Chapter Seventeen: An Old Road Leading Nowhere

So many and minute were the directions I received about the way from

the blessed cowkeeper, and so little attention did I give them, my mind

being occupied with other things, that they were quickly forgotten.

Of half a hundred things I remembered only that I had to "bear to the

left." This I did, although it seemed useless, seeing that my way was

by lanes, across fields, and through plantations. At length I came to

a road, and as it happened to be on my left hand I followed it. It was

narrow, worn deep by traffic and rains; and grew deeper, rougher, and

more untrodden as I progressed, until it was like the dry bed of a

mountain torrent, and I walked on boulder-stones between steep banks

about fourteen feet high. Their sides were clothed with ferns, grass

and rank moss; their summits were thickly wooded, and the interlacing

branches of the trees above, mingled with long rope-like shoots of

bramble and briar, formed so close a roof that I seemed to be walking in

a dimly lighted tunnel. At length, thinking that I had kept long enough

to a road which had perhaps not been used for a century, also tired

of the monotony of always bearing to the left, I scrambled out on the

right-hand side. For some time past I had been ascending a low, broad,

flat-topped hill, and on forcing my way through the undergrowth into the

open I found myself on the level plateau, an unenclosed spot overgrown

with heather and scattered furze bushes, with clumps of fir and birch

trees. Before me and on either hand at this elevation a vast extent of

country was disclosed. The surface was everywhere broken, but there

was no break in the wonderful greenness, which the recent rain had

intensified. There is too much green, to my thinking, with too much

uniformity in its soft, bright tone, in South Devon. After gazing on

such a landscape the brown, harsh, scanty vegetation of the hilltop

seemed all the more grateful. The heath was an oasis and a refuge; I

rambled about in it until my feet and legs were wet; then I sat down to

let them dry and altogether spent several agreeable hours at that spot,

pleased at the thought that no human fellow-creature would intrude upon

me. Feathered companions were, however, not wanting. The crowing of cock

pheasants from the thicket beside the old road warned me that I was on

preserved grounds. Not too strictly preserved, however, for there was my

old friend the carrion-crow out foraging for his young. He dropped down

over the trees, swept past me, and was gone. At this season, in the

early summer, he may be easily distinguished, when flying, from his

relation the rook. When on the prowl the crow glides smoothly and

rapidly through the air, often changing his direction, now flying close

to the surface, anon mounting high, but oftenest keeping nearly on a

level with the tree tops. His gliding and curving motions are somewhat

like those of the herring-gull, but the wings in gliding are carried

stiff and straight, the tips of the long flight-feathers showing a

slight upward curve. But the greatest difference is in the way the

head is carried. The rook, like the heron and stork, carries his beak

pointing lance-like straight before him. He knows his destination, and

makes for it; he follows his nose, so to speak, turning neither to

the right nor the left. The foraging crow continually turns his head,

gull-like and harrier-like, from side to side, as if to search the

ground thoroughly or to concentrate his vision on some vaguely seen

object.

Not only the crow was there: a magpie chattered as I came from the

brake, but refused to show himself; and a little later a jay screamed at

me, as only a jay can. There are times when I am intensely in sympathy

with the feeling expressed in this ear-splitting sound, inarticulate

but human. It is at the same time warning and execration, the startled

solitary's outburst of uncontrolled rage at the abhorred sight of a

fellow-being in his woodland haunt.

Small birds were numerous at that spot, as if for them also its wildness

and infertility had an attraction. Tits, warblers, pipits, finches, all

were busy ranging from place to place, emitting their various notes now

from the tree-tops, then from near the ground; now close at hand, then

far off; each change in the height, distance, and position of the singer

giving the sound a different character, so that the effect produced was

one of infinite variety. Only the yellow-hammer remained constant in

one spot, in one position, and the song at each repetition was the same.

Nevertheless this bird is not so monotonous a singer as he is reputed.

A lover of open places, of commons and waste lands, with a bush or dwarf

tree for tower to sit upon, he is yet one of the most common species in

the thickly timbered country of the Otter, Clyst, and Sid, in which I

had been rambling, hearing him every day and all day long. Throughout

that district, where the fields are small, and the trees big and near

together, he has the cirl-bunting's habit of perching to sing on the

tops of high hedgerow elms and oaks.

By and by I had a better bird to listen to--a redstart. A female flew

down within fifteen yards of me; her mate followed and perched on a dry

twig, where he remained a long time for so shy and restless a creature.

He was in perfect plumage, and sitting there, motionless in the strong

sunlight, was wonderfully conspicuous, the gayest, most exotic-looking

bird of his family in England. Quitting his perch, he flew up into

a tree close by and began singing; and for half an hour thereafter I

continued intently listening to his brief strain, repeated at short

intervals--a song which I think has never been perfectly described.

"Practice makes perfect" is an axiom that does not apply to the art

of song in the bird world; since the redstart, a member of a highly

melodious family, with a good voice to start with, has never attained to

excellence in spite of much practising. The song is interesting both

on account of its exceptional inferiority and of its character. A

distinguished ornithologist has said that little birds have two ways of

making themselves attractive--by melody and by bright plumage; and that

most species excel in one or the other way; and that the acquisition of

gay colours by a species of a sober-coloured melodious family will

cause it to degenerate as a songster. He is speaking of the redstart.

