III

And the second vow that I should urge these graduates to take is the vow

of fidelity to the spirit of their calling. We have heard a great deal

in recent years about making education a profession. I do not like that

term myself. Education is not a profession in the sense that medicine

and law are professions. It is rather a craft, for its duty is to

produce, to mold, to fashion, to transform a certain raw material into a

useful product. And, like all crafts, education must possess the craft

spirit. It must have a certain code of craft ethics; it must have

certain standards of craft excellence and efficiency. And in these the

normal school must instruct its students, and to these it should secure

their pledge of loyalty and fidelity and devotion.

A true conception of this craft spirit in education is one of the most

priceless possessions of the young teacher, for it will fortify him

against every criticism to which his calling is subjected. It is

revealing no secret to tell you that the teacher's work is not held in

the highest regard by the vast majority of men and women in other walks

of life. I shall not stop to inquire why this is so, but the fact cannot

be doubted, and every now and again some incident of life, trifling

perhaps in itself, will bring it to your notice; but most of all,

perhaps you will be vexed and incensed by the very thing that is meant

to put you at your ease--the patronizing attitude which your friends in

other walks of life will assume toward you and toward your work.

When will the good public cease to insult the teacher's calling with

empty flattery? When will men who would never for a moment encourage

their own sons to enter the work of the public schools, cease to tell us

that education is the greatest and noblest of all human callings?

Education does not need these compliments. The teacher does not need

them. If he is a master of his craft, he knows what education means,--he

knows this far better than any layman can tell him. And what boots it to

him, if, with all this cant and hypocrisy about the dignity and worth of

his calling, he can sometimes hold his position only at the sacrifice of

his self-respect?

But what is the relation of the craft spirit to these facts? Simply

this: the true craftsman, by the very fact that he is a true craftsman,

is immune to these influences. What does the true artist care for the

plaudits or the sneers of the crowd? True, he seeks commendation and

welcomes applause, for your real artist is usually extremely human; but

he seeks this commendation from another source--from a source that metes

it out less lavishly and yet with unconditioned candor. He seeks the

commendation of his fellow-workmen, the applause of "those who know, and

always will know, and always will understand." He plays to the pit and

not to the gallery, for he knows that when the pit really approves the

gallery will often echo and reëcho the applause, albeit it has not the

slightest conception of what the whole thing is about.

What education stands in need of to-day is just this: a stimulating and

pervasive craft spirit. If a human calling would win the world's

respect, it must first respect itself; and the more thoroughly it

respects itself, the greater will be the measure of homage that the

world accords it. In one of the educational journals a few years ago,

the editors ran a series of articles under the general caption, "Why I

am a teacher." It reminded me of the spirited discussion that one of the

Sunday papers started some years since on the world-old query, "Is

marriage a failure?" And some of the articles were fully as sickening in

their harrowing details as were some of the whining matrimonial

confessions of the latter series. But the point that I wish to make is

this: your true craftsman in education never stops to ask himself such

questions. There are some men to whom schoolcraft is a mistress. They

love it, and their devotion is no make-believe, fashioned out of

sentiment, and donned for the purpose of hiding inefficiency or native

indolence. They love it as some men love Art, and others Business, and

others War. They do not stop to ask the reason why, to count the cost,

or to care a fig what people think. They are properly jealous of their

special knowledge, gained through years of special study; they are

justly jealous of their special skill gained through years of discipline

and training. They resent the interference of laymen in matters purely

professional. They resent such interference as would a reputable

physician, a reputable lawyer, a reputable engineer. They resent

officious patronage and "fussy" meddling. They resent all these things

manfully, vigorously. But your true craftsman will not whine. If the

conditions under which he works do not suit him, he will fight for their

betterment, but he will not whine.

Craftsmanship in Teaching · 第 22 / 66 题