III

The houses of Balak are seldom over two storeys high; an occasional

earthquake is the reason for this architectural economy. Pobloff's

sleeping apartment opened out upon a broad balcony just above the

principal entrance. As he lay upon his couch his thoughts revolved like

a coruscating wheel of fire. What! How! Where! And Luga, was she lost to

him in that no-man's land of a fourth dimension? He closed his weary

wet eyes. Then pricked by a sudden thought he sat up in jealous rage.

No-man's land? Yes, but the entire orchestra of fifty-two men were with

her--and he hated the horn-player, for had he not intercepted poisonous

glances between Luga and that impertinent jackanapes? In his torture

Pobloff groaned aloud and wondered how he had reached his home: he could

remember nothing after the ebon music had devoured his band. How did it

come about? Why was he not drawn within the fatal whirlpool of sound? Or

was he outside the fringe of the vortex? As these questions thronged the

chambers of his brain the consciousness of what he had discovered,

accomplished, flashed over him in a superior hot wave of exultation. "I

am greater than Pythagoras, Kepler, Newton!" he raved, only stopping for

breath. Too well had he calculated his trap for the detection of a third

dimension in Time, a fourth one in Space, only to catch the wrong game;

for he had counted upon studying, if but for a few rapt moments, the

vision of a land west of the sun, east of the moon--a novel territory,

perhaps a vast playground for souls emancipated from the gyves of

existence. But this!--he shuddered at the catastrophe: a very Pompeian

calamity depriving him at a stroke of his wife, his orchestra--all, all

had been engulfed. Forgetting his newly won crown, forgetting the

tremendous import of his discovery to mankind, Pobloff began howling,

"Luga, Luga, _Akh_! Wife of my bosom, my tender little violet of a

harpist!"

His voice floated into the street, and it seemed to him to be echoed by

a shrill chorus. Soprano voices reached him and he heard his name

mentioned in a foreboding way.

"Where is the pig? Pobloff! Pobloff! Why don't you show your ugly face?

Be a man! Where are our husbands?" He recognized a voice--it was the

wife of the horn-player who thus insulted him. She was a tall, ugly

woman and, as gossip averred, she beat her man if he did not return home

sober with all his wages. Pobloff rushed out upon the balcony; it was

not many feet above the level of the street. In the rays of a sinking

sun he was received with jeers, groans, and imprecations. Balakian women

have warm blood in their veins and are not given to measuring their

words over-nicely. He stared about him in sheer wonderment. A mob of

women gazed up at him and its one expression was unconcealed wrath.

Children and men hung about the circle of vengeful amazons laughing,

shouting and urging violence. Pobloff, in his dressing-gown, was a fair

target. "Where are our husbands? Brute, beast, in what prison have you

locked them up? Where is your good woman, Luga? Have you hidden her, you

old tyrant?" "No!" shrieked the horn-player's wife, "he's jealous of

her." "And she's run away with your man," snapped the wife of the crazy

oboist. The two women struggled to get at each other, their fingers

curved for hairplucking, but others interfered--it would not be right to

promote a street fight, when the cause of the trouble was almost in

their clutches. A disappointed yell arose. Pobloff had sneaked away,

overjoyed at the chance, and, as his front door succumbed to angry

feminine pressure, he was safely hidden in the opera house which he

reached by running along back alleys in the twilight. There he learned

from one of the stage hands that the real secret was his and his alone.

Alarmed by the absence of their husbands, the musicians' wives hung

around the building pestering the officials. Pobloff has been found,

they were informed, in a solitary fit, on the floor of the auditorium.

The stage was in the greatest confusion--chairs and music stands being

piled about as if a tornado had visited the place. Not a musician was

there, and with the missing was Luga, the harp-player. A thousand wild

rumors prevailed. The men, tired of tyrannical treatment, brutal

rehearsals and continual abuse, had risen in a body and thrashed their

leader; then fearing arrest, fled to the suburbs carrying off Luga with

them as dangerous witness. But the summer-garden, where they usually

foregathered, had not seen them since the Sunday previous--Luga not for

weeks. This had been ascertained by interested scouts. The fact that

Luga was with the rebels gave rise to disconcerting gossip. Possibly her

husband had discovered a certain flirtation--heads shook knowingly. At

five o'clock the news spread that Pobloff had by means of a trap in the

stage, dropped the entire orchestra into the cellar, where they lay

entombed in a half-dying condition. No one could trace this tale to its

source, thought it was believed to have emanated from the oboe-player's

wife. Half a hundred women rushed to the opera house and fell upon their

hands and knees, scratching at the iron cellar gratings, and calling

loudly through the little windows whose thick panes of glass were grimed

with age. Finding nothing, hearing nothing, the dissatisfied crew only

needed an angry explosion of bitterness from the lips of the

horn-player's spouse to hatch hatred in their bosoms and to set them

upon Pobloff at his home.

Now knowing that he was safe for the moment behind the thick walls of

the opera house, he consoled himself with some bread and wine which his

servant fetched him. And then he fell to thinking hard.

No, not a soul suspected the real reason for the disappearance of the

band--that secret was his forever. By the light of a lamp in the

property room he danced with joy at his escape from danger; and the

tension being relaxed, he burst out sobbing: "Luga! Luga! Oh, where are

you, my little harpist! I have not forgotten you, my violet. Let me go

to you!" Pobloff rolled over the carpetless floor in an ecstasy of

grief, the lamp barely casting enough light to cover his burly figure,

his cheeks trilling with tears.

Melomaniacs · 第 87 / 103 题