Don Fernando was now conducted through one of those interminable suites

of apartments, the pride of Spanish palaces, all furnished in a style

of obsolete magnificence. In a vast saloon, blazing with tapers, was

assembled all the aristocracy and fashion of the city,--stately dames

and cavaliers, the very counterpart of the figures in the tapestry

which decorated the walls. Fernando gazed in silent marvel. It was a

reflex of the proud aristocracy of Spain in the time of Roderick the

Goth.

The festivities of the evening were all in the style of solemn and

antiquated ceremonial. There was a dance, but it was as if the old

tapestry were put in motion, and all the figures moving in stately

measure about the floor. There was one exception, and one that

told powerfully upon the susceptible Adalantado. The alcayde’s

daughter--such a ripe, melting beauty! Her dress, it is true, like

the dresses of her neighbors, might have been worn before the flood,

but she had the black Andalusian eye, a glance of which, through its

long dark lashes, is irresistible. Her voice, too, her manner, her

undulating movements, all smacked of Andalusia, and showed how female

charms may be transmitted from age to age, and clime to clime, without

ever going out of fashion.

Don Fernando sat beside her at the banquet! such an old-world feast!

such obsolete dainties! At the head of the table the peacock, that

bird of state and ceremony, was served up in full plumage on a golden

dish. As Don Fernando cast his eyes down the glittering board, what a

vista presented itself of odd heads and head-dresses; of formal bearded

dignitaries, and stately dames, with castellated locks and towering

plumes! Is it to be wondered at that he should turn with delight from

these antiquated figures to the alcayde’s daughter, all smiles and

dimples, and melting looks and melting accents? Besides, he was in a

particularly excitable mood from the novelty of the scene before him,

from this realization of all his hopes and fancies, and from frequent

draughts of the wine-cup, presented to him at every moment by officious

pages during the banquet.

In a word--there is no concealing the matter--before the evening was

over, Don Fernando was making love outright to the alcayde’s daughter.

They had wandered together to a moon-lit balcony of the palace, and he

was charming her ear with one of those love-ditties with which, in a

like balcony, he had serenaded the beautiful Serafina.

The damsel hung her head coyly. “Ah! Señor, these are flattering words;

but you cavaliers, who roam the seas, are unsteady as its waves.

To-morrow you will be throned in state, Adelantado of the Seven

Cities; and will think no more of the alcayde’s daughter.”

Don Fernando in the intoxication of the moment called the moon to

witness his sincerity. As he raised his hand in adjuration, the chaste

moon cast a ray upon the ring that sparkled on his finger. It caught

the damsel’s eye. “Signor Adelantado,” said she archly, “I have no

great faith in the moon, but give me that ring upon your finger in

pledge of the truth of what you profess.”

The gallant Adelantado was taken by surprise; there was no parrying

this sudden appeal; before he had time to reflect, the ring of the

beautiful Serafina glittered on the finger of the alcayde’s daughter.

At this eventful moment the chamberlain approached with lofty demeanor,

and announced that the barge was waiting to bear him back to the

caravel. I forbear to relate the ceremonious partings with the alcayde

and his dignitaries, and the tender farewell of the alcayde’s daughter.

He took his seat in the barge opposite the grand chamberlain. The

rowers plied their crimson oars in the same slow and stately manner,

to the cadence of the same mournful old ditty. His brain was in a

whirl with all that he had seen, and his heart now and then gave him

a twinge as he thought of his temporary infidelity to the beautiful

Serafina. The barge sallied out into the sea, but no caravel was to be

seen; doubtless she had been carried to a distance by the current of

the river. The oarsmen rowed on; their monotonous chant had a lulling

effect. A drowsy influence crept over Don Fernando. Objects swam before

his eyes. The oarsmen assumed odd shapes as in a dream. The grand

chamberlain grew larger and larger, and taller and taller. He took off

his huge sombrero, and held it over the head of Don Fernando, like an

extinguisher over a candle. The latter cowered beneath it; he felt

himself sinking in the socket.

“Good night! Señor Adelantado of the Seven Cities!” said the grand

chamberlain.

The sombrero slowly descended--Don Fernando was extinguished!

