childhood of Beethoven). Fischer, who died in 1864, was the owner
of the house where the Beethoven family lived for two generations.
He and his sister Cecilia knew Beethoven as a boy intimately, and
have recorded their remembrances of him, which are very valuable, on
condition that they are used with some criticism. The manuscript is
in the Beethovenhaus at Bonn. Deiters (see below) has published some
extracts from them.
F. G. WEGELER and FERDINAND REIS.--_Biographie Notizen über Ludwig
van Beethoven_ (especially valuable for the first part of his life),
Coblentz. 1838. Re-issued by Dr. Kalischer in 1905.
LUDWIG NOHL.--_Eine stille Liebe zu Beethoven._ Berlin, 1857. (A
publication of the Journal of Mlle. Fanny Giannatasio del Rio, who
knew and loved Beethoven about 1816).
ANTON SCHINDLER.--_Beethovens Biographie._ 1840. (For the second part
of his life).
ANTON SCHINDLER.--_Beethoven in Paris, Münster_, 1842.
GERHARD VON BREUNING.--_Aus dem Schwarzspanierhause_, 1874. (The
Schwarzspanierhaus was the house in Vienna in which Beethoven died. It
was pulled down during the winter of 1903).
MOSCHELES.--_The Life of Beethoven_, London, 2 vols. 1841.
ALEXANDER WHEELOCK THAYER, and continued by HERMANN DEITERS, and
later by HUGO REIMANN.--_Ludwig von Beethovens Leben_ (Translated
into English), 5 vols., 1908. This biography was commenced in 1866,
but was interrupted by the death of the author in 1897 at Trieste
where he was the American Consul. The work stood still till 1816,
when Deiters undertook to finish it; but he died in 1907 before he
had published the second volume. Riemann finished the work from the
materials left by Deiters. It is by far the most important work on
Beethoven.
LUDWIG NOHL.--_Beethovens Leben_, 4 vols., 1864-1877.
LUDWIG NOHL.--_Beethoven nach den Schilderungen seiner Zeitgenossen_,
Stuttgart.
A. B. MARZ.--_L. van Beethovens Leben und Schaffen_, 2 vols. 5th
Edition revised by G. Behncke. Berlin, 1902.
VICTOR WILDER.--_Beethoven, sa vie et son œuvre_, 1883.
III.--FOR BEETHOVEN'S WORKS.
BEETHOVEN.--_Complete works_, critical edition, Breitkopf and
Haertel, Leipzig, 38 vols.
G. NOTTEBOHM.--_Thematisches Verzeichniss der im Druck erschienen
Werke von Ludwig van Beethoven_, Leipzig, 1868.
A. W. THAYER.--_Chronologisches Verzeichniss der Werke von
Beethoven._ 1865.
G. NOTTEBOHM.--_Ein Skizzenbuch von Beethoven._ 1865.
G. NOTTEBOHM.--_Ein Skizzenbuch von Beethoven aus dem Jahre, 1803._
1880.
G. NOTTEBOHM.--_Beethovens Studien._ 1873.
G. NOTTEBOHM.--_Beethoveniana. Zweite Beethoveniana._ 1872-87.
GEORGE GROVE.--_Beethoven and his Nine Symphonies._ London, Novello,
1896.
J. G. PRODHOMME.--_Les Symphonies de Beethoven_, 1906.
ALFREDO COLOMBANI.--_Le Nove Sinfonie di Beethoven._ Turin, 1897.
ERNST VON ELTERLEIN.--_Beethovens Claviersonaten._ Fifth edition,
1895.
WILLIBALD NAGEL.--_Beethoven und seine Klavier-sonaten._ Two volumes,
1903-1905.
J. S. SHEDLOCK.--_The Pianoforte Sonata._ London, Methuen, 1900.
CHARLES CZERNY.--_Pianoforte School_ (part 4, chapters 2 and 3).
THEODOR HELM.--_Beethoven's Streichquartette._ 1885.
H. DE CURZON.--_Les lieder et airs detaches de Beethoven_, 1906.
OTTO JAHN.--_Leonore. Klavierauszug mit Text, nach der zweiten
Bearbeitung_, 1852.
