de Sevigne on, 353

"Lady of May," Sidney's masque of, 229, 289

La Fontaine, 232

Landmann, Dr., 106, 123 _note_

Laneham, Robert, account of the Kenilworth Festivities, 85

Languet, Hubert, the French Huguenot and friend of Sidney, on English

manners, 136, 137;

correspondence with Sidney, 221, 223, 288;

poem on, in the "Arcadia," 222

"La Pucelle," 294, 350

Layamon, 39, 40

Lee, 392, 397

Leicester, Earl of, 91, 96, 159, 223

"Lenten Stuff," Nash's, 324, 325

Le Sage, style of, 47; "Gil Blas," 294

"Le Sopha," 24

"Lettre a l'Academie," Fenelon's, 229

"Life and Death of Ned Browne," Greene's, 187, 188

Lindsey, Earl of, 382

Lodge, Thomas, imitator of Lyly, 145, 150, 151;

birth, education, travels, 202;

novels, 203;

"Rosalynde," 144, 204, 205, 206, 207-215; 290, 403

Longueville, Mme. de, 352, 357

"Looking Glasse for London and England," by Greene and Lodge, 215

Louis XIII., 354

Louis XIV., 352

Loveday, Robert, translator of La Calprenede's "Cleopatre," 369;

frontispiece of, 20, 369, 371

Ludlow Castle, 219, 220

Lyly, John, editions of "Euphues," 27;

denounces foreign travel, 73 _note_;

writes for women, 104, 105;

his style, 107;

knowledge of plants and animals, 119, 120;

the moral teaching of Lyly's "Euphues," 126-135;

comedies by, 137-139;

imitators of, 145-215;

Sidney's style compared with, 255;

kind of novel, 290;

and the Martin Marprelate Controversy, 297;

an ancestor of Richardson, 317;

anticipates Rousseau, 131, 415

M.

Malory's "Morte d'Arthur," 54-57, 60-63

"Mamillia," Greene's, 154, 155, 168

Mandeville, 296

Map, Walter, 38;

his faculty of observation, 49

Mareschal, Antoine, 282

"Margarite of America," Lodge's, 202, 203

"Marianne," 24

Marlowe, heroes and heroines of, 247, 249;

dies young, 295;

Nash's criticisms of, 299, 306, 307

Mary, Queen of Scots, 92

Massinger, 331

Master Reynard, 292

"Matchless Orinda," The, 384, 391

Medicis, Marie de, 276

Melbancke, imitator of Lyly, 145

Melville, Sir James, ambassador of Mary Queen of Scots to the English

court, on the manners of the English, 91-95;

on the liking of the Elizabethans for disguises, 239

"Menaphon," Greene's, 146, 155, 160, 185-187

Meres, Francis, 198 _note_, 254 _note_, 300

Merimee's style, 305

"Midas" comedy by Lyly, 139

Middleton, 331

Milton's "Comus," 220, 221;

opinion of Sidney's "Arcadia," 250, 251

Moliere, his love for old songs, 232;

his denunciation of the behaviour of gallants at the playhouse, 343, 344;

the "Precieuses ridicules," 373;

English translations of, 397;

the "Critique de l'Ecole des Femmes," 405

Monmouth, Geoffrey of, 38, 41

Montaigne, 43

Montausier, 352, 388, 391

Montchrestien, Antoine de, 354, 355

Montemayor's "Diane," 76;

translation of, 227;

style of, 229;

imitated by Sidney, 236

Montesquieu's "Lettres persanes," 132

More, Sir Thomas, writes in Latin; the "Utopia," 50, 51;

Erasmus' opinion of, 87;

hero in Nash's novel, 348;

his "Utopia," a political novel, 413

Morris, William, 63

"Morte d'Arthur," Malory's, 54-59;

Ascham on, 63

Munday, Anthony, imitator of Lyly, 145, 193, 331, 349

Muerger's "Scenes de la vie de Boheme," 150, 151

"Myrrour of Modesty," Greene's, 155, 168, 349

N.

