WHAT IS FASCISM? WHITHER IS IT TAKING ITALY?

Is fascism the invention and weapon of Mussolini, or is Mussolini the

creature of Fascism? Is Fascism something that would die if he died, or

is it something that would have played its part in the world if that

eminently theatrical figure had never been born?

No doubt that under its present name and as an organization Fascism

from its very beginning has been most intimately associated with

Mussolini. But though it has kept its name and its leader, it has

changed its nature very completely since its appearance seven years

ago. Beginning as something of a novelty, it has abandoned every novel

pretension it ever made. This reality that has now taken on the name

and organization of Fascism was fully vocal in Italy before the war,

and its spiritual father is d’Annunzio. It was active and armed for the

Fiume raid, while Mussolini was still encouraging crowds to loot shops

and preaching “the railways for the railwaymen” and the land for the

peasants.

This spirit in Italy, which Mussolini did not create but which he

has studied, adopted, and used to clamber to his present fantastic

position of Italian tyrant, had already found literary expression in

the “Futurist” poetry of Marinetti as early as 1912 and 1913. I can

remember that rich voice in London at some dinner of the Poetry Society

long before the war, reciting, shouting, the intimations of a new

violence, of an Italy that would stand no nonsense, that adjured the

past and claimed the future, that exulted in the thought and tumult of

war, that was aristocratic, intolerant, proud, pitiless, and, above

all, “Futurist.”

In those days Mussolini was just the sort of fellow the present-time

Fascist would spend a happy evening in waylaying and beating to death.

He was a pacificist, a Socialist of the extreme left, and he had made

himself conspicuous by leading an agrarian revolt, the Red Week, in

Romagna.

Even in 1919 Mussolini had not found the real soul and substance of

his party, and the youthful violence of Italy had still to discover

its organizer and god. The early Fascist programme read over again

now, seven years later, is almost incredibly contradictory of all that

Fascism now proclaims; it was republican, pacificist, it demanded the

abolition of titles, freedom of the Press, freedom of association,

freedom of propaganda, a census of wealth, confiscation of unproductive

capital, suppression of banks and stock exchanges, grants of land to

peasant soviets, and so forth. It was in fact a new organization of

Socialist extremists outside the trade-union and peasant classes. But

its strength lay not in its ideas, but in the ability with which it was

organized.

It set about its work from the beginning with a melodramatic

picturesqueness that seized upon adolescent imaginations; it was

aggressive, adventurous, quarrelsome, and implacable after the heart of

youth. It was, in a word, a great lark. But it put the rampant Italian

Futurists into a uniform and taught them a Roman salute. It developed

a feud with the Socialists and Populist Party. It grasped an immense

opportunity at the municipal elections of 1920, when it supported, and

in return had the connivance of, the Giolitti Ministry. It supplied

convenient bands of young roughs to intimidate electors. It got arms

in some secret but effective fashion, and a properly instructed police

dealt with it in a spirit of friendly laxity. And when next year it had

become an actual party represented in the Chamber, it turned against

its foster-father Giolitti, which served that venerable statesman right.

The early programme had dropped out of sight by that time; it would

be forgotten altogether were it not for the obstinate memories of

antagonists like Sturzo and Nitti--and Mussolini was feeling his way

steadily towards the poses and professions that would most fully

satisfy the cravings of the more energetic and adventurous sections of

Italian youth. He has emerged at last in a rôle that d’Annunzio could

have written for him fifteen years ago, the rôle of the unscrupulous,

magnificent Saviour and re-Maker of a Hairy Heroic Italy.

As late as 1919 he had still been flirting with extreme Socialistic

ideas; it was only with the fall of Giolitti that he moved definitely

over to patriotism, nationalism, religious orthodoxy, and conservatism.

I would not charge him with a cunning and calculated self-seeking

in this change of front. He seems to have been guided by the quick

instinct of the born actor and demagogue for what would “take,” rather

than by any intelligible reasoning, to throw himself and all his

resources into the forms demanded by romantic reaction.

The forces of romantic reaction had been incapable of producing an

organization, but they were prepared for melodramatic devotion;

they had no great leader except an elderly poet of literary habits,

unhappily lacking in hair and a little exhausted by aviation and Fiume,

and they cried out for a hero in the full vigour of life. The Fascist

organization, with the very little modification needed to scrap all the

original principles, gave them the first, and Mussolini was only too

ready to take his cue and come forward into the limelight as the second.

One need only study a few of the innumerable photographs of Mussolini

with which the world is now bespattered to realize that he is a

resultant and no original. That round, forcible-feeble face is the

popular actor’s face in perfection. It stares, usually out of some

pseudo-heroic costume, under a helmet for choice, with eyes devoid of

thought or intelligence and an expression of vacuous challenge. “Well,

what have you got against me? I deny it.”