DR. ERICH PRIEGER.--_Fidelio. Klavierauszug mit Text, nach der ersten
Bearbeitung_, 1906.
WILHELM WEBER.--_Beethoven's Missa Solemnis_, 1897.
MARIAM TENGER.--_Beethoven's Unsterbliche Geliebte_, 1890. The
historical value of this book has been frequently contested. Mariam
Tenger was the confidential friend of Theresa in her last years. It is
very likely that Theresa, then aged, may involuntarily have idealised
her remembrances; but the foundation of the story appears reliable.
A. EHRHARD.--_Franz Grillparzer_, 1900.
THEODOR VON FRIMMEL.--_Ludwig van Beethoven_ (in the collection of
_Berühmte, Musiker_), Berlin, 1901.
JEAN CHANTAVOINE.--_Beethoven_, Paris, 1907.
DR. ALFRED CHRISTIAN KALISCHER.--_Beethoven und seiner Zeitgenossen
Beitrage zur Geschichte des Kunstlers und Menschen._ 4 vols., 1910.
A collection of documents of the greatest interest on the whole
circle of Beethoven's friends. This wealth of information renews in a
great part the psychology of Beethoven.
PROF. DR. RICHARD STERNFELD.--_Zur Einfuhrung in Ludwig von
Beethoven's Missa Solemnis._
IGNAZ VON SEYFRIED.--_Ludwig von Beethoven im Generalbass,
Kontrapunkt, und in der Kompositions Lehre_, 1832.
W. DE LENZ.--_Beethoven et ses trois styles._ (Analysis of his
pianoforte sonatas), (out of print), 1854.
OULIBICHEFF.--_Beethoven, ses critiques et ses glossateurs_, 1857.
WASIELEWSKI.--_Beethoven_, 2 volumes, Berlin, 1886.
R. SCHUMANN.--_Music and Musicians._ Translated by Fanny Raymond
Ritter, London, Reeves.
RICHARD WAGNER.--_Beethoven._ Leipzig, 1870.
VINCENT D'INDY.--_Beethoven._ Paris, 1911.
BEETHOVEN'S PORTRAITS.
1789.--_Silhouette of Beethoven at eighteen years._ (Beethoven's house
at Bonn; reproduced in Frimmel's Biography, page 16).
1791-2.--_Miniature of Beethoven_ by Gerhard von Kügelgen. (In the
possession of George Henschel, London; reproduced in "Musical Times"
of December, 1892, page 8).
1801.--_Drawing by G. Stainhauser_, engraved by Johann Neidl.
(Reproduced in "Les Musiciens," celebres by Felix Clement, 1878, page
267; Frimmel, page 28).
1802.--_Engraving by Scheffner_, after Stainhauser. (Beethoven's house
at Bonn; reproduced in "Die Musik," of March 15th, 1902, page 1145).
1802.--_Miniature of Beethoven_, by Christian Hornemann. (In the
possession of Madame de Breuning at Vienna; reproduced in Frimmel,
page 31).
1805.--_Portrait of Beethoven_ by W. J. Mahler. (In the possession of
Robert Heimler, Vienna; reproduced in "Musical Times," December, 1892,
page 7; "Frimmel," page 34).
1808.--_Drawing by L. F. Schnorr de Carolsfeld_, lithographed by J.
Bauer. (Beethoven's house at Bonn).
1812.--_Cast of Beethoven_, modelled by Franz Klein.
1812.--_Bust of Beethoven_, by Franz Klein, from the cast. (Belonging
to E. Streicher, piano manufacturer, in Vienna; reproduced in Frimmel,
page 46; "Musical Times," December, 1892, page 19).
1814.--_Drawing by L. Letronne_, engraved by Blasius Hoefel. (The
finest portrait of Beethoven; Beethoven's house at Bonn contains the
original, which he offered to Wegeler; reproduced in Frimmel, page 51;
"Musical Times," December, 1892, page 21).
1815.--_Drawing by L. Letronne_, engraved by Riedel. (Reproduced in
"Die Musik," page 1147).