Nash, Thomas, portrait of, 18;

his stories translated into French, 27;

initiator of the _picaresque_ novel, 294;

birth, education, studies, and travels, 295, 296;

works of, 297;

love of poetry, 299, 300;

style and vocabulary of, 302-307;

Dekker on, 327, 334;

begins the novel of real life, 347, 348;

406, 412, 418

Navarre, Queen of, 86

Newcastle, Duchess of, drawing from "Nature's Pictures," 20, 379;

literary works of the, 374-381

Newton, 24

North, Sir Thomas, 106, 107

Novels, in Tudor times, 80-102;

as sermons, 123, 124, 127;

pastoral, 235-283;

picaresque, 291-346;

heroical, 348-414;

philosophical, 414-416

Nucius, Nicander, on the study of Italian and French in England, 87;

on the manners of English women, 91

O.

"Oceana," Harrington's, 413

Octavian, romance imitated from the French, 39

Oliver, Isaac, miniature of Sir Philip Sidney, 15, 221, 243;

drawing by, 69

"Oroonoko," Mrs. Behn's, 414-417

"Orlando Furioso," Ariosto's, 76, 77, 79, 80

Osborne, Dorothy, letters to Sir William Temple, 382-384, 387, 388

Otway, 389 _note_, 397, 404

Owen, Miss, 373

P.

Padua, John of, architect, 12, 101

"Pamela," Richardson's, 127, 249, 250, 414

"Pandion and Amphigenia," Crowne's heroical novel of, 389, 390, 391

"Pandosto," Greene's, 155, 168, 169, 175, 178-185

"Parismus," Ford's, 193;

compared with "Romeo and Juliet," 194-198

"Parthenissa," Lord Broghill's, 384, 385;

Dorothy Osborne on, 386, 387

Pas, C. de, drawings by, 19, 369

Paynter, translations of tales by, 28;

"Palace of Pleasure," 80;

tales by, 86

Peele, 295

"Penelopes Web," Greene's, 155

Penshurst, Sidney's birthplace, Ben Jonson's description of, 16;

drawing of, 217

Pepys, Mr., 383

Percival, romance imitated from the French, 39

Percy, 26

"Perimedes," Greene's, 155

"Perplexed Prince," 413

"Petit Jehan de Saintre," 47

Petrarca, 43

Pettie, George, on English prose, 72, 73;

"Pettie Pallace," 81

Philips, Catherine, "matchless Orinda," 19; 370-373

Philips, Mr., husband of "matchless Orinda," 373

"Philomela," Greene's, 171-173

"Philotimus," Melbancke's, 148

"Pierce Penilesse," Nash's, 322-324

"Piers Plain," Chettle's, 328-330

"Pilgrimage to Parnassus," 140

Pinturicchio, 174

Pius II., 83

"Planetomachia," Greene's, 155

"Polexandre," 364

Pope, Alexander, 218, 237, 381

Porro, Girolamo, engraver, 13

Poussin, Gaspard, 237

"Princesse de Cleves," 24, 397

Prose, little cultivated in England, 50

Prynne, 382

Puritans, and Charles I., 250;

manners of, 364, 366;

and Cromwell, 381

Pytheas, an old traveller, 33

Q.

Quarles, Francis, drawings from his "Argalus and Parthenia," 16;

"Emblemes," 264, 267

"Quinze joyes de Mariage," 338, 345, 346

"Quip for an upstart Courtier," Greene's, frontispiece of, 15, 265;

description of, 189-192

R.

Rabelais, 43;

and the "Utopia," 51, 52; 88, 128, 289, 297, 304, 305, 399

Racine, 355, 363, 395, 396, 397

Racine, Louis, 123

"Railleur ou la Satyre du Temps," Mareschal's, 282

Raleigh, 218

Rambouillet, Hotel de, 352, 356, 357, 370-373;

Mme. de, 381

Renaissance, tentative, of the fourteenth century, 43;

short stories, outcome of, 47;

period of the, 60, 68;

effects of the, 69, 70;

art of the, 79;

women at the time of the, 133;

costumes and furniture in Sidney's "Arcadia" pure, 244;

characteristics of, 303

"Returne from Parnassus," 140 _note_, 316 _note_, 326

Rich, "Farewell to militarie profession," 81;

imitator of Lyly, 145;

works of, 146, 147

Rich, Lord, husband of Sidney's "Stella," 223, 227

Richardson, 25, 26, 123, 124, 127, 131;