How long he remained extinct no mortal man can tell. When he returned

to consciousness, he found himself in a strange cabin, surrounded by

strangers. He rubbed his eyes, and looked round him wildly. Where

was he?--On board a Portuguese ship, bound to Lisbon. How came he

there?--He had been taken senseless from a wreck drifting about the

ocean.

Don Fernando was more and more confounded and perplexed. He recalled,

one by one, everything that had happened to him in the Island of the

Seven Cities, until he had been extinguished by the sombrero of the

grand chamberlain. But what had happened to him since? What had become

of his caravel? Was it the wreck of her on which he had been found

floating?

The people about him could give no information on the subject. He

entreated them to take him to the Island of the Seven Cities, which

could not be far off; told them all that had befallen him there; that

he had but to land to be received as Adelantado; when he would reward

them magnificently for their services.

They regarded his words as the ravings of delirium, and in their honest

solicitude for the restoration of his reason, administered such rough

remedies that he was fain to drop the subject and observe a cautious

taciturnity.

At length they arrived in the Tagus, and anchored before the famous

city of Lisbon. Don Fernando sprang joyfully on shore, and hastened

to his ancestral mansion. A strange porter opened the door, who knew

nothing of him or his family; no people of the name had inhabited the

house for many a year.

He sought the mansion of Don Ramiro. He approached the balcony beneath

which he had bidden farewell to Serafina. Did his eyes deceive him? No!

There was Serafina herself among the flowers in the balcony. He raised

his arms toward her with an exclamation of rapture. She cast upon him a

look of indignation, and hastily retiring, closed the casement with a

slam that testified her displeasure.

Could she have heard of his flirtation with the alcayde’s daughter? But

that was mere transient gallantry. A moment’s interview would dispel

every doubt of his constancy.

He rang at the door; as it was opened by the porter he rushed

up-stairs; sought the well-known chamber, and threw himself at the feet

of Serafina. She started back with affright, and took refuge in the

arms of a youthful cavalier.

“What mean you, Señor,” cried the latter, “by this intrusion?”

“What right have you to ask the question?” demanded Don Fernando

fiercely.

“The right of an affianced suitor!”

Don Fernando started and turned pale. “Oh, Serafina! Serafina!” cried

he, in a tone of agony; “is this thy plighted constancy?”

“Serafina? What mean you by Serafina, Señor? If this be the lady you

intend, her name is Maria.”

“May I not believe my senses? May I not believe my heart?” cried Don

Fernando. “Is not this Serafina Alvarez, the original of yon portrait,

which, less fickle than herself, still smiles on me from the wall?”

“Holy Virgin!” cried the young lady, casting her eyes upon the

portrait. “He is talking of my great-grand-mother!”

An explanation ensued, if that could be called an explanation which

plunged the unfortunate Fernando into tenfold perplexity. If he might

believe his eyes, he saw before him his beloved Serafina; if he might

believe his ears, it was merely her hereditary form and features,

perpetuated in the person of her great-granddaughter.

His brain began to spin. He sought the office of the Minister of

Marine, and made a report of his expedition, and of the Island of the

Seven Cities, which he had so fortunately discovered. Nobody knew

anything of such an expedition, or such an island. He declared that he

had undertaken the enterprise under a formal contract with the crown,

and had received a regular commission, constituting him Adelantado.

This must be matter of record, and he insisted loudly that the books

of the department should be consulted. The wordy strife at length

attracted the attention of an old gray-headed clerk, who sat perched

on a high stool, at a high desk, with iron-rimmed spectacles on the

top of a thin, pinched nose, copying records into an enormous folio.

He had wintered and summered in the department for a great part of a

century, until he had almost grown to be a piece of the desk at which

he sat; his memory was a mere index of official facts and documents,

and his brain was little better than red tape and parchment. After

peering down for a time from his lofty perch, and ascertaining the

matter in controversy, he put his pen behind his ear, and descended.

He remembered to have heard something from his predecessor about an

expedition of the kind in question, but then it had sailed during the

reign of Don Ioam II., and he had been dead at least a hundred years.

To put the matter beyond dispute, however, the archives of the Tore

do Tombo, that sepulchre of old Portuguese documents, were diligently

searched, and a record was found of a contract between the crown and

one Fernando de Ulmo, for the discovery of the Island of the Seven

Cities, and of a commission secured to him as Adelantado of the country

he might discover.