Unfortunately for the rule there are too many exceptions. Thus confining

ourselves to a single family--that of the finches--in our own islands,

the most modest coloured have the least melody, while those that have

the gayest plumage are the best singers--the goldfinch, chaffinch,

siskin, and linnet. Nevertheless it is impossible to listen for any

length of time to the redstart, and to many redstarts, without feeling,

almost with irritation, that its strain is only the prelude of a song--a

promise never performed; that once upon a time in the remote past it

was a sweet, copious, and varied singer, and that only a fragment of its

melody now remains. The opening rapidly warbled notes are so charming

that the attention is instantly attracted by them. They are composed of

two sounds, both beautiful--the bright pure gushing robin-like note, and

the more tender expressive swallow-like note. And that is all; the song

scarcely begins before it ends, or collapses; for in most cases the pure

sweet opening strain is followed by a curious little farrago of gurgling

and squeaking sounds, and little fragments of varied notes, often so low

as to be audible only at a few yards' distance. It is curious that these

slight fragments of notes at the end vary in different individuals, in

strength and character and in number, from a single faintest squeal to

half a dozen or a dozen distinct sounds. In all cases they are emitted

with apparent effort, as if the bird strained its pipe in the vain

attempt to continue the song.

The statement that the redstart is a mimic is to be met with in many

books about birds. I rather think that in jerking out these various

little broken notes which end its strain, whether he only squeaks or

succeeds in producing a pure sound, he is striving to recover his own

lost song rather than to imitate the songs of other birds.

So much entertainment did I find at that spot, so grateful did it seem

in its openness after long confinement in the lower thickly wooded

country, that I practically spent the day there. At all events the best

time for walking was gone when I quitted it, and then I could think of

no better plan than to climb down into the old long untrodden road, or

channel, again just to see where it would lead me. After all, I said,

my time is my own, and to abandon the old way I have walked in so long

without discovering the end would be a mistake. So I went on in it once

more, and in about twenty minutes it came to an end before a group of

old farm buildings in a hollow in the woods. The space occupied by the

buildings was quite walled round and shut in by a dense growth of trees

and bushes; and there was no soul there and no domestic animal. The

place had apparently been vacant many years, and the buildings were in a

ruinous condition, with the roofs falling in.

Now when I look back on that walk I blame myself for having gone on my

way without trying to find out something of the history of that forsaken

home to which the lonely old road had led me. Those ruinous buildings

once inhabited, so wrapped round and hidden away by trees, have now a

strange look in memory as if they had a story to tell, as if something

intelligent had looked from the vacant windows as I stood staring at

them and had said, We have waited these many years for you to come and

listen to our story and you are come at last.

Something perhaps stirred in me in response to that greeting and

message, but I failed to understand it, and after standing there awhile,

oppressed by a sense of loneliness, I turned aside, and creeping and

pushing through a mass and tangle of vegetation went on my way towards

the coast.

Possibly that idea or fancy of a story to tell, a human tragedy, came to

me only because of another singular experience I had that day when the

afternoon sun had grown oppressively hot--another mystery of a desolate

but not in this case uninhabited house. The two places somehow became

associated together in my mind.

The place was a little farm-house standing some distance from the road,

in a lonely spot out of sight of any other habitation, and I thought I

would call and ask for a glass of milk, thinking that if things had

a promising look on my arrival my modest glass of milk would perhaps

expand to a sumptuous five-o'clock tea and my short rest to a long and

pleasant one.

The house I found on coming nearer was small and mean-looking and very

old; the farm buildings in a dilapidated condition, the thatch rotten

and riddled with holes in which many starlings and sparrows had their

nests. Gates and fences were broken down, and the ground was everywhere

overgrown with weeds and encumbered with old broken and rusty

implements, and littered with rubbish. No person could I see about the

place, but knew it was inhabited as there were some fowls walking about,

and some calves shut in a pen in one of the numerous buildings were

dolefully calling--calling to be fed. Seeing a door half open at one end

of the house I went to it and rapped on the warped paintless wood with

my stick, and after about a minute a young woman came from an inner room

and asked me what I wanted. She was not disturbed or surprised at my

sudden appearance there: her face was impassive, and her eyes when they

met mine appeared to look not at me but at something distant, and her

words were spoken mechanically.

I said that I was hot and thirsty and tired and would be glad of a glass

of milk.

Without a word she turned and left me standing there, and presently

returned with a tumbler of milk which she placed on a deal table

standing near me. To my remarks she replied in monosyllables, and stood

impassively, her hands at her side, her eyes cast down, waiting for me

to drink the milk and go. And when I had finished it and set the glass

down and thanked her, she turned in silence and went back to that inner

room from which she first came. And hot and tired as I had felt a few

moments before, and desirous of an interval of rest in the cool shade,

I was glad to be out in the burning sun once more, for the sight of that

young woman had chilled my blood and made the heat out-of-doors seem

grateful to me.

The sight of such a face in the midst of such surroundings had produced

a shock of surprise, for it was noble in shape, the features all fine

and the mouth most delicately chiselled, the eyes dark and beautiful,

and the hair of a raven blackness. But it was a colourless face, and

even the lips were pale. Strongest of all was the expression, which had

frozen there, and was like the look of one on whom some unimaginable

disaster or some hateful disillusionment had come, not to subdue nor

soften, but to change all its sweet to sour, and its natural warmth to

icy cold.

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