"Pamela" and "Clarissa Harlowe," 169, 202;

borrows from Sidney, 249, 250;

270, 317, 378, 417

Richelieu, 352

Rivers, Lord, 134

Robert the Devil, drawing of, 57

"Robinson Crusoe," 123, 124, 159

Robinson, Ralph, translator of More's "Utopia," 50, 51

Rogers, William, engraving by, 11, 256

"Roland," poem imitated from a French romance, 34, 39

"Roman bourgeois," 398

"Roman comique," 398

Romances, end of chivalrous, 25;

pastoral, 217-283;

heroical, reaction against, 397, 398, 411;

French, translated and read in

England, 363-384

Ronsard, 43, 88

"Rosalynde," Lodge's, compared with "As you like it," 202-213

Rousseau's "Emile," 130, 131;

"Social contract," 221;

and Mrs. Behn, 414-416

Rowley, 331

S.

Sainte More, Benoit de, poems by, 34, 35

Saint Dunstan, literature under, 33

Salisbury, John of, 38

"Sapho and Phao," Lyly's, 138

Sarasin, 350

Scarron, 398, 400 _note_, 404

"Scipion," 365

Scott, Sir Walter, 26, 36

Scudery, George de, 278, 348, 355, 356;

preface to "Ibrahim," 358, 408, 409, 415;

Madeleine de, "Clelie," 20; 355-357;

361, 384, 388, 396

Settle's "Empress of Morocco," 20, 21, 293;

392-395

Sevigne, Mme. de, admirer of heroism in romances and plays, 352, 353,

357, 381

Shakespeare, interior view of a theatre in time of, 17, 18, 286;

24;

glory of, 26;

editions of the plays of, 27; 43;

his daily reading, 85;

outcome of his age, 88;

Cleopatra, 97, 99, 156;

source of "Twelfth Night," 147;

of "Winter's Tale," 155, 178-185;

"Parismus" compared with "Romeo and Juliet," 194-198;

of "As you like it," 202-213;

source of part of "Lear," 262;

source of "Two Gentlemen of Verona," 149, 150, 236 _note_;

little known in France, 279;

a copy of, in Louis XIV.'s library, 281;

earliest French criticism on, 282;

humour of, 289;

beginning of career of, 299, 300;

on music, 300, 301;

interposes himself in his plays, 314, 315;

and Moliere, 343;

style of, 403, 404

Shirley, 288

Sidney, Mary, Countess of Pembroke, portrait of, 16;

fame of, 234, 235;

works dedicated to, 263

Sidney, Sir Philip, 217-283;

miniature and portraits of, 221, 222;

"Arcadia," 16, 17, 226, 229, 234-283;

stories of, translated, 27;

birth, 219;

education and travels, 74, 220, 221;

love for "Stella," 222-225;

"Shepheardes Calender," dedicated to, 225;

at Wilton, 226;

Marriage and death, 226, 227;

literary work and style, 228-263;

"Apologie," 229-233, 235, 254, 255, 301;

Du Bartas on, 274;

known to Florian, 283;

humour of, 288-290;

Nash on, 299;

ancestor of Richardson, 317;

prose of, 403;

analysis of feeling by, 414

"Sir Charles Grandison," 31

Smith, Wentworth, 331

Smollett, 294

Smyth's "Straunge and tragicall histories," 81

"Sociable letters," Duchess of Newcastle's, 378

"Sopha," 414

Sorel, Charles, 280, 298

Spenser, Edmund, 43;

Nash on, 298, 299, 300

Steele, Richard, 25, 381

"Stella," books dedicated to, 227, 228

Sterne, 313

"Strange Fortunes," Breton's, 199, 200

Suckling, Sir John, 388

Surrey, Earl of, 74, 245;

Nash on, 300; 348

Swift, 345, 384, 413

Swinburne, 63

Sylvius, AEneas (Piccolomini), 81

T.