“There!” cried Don Fernando, triumphantly, “there you have proof,

before your own eyes, of what I have said. I am the Fernando de Ulmo

specified in that record. I have discovered the Island of the Seven

Cities, and am entitled to be Adelantado, according to contract.”

The story of Don Fernando had certainly, what is pronounced the best

of historical foundation, documentary evidence; but when a man, in the

bloom of youth, talked of events that had taken place above a century

previously, as having happened to himself, it is no wonder that he was

set down for a madman.

The old clerk looked at him from above and below his spectacles,

shrugged his shoulders, stroked his chin, reascended his lofty

stool, took the pen from behind his ears, and resumed his daily and

eternal task, copying records into the fiftieth volume of a series of

gigantic folios. The other clerks winked, at each other shrewdly, and

dispersed to their several places, and poor Don Fernando, thus left to

himself, flung out of the office, almost driven wild by these repeated

perplexities.

In the confusion of his mind, he instinctively repaired to the mansion

of Alvarez, but it was barred against him. To break the delusion under

which the youth apparently labored, and to convince him that the

Serafina about whom he raved was really dead, he was conducted to her

tomb. There she lay, a stately matron, cut out in alabaster; and there

lay her husband beside her, a portly cavalier, in armor; and there

knelt on each side, the effigies of a numerous progeny. Even the very

monument gave evidence of the lapse of time; the hands of her husband,

folded as if in prayer, had lost their fingers, and the face of the

once lovely Serafina was without a nose.

Don Fernando felt a transient glow of indignation at beholding this

monumental proof of the inconstancy of his mistress; but who could

expect a mistress to remain constant during a whole century of absence?

And what right had he to rail about constancy, after what had passed

between himself and the alcayde’s daughter? The unfortunate cavalier

performed one pious act of tender devotion; he had the alabaster nose

of Serafina restored by a skillful statuary, and then tore himself from

the tomb.

He could now no longer doubt the fact that, somehow or other, he had

skipped over a whole century, during the night he had spent at the

Island of the Seven Cities; and he was now as complete a stranger in

his native city, as if he had never been there. A thousand times did he

wish himself back to that wonderful island, with its antiquated banquet

halls, where he had been so courteously received; and now that the

once young and beautiful Serafina was nothing but a great-grandmother

in marble, with generations of descendants, a thousand times would he

recall the melting black eyes of the alcayde’s daughter, who doubtless,

like himself, was still flourishing in fresh juvenility, and breathe a

secret wish that he was seated by her side.

He would at once have set on foot another expedition, at his own

expense, to cruise in search of the sainted island, but his means

were exhausted. He endeavored to rouse others to the enterprise,

setting forth the certainty of profitable results, of which his own

experience furnished such unquestionable proof. Alas! no one would

give faith to his tale; but looked upon it as the feverish dream of

a shipwrecked man. He persisted in his efforts; holding forth in all

places and all companies, until he became an object of jest and jeer

to the light-minded, who mistook his earnest enthusiasm for a proof of

insanity; and the very children in the streets bantered him with the

title of “The Adelantado of the Seven Cities.”

Finding all efforts in vain, in his native city of Lisbon, he took

shipping for the Canaries, as being nearer the latitude of his former

cruise, and inhabited by people given to nautical adventure. Here he

found ready listeners to his story; for the old pilots and mariners of

those parts were notorious island-hunters, and devout believers in all

the wonders of the seas. Indeed, one and all treated his adventure as a

common occurrence, and turning to each other, with a sagacious nod of

the head, observed, “He has been at the island of St. Brandan.”

They then went on to inform him of that great marvel and enigma of the

ocean; of its repeated appearance to the inhabitants of their islands;

and of the many but ineffectual expeditions that had been made in

search of it. They took him to a promontory of the island of Palma,

whence the shadowy St. Brandan had oftenest been descried, and they

pointed out the very tract in the west where its mountains had been

seen.

Don Fernando listened with rapt attention. He had no longer a doubt

that this mysterious and fugacious island must be the same with that of

the Seven Cities; and that some supernatural influence connected with

it had operated upon himself, and made the events of a night occupy the

space of a century.