It is the face of a man monstrously vain and--at the mere first rustle

of a hiss--afraid. Not physically afraid, not afraid of the assassin

who lurks in the shadows, but afraid, in deadly fear of that truth

which walks by day. The murders and outrages against opponents and

critics that lie like a trail of blood upon his record are the natural

concomitants of leadership by a man too afraid of self-realization to

endure the face of an antagonist. Away with them! Nitti, Amendola,

Forni, Misuri, Matteotti, Salvemini, Sturzo, Turati! Away with all

these men who watch and criticize and wait! What are they waiting for?

Not one of these names of men robbed, beaten, exiled, or foully done to

death, which is not the name of a better man than this posturing figure

which holds the stage in Italy. And the supreme sin of each one of them

has been the quack-destroying comment, the chill and penetrating eye.

In truth Mussolini has made nothing in Italy. He is a product of Italy.

A morbid product. Italians ask: “What should we have done without

Mussolini?” and the answer is: “You would have got another.” What is

now drilled and disciplined as Fascism existed before him and will

go on after him. If he were to die, Fascism would not have the least

difficulty in finding among the rich resources of Italy a successor as

dramatic and rhetorical: its difficulty would be that it would probably

find too many successors.

What then is this reality of Fascism, which inflates this strange

being and allows him for a little while to do so much violence as the

tyrant of Italy? What complex of forces sustains him?

One power of Fascism is that it is the first entrance of an organized

brotherhood upon the drama of Italian politics.

It is only apparently a one-man tyranny. There is considerable

reason to suppose that organized brotherhoods, maintaining a certain

uniformity of thought and action over large areas and exacting a

quasi-religious devotion within their membership, are going to play an

increasingly important part in human affairs. Secret societies there

have always been in Italy, but Fascism is not a secret society; it is

an association with open and declared aims. It discusses its activities

in big meetings and regulates them through a Press. The Communist Party

which dominates Russia and the Kuomintang which is rescuing China from

anarchy and foreign dominion, are other such associations, broader and

more completely modern in spirit but structurally akin. Their ideals

and those of the Fascists are in the flattest contrast, and their

procedure is freer from furtive violence, but they have much the same

material form. The contents of the vehicle differ, but the form of the

vehicle is similar.

And while in the Communist Party we find Marxist theories struggling

with practical reality and in the Kuomintang the conception of

consolidating and developing a modernized but essentially Chinese

Civilization, in the Fascist vehicle there seems to be the ideology

of a young and essentially ill-educated Italian, romantic, impatient,

and, at bottom, conventional, wanting altogether in any such freshness

or vigour of outlook as distinguishes the Kuomintang and Communist

visions. Fascism as compared with these movements presents a mentality

which cannot conceive new things, but which wants old things and itself

made glorious. The Italian Futurism it succeeds was never more than a

projected return to primitive violence. It is a modern method without a

modern idea.

This Fascist mind demands workers who work with pride and passion

and accept what is given to them cheerfully; soldiers eager for the

prospect of death; priests who are saints without question, and

teachers who teach but one lesson: Italy. It can face no doubts nor

qualifications. It sees taking thought in the light of treason,

discussion as weakness, and the plainest warnings of danger as

antagonism to be beaten into silence and altogether overcome. So

long as Mussolini sings its song it will lavish upon him a medieval

loyalty. Should he by some miracle be smitten with intelligence and

self-criticism, it would sweep him away. Its honesty, as a movement in

general and disregarding the manifest cynicism and commercialism of

some of its older leaders, is indisputable. Mussolini before the camera

man as hero is the caricature portrait of Young Italy before the world

as hero.

Now, how comes it that Italy has produced this sort of youthful mind

in sufficient abundance to fill the ranks of Fascism and make it for

a time at least a great and powerful machine? Why has Italy bred her

own servitude and degradation? To answer that question completely

would demand a long and intimately critical study of the development

of Italian secondary and higher education, and of the quality and

supply of reading matter to the inquiring adolescent during the past

half-century. I do not even know if it is a case of bad schools or of

insufficient schools, of inaccessibility of education, of religious or

anti-religious tests for the teachers, of aloofness or cheapness of

quality in the universities, of a pervasion of teaching by propaganda

or a defective distribution of books. But bad education there has

surely been, and Italy reaps the consequences to-day. The Italian

intelligence is naturally one of the best in Europe, but in some way

or in several ways it must have been underfed, under-exercised, and

misdirected for this supply of generous, foolish, violent young men

of the middle classes to exist. This mentality could not be possible

without a wide ignorance of general history and world geography,

without the want of any soundly scientific teaching to balance the

judgment and of any effective training in discussion, fair play,

and open-mindedness to steady behaviour. It is the mentality of the

emotional, imaginative, intellectually undertrained hobbledehoy.