1815.--_Second portrait of Beethoven_, by Mahler. (In the possession
of Ignace von Gleichenstein of Fribourg-en-Brisgau. Reproduction in
Beethoven's house at Bonn).
1815.--_Portrait of Beethoven_, by Christian Heckel. (In the
possession of J. F. Heckel, of Mannheim; reproduction in Beethoven's
house at Bonn).
1818.--_Engraving_ from the drawing of Beethoven by Aug. von Kloeber.
(Reproduced in "Musical Times," December, 1892, page 25). The original
drawing by Kloeber is in the collection of Dr. Erich Prieger at Bonn.
1819.--_Portrait of Beethoven_ by K. Joseph Stieler. (The property of
Alex. Meyer Cohn, Berlin; reproduced in Frimmel, page 71).
1821.--_Bust of Beethoven_ by Anton Dietrich. (In the possession of
Leopold Schrotter, of Kristelli; reproduction in Beethoven's house at
Bonn).
1824-6.--_Caricatures of Beethoven walking_, by J. P. Lyser. (Original
in the Gesellschaft der Musikfreunde, Vienna; reproduced in Frimmel,
page 67; "Musical Times," December, 1892, page 15).
1823.--_Caricatures of Beethoven walking_, by Jos. van Boehm.
(Reproduced in Frimmel, page 70).
1823.--_Portrait of Beethoven_ by Waldmueller. (Belonging to Messrs.
Breitkopf and Haertel, Leipzig; reproduced in Frimmel, page 72).
1825-6.--_Drawing of Beethoven_ by Stepan Decker. (In the possession
of George Decker, Vienna; reproductions in Beethoven's house at Bonn).
1826.--_Drawing of Beethoven_ by A. Dietrich, lithographed by Jos.
Kriehuber. (Reproduced in Frimmel, page 73).
1826.--_Bust of Beethoven a la antique_, by Schaller. (The property of
the Philharmonic Society of London; copy in Beethoven's house at Bonn;
reproduced in Frimmel, page 74, and in "Musical Times," December,
1892).
1827.--_Sketch of Beethoven on his death-bed_, by Jos. Danhauser.
(In the possession A. Artaria, Vienna; reproduced in the "Allgemeine
Musik-Zeitung" of April 19th, 1901).
1827.--_Three sketches of Beethoven on his death-bed_, by Teltscher.
(In the possession of Dr. Aug. Heymann; published by Frimmel;
reproduced in the "Courier Musical" of November 15th, 1909).
1827.--_Mask of Beethoven dead_, modelled by Danhauser. (Beethoven's
house at Bonn).
Numerous portraits of Beethoven have been made since his death. The
most remarkable work which has been dedicated to his memory is the
monument of Max Klinger (Vienna, 1902).
CLASSIFICATION OF BEETHOVEN'S PIANOFORTE SONATAS IN ORDER OF STUDY
CLASSIFICATION OF BEETHOVEN'S PIANOFORTE SONATAS. IN ORDER OF STUDY
1. Op. 49, No. 2, in G major.
2. Op. 49, No. 1, in G minor.
3. Op. 14, No. 2, in G major.
4. Op. 14, No. 1, in E major.
5. Op. 79, in G major.
6. Op. 2, No. 1, in F minor.
7. Op. 10, No. 1, in C minor.
8. Op. 10, No. 2, in F major.
9. Op. 10, No. 3, in D major.
10. Op. 13, in C minor (_Pathétique_).
11. Op. 22, in B flat major.
12. Op. 28, in D major (_Pastorale_).
13. Op. 2, No. 2, in A major.
14. Op. 2, No. 3, in C major.
15. Op. 7, in E flat major.
16. Op. 26, in A flat major.
17. Op. 31, No. 1, in G major.
18. Op. 31, No. 3, in E flat major.
19. Op. 90, in E minor.
20. Op. 54, in F major.
21. Op. 27, No. 1, in E flat major.
22. Op. 27, No. 2 in C sharp minor. (_Moonlight_).
23. Op. 31, No. 2 in D minor.
24. Op. 53, in C major.
25. Op. 81, in E flat major. (_Les Adieux_).
26. Op. 78, in F sharp major.
27. Op. 57, in F minor. (_Appassionata_).
28. Op. 110, in A flat major.
29. Op. 109, in E major.
30. Op. 101, in A major.
31. Op. 111, in C minor.
32. Op. 106, in B flat major. (_The Giant_).
COMPLETE LIST OF BEETHOVEN'S COMPOSITIONS
LIST OF BEETHOVEN'S WORKS.