He endeavored, but in vain, to rouse the islanders to another

attempt at discovery; they had given up the phantom island as indeed

inaccessible. Fernando, however, was not to be discouraged. The

idea wore itself deeper and deeper in his mind, until it became the

engrossing subject of his thoughts and object of his being. Every

morning he would repair to the promontory of Palma, and sit there

throughout the livelong day, in hopes of seeing the fairy mountains of

St. Brandan peering above the horizon; every evening he returned to his

home, a disappointed man, but ready to resume his post on the following

morning.

His assiduity was all in vain. He grew gray in his ineffectual attempt;

and was at length found dead at his post. His grave is still shown in

the island of Palma, and a cross is erected on the spot where he used

to sit and look out upon the sea, in hopes of the reappearance of the

phantom island.

THE PIPE

ANONYMOUS

I

“RANDOLPH CRESCENT, N. W.

“MY DEAR PUGH--I hope you will like the pipe which I send with this.

It is rather a curious example of a certain school of Indian carving.

And is a present from

“Yours truly, JOSEPH TRESS.”

It was really very handsome of Tress--very handsome! The more

especially as I was aware that to give presents was not exactly in

Tress’s line. The truth is that when I saw what manner of pipe it

was, I was amazed. It was contained in a sandalwood box, which was

itself illustrated with some remarkable specimens of carving. I use

the word “remarkable” advisedly, because, although the workmanship was

undoubtedly, in its way, artistic, the result could not be described

as beautiful. The carver had thought proper to ornament the box with

some of the ugliest figures I remember to have seen. They appeared to

me to be devils. Or perhaps they were intended to represent deities

appertaining to some mythological system with which, thank goodness,

I am unacquainted. The pipe itself was worthy of the case in which it

was contained. It was of meerschaum, with an amber mouthpiece. It was

rather too large for ordinary smoking. But then, of course, one doesn’t

smoke a pipe like that. There are pipes in my collection which I should

as soon think of smoking as I should of eating. Ask a china maniac to

let you have afternoon tea out of his Old Chelsea, and you will learn

some home truths as to the durability of human friendships. The glory

of the pipe, as Tress had suggested, lay in its carving. Not that I

claim that it was beautiful, any more than I make such a claim for the

carving on the box, but, as Tress said in his note, it was curious.

The stem and the bowl were quite plain, but on the edge of the bowl was

perched some kind of lizard. I told myself it was an octopus when I

first saw it, but I have since had reason to believe that it was some

almost unique member of the lizard tribe. The creature was represented

as climbing over the edge of the bowl down toward the stem, and its

legs, or feelers, or tentacula, or whatever the things are called,

were, if I may use a vulgarism, sprawling about “all over the place.”

For instance, two or three of them were twined about the bowl, two or

three of them were twisted round the stem, and one, a particularly

horrible one, was uplifted in the air, so that if you put the pipe in

your mouth the thing was pointing straight at your nose.

Not the least agreeable feature about the creature was that it was

hideously lifelike. It appeared to have been carved in amber, but

some coloring matter must have been introduced, for inside the amber

the creature was of a peculiarly ghastly green. The more I examined

the pipe the more amazed I was at Tress’s generosity. He and I are

rival collectors. I am not going to say, in so many words, that his

collection of pipes contains nothing but rubbish, because, as a matter

of fact, he has two or three rather decent specimens. But to compare

his collection to mine would be absurd. Tress is conscious of this,

and he resents it to such an extent that he has been known, at least

on one occasion, to declare that one single pipe of his--I believe he

alluded to the Brummagem relic preposterously attributed to Sir Walter

Raleigh--was worth the whole of my collection put together. Although

I have forgiven this, as I hope I always shall forgive remarks made

when envious passions get the better of our nobler nature, even of a

Joseph Tress, it is not to be supposed that I have forgotten it. He

was, therefore, not at all the sort of person from whom I expected to

receive a present. And such a present! I do not believe that he himself

had a finer pipe in his collection. And to have given it to me! I had

misjudged the man. I wondered where he had got it from. I had seen his

pipes; I knew them off by heart--and some nice trumpery he has among

them, too! but I had never seen _that_ pipe before. The more I looked

at it, the more my amazement grew. The beast perched upon the edge of

the bowl was so lifelike. Its two bead-like eyes seemed to gleam at me

with positively human intelligence. The pipe fascinated me to such an

extent that I actually resolved to--smoke it!

