HUNDING'S WIFE

I

Calcraft was very noisy in his morning humors, and the banging of

windows caused his wife to raise a curious voice.

From the breakfast-room she called, "What is the matter with you this

morning, Cal? Didn't Wagner agree with you last night? Or was it the--?"

"Yes, it was _that_," replied a surly voice.

"Have you hung your wrists out of the window and given them a good

airing?"

"I have." Calcraft laughed rudely.

"Then for goodness' sake hurry in to breakfast, if you are cooled off;

the eggs are." Mrs. Calcraft sighed. It was their usual conversation;

thus the day began.... Her husband entered the room. Of a thick-set,

almost burly figure, Calcraft was an enormously muscular man. His broad

shoulders, powerful brow, black, deep-set eyes, inky black hair and

beard--the beard worn in Hunding fashion--made up a personality slightly

forbidding. The suppleness of his gait, the ready laughter and bright

expression of the eye, soon corrected this aversion; the critic was

liked, and admired,--after the critical fashion. Good temper and wit in

the evening ever are. The recurring matrimonial duel over the morning

teacups awoke him for the day's labors; he actually profited from the

verbal exercising of Tekla's temper.

"After what you promised!" she inquired in her most reproachful manner.

Calcraft smiled. "And your story in the _Watchman_. Now, Cal, aren't you

a bit ashamed? We have heard much worse Siegmunds."

"Not much," he grunted, swallowing a huge cup of tea at a draught.

"Yet you roasted the poor boy as you would never dare roast a singer

with any sort of reputation. Hinweg's Siegmund was--"

"Like himself, too thin," said her husband; "fancy a thin Siegmund!

Besides, the fellow doesn't know how to sing, and he can't act."

"But his voice; it has all the freshness of youth." ... She left the

table, and lounging to the window regarded the streets and sky with a

contemptuous expression. Tekla was very tall, rather heavy, though well

built, with hair and skin of royal blond. She looked as Scandinavian as

her name.

"My dear Tek, you are always discovering genius. You remember that young

pianist with a touch like old gold? Or was it smothered onions? I've

forgotten which." He grinned as he spilled part of an egg on his beard.

She faced him. "If the critics don't encourage youthful talent, who

will? But they never do." Her voice took on flat tones: "I wonder, Cal,

that you are not easier as you grow older, for you certainly do not

improve with age, yourself. Do you know what time you got in this

morning?"

"No, and I don't want to know." The man's demeanor was harsh; there were

deep circles under his large eyes; his cheeks were slightly puffed, and,

as he opened his newspaper, he looked like one who had not slept.

Tekla sighed again and stirred uneasily about the room. "For heaven's

sake, girl, sit down and read--or, something!"

"I don't wonder your nerves are bad this morning," she sweetly

responded; "the only wonder is that you can keep up such a wearing pace

and do your work so well."

"This isn't such a roast," said Calcraft irrelevantly. He had heard

these same remarks every morning for more than ten years. "Last night,"

he proceeded, "the new tenor--"

"Oh! Cal, please don't read your criticism aloud. I saw it hours ago,"

she implored,--her slightly protuberant, blue eyes were fixed steadily

upon him.

"Why, what time is it?"

"Long past twelve."

"Phew! And I promised to be at the office at midday! Where's my coat, my

overshoes! Magda! Magda! Hang that girl, she's always gadding with the

elevator boy when I need her." Calcraft bustled about the room, rushed

to his bedchamber, to the hall, and reappeared dressed for his trip

down-town.

"Cal, I forgot to say that Hinweg called this morning and left his card.

Foreigners are so polite in these matters. He left cards for both of

us."

"He did, did he?" answered Calcraft grimly. "Well, that won't make him

sing Wagner any better in the _Watchman_. And as a matter of

politeness--if you will quote the polite ways of foreigners--he should

have left cards here before he sang. What name is on his pasteboard?

I've heard that his real one is something like Whizzina. He's a Croat, I

believe."

She indifferently took some cards from a bronze salver and read aloud:

"Adalbert Viznina, Tenor, Royal Opera, Prague."

"So-ho! a Bohemian. Well, it's all the same. Croatia is Czech. Your Mr.

Viznina can't sing a little bit. That vile, throaty German

tone-production of his--but why in thunder does he call himself Hinweg?

Viznina is a far prettier name. Perhaps Viznina is Hinweg in German!"

Tekla shrugged her strong shoulders and gazed outdoors. "What a wretched

day, and I have so much to do. Now, Cal, do come home early. We dine at

seven. No opera to-night, you know. And come back soon. We never spend

a night home alone together. What if this young man should call again?"

"Don't stop him," her husband answered in good-humored accents as he

bade her good-by. He was prepared to meet the world now, and in a jolly

mood. "Tell your Hinweg or Whizzerina, or whatever his name is, to sing

Tristan better to-morrow night than he did Siegmund, or there will be

more trouble." He skipped off. She called after him:

"Cal, remember your promise!"

"Not a drop," and the double slamming of the street doors set Tekla

humming Hunding's motif in "Die Walküre."

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