Tacitus' opinion of the English, 123

Tarleton, 298

Tasso, 43;

translations in English of, 76

"Telemaque," 50

Temple, Sir William, 382, 384, 387, 388

"Tendre" country, Map of, 19, 20, 359, 361

Teniers, 317

Tennyson, 63

Thackeray, 124;

"Vanity Fair," 291

Thorpe, John, architect, 12, 101

"Til Eulenspiegel," 292

Tintoretto, 244

Titian, 244

"Tom Thumb," Fielding's, 412

Tom-a-Lincoln, stories of, 28

"Tom Jones," 26

Topsell's Natural History, 14, 15, 103, 109, 111-113; 115-117; 119, 121,

125, 145, 171, 417

Tormes, Lazarillo de, 292-294

"Tragicall Discourses," 80, 81

Tristan, tales of, 25

"Trojan War," romance imitated from the French, 39

Turberville, drawings from his "Booke of Faulconrie," and "Noble Art of

Venerie," 15

Turenne, 352

U.

Universities, Lyly's experience of, 153

D'Urfe, 247

"Utopia," More's, 50, 51

V.

Villemain's lectures on the eighteenth century, 31, 32

Vinci, 231

Virgil, 363, 398

Voiture, 409

Voltaire's prose tales, 47, 51

W.

Wace, 39

Walpole, Horace, 272

Walsingham, Sir Francis, 220, 226

Warner, imitator of Lyly, 145;

"Pan his Syrinx," and "Albion's England," 148, 149

Warwick, Guy of, metrical romance from the French, 19, 39, 67, 349-351

Watson, Thomas, 139, 245

Webster, heroines of, 249; 331

Wentworth, 331

Whetstone, collections of tales translated by, 28;

"Heptameron," 81

William the Silent, 226

Wilson, 331

Wilt, John O., drawing by, 17

Wireker, Nigel, 38, 49

Women, their learning and manners in Tudor times, 89, 90, 91;

Ascham and Harrison on, 90, 91;

Caxton on, 133, 134;

English and Italian compared, 133, 134;

Rich's stories for, 147;

excluded from the stage, 301, 302

"Wonderfull Yeare," 335-338

Worde, Wynkyn de, 12, 64

Wroth, Lady Mary, "Urania," 268-270;

Ben Jonson on, 270

Wyatt, Sir Thomas, 74, 245

Wycherley, 404

Wyle, Nicolaus von, 82

X.

Xenophon, 86

Y.

Young, on the "Arcadia," 271, 272

Z.

"Zelauto, the Fountain of Fame," Munday's, 146, 147, 148

"Zelinda," adaptation of Voiture's, 408-412

Zucchero's portrait of Elizabeth, 14, 329

[Illustration]

UNWIN BROTHERS, THE GRESHAM PRESS, CHILWORTH AND LONDON.

BOOKS FOR

RECREATION

AND STUDY

PUBLISHED BY

T. FISHER UNWIN,

11, PATERNOSTER

BUILDINGS, LONDON

E. C....

T. FISHER UNWIN, Publisher.

SIX-SHILLING NOVELS

_In uniform green cloth, large crown 8vo, gilt tops_, =6s.=

* * * * *

=Effie Hetherington.= By ROBERT BUCHANAN. Second Edition.

=An Outcast of the Islands.= By JOSEPH CONRAD. Second

Edition

=Almayer's Folly.= By JOSEPH CONRAD. Second Edition.

=The Ebbing of the Tide.= By LOUIS BECKE. Second Edition.

=A First Fleet Family.= By LOUIS BECKE and WALTER JEFFERY.

=Paddy's Woman=, and Other Stories. By HUMPHREY JAMES.

=Clara Hopgood.= By MARK RUTHERFORD. Second Edition.

=The Tales of John Oliver Hobbes.= Portrait of the Author.

Second Edition.

=The Stickit Minister.= By S. R. CROCKETT. Eleventh Edition

=The Lilac Sunbonnet.= By S. R. CROCKETT. Sixth Edition.

=The Raiders.= By S. R. CROCKETT. Eighth Edition.

=The Grey Man=. By S. R. CROCKETT.

=In a Man's Mind.= By J. R. WATSON.

=A Daughter of the Fen.= By J. T. BEALBY. Second Edition.

=The Herb-Moon.= By JOHN OLIVER HOBBES. Third Edition.

=Nancy Noon.= By BENJAMIN SWIFT. Second Edition. With New

Preface.