Compiled from Marx and Thayer.
I.--COMPOSITIONS WITH OPUS NUMBER
Opus
1. _Three Trios_ for pianoforte, violin, and violoncello, in E flat,
G major, and C minor; dedicated to Prince Lichnovsky; composed
1791-92.
2. _Three Sonatas_ for piano, in F minor, A major, and C major;
dedicated to Joseph Haydn; published 1796.
3. _Trio_ for violin, viola, violoncello, in E flat; composed in Bonn
before 1792.
4. _Quintet_ for two violins, two violas, and violoncello, in E flat
(from octet for wind instruments, Op. 103); published 1795.
5. _Two Sonatas_ for piano and violoncello, in F major and G minor;
dedicated to Frederic William II. of Prussia; composed in Berlin
in 1796.
6. _Sonata_ for piano, for four hands, in D major; published 1796-97.
7. _Sonata_ for piano, in E flat; dedicated to the Countess Babette
von Keglevics; published 1797.
8. _Serenade_ for violin, viola, and violoncello, in D major;
published 1797.
9. _Three Trios_ for violin, viola, and violoncello, in G major, D
major, and C minor; dedicated to the Count von Brovne; published
1798.
10. _Three Sonatas_ for piano, in C minor, F major, and D major;
dedicated to the Countess von Brovne; published 1798.
11. _Trio_ for piano, clarionet (or violin), and violoncello, in B
flat; dedicated to the Countess von Thun; published 1798.
12. _Three Sonatas_ for piano and violin, in D major, A major, and E
flat major; dedicated to F. A. Salieri; published 1798-99.
13. _Sonata Pathétique_ for piano, in C minor; dedicated to Prince
Lichnovsky; published 1799.
14. _Two Sonatas_ for piano, in E major and G major; dedicated to the
Baroness Braun; published 1799.
15. _First Concerto_ for piano and orchestra, in C major; dedicated to
the Princess Odescalchy, _née_ Countess von Keglevics; composed
1795.
16. _Quintet_ for piano, clarionet, oboe, bassoon, and horn, in E
flat major; dedicated to the Prince von Schwarzenberg; performed
1798.
17. _Sonata_ for piano and horn, in F major; dedicated to the Baroness
Braun; composed 1800.
18. _Six Quartets_ for two violins, viola, and violoncello, in F
major, G major, D major, C minor, A major, and B flat major;
dedicated to Prince Lobkovitz; published 1800-1801.
19. _Second Concerto_ for piano and orchestra, in B flat major;
dedicated to M. von Nickelsberg; composed 1798.
20. _Grand Septet_ for violin, viola, violoncello, horn, clarionet,
bassoon, and double-bass, in E flat; performed 1800.
21. _First Symphony_ for orchestra, in C major; dedicated to the Baron
van Swieten; performed 1800.
22. _Grand Sonata_ for piano, in B flat; dedicated to the Count von
Browne; composed 1800.
23. _Sonata_ for piano and violin, in A minor; dedicated to Count
Moritz von Fries; published 1801.
24. _Sonata_ for piano and violin, in F major; dedicated to Count
Moritz von Fries; published 1801 (originally together with
Op. 23).
25. _Serenade_ for flute, violin, and viola, in D major; published
1802.
26. _Sonata_ for piano, in A flat; dedicated to Prince Lichnovsky;
composed 1801.
27. _Two Sonatas quasi Fantasia_, for piano, No. 1, in E flat major,
dedicated to the Princess Lichtenstein; No. 2, in C sharp minor,
dedicated to the Countess Julia Guicciardi; composed 1801 (?).
28. _Sonata_ for piano, in D major; dedicated to M. von Sonnenfels;
composed 1801.
