I have not examined the upper figure.

XIII. MYSTIC THEOLOGY. [Footnote: Blunderingly in the guide-books called

'Faith!'] Monastic science, above dogma, and attaining to new revelation

by reaching higher spiritual states.

In white robes, her left hand gloved (I don't know why)--holding

chalice. She wears a nun's veil fastened under her chin, her hair

fastened close, like Grammar's, showing her necessary monastic life;

all states of mystic spiritual life involving retreat from much that is

allowable in the material and practical world.

There is no possibility of denying this fact, infinite as the evils are

which have arisen from misuse of it. They have been chiefly induced by

persons who falsely pretended to lead monastic life, and led it without

having natural faculty for it. But many more lamentable errors have

arisen from the pride of really noble persons, who have thought it would

be a more pleasing thing to God to be a sibyl or a witch, than a useful

housewife. Pride is always somewhat involved even in the true effort:

the scarlet head-dress in the form of a horn on the forehead in the

fresco indicates this, both here, and in the Contemplative Theology.

Under St. John.

Medallion unintelligible, to me. A woman laying hands on the shoulders

of two small figures.

_Technical Points_.--More of the minute folds of the white dress left

than in any other of the repainted draperies. It is curious that minute

division has always in drapery, more or less, been understood as an

expression of spiritual life, from the delicate folds of Athena's peplus

down to the rippled edges of modern priests' white robes; Titian's

breadth of fold, on the other hand, meaning for the most part bodily

power. The relation of the two modes of composition was lost by Michael

Angelo, who thought to express spirit by making flesh colossal.

For the rest, the figure is not of any interest, Memmi's own mind being

intellectual rather than mystic.

XIV. POLEMIC THEOLOGY.[Footnote: Blunderingly called 'Charity' in the

guide-books.]

"Who goes forth, conquering and to conquer?" "For we war, not with flesh

and blood," etc.

In red, as sign of power, but not in armour, because she is herself

invulnerable. A close red cap, with cross for crest, instead of helmet.

Bow in left hand; long arrow in right.

She partly means Aggressive Logic: compare the set of her shoulders and

arms with Logic's.

She is placed the last of the Divine sciences, not as their culminating

power, but as the last which can be rightly learned. You must know all

the others, before you go out to battle. Whereas the general principle

of modern Christendom is to go out to battle without knowing _any one_

of the others; one of the reasons for this error, the prince of errors,

being the vulgar notion that truth may be ascertained by debate! Truth

is never learned, in any department of industry, by arguing, but by

working, and observing. And when you have got good hold of one

truth, for certain, two others will grow out of it, in a beautifully

dicotyledonous fashion, (which, as before noticed, is the meaning of

the branch in Logic's right hand). Then, when you have got so much true

knowledge as is worth fighting for, you are bound to fight for it. But

not to debate about it, any more.

There is, however, one further reason for Polemic Theology being put

beside Mystic. It is only in some approach to mystic science that any

man becomes aware of what St. Paul means by "spiritual wickedness in

heavenly [Footnote: With cowardly intentional fallacy, translated 'high'

in the English Bible.] places;" or, in any true sense, knows the enemies

of God and of man.

Beneath St. Augustine. Showing you the proper method of

controversy;--perfectly firm; perfectly gentle.

You are to distinguish, of course, controversy from rebuke. The

assertion of truth is to be always gentle: the chastisement of wilful

falsehood may be--very much the contrary indeed. Christ's sermon on the

Mount is full of polemic theology, yet perfectly gentle:--"Ye have heard

that it hath been said--but _I_ say unto you";--"And if ye salute your

brethren only, what do ye more than others?" and the like. But His "Ye

fools and blind, for whether is greater," is not merely the exposure of

error, but rebuke of the avarice which made that error possible.

Under the throne of St. Thomas; and next to Arithmetic, of the

terrestrial sciences.

Medallion, a soldier, but not interesting.

Technical Points.--Very genuine and beautiful throughout. Note the use

of St. Augustine's red bands, to connect him with the full red of the

upper figures; and compare the niche formed by the dress of Canon Law,

above the Pope, for different artistic methods of attaining the same

object,--unity of composition.

But lunch time is near, my friends, and you have that shopping to do,

you know.

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