=Mr. Magnus.= By F. REGINALD STATHAM. Second Edition.

=Trooper Peter Halket of Mashonaland.= By OLIVE SCHREINER.

Frontispiece.

=Pacific Tales.= By LOUIS BECKE. With Frontispiece Portrait

of the Author. Second Edition.

=Mrs. Keith's Crime.= By Mrs. W. K. CLIFFORD. Sixth Edition.

With Portrait of Mrs. Keith by the Hon. JOHN COLLIER, and a

New Preface by the Author.

=Hugh Wynne.= By Dr. S. WEIR MITCHELL. With Frontispiece

Illustration.

=The Tormentor.= By BENJAMIN SWIFT, Author of "Nancy Noon."

=Prisoners of Conscience.= By AMELIA E. BARR, Author of "Jan

Vedder's Wife." With 12 Illustrations.

=The Gods, some Mortals and Lord Wickenham.= New Edition. By

JOHN OLIVER HOBBES.

=The Outlaws of the Marches.= By Lord ERNEST HAMILTON. Fully

illustrated.

=The School for Saints=: Part of the History of the Right

Honourable Robert Orange, M.P. By JOHN OLIVER HOBBES, Author

of "Sinner's Comedy." "Some Emotions and a Moral," "The Herb

Moon," &c.

=The People of Clopton=. By GEORGE BARTRAM.

* * * * *

WORKS BY JOSEPH CONRAD

I.

AN OUTCAST OF THE ISLANDS

_Crown 8vo_, _cloth_, =6s.=

"Subject to the qualifications thus disposed of (_vide_

first part of notice), 'An Outcast of the Islands' is

perhaps the finest piece of fiction that has been published

this year, as 'Almayer's Folly' was one of the finest that

was published in 1895 ... Surely this is real romance--the

romance that is real. Space forbids anything but the merest

recapitulation of the other living realities of Mr. Conrad's

invention--of Lingard, of the inimitable Almayer, the

one-eyed Babalatchi, the Naturalist, of the pious

Abdulla--all novel, all authentic. Enough has been written

to show Mr. Conrad's quality. He imagines his scenes and

their sequence like a master; he knows his individualities

and their hearts; he has a new and wonderful field in this

East Indian Novel of his.... Greatness is deliberately

written; the present writer has read and re-read his two

books, and after putting this review aside for some days to

consider the discretion of it, the word still

stands."--_Saturday Review._

* * * * *

II.

ALMAYER'S FOLLY

_Second Edition. Crown 8vo, cloth_, =6s.=

="This startling, unique, splendid book."=

Mr. T. P. O'CONNOR, M.P.

"This is a decidedly powerful story of an uncommon type, and

breaks fresh ground in fiction.... All the leading

characters in the book--Almayer, his wife, his daughter, and

Dain, the daughter's native lover--are well drawn, and the

parting between father and daughter has a pathetic

naturalness about it, unspoiled by straining after effect.

There are, too, some admirably graphic passages in the book.

The approach of a monsoon is most effectively described....

The name of Mr. Joseph Conrad is new to us, but it appears

to us as if he might become the Kipling of the Malay

Archipelago."--_Spectator._

* * * * *

THE EBBING OF THE TIDE

BY

LOUIS BECKE

Author of "By Reef and Palm"

_Second Edition. Crown 8vo, cloth_, =6s.=

"Mr. Louis Becke wields a powerful pen, with the additional

advantage that he waves it in unfrequented places, and

summons up with it the elemental passions of human

nature.... It will be seen that Mr. Becke is somewhat of the

fleshly school, but with a pathos and power not given to the

ordinary professors of that school.... Altogether for those

who like stirring stories cast in strange scenes, this is a

book to be read."--_National Observer._

* * * * *

PACIFIC TALES

BY

LOUIS BECKE

With a Portrait of the Author

_Second Edition. Crown 8vo, cloth_, =6s.=

"The appearance of a new book by Mr. Becke has become an

event of note--and very justly. No living author, if we

except Mr. Kipling, has so amazing a command of that

unhackneyed vitality of phrase that most people call by the

name of realism. Whether it is scenery or character or

incident that he wishes to depict, the touch is ever so

dramatic and vivid that the reader is conscious of a picture

and impression that has no parallel save in the records of

actual sight and memory."--_Westminster Gazette._

"Another series of sketches of island life in the South

Seas, not inferior to those contained in 'By Reef and

Palm.'"--_Speaker._

"The book is well worth reading. The author knows what he is

talking about and has a keen eye for the picturesque."--G.