29. _Quintet_ for two violins, two violas, and violoncello, in C
major; dedicated to Count von Fries; composed 1801.
30. _Three Sonatas_ for piano and violin, in A major, C minor, and G
major; dedicated to the Emperor Alexander I. of Russia; composed
1802.
31. _Three Sonatas_ for piano, in G major, D minor, & E flat major;
composed 1802 (?).
32. _To Hope_, words from the _Urania_ of Tiedge; published 1805
(first setting; see Op. 94).
33. _Bagatelles_ for piano; composed 1782.
34. _Six Variations_ for piano, in F major, or an original theme;
dedicated to the Princess Odescalchy; composed in 1802 (?).
35. _Fifteen Variations with a Fugue_, for piano, on a theme from
"Prometheus"; dedicated to Count Maritz Lichnovsky; composed
1802.
36. _Second Symphony_ for orchestra, in D major; dedicated to Prince
Lichnovsky; composed 1802.
37. _Third Concerto_ for piano and orchestra, in C minor; dedicated to
Prince Louis Ferdinand of Prussia; composed 1800.
38. _Trio_ for piano, clarionet (or violin), and violoncello (from the
_Septet_, Op. 20), published 1805.
39. _Two Preludes through all the major and minor keys_, for piano or
organ; composed 1789.
40. _Romance_ for violin and orchestra, in G major; composed 1802 (?).
41. _Serenade_ for piano and flute (or violin), in D major; from
Opus 5. Published 1803.
42. _Notturno_ for piano and violoncello, in D major (from Op. 8);
published 1804.
43. _Ballet_, "The Men of Prometheus"; composed 1800.
44. _Fourteen Variations_ for piano, violin, and violoncello, on an
original theme; composed 1802 (?).
45. _Three Marches_ for piano, for four hands, in C major, E flat
major, and D major; dedicated to the Princess Esterhazy; composed
1802 (1801?).
46. _Adelaïde_, words by Matthison; composed 1796.
47. _Sonata_ for piano and violin, in A major; dedicated to the
violinist, Rudolph Kreutzer; composed 1803.
48. _Six spiritual songs_, by Gellert; published 1803.
49. _Two easy Sonatas_ for piano, in G minor and G major; composed
1802 (?).
50. _Romance_ for violin and orchestra, in F major; composed in
1802 (?).
51. _Two Rondos_ for piano; No. 1 in C major, published 1798 (?);
No. 2 in G major, dedicated to the Countess Henriette von
Lichnovsky; published 1802.
52. _Eight Songs_; words by Claudius, Sophie von Mereau, Burger,
Goethe, and Lessing; partly composed in Bonn before 1792.
53. _Grand Sonata_ for piano, in C major; dedicated to Count
Waldstein; composed in 1803 (?).
54. _Sonata_ for piano, in F major; composed 1803 (?).
55. _Third Symphony_ (Eroica) for orchestra, in E flat; dedicated to
Prince Lobkovitz; composed 1803-4.
56. _Triple Concerto_ for piano, violin and violoncello, with
orchestra, in C major; composed 1804-5.
57. _Grand Sonata_ for piano and orchestra, in G major; dedicated to
the Count von Brunswick; composed 1804.
58. _Fourth Concerto_ for piano and orchestra, in G major; dedicated
to the Archduke Rudolph; composed 1806 (?).
59. _Three Quartets_ for two violins, viola, and violoncello, in F
major, E minor, and C major; dedicated to Prince Rasumovsky;
composed 1806.
60. _Fourth Symphony_ for orchestra, in B flat; dedicated to Count
Oppersdorf; composed 1806.
61. _Concerto_ for violin and orchestra, in D major; dedicated to
Stephan von Breuning; composed 1806.
62. _Overture, "Coriolanus,"_ in C minor; dedicated to the dramatist,
Heinrich von Collin; composed 1807.
63. _Sonata_ for piano, violin, and violoncello (from the Octet, Op.
103); published 1807.
64. _Sonata_ for piano, violin, and violoncello (from the Trio,
Op. 3); published 1807.
65. _Scena and Aria, "Ah, perfido!"_ for soprano voice and orchestra;
dedicated to the Countess Clari; composed 1796.
66. _Twelve Variations_ for piano and violoncello, in F major, on
the theme, _Ein Mädchen oder Weibchen_, from Mozart's
_Zauberflote_; published 1798.
67. _Fifth Symphony_ for orchestra, in C minor; dedicated to Prince
Lobkovitz and Count Rasumovsky; composed 1808 (?).
68. _Sixth Symphony (Pastoral)_ for orchestra, in F major; dedicated
to Prince Lobkovitz and Count Rasumovsky; composed 1808 (?).
69. _Sonata_ for piano and violoncello, in A major; dedicated to
Baron von Gleichenstein; published 1809.
70. _Two Trios_ for piano, violin, and violoncello, in D major and E
flat major; dedicated to the Countess Marie Erdödy; composed
1808.
71. _Sextet_ for two clarionets, two flutes, and two bassoons;
performed 1804-5.
72. _Fidelio (Leonora)_ opera in two acts; composed 1804-5.
73. _Fifth Concerto_ for piano and orchestra in E flat; dedicated to
the Archduke Rudolph; composed 1809.
74. _Quartet_ (tenth) for two violins, viola, and violoncello, in E
flat; dedicated to Prince Lobkovitz; composed 1809.
75. _Six Songs_; words by Goethe and Reissig; dedicated to the
Princess Kinsky; composed 1810.
76. _Variations_ for piano, in D major, on an original (?) theme,
afterwards employed as the _Turkish March_ in the _Ruins of
Athens_; dedicated to his friend, Aliva; published 1810.
77. _Fantasia_ for piano, in G minor; dedicated to the Count von
Brunswick; composed 1809.
78. _Sonata_ for piano, in F sharp major; dedicated to the Countess
von Brunswick; composed 1809.
79. _Sonatina_ for piano, in G major; published 1810.
80. _Fantasia_ for piano, orchestra, and chorus, in C minor; words,
"Schmeichelnd hold und lieblich klingen," by Kuffner; dedicated
to Joseph Maximilian, of Bavaria; performed 1808.
81A. _Sonata_ for piano, _Les Adieux_, in E flat; dedicated to the
Archduke Rudolph; composed 1809.
81B. _Sextet_ for two violins, viola, violoncello, and two horns
(_obligato_) in E flat; published 1810.
82. _Four Ariettas and a Duet_, with pianoforte accompaniment; words
of Nos. 2, 3, and 5, by Mestastasio; published 1811.
83. _Three Songs_; words by Goethe; dedicated to the Princess Kinsky;
composed 1810.
84. _Overture and Incidental Music to "Egmont"_; composed 1809-10.
85. _"The Mount of Olives," an oratorio_; text by Franz Xaver Huber;
composed 1800 (?).
86. _First Mass_ for four voices and orchestra, in C major; dedicated
to Prince Esterhazy; composed 1807.
87. _Trio_ for wind instruments, in C major; performed 1797.
88. _"Das Glück der Freundschaft"_ for voice and piano; published
1803.
89. _Polonaise_ for piano, in C major; dedicated to the Empress
Elisabeth Alexievna of Russia; composed 1814.
90. _Sonata_ for piano, in E minor; dedicated to Count Moritz
Lichnowski; composed 1814.
91. _The Battle of Vittoria_ for orchestra; dedicated to the Prince
Regent of England; composed 1813.
92. _Seventh Symphony_ for orchestra, in A major; dedicated to Count
Fries; composed 1812.
93. _Eighth Symphony_ for orchestra, in F major; composed 1812.
94. _"To Hope," words from the "Urania" of Tiegde_ (second setting
see Op. 32); composed 1816.
95. _Quartet_ for two violins, viola, and violoncello, in F minor;
dedicated to Secretary Zmeskall; composed 1810.
96. _Sonata_ for piano and violin, in G major; dedicated to the
Archduke Rudolph; composed 1810.
97. _Trio_ for piano, violin, and violoncello, in B flat; dedicated to
the Archduke Rudolph; composed 1811.
98. _An die ferne Geliebte_, (a _Liederkreis_); words by Jeitteles;
dedicated to Prince Lobkovitz; composed 1816.
99. _Der Mann von Wort_, for voice and piano; words by Kleinschmid;
published 1815.
100. _Merkenstein_, for one or two voices and piano; words by
Rupprecht; composed 1814.
101. _Sonata_ for piano, in A major; dedicated to the Baroness
Erdmann; composed 1815.
102. _Two Sonatas_ for piano and violoncello, in C major and D major;
dedicated to the Countess Erdödy; composed 1815.
103. _Octet_ for wind instruments, in E flat major; composed in Bonn
before 1792.
104. _Quintet_ for two violins, two violas, and violoncello, in C
minor (from the Trio, No. 3, of Op. 1); published 1819.
105. _Six themes varied_ for piano, with violin ad libitum; composed
for George Thomson, Edinburgh, 1818-19.
106. _Sonata_ for piano, in B flat; dedicated to the Archduke Rudolph;
composed 1818.
107. _Ten Themes variés russes, écossais, tyrolienne_ for piano, with
violin _ad libitum_; composed for George Thomson, 1818-20.
108. _Twenty-five Scotch Melodies_ for one or two voices, and chorus
(_obbligato_); published 1825.
109. _Sonata_ for piano, in E major; dedicated to Fräulein Brentano;
composed 1821 (?).
110. _Sonata_ for piano, in A flat major; composed 1821.
111. _Sonata_ for piano, in C minor; dedicated to the Archduke
Rudolph; composed 1822.
112. _Meeresstille und glückliche Fahrt_ for four voices and
orchestra; dedicated to "the Author of the Poem, the immortal
Goethe," composed 1815.
113. _Overture, "The Ruins of Athens"_; composed 1811-12.
114. _Marches and Choruses from "The Ruins of Athens."_
115. _Overture, "Namensfeier,"_ in C major; dedicated to Prince
Radzivill; composed 1814.
116. _Terzetto_ for soprano, tenor, and bass, with orchestral
accompaniment; composed 1801.
117. _Overture and Choruses, "King Stephen"_; performed 1812.
118. _Elegy_ in memory of the Baroness Pasqualati, "Sanft wie du
lebtest hast du vollendet" dedicated to the Baron Pasqualati;
composed 1814.
119. _Twelve Bagatelles_ for piano; composed 1820-1822.
120. _Thirty-three Variations on a waltz by Diabelli_; dedicated to
Madame Brentano; composed 1823.
121A. _Adagio, Variations and Rondo_ for piano, violin, and
violoncello, in G major; theme, "Ich bin der Schneider Kakadu";
published 1824.
121B. _Opferlied_ for solo, chorus, and orchestra; words by
Matthison; composed 1822.
122. _In allen guten Stunden_, for solo and chorus, with two
clarionets, two horns, and two bassoons; words by Goethe;
composed 1822.
123. _Missa Solemnis_ for four voices, chorus, and orchestra, in D
major; dedicated to the Cardinal Archduke Rudolph; composed
1818-1822.
124. _Overture, "Weihe des Hauses,"_ in C major; dedicated to Prince
Galitzin; composed 1822.
125. _Ninth Symphony_ with final chorus on Schiller's _"Ode to Joy"_
for orchestra, four voices, and chorus, in D minor; dedicated to
Frederick William III of Prussia; composed 1822-3.
126. _Six Bagatelles_ for piano; composed about 1821.
127. _Quartet_ for two violins, viola, and violoncello, in E flat;
dedicated to Prince Galitzin; composed 1824.
128. _"The Kiss," Arietta_ for voice and piano; composed 1822.
129. _Rondo capriccioso_, in G major.
130. _Quartet_ for two violins, viola, and violoncello, in B flat;
dedicated to Prince Galitzin; composed 1825.
131. _Quartet_ for two violins, viola, and violoncello, in C sharp
minor; dedicated to the Baron von Stutterheim; composed 1826.
132. _Quartet_ for two violins, viola, and violoncello, in A minor;
dedicated to Prince Galitzin; composed 1825.