For the most tragic thing of all, to my mind, in this Italian

situation is the good there is in these Fascists. There is something

brave and well-meaning about them. They love something, even if it

is a phantom Italy, that never was and never can be; they can follow

a leader with devotion even if he is a self-deceiving charlatan.

They will work. Even their outrages have the excuse of a certain

indignation, albeit stupid sometimes to the pitch of extreme cruelty.

Mixed up with this goodness there is no doubt much sheer evil, a

puerile malignity and the blood-lust of excited beasts, as when so

hideously they beat to death and out of recognition the poor child who

may or may not have fired an ineffective pistol at their dictator. But

the goodness is there.

Yet I do not see that the alloy of generosity and courage in Fascism is

likely to save Italy from some very evil consequences of its rule.

The deadliest thing about Fascism is its systematic and ingenious and

complete destruction of all criticism and critical opposition. It is

leaving no alternative Government in the land. It is destroying all

hopes of recovery. The King may some day be disinterred, the Vatican

may become audible again, the Populist Party of Catholic Socialism

hangs on; but it is hard to imagine any of these three vestiges of the

earlier state of affairs recovering enough vitality to reconstruct

anew an exhausted Italy. Fascism is holding up the whole apparatus of

education in Italy, killing or driving out of the country every capable

thinker, clearing out the last nests of independent expression in the

universities. Meanwhile its militant gestures alarm and estrange every

foreign Power with which it is in contact. Now through the Tyrol it

insults the Germans to the limits of endurance; now it threatens France

monstrously and recklessly; now comes the turn of the Turk or the

Yugo-Slav.

Yet no European country is less capable of carrying on a modern war

than Italy; she has neither the coal, steel, nor chemical industries

necessary, and equally is she incapable of developing a modern

industrialism without external resources. Her population increases

unchecked; no birth-control propaganda may exist within her boundaries.

So beneath all the blare and bluster of this apparently renascent

Italy there accumulates a congestion of under-educated and what will

soon be underfed millions. British and other foreign capital may for

a time bring in fuel and raw material to sweat the virtues of this

accumulation of cheap low-grade labour. We may hear for a time quite

a lot about the industrial expansion of Italy. We may be invited to

invest in Italian “industrials.” But one may doubt whether the more

intelligent workers of Western and Central Europe will consent to have

the standards of European life lowered by Italian cheap labour without

a considerable and probably an effective protest.

So it seems to me that the horoscope of Italy reads something after

this fashion: this romantic, magnificent, patriotic Fascist Party, so

exalted and devoted in its professions, will continue to grip the land,

but of necessity it must become more and more the servant of foreign

and domestic capital, and more and more must it sell itself to reduce

its dear and beloved Italy to a congested country of sweated workers

and terrorized peasants, until at last the peninsula will be plainly

the industrial slum of Europe. I do not see any forces in Italy capable

of arresting the drive to degradation and catastrophe that the Fascist

movement, for all its swagger, has set going. Italy is now the Sick

Land of Europe, a fever patient, flushed with a hectic resemblance to

health, and still capable of convulsive but not of sustained violence.

She declines. She has fallen out of the general circle of European

development; she is no longer a factor in progressive civilization. In

the attempts to consolidate European affairs that will be going on in

the next decade, Italy will be watched rather than consulted. She has

murdered or exiled all her Europeans.

Many things may happen ultimately to this sick and sweated Italy, so

deeply injured and weakened by her own misguided youth. Her present

flushed cheeks and bright eyes and high temperature will presently

cease to deceive even herself. She may blunder into a disastrous war,

or she may develop sufficient social misery to produce a chaotic social

revolution. Or one of these things may follow the other. And either war

or revolution may spread its effects wide and far. In that way Italy

becomes a danger to all humanity. But as a conscious participant she

ceases to be great and significant in the world drama. She is now, for

other countries, merely Mussolini. She may presently be his distracted

relict.

But Italy is something more than a huge river valley and a mountainous

peninsula under a Fascist tyrant. Italian intelligence and energy are

now scattered throughout the earth. Who can measure the science and

stimulation we in the rest of the world may not owe presently to the

fine minds, the liberal spirits, who have been driven out of Italy by

the Fascists’ loaded cane? How many men must there be to-day, once

pious sons of Italy, who are now learning to be servants of mankind!

_9 February, 1927._

The way the world is going · 第 16 / 53 题