B. BURGIN in _To-day_.

"A notable contribution to the romance of the South Seas."

T. P. O'CONNOR, M.P., in _The Graphic_.

* * * * *

CLARA HOPGOOD

BY

MARK RUTHERFORD

_EDITED_ BY

REUBEN SHAPCOTT

_Second Edition. Crown 8vo, cloth_, =6s.=

(_The Third and Cheaper Edition is now ready, Crown 8vo, cloth_, =3s.

6d.=)

"The writer who goes by the name of Mark Rutherford is not

the most popular novelist of his time by any means. There

are writers with names which that recluse genius has never

heard of, probably, whose stories give palpitations to

thousands of gentle souls, while his own are quietly read by

no more than as many hundreds. Yet his publisher never

announces a new story by the Author of 'Mark Rutherford's

Autobiography,' and 'The Revolution in Tanner's

Lane,'--which we believe to be one of the most remarkable

bits of writing that these times can boast of--without

strongly exciting the interest of many who know books as

precious stones are known in Hatton Garden.... 'Clara

Hopgood' is entirely out of the way of all existing schools

of novel-writing.... Had we to select a good illustration of

'Mark's way' as distinguished from the way of modern

storytellers in general, we should point to the chapter in

which Baruch visits his son Benjamin in this narration.

Nothing could be more simple, nothing more perfect."--_Pall

Mall Gazette._

A FIRST FLEET FAMILY:

BEING A HITHERTO

UNPUBLISHED NARRATIVE

OF CERTAIN REMARKABLE

ADVENTURES

COMPILED

FROM THE PAPERS OF

SERGEANT WILLIAM

DEW, OF THE MARINES

BY

LOUIS BECKE and WALTER JEFFERY

_Second Edition. Crown 8vo, cloth_, =6s.=

"As convincingly real and vivid as a narrative can

be."--_Sketch._

"No maker of plots could work out a better story of its

kind, nor balance it more neatly."--_Daily Chronicle._

"A book which describes a set of characters varied and so

attractive as the more prominent figures in this romance,

and a book so full of life, vicissitude, and peril, should

be welcomed by every discreet novel reader."--_Yorkshire

Post._

"A very interesting tale, written in clear and vigorous

English."--_Globe._

"The novel is a happy blend of truth and fiction, with a

purpose that will be appreciated by many readers; it has

also the most exciting elements of the tale of

adventure."--_Morning Post._

11, Paternoster Buildings, London, E.C.

CUBA AND PORTO RICO

WITH THE OTHER ISLANDS OF

THE WEST INDIES,

BY ROBERT T. HILL,

Of the United States Geological Survey.

A valuable Work of Reference.

A Scientific Presentation.

An indispensable Guide.

A readable Narrative.

500 Pages.

160 Illustrations.

Price 16s.

BAHAMAS,

JAMAICA,

HAITI,

SAN DOMINGO,

ST. THOMAS,

ST. KITTS,

ANTIGUA,

MONTSERRAT,

GUADELOUPE,

MARTINIQUE,

ST. LUCIA,

BARBADOS,

ST. VINCENT,

GRENADA,

TRINIDAD.

Flora,

Climate,

Soil,

Products,

Minerals,

Agriculture,

Scenery,

Topography,

Sanitation,

People,

Transportation,

Statistics,

History,

Routes of travel,

Administration,

Accessibility,

Possibilities.

"His book is a very good example of its kind, carefully

written, full of the information that is required."--_The

Times._

"He has written the most important book that has been

published on the subject."--_Chicago Tribune._

"His volume of 429 pages, with profuse Illustrations and an

index, forms a little condensed library of reference."--_N.

Y. Times._

"The book is well and ably written ... is brightened by a

truly magnificent series of photographs ... beautifully

reproduced on fine paper."--_Edinburgh Scotsman._

* * * * *

Tourists to Cuba, Porto Rico and the West Indies will find this a most

reliable and the only General Handbook.