I filled it with Perique. Ordinarily I use Birdseye, but on those

very rare occasions on which I use a specimen I smoke Perique. I lit

up with quite a small sensation of excitement. As I did so I kept my

eyes perforce fixed upon the beast. The beast pointed its upraised

tentacle directly at me. As I inhaled the pungent tobacco that

tentacle impressed me with a feeling of actual uncanniness. It was

broad daylight, and I was smoking in front of the window, yet to such

an extent was I affected that it seemed to me that the tentacle was

not only vibrating, which, owing to the peculiarity of its position,

was quite within the range of probability, but actually moving,

elongating--stretching forward, that is, farther toward me, and toward

the tip of my nose. So impressed was I by this idea that I took the

pipe out of my mouth and minutely examined the beast. Really, the

delusion was excusable. So cunningly had the artist wrought that he

succeeded in producing a creature which, such was its uncanniness, I

could only hope had no original in nature.

Replacing the pipe between my lips I took several whiffs. Never had

smoking had such an effect on me before. Either the pipe, or the

creature on it, exercised some singular fascination. I seemed, without

an instant’s warning, to be passing into some land of dreams. I saw the

beast, which was perched upon the bowl, writhe and twist. I saw it lift

itself bodily from the meerschaum.

II

“Feeling better now?”

I looked up. Joseph Tress was speaking.

“What’s the matter? Have I been ill?”

“You appear to have been in some kind of swoon.”

Tress’s tone was peculiar, even a little dry.

“Swoon! I never was guilty of such a thing in my life.”

“Nor was I, until I smoked that pipe.”

I sat up. The act of sitting up made me conscious of the fact that I

had been lying down. Conscious, too, that I was feeling more than a

little dazed. It seemed as though I was waking out of some strange,

lethargic sleep--a kind of feeling which I have read of and heard

about, but never before experienced.

“Where am I?”

“You’re on the couch in your own room. You _were_ on the floor; but

I thought it would be better to pick you up and place you on the

couch--though no one performed the same kind office to me when I was on

the floor.”

Again Tress’s tone was distinctly dry.

“How came _you_ here?”

“Ah, that’s the question.” He rubbed his chin--a habit of his which has

annoyed me more than once before. “Do you think you’re sufficiently

recovered to enable you to understand a little simple explanation?” I

stared at him, amazed. He went on stroking his chin. “The truth is

that when I sent you the pipe I made a slight omission.”

“An omission?”

“I omitted to advise you not to smoke it.”

“And why?”

“Because--well, I’ve reason to believe the thing is drugged.”

“Drugged!”

“Or poisoned.”

“Poisoned!” I was wide awake enough then. I jumped off the couch with a

celerity which proved it.

“It is this way. I became its owner in rather a singular manner.” He

paused, as if for me to make a remark; but I was silent. “It is not

often that I smoke a specimen, but, for some reason, I did smoke this.

I commenced to smoke it, that is. How long I continued to smoke it is

more than I can say. It had on me the same peculiar effect which it

appears to have had on you. When I recovered consciousness I was lying

on the floor.”

“On the floor?”

“On the floor. In about as uncomfortable a position as you can easily

conceive. I was lying face downward, with my legs bent under me. I was

never so surprised in my life as I was when I found myself _where_ I

was. At first I supposed that I had had a stroke. But by degrees it

dawned upon me that I didn’t _feel_ as though I had had a stroke.”

Tress, by the way, has been an army surgeon. “I was conscious of

distinct nausea. Looking about, I saw the pipe. With me it had fallen

on to the floor. I took it for granted, considering the delicacy of the

carving, that the fall had broken it. But when I picked it up I found

it quite uninjured. While I was examining it a thought flashed to my

brain. Might it not be answerable for what had happened to me? Suppose,

for instance, it was drugged? I had heard of such things. Besides, in

my case were present all the symptoms of drug poisoning, though what

drug had been used I couldn’t in the least conceive. I resolved that I

would give the pipe another trial.”

“On yourself? or on another party, meaning me?”

“On myself, my dear Pugh--on myself! At that point of my investigations

I had not begun to think of you. I lit up and had another smoke.”

“With what result?”

“Well, that depends on the standpoint from which you regard the thing.

From one point of view the result was wholly satisfactory--I proved

that the thing was drugged, and more.”

“Did you have another fall?”

“I did. And something else besides.”

Famous mystery stories · 第 6 / 17 段