MUSIC.

This accomplishment, so popular at the present time, is a source of

surpassing delight to many minds. From its power to soothe the feelings

and modify the passions, it seems desirable to understand it, if it does

not involve too great expense of time. Vocal music is an accomplishment

within the reach of most persons. "I have a piano within myself," said a

little girl, "and I can play on that, if I have no other."

An excellent clergyman, possessing much knowledge of human nature,

instructed his large family of daughters in the theory and practice of

music. They were all observed to be exceedingly amiable and happy. A

friend inquired if there was any secret in his mode of education. He

replied, "When any thing disturbs their temper, I say to them _sing_;

and, if I hear them speaking against any person, I call them to sing to

me, and so they have sung away all causes of discontent, and every

disposition to scandal." Such a use of this accomplishment might serve

to fit a family for the company of angels and the clime of praise. Young

voices around the domestic altar, breathing sacred music at the hour of

morning and evening devotions, are a sweet and touching accompaniment.

Instrumental music, being more expensive in its attainment, both of

money and time, and its indifferent performance giving pain to those

of refined sensibility, seems scarcely desirable to be cultivated,

unless the impulse of native taste prompts or justifies the labor. The

spirited pen of Miss Martineau, in her "Five First Years of Youth," has

sketched a pleasing description of a young lady, possessing a strong

predilection for music. "She sang much and often, not that she had any

particular aim at being very accomplished, but because she loved it, or,

as she said, because she could not help it. She sang to Nurse Rickham's

children; she sang as she went up and down stairs; she sang when she was

glad, and when she was sorry; when her father was at home, because he

liked it; and when he was out, because he could not be disturbed by it.

In the woods, at noonday, she sang like a bird, that a bird might answer

her; and, if she awoke in the dark night, the feeling of solemn music

came over her, with which she dared not break the silence."

Where such a taste exists, there is no doubt that opportunities for its

improvement should be gladly accepted. Where there is no taste, it seems

cause of regret, when time, perhaps health, are sacrificed to the

accomplishment. Even where a tolerable performance of instrumental music

might probably be attained, without the prompting of decided taste,

there may be danger of absorbing too much of time and attention from

those employments which a female ought to understand and will be

expected to discharge, and which are in reality of far greater

importance.

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