T. FISHER UNWIN, PATERNOSTER SQUARE, LONDON.

_3 GREAT ART BOOKS_

_EDITED BY JOSEPH PENNELL._

* * * * *

=Lithography and Lithographers:=

SOME CHAPTERS IN THE HISTORY OF THE ART.

With Technical Remarks and Suggestions by JOSEPH and ELIZABETH ROBINS

PENNELL. Together with 154 Illustrations, besides a Frontispiece

Portrait of Joseph Pennell by JAMES MCNEILL WHISTLER, and other original

lithographs by A. Legros, W. Strang, C. H. Shannon, A. Lunois, J. McLure

Hamilton and T. R. Way. (13-1/2 x 10-1/2 inches, xiii + 279 pp.) L3 13s.

6d. net. Also, a Fine Edition signed by JOSEPH PENNELL; on Japan paper,

L15 15s. net.

"The selection is done as admirably as the reproduction,

which is saying much.... The authors ... present, in fact,

the first complete and intelligent historical survey of the

art in the different countries of the world."--_St. James's

Gazette._

"The present volume contains a great number of

admirably-reproduced examples by many artists, and these

illustrate in a very complete manner, not only the growth of

ideas in regard to lithography, but also the varied

possibilities of the stone in different hands."--_Morning

Post._

* * * * *

"_The Greatest English Artist since Hogarth._"

=The Work of Charles Keene.=

With Introduction and Comments by JOSEPH PENNELL, and numerous Pictures

illustrative of the artist's method and vein of humour; to which is

added a Bibliography of Selected Works and Notes by W. H. CHESSON. The

Edition is limited to 750 copies (250 of these for America), an Ordinary

Edition at L3 13s. 6d. net., and 15 copies of a Fine Edition at L15 15s.

net.

"This work ... will be a revelation even to those who are

beginning to estimate this consummate artist at his true

merit."--_Literature._

"Mr. Pennell's is the fullest critical appreciation of Keene

we have yet had."--_Daily News._

"Extraordinarily good and well worth having ... we thank Mr.

Pennell very warmly for the thorough performance of a task

that called out to be accomplished."--_Daily Chronicle._

"The bibliography by Mr. W. H. Chesson ... is a labour of

real merit and value, carried out in a thorough and

workmanlike manner."--_Graphic._

* * * * *

"_The Masterpiece of a Great Spanish Artist._"

=PABLO DE SEGOVIA:=

The Adventures of a Spanish Sharper.

BY FRANCISCO DE QUEVEDO.

Illustrated with over 100 Drawings by DANIEL VIERGE. With an

Introduction on "Vierge and his Art," by JOSEPH PENNELL; and "A Critical

Essay on Quevedo, and his Writings," by H. E. WATTS, Super royal 4to,

parchment, old style (limited edition), L3 13s. 6d. net.

London: T. FISHER UNWIN, PATERNOSTER SQUARE.

+--------------------------------------------------------------+

| Transcriber's Notes |

| |

| Page 2: Shakesperean amended to Shakespearean |

| Page 55: marvaylous _sic_ ("marvayllous" in the excerpt |

| in footnote 22) |

| Page 129: Duplicate "and" let as is ("... seeme thou |

| carelesse, and and then will she be carefull"). |

| Page 317: pourtraying amended to portraying |

| Page 424: The index reference to Dekker's portrait has been |

| amended from page 19 to page 333. |

| |

| Footnote 68: "conscience' sake" _sic_ |

| Footnote 310: "Bouvart et Pecuchet" _sic_ |

| |

| Generally punctuation has been standardised, with the |

| exception of punctuation in the Index. Hyphenation has |

| generally been standardised. However, when a word appears |

| hyphenated and unhyphenated an equal number of times, both |

| versions have been retained (bonheur/bon-heur; |

| nowadays/now-a-days; playhouse/play-house; |

| re-baptized/rebaptized; some-how/somehow). |

| |

| Accented letters have generally been standardized, unless |

| different versions of the word appear an equal number of |

| times (Celadon/Celadon; Heptameron/Heptameron). |

+--------------------------------------------------------------+

The English Novel in the Time of Shakespeare · 第 8